IASPM03 - MONTREAL Table of Contents Desired Exotics: Icelandic and American Popular Musics in Contact 14 Stephen Amico “For Rockin’ at the Sock Hop or Listenin’ to Liszt”: Marketing the Phonograph to Teen Girls in the 1950s 22 Steve Bailey Praxis as Play: Singing and the Musical Practices of Pre-teen Girls 29 Sarah Baker Popular Music and the End of Apartheid: The Case of Kwaito 34 Christopher Ballantine Focus Shift: An Essay On the Overlooked Musical Influences in Québec Popular 41 Chanson of the 1960s Luc Bellemare American “Old time music” Mediation with French-Canadian Recordings 53 Sandria P. Bouliane Ideology, Historiography, and the Rock and Roll Hall(s) of Fame: Writing Off Rush? 64 Durrell Bowman You Walk Alone: Jandek and the Relationship Between Biography and Textuality in Popular 70 (and Not-So-Popular) Music Kevin John Bozelka What Does Their Music Mean: Argentinean Music for a Quebec Musician 77 Pascal Bujold Understanding Contradictions Through Popular Music: An Analysis of Coplas and Canción De Autor 84 Mercedes Carbayo-Abengózar and Esther Pérez-Villalba Skinny Ties and Valley Girls: Gender, Genre and the 1980s Teen Movie 100 Theo Cateforis FinalScratch: Inaugurating a Virtual Authenticity? 107 Sara Wei-Ming Chan Fresco or Freeway?: An Aural impression of Montreal’s Lachine Canal 114 Owen Chapman Cultural Capital and Cultural Memory among Mexican Migrants in the United States: 118 The Performance of Corridos and Norteño Music among Migrants Martha Chew Mapping the Music Industry in Scotland: Building an Industry or Building an Empire? 129 Martin Cloonan and John Williamson “Our Disagreement is a subtle one of Methodology”: Music Theory and the Clash of Ideologies 139 in Discourse on Popular Music John S. Cotner Dance Tribes and Club Cultures. Experiences, Imageries and Values 146 Concerning Dance Clubs in Rome Francesco D’Amato Some Reflexions on Song Theory, Signed Song and Traditional Song 156 Jean N. De Surmont When No Sense Makes Sense. Voice, Words and Stars in Italian Pop: Elio e le Storie Tese occurrence 166 Angelo Di Mambro Magic moments: the textuality of musical memory in contemporary Hollywood cinema 172 Dr Philip Drake Scenes Dimensions of Karaoke in the U.S. 179 Rob Drew Reloading the Matrix: A Perceptual Geography of Zion 187 Mark Evans The Many Lives of Cotton Eyed Joe 195 Holly Everett The Handmaiden’s Tale: Black Women Back Up Singers in White Rock 203 Susan Fast The Practice of Popular Music at a Brazilian University: Challenges and Possibilities 211 Heloisa Feichas Deep and/or soulful?: The Politics of House Music in New York City 218 Kai Fikentscher Genre Subversions in “Everything Reminds Me of My Dog” by Jane Siberry 225 France Fledderus Musical Performance and the Evolution of Television Conventions, 1948-1955 245 Murray Forman Crossroads: Intertextual Strategies And Economic Relations In The Age Of Digital Music 256 Héctor Fouce Broken Bottles and Barbed Wire: Performative Violence and the Boundaries of Fiction in Extreme Rock 263 Michael Free Popular Songs as a Form of Knowledge and Gathering for People 271 Jorge Frozzini You Gotta Work Your Jelly 290 Cynthia Fuchs “Sneaking Into the Boys Club”: Gender and the Independent Record Shop 298 Lee Ann Fullington ‘Unbearable Intimacy’ and Jeff Buckley’s Transgendered Vocality 306 Shana Goldin-Perschbacher “Boy Racer”: Morrissey at the Intersection of Nationality and Gender 316 Nicholas Greco From rock in France to French rock: Towards the formation of an autonomous expression 322 Gérôme Guibert Performing Musical Chronicles in Mexico 329 Eduardo Guízar Vision Versus Sound: Media Competence as a Touchstone in the Tango Singing Contest 337 at the Seinäjoki Tango Festival Yrjö Heinonen The Case of New Fascist Rock Music in Germany: An Attempt to Distinguish Scalar and 344 Vectorial Sign Components Jan Hemming Talking About Good and Bad Music 354 David Hesmondhalgh “Got to Deconstruct”: The Theory and the Practice of Henry Cow’s “Bittern 366 Storm over Ulm” Kevin Holm-Hudson Killing the Music – Whodunnit? I: The Crime 375 Shane Homan New Folk Music in Chinese Pop Music 381 Yang Hong Atomic Primitivism: Akira Ifukube’s Sound Design for Godzilla 386 Shuhei Hosokawa ‘Revives’: Old Gold in Reggae 393 Hasse Huss Lithuanian Audiences, Diasporic Texts 400 Bjorn Ingvoldstad Human Nature? Madonna’s queer(ing) identities 406 Freya L Jarman-Ivens Killing the Music: Whodunnit? The Criminal - First Interrogation 418 Bruce Johnson Claiming Authority 426 Lars Kaijser Is There Green Popular Music (Studies)?: Approaching the Question through Pulp’s Album We 434 Love Life Kari Kallioniemi “At Times, We May Have Gone a Bit Too Far”: Technologies of Spectacle in Pink Floyd’s P.U.L.S.E. 439 Stage Performance at Earl’s Court, London 1994 Kimi Kärki Across the River: The Stage Performance Design Co-operation of Peter Gabriel and 447 Robert Lepage Kimi Kärki The Practice of Music Fandom on the Internet 454 Marjorie Kibby The World Wide Web and Music Activity: Metaphor or Analogy? 464 Geoff King Effects of effects: exploring the message behind the use of echoes on vocals 472 John Klepko Tears and Screams: Performances of Pleasure and Pain in the Bolero 478 Dr Vanessa Knights The Film Music of Tôru Takemitsu: Sound and Silence in Double Suicide 486 (Shinjû Ten no Amijima) Kyoko Koizumi Intertextuality as a Tool for the Analysis of Popular Music: Gérard Genette and the 494 Recorded Palimpsest Serge Lacasse Beyond the Yellow Submarine: Aspects of the Sublime in The Beatles’ “It’s All Too Much” 504 Jim LeBlanc “Simulacra or “Stimulacra”?: Musical Inflections on Quasi-Realism and Parody 510 Claire Levy Join the ranks! Québec’s Musical Union and “Emergent Musics”: A New Field of Cultural Activity? 517 Martin Lussier Disco, House and Techno: rethinking the local and the global in Italian Electronic Music 535 Paolo Magaudda Almost Famous: Finland’s Quest for International Popular Music Stardom, 1961–1999 552 Janne Mäkelä Digital Recording Technologies and New Music-Making Practices: A Case Study of Young 559 Musicians in Rural Canada Jan Marontate Centre/Periphery Relationships in Connection with Cultural Flow and the ‘Problem’ of Local and 569 Ethnic Traits in Danish Popular Music since 1990 Henrik Marstal Character and Popular Music in West Anderson’s The Royal Tenenbaums 578 Kari McDonald Discommunication: Noise Music in Post-80’s Japan 587 Anne McKnight Problems in Popular Music History Writing 605 Morten Michelsen Girls on top, or Stealing the Phallus 613 Richard Middleton Behind the Practices; 618 Catching Up With Depeche Mode 101: Verite Very Tara Mimnagh Liminal Sounds and Images: Transnational Chinese Popular Music 625 Tony Mitchell Queering the Pitch: A Historical and Political Comment 636 Martha Mockus Skill, Music, and Energy in Punk Performance 643 Eugene Montague Practicing Formerly Popular Music: The Roots Music Community of Montreal 649 Craig Morrison The Impact of New Technologies on Contemporary Music Management Practices 656 Guy Morrow Great Big Mistake: Fandom as Magical Practice, Stockwell Day and Spoiled Identity 662 Peter Narváez From the ‘Nay’ List to the Play List: Increasing Local Music Airplay in 670 New Zealand Without Enforced Regulation Karen Neill Dialed Tone: Signature Guitars as Cultural Signifiers 681 Wade Nelson Night of a Thousand Stevies: Queer strategies and the forging of femininity 689 Jason Lee Oakes Flowing together or alone?: On self-controlling music participants in the media society 697 Hiroshi Ogawa “Tearoom” – A Programme for Young People Broadcast by a Culture-Oriented Station 706 in the Czech Republic Ale! Opekar South of the Border: Constructing A History of Rock in a Non Anglo Country; 714 The Case of Mexico Julia E. Palacios