WRITING THE PARANORMAL NOVEL TECHNIQUES AND EXERCISES FOR WEAVING SUPERNATURAL ELEMENTS INTO YOUR STORY STEVEN HARPER Writing the Paranormal Novel. Copyright © 2011 by Steven Harper Piziks. Manufactured in the United States of America. All rights reserved. No other part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Published by Writer's Digest Books, an imprint of F+W Media, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236. (800) 289-0963. First edition. For more resources for writers, visit www.writersdigest.com/books. To receive a free weekly e-mail newsletter delivering tips and updates about writing and about Writer's Digest products, register directly at http://newsletters.fwpublications.com. 15 14 13 12 11 5 4 3 2 1 Distributed in Canada by Fraser Direct 100 Armstrong Avenue Georgetown, Ontario, Canada L7G 5S4 Tel: (905) 877-4411 Distributed in the U. K. and Europe by F+W Media International Brunel House, Newton Abbot, Devon, TQ12 4PU, England Tel: (+44) 1626-323200, Fax: (+44) 1626-323319 E-mail: [email protected] Distributed in Australia by Capricorn Link P. O. Box 704, Windsor, NSW 2756 Australia Tel: (02) 4577-3555 Library of Congress Cataloging-in-Publication Data Piziks, Steven. Writing the paranormal novel: techniques and exercises for weaving supernatural elements into your story/by Steven Piziks. — 1st ed. p.cm. ISBN 978-1-59963-134-9 (alk. paper) eISBN 13: 978-1-5996-3301-5 1. Occult fiction — Authorship. 2. Occult fiction — Technique. I. Title. PN3377.5.O33P59 2011 808.3'873 — dc22 2010034603 Edited by Scott Francis Designed by Claudean Wheeler Cover photo by inhauscreative/iStockphoto.com Production coordinated by Debbie Thomas ABOUT THE AUTHOR Steven Harper Piziks is the author of In the Company of Mind and Corporate Mentality, both science fiction books published by Baen Books. Writing as Steven Harper for Roc Books, he has produced The Silent Empire series for Roc and is currently writing The Brain Plague steampunk trilogy for DAW. He's also written books based on Star Trek, Battlestar Galactica, and The Ghost Whisperer, as well as the movie novelization Identity. When not writing, he plays the harp, wrestles with his three sons, and spends more time online than is probably good for him. www.sff.net/people/spiziks www.twitter.com/stevenpiziks TABLE OF CONTENTS PART I: GATHERING THE ELEMENTS CHAPTER 1: The Nature of the Paranormal CHAPTER 2: Elements and Elementals CHAPTER 3: The Paranormal at Large CHAPTER 4: Seeking the Paranormal CHAPTER 5: The Paradox of Clichés PART II: SUMMONING THE CHARACTERS CHAPTER 6: Supernatural Characters CHAPTER 7: Magic and the Superhero CHAPTER 8: Keeping It Real PART III: CASTING THE WORDS CHAPTER 9: Thinking Big and Small: Arc, Plot, and Subplot CHAPTER 10: Fight Scenes and Flashbacks: How to Handle Paranormal Pacing CHAPTER 11: Language and Dialogue CHAPTER 12: Paranormal Polish CHAPTER 13: The Real Challenges PART IV: BANISHING THE BOOK CHAPTER 14: The Reality CHAPTER 15: Destruction and Creation PART I: GATHERING THE ELEMENTS CHAPTER 1: The Nature of the Paranormal W elcome to a wonderful world of weird. You can find just about anything here: lovely bones, lightning thieves, graveyard books, wild swans, half magic. The list is as endless as imagination. And you've decided to write in it. Cool! We do have a few rules. Sorry, but there it is. You can't do just anything. You only get three wishes. The magical gate closes at sunset. The handsome stranger doesn't drink … wine. Even the supernatural world has its little ways. Don't fret. We'll walk you through, open all the doors, and reveal all the secrets. Please keep your arms and legs inside the tour bus at all times (lest they get bitten off) and remember to tip the driver (he gets testy if you don't). And at the end of it, you'll have your own paranormal manuscript. JUST WHAT IS A PARANORMAL BOOK, ANYWAY? If you want to write science fiction — bear with me here — you have to create a story with some piece of extrapolated science (such as dinosaur cloning or the ability to zap a corpse back to life) that's so integral to the plot, you can't remove it without destroying the story. Remove the cloned dinosaurs from Jurassic Park, and you have no story. Remove the reanimated dead from Frankenstein, and you have no story. Science is the element that makes these novels into science fiction instead of, say, adventure or romance or gothic. Paranormal novels work the same way. You need some element of magic or the supernatural that's so deeply integral to the story that the entire novel would collapse if you removed it. Try removing the supernatural element from Dracula and see how far you get. The book has a romance, but without the vampire count to move things along, author Bram Stoker would have no story. On the other hand, if your protagonist's werewolf boyfriend could just as easily be a muscular guy who loses his temper once a month right around the time he needs a haircut, you aren't writing a paranormal novel, you're probably writing a romance with supernatural trappings — and your readers will see right through it. People have been telling supernatural stories from the beginning of human civilization. Such stories form the basis of every mythology that ever existed. These tales explain how the world came to exist, why we have earthquakes, who stole fire from the gods, where people go when they die, or anything else that needed explaining. Other supernatural stories spin grand adventures of bold heroes: Odysseus and Gilgamesh and Lemminkäinen and Aladdin. And it wasn't just the stories themselves that endured — the concepts remained as well. Who doesn't want to be swept away from this dull, mundane world to a wondrous, magical land? Who hasn't fantasized about finding a magical object of great power and having fun with it? Who hasn't fervently wished for the perfect magical lover to tell us we're irresistible? These and other supernatural concepts have hung on for generations for one reason: They're fun to think about. WHAT DO PARANORMAL NOVELS DO FOR US? Supernatural stories feed the human desire for escape. We can pretend we're riding that magic carpet, making those three wishes, or swinging that sword because we know (deep sigh) it's never going to happen for real. The idea of uncovering the supernatural in your own yard is irresistible. Supernatural stories originally took place Long Ago and Far Away. This lent the stories a certain amount of — believe it or not — realism. In a time when the average person never traveled more than four or five miles from home, it was easier to suspend disbelief if the story took place halfway around the globe. Anything can happen in a place you've never heard of! But eventually humans invented mass communication. The world shrank, and the universe Out There became less mystical. As a result, storytellers started slipping supernatural elements into their own backyards. Bram Stoker horrified — and fascinated — the Victorians when he brought a Long Ago and Far Away vampire into modern London. (More on that in chapter two.) Stoker wasn't the first to bring an ancient monster into a modern setting, but he was the most famous, and many, many authors imitated him. In supernatural stories, you don't need to look Long Ago or even Far Away to find adventure. You can stroll down the sidewalk or wander off the back porch. The contrast of the unknown magical with the well-worn mundane provides the charm. Winged horses and flying carpets are fun, sure, but when most people spend their time stuck in automobile traffic, a flying car sounds a lot more interesting. Heck, maybe you, the reader, will find one next. On that note, I should let you know that this book will focus mostly on writing novels set primarily in our world, either past or present, or on novels that use characters from our world who travel to supernatural places. Although it's a supernatural genre, we'll only be making brief detours into high fantasy. If you want to write novels about armored warriors or powerful sorcerers who fight fantastic creatures in a society that never intersects with our own, you might want to check out Orson Scott Card's How to Write Science Fiction … Fantasy, also from Writer's Digest Books. Meanwhile, we're going to look at the chance to use the paranormal to shake up the ordinary world — or an ordinary story. HOW CAN THE PARANORMAL SHAKE IT UP? I live about half my waking life in fantasy. By this, I mean I tell myself stories. I create them in my car on highway drives, I spin them while I'm jogging on that stupid treadmill, and I think about them at night to send myself to sleep. In other words, I never gave up the “Let's pretend” games most children play because the real world was never quite enough. I've wanted to explore other places — or see what might happen if something truly strange came to this place. Eventually I learned how to get these stories down on paper and sell them, which is how I became a novelist. I'm not alone in this, of course. I only joined a long-standing tradition of storytellers stretching back over eons. There's something cool about adding a dash of magic to the normal world, and this coolness factor is why people write paranormal books. I'm assuming you're here for the same reason. On the surface it looks easy — just add a supernatural element to an otherwise normal story. A detective who hunts down criminals is pretty cool. But how much cooler is it to create a detective who hunts down ghosts? Put together a group of siblings who flee the Blitzkrieg, leaving their familiar city for the strange, unfamiliar English countryside, and you have a great story. Even greater is the story of the same children fleeing through a magical wardrobe to another world entirely. The young woman who falls in love with a handsome, mysterious stranger on the run from a dark past is such a cliché that romance authors are hard-pressed to use that story line anymore. Make the handsome stranger into a werewolf on the run from his angry pack mates, and the story becomes interesting again. But it's a little more complicated than that. (You knew it had to be, right?) Supernatural people and creatures don't just drop out of the sky, fully formed and realized, so they can step seamlessly into your story. Supernaturals need to be created, nurtured, and tended. They need to be examined, explored, and explained. Otherwise, they won't make sense. Sense? I want a demon that breaks free from hell, falls in love with mortal women, and vows to stop the impending Apocalypse to make sense? Absolutely. That's what this book is about. We're not only going to shake up a normal novel — we're going to shake it up in a way that makes people want to turn every page and stay up until three in the morning to do it. And that's a supernatural element all by itself.