A COMPOSER'S GUIDE Writing INTERACTIVE MUSIC for VIDEO GAMES Michael SWEET About This eBook PUR san open, inde Jandel fet fo eBooks. 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Video game music—Insttuction and study, 1. Iide, ‘MIG. v58584 2014 me a2 zoLaq2san4 ‘Copyright © 2015 Pearson Hducation, Ine All rights reserve. Printed in the Unite States oF America. 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Ine Praise for Writing Interactive Music for Video Games ‘Behind every great game expetience is an interactive score that sfines the emotional through ol # game. Writiay lererortive Masi or Video ames wl she yu ie foreleg score, ftom basic concepts to sophisticaad techniques. Its ‘with advice from some of the greatest video game composers, ‘working today, and seriten wih the clarity ain! insight that feanies Trine experience ‘Tracy Fullerton, Director, USC Game Innovation Lab “suichael Sweet's book provides a much-needed text chat walks @ ceempner thigh all of the catea cinsoneions shen Fs Slurig to wren the wie gan dusty. Nou simpy "how to’ uta “hyo” tha dives deep ito the sesthetis nd est practices of welling an interactive scoveTinough his yeals of Selim tbe nists an your of ten hing, he Wale tring ingelivy sr eqmuprctensive discussion i easing inva oe Scores, Professor Sweet brings ogether the mute and alts, the dnusiness, and perinent hisorical moments—all while secing composer” expevations lor wrldng in the incty, There av Hater auk che fu yu tea re ge understand wing for gaines Jeanine Cowen, Vice President for Curticulum and Program Innovation, Acatlemic Altair, Berklee College of Music “Viichael Swett demonstrates formidable depuh and head a InoWledge related to adaptive music, Te advoity covers both che creative aod technical components critical to being successful in this Feld. This bach is # musi-reg for neweusmers and ragerewca nent ging ant nora he ata ‘widea game composition.” Chuck Doud, Director of Music, Sony Computer Entertainment Worldwide Sutin lear, amet cae ies a ile ith ial naman, Thi is amis-read for any caniposer serious about scaring for garnes. Je you want to know what makes game music unique. look no further; this book will take you tothe nest level!” Steve Maroy, Conptnie “the processes and ecniques for composing fr games bas ‘ypleaiy been aback at of stange tenae and byzanene Provecar. rin tteractoe Msi or Video umes meus The sas you fe ool sth wh caning tu fw fame: and presents them in an easy-to-undersiand sway, from tbe Creative and technical sues to nang Bids and dealing eit Contracts: An excellent resoure for both he proestona and ‘Spin Gonpeney ts Peak shold fe se ager intrested ning mus for games, —Brian Schmidt, Executive Director, GameSoundCon, and President, Game Auli Network Guild “Viichavl Sow! has wvilien a thorough and aamiprehensive guide fox any composer or audio professional wishing to understand the technical anc creative aspects of scoring video pames. Students and professinnals a all levels sll fil his book valuable anv ‘soll worth veal Garry Schyman, Composer, Bioshock seties, Middflexearth ‘Shadow of stordor, Dante's tnferno, and Xcomn the Bureaet Dreclassfied: anil Adjunet Prolessear, CSC's SMPTY Program The Addison-Wesley Game Design and Development Series Fe Adkison- Wesley “isi inortiecolsviafgamedesgn far comple at of we publinsins. sential References for Game Dealgners and Developers hase prt gldes, writ by ditrgulshed profesor and industry gues cover bac tones of gine dei and developmen ing trghtervard, cemnree-sinse spproch. Th books eneourge rear toe things cn thei adhe lor thane, mang iter for anyone tao hw to design ad develop dial anes for Both computers and ob dices. Gar Inwemngam | ssusioossty | Safar PEARS! dedicate thi hook w all my farmer, coreent, ad fouure suns, wha ‘continue to surprise me every semester with thelr latent and abity 20 ‘each me equally abou Bfe, music, oad supporting one another.