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Touching Feeling: Affect, Pedagogy, Performativity (Series Q) PDF

97 Pages·2002·15.9 MB·English
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Preview Touching Feeling: Affect, Pedagogy, Performativity (Series Q)

• Touching Feeling AjfrCI, Pl!liagogy, Pnjormalivily """ avti KOSOF.IKY SEDGWICK ~~ .. U~IV"STTT ..... for T W.M. with my ridk./OMS !"'l' • c_'-~""" " ...... .....-"'-<I .... _ .00 .... ~- of rm."..,. •• ~",,-,- ..,.. • T".....O-'bJ-n..". .. t<,, __ __ lib<..,. of """"'" C ............ """. .... _ n", _ .. ......... ,......_ofoloo.....,.. u_._ _,,,,.....-...........o. p.I>. of. ..... '" 50,,",. ~O_..,. _of·. . _, lo.r".,.. ...-..1.l..w..~ ·,._r'- .._ ' ..n.... C...,...,_.,. ,..,10,.....,. _JondI c..,.,.,;p e _ ,,_ .... l;-.. . ..,.......JI>!' '""' __ of ....... .... __" -... TNU_ " "'--..." .... ""',""'" C. .. '" _ n. "", ""'. ...._ _ CONTENTS ............ , ......................... . _• • 1 , .. Irnroduction ......... . __ ___ _ lJ Inl<rluJo. P-ewgogic .. ,. SI'Ilornt. l"heauic:ol"y. and QUttr l'."rfo. ." .tm'1: Hmry p""",', Thr At! of"" i"<MI.. ... . ....... .. ..·jS 1. Moond ,he ""rforn1>l;~: ""riperform• • h .. Vicin;ties in ........ 67 J Sbarnt 10 the Cyb...-MtOC Fold: Reading Silvan Tomkins (Wntttn "'ith Ad..m f ... nk)__ .... ..•..• ... .......... ...... ... .." 4. r>. ... noid ~.ding and Rep.roth .. Reading. 0.-. you·. ... So P. ..., "'id. Yoll I'r<>b.>bly Think Thi$ E.uay Is About You ................... -IOj So Ped.ogogy of BuJdtnsm .. ... tSJ _. 8j Work. Chd _ InJox .......... . ACItNOWLBOC).I HtlT$ G ... lirude is _, in Sil .... n TomI<ins', t~rms. an a/f~<I bill. rompltJe emo Tion, Compk% as it is, 10 me it .11O ....m s one of the ",pp~.nd most limply 5OIf,,..,,,,,rcIing. Mich ..1 Moan hal been the >pur 10 this prt>jNt in • million ways he will .nd won', "'rogniz.e. each of them. new fo<m of be.llIy_ a! k:.~ "". .. to me. My odor.1)k p;>rtno., H.I &.Igwick,.nd par. rn1$, l eon and Rita KoooI"<3<y, ... ,h.nkable beyond thank• . The interlocu. fOI"> whose: kk •• h. ... provided an endless ",source rOT thi> w()I"k include St~ph.n lIorbor, Lau",n Be,I'n!. Judilh ~mler. M")' Comphcll. Jonathan Flatl.y, Adam I'wll" Jon.thon GolJberg, Tim Gould. Do.-;d """,&ky. Joe: Li,\"O", Melis .. Solomon, Andy P.rt.~r, Cindy Panon, Shannon V.n Wey, and Josh W~r. Then lhe", .'" Al.n A.,rnw, M.rk Sou e', L. ... me Berry, Mondy Berry, R.f.eI C.mpo, Tyler Cutt.in. Cathy D.vidoon, Eric OJ'''· man. Jennifer Do)-le, Denise Fubrook, Cbudi. Conson,,Ioe G<>rdon,Jan<t Hall.,... Neil Hen~, 1>1 ....... llill,Jim Kincaid, W.yn< Koc:>tenhaum. Nina Kopc.ky, Song",ln and Noom lUy Koso(,ky, Adam, D.nxl. and Il<><cmary L<bow. Men:d;'h McCiU. C"'go.y Mem,,,;,,,..1<*' M.moz. Joan Richard son, M.ry Ru ..... 8.arl>a .. H~n Smith. C""lbrmo. Dan and K2ren \\.'a. ..." ea....ryn Williams. Carrie .ndJoe: Hi' W~ne't". Eric Wi"e. .. and Ken Wisookr .••1 a'"m ong ,he frnnds ...· box ••' " hasnooris/t.ed ..... ,hrough.he>< good ~a". impc' .........' /Ioo'ing <IOf1S«tari.an sangha ,ha, ......i ns my Buddhl5f Im.~i ...t ""'. bc"dc. H.I.nd Mkh..,1 and Mory C . indude, S~."'n C.meron. Oon t.op<z. Tin. M<l"'r+.oIf. N.ncyW.ling. • nd. b. .m ingher kindness. M.ry Moon, r.oocIti,,& Ftt/;~g is • p.limpseJ< 0( p<eviou!ly published and unpublished "..,cri.l. Ahhough I ~ fek (roe '0 ~ise. tlte essa,.. app"" in ,he orderin which they _ .. originally ..,lin. ... The .... in bon'owing:s /Tom published m• •e ri ... a. . as foIbws. The ;",eriudc .ppta~ as por1 o("Socn,;c R.lpturn. Soc. .r ic RuptUttS.: INTRODUCTION "'olcs toward Qn«r Pcrl'omt.ti";ty." in ~uIo ,,,,,,,,, • ...r 00-1. ~, Joru.tIun Komhohz and Susan Cublr (New York: Routl~. '\19'). II. ""rsiQn af Chapt. .. _ published 0$ ""Queer Pcrfommrnry in ell< 1'1 ..... York Edition Pn::r,,"." in HntfJ ;.-.. S ..... ront ~ T1tt Coo SoI"",io. of lu<i/wmidp. f<l. DMd Mc.Whlntr(SUnfoni: S,onfon.IlInMr>iry Pn::<!..'II96). aft.r.pptaring~ .... In ""'O~: "Inside Henry jomn: Toward • l uicon IOrnt Ar1 ofl". Nm. "In N'l"'i.oli",I..<$Nu...r GoySdj.rn. ed. \ionira O<.>rt-nk.mp and Rkhanl Henke (N<'W York: Ro."• •d ",. '1195). and "Qnttr Pcrli:l<rnali.iry: l ~n'7 ).om.,• • nt An ofillt NfMI.· GI.Q 1.1('99). Adlm Frank and I lim publUhed • w:r"Iion afChap'.r J in Crilir4II",/.iry M uch of, Ite writing in T. ..dIi,,& Ftdi"" orifIinallyo pp".red in odI .... conlem. (wintt. '1195); it I. ....p pcarcd as.1te introduction '0 Frv>k and Stdgwid. But ,h;' coUcoion of auyo 0110 "'f'I'tSCnU a diKinct project. on. tha, has t<h.. S/t<I"...."" 11$ S!4lm, A 5i'"". T-.ti. .. Rt"'tI'(Durh.m. HC: Dult Uni. occupied a decade. worIt. which has nonc::thelns. and with increasingsr"b ...r sity 1'tuJ. '1195~ bornn .... rc(UK<! 10 b«<tme ~n<ar in lU"Uctun:. I think i. iI hr: .. dtscribr:das A versioo orClupter ••p p. ...d .s p,;tr1 of the intl"Oduction.o 5<dgwid. • p<'Oj«I '0 e.plore promulng.oo/J and '.chniq. ... fOr Q!:nd, '"Ii',;c though. ed .. No>YtI 0"(1,,&' Q>o ... Rtodi".!',i. ,IN;"" (Durh.m. KC: Duke Uni ......; ty .nd p<d.tgog~ Pn:: ... '9\l1), No doubt 'he ambition of 'hinklng OIher ,han duoliSlially itself m.ped O ap ... , was c"IllmiJ5iontd for Donald S_ Lop<' Jr. .•d ,. Cri'ic~' Tmru ,h. prnjKt' .... ilt.ne. 10 t.king ,he fOl"m of. book ·length. linear argu"",n' for I., S,".ry of B",IdI,um (Chic.go: Unl"er$i'y of Chic. go I'tuJ. fOr1hcom on > oingle 'opie, A lot of >'<lieu ,dl US to think """du.lulie.lIy. •n d ~ i"g). ,,'10 .. '0 'hink in th6shiOii'> Fewer.rc .ble to , .." ,mi, how to go .bou, Some p.rogrophson puform"iYi,y from ,he in,roduoion .nd Ch,pl<n it, 'he <ogniti"" and .""n .lfecti"" h.bit• •n d procticeJ invol""d. which .re I." • and "n: bor, ...... t<l (TOnI Andrew P.rker', .nd my in,roduOion t" OUr th.n 'm<nab!. to hr:ing couched ;n'preKri~i"" for ..... AI heSoi. I 'd hope coedi,rd Pnfo<..."tiYily ~"d i'rrfo''''''''« (New Von: R""'I~dg.> '1195). n.c for ,hi. book '0 pr(lmpt n:cognition in lOme 01 the m.ny people who suc diocuWon of Henry ).omes·' ....1 " rntid$m in Clupter , both """tin .... and cossfully work in weh w.y.; ,nd when: II(lm< 'f'P"W'hes .....y br: "". .. Or borrows from the diJcu/llion ofT1ot Wi,,&, of,IIto-in T~ (Dumam. ""anicul .,ed. • ICIISt 01" possib;]ity. The ;dc.l r m envisiooing lten: iJ • miod ""J NC: Duu Uni""rsj.y Prta. '99'), "'copti"" ." 'houghu. ..... '0 nul'fU" and conn«< them ••n d .....,.p.ible h.ppineJo In IIteir ....e nalnmen •. £Jpccially .-..:t ,Ite .96Ot .ny nu mberof WC>(e.n academic. popular. and pn>feuion.aJ di<coursu t.a>.., ..... n cumlllo,,-.dy in""'ing nondualistic op- ptO>cII<I: in phyan. gtndtr .ntI ......~ ,y. on. po,.:hology and psychoaruly- .... <krorut",,<tion.po>t=ioni.ol ",I>,ion'. pNagogy. religloo.nd >piritu ,h<,...,.n;. r ... done in """ Ilcl with Tc..-lli", !WI(", "",r tilt po .. dc<.dc has .lif)'. n«. mind·body pn>bI<m ..k s. <II< l'\'ro'I'try m""'"",n,. md odc~{'C ,,,,Iu<lc:<l $C>'I:ral ro;,orial upcrimcn. . in «>Il.boration: • puett}" book; the I,', o..? ... ",udies, among many od>tr ."'. .. 8u, of c ..... 1'$< f• • easi~r '" dtpl'eCl'. c ..~ ndcd. doubk·YOiccd ...( bot" of A Loot: I 10< of allCcr jour. ,II< confounding. ,.ndontioou etfens of binary modes 0( ,lUnkng-.nd ""Ii,m: Ind. in<:n!Hingfy. tI", nonIinguisOt W(lrk of .c.nilc .... At ,he Ume '0 ~'P'*' thrir ol1m ..u ltifymg !"""Y''t''IiQn- ,han i, is '0 al'ticuU,~ or .i. .... int.~. my"'-ruum m. .... """'" conoislently """" ,oonUK<i rnodtlooh. . >lructurn of though •. ~n.o invoke.."..!...,iom ... pt.=y 0( .nd ..l utd. While I've sttuggt.d.o ....t u. ruum in Toodt("! fft/to: r"". BuddhlSl .n. . r.u point ""', is '0 ,umbic right in,,, • dIU lis! k lnp_ 1' ... aho'a)" ,.,.,... 0( ",.Iily ,hal ,.,ook! .lCJude ...",. of.1wK ~lc:mcn ... I'ft.lso had .0 'J$lIrI1f<Ilha, ,II< ""'" useful work of thU ..... is btu.lie51 '0 OCrur ....r tlx: unG"'P my hold on ........ It'ud. .. 'hOI lI!N '0 be oclf·noldcnt_including ,.Ti, .. hound.>ry 0( ",ha, a an', figure uut how to ..y ",;>dil);_n<:Ya'.rnind ,I>< aboolutc priYiIcgc o(!he wn,;"g la i'sclf. j><C5<ribe '" ",h~ ..: in ,he Jacoolik. wrmling_ or ,'ai chi. -;. I, may be In her ultb""ed puem "On< AI.; Elizabeth Bi~·. "'pea,ed ",frain ,h .. c<>nfout><i< 'g<ncy w;,h p. ...i .i'y, the ..I f wl,h ,he book .nd ,h. " ... rid. 1$"Tl\c art of ""ing i,n't hard to m.ster: In its i".i. .e nce on a rurg" ;-..o 'm: crnb "f'he work wi,h il< mea",. a"d. m.ybt moot .larmlnSlr.,ntelli .... he.ie, if. ,he on. poem of he. . I've "evcr litu.d: 1 piau", I, n:&ig. Of] • go"..e whh s'upidity. If -"'. maybe ,he",', bee" klm.,hing encouraging in owor mas"et. uy. urginG diete. . no! to open 'he door. A more oOl1gmi.l ,II< """<tun\l """I<itnnc. ofT• ..",,"! ftt/i"f ",rsion '" mc wuuld invoke ,he: an 0(1o<u1,,&": and no. as one .rt but • e1u .. Among the IOnru "f "ubbornnt. . ,h;, book .mbodiH (~,. I'm a Tou. Ie< 0( ",1 ..1 !d on"'_ Idcilly lif. .. !u.n. and idu, might thm 'it rr.ely. for • rus). one of, I>< muot olMoo. is its fintioo on. ,mall numberof theoretical ..M e. on tIM: ",,1m "f "'" open lund. I wuuId ~ told To..n.i,,& MIl,,! '0 ,uu,.l1 of, lM:m in pM, by '990. I'm fond ofobstrving howoboession ism. be ao open .. ,ha,. Ind .......... o""""n.,..,td. In this in,mduction I anonly mosI durable form of ;",di""",aI capitll. More or Ie .. explicitly. •n thr$< unfold I ..... of"'" ....i n 'opoi tha, ~ f.ilc:d '0 !>«orne cillM:r diopct".bk ...., .. upkm. R"'" of uciting md ... r. .. unexha ....t d pos.ibiIi<y_ ", or qun. plxnbk during irs ..' riling. wdI .. frustration - otim:d up by four dillic:ult ,eJ""J . l . Aus';"·. How to Doo TIll,,&, ,..;,~ \\.ImU. "'" i"tnxluctory mlu"", 0( MklM:l Fouaul.'. HUt""", S<.notliry. JIhli 'h Buller', GnoJ..-T" ",hit, and •h . Ii". Ih"", 001 U","" "(SilV>!1 , ".,OUUflV'TT ,.l<D P ..' '' ... AO<CR TomkiN" 1I.Jf«r [""'lPJ C"""""""<u(Clccrp<td inTumtins. S""""'~ Addi- T" "'*("&" I'MI,,! is rooted in an i", .... ".;I:"I>I f.scination wi'h ........ tffcns md .ionaUy. excep' ("" the Iess-i<nown won; "f Tornki .... ,he c"'Y' respond to Implimiun.o .urroundingJ. L Au,,;n', foundational work on perfurm• • ;ve 'he eritie.l and ped.gogkal n:C<p1iOl\li ."d uses uof.l.h . ".'. . infiu.nti.I'cn,_ U[ten"..e .. While ,1M: roneep' of pcrform,,;v;,y h., propclkd notably di ..s pond.o ,IM:Ol ofion wi.h ",h.t ha. been. for 1"". a .it.liz;ng if "'<Ken' ,roitu of thou"". in ..' ....I d;.dplin ... I h>w: be"n most rc<p<>n.oi"" iI<>1".,inICO("''''' or un"""I)' .u ..,.. ..i on. What I ",WI ",ert "'!u.Uy ...; , to om: line ,h. . extends throUGh Ocrri<Ja '0 ,1M: carly work of Judith But de:nt ("")~ ;t is in ..,"'" places);' plain gutitudc "' ,1M: privilege of being lc:r. aline th. . f""I"'d p.rticularly infi""n,laJ In ,he dc,'tlopmcnt of gender an interlocutor in rorn-nutiuno I've Clperic_d •• '" poIiliaJly. inc.lIe<. ..udic,md 'lUttu.ud;." throoghoUt ,ht ,_. 'u.Uy. md imagina,ive/y nuda!. Th. "queer" "",cn'''1 of pcrlOnna,r.i'y II nidcntly ",t.<1!d '0 tIM: 'ellU F<cIi.: A, ,he sa"", 'ime. one 0( m. cumulative "oriel .<lId by T. ....' ~ ousnea ofi lS on,otog;cal ground. sill""ll!d by ,he faa thai il begitu its intel m.y bc of. ,,·ri, ...· , dccrra>ing ....... ofh~. 1In>ng cen.ero(g nvity in le<tual ........U b m rcpudi ..c -d in ...t>. .n a by ,Iw coinc.oftlM: ,nm. Ausrin a ponicubr IntcllMual field Such enroun• . ., '" ,00... "ith monoJify and irnmduccs pcrform:at;"i,y in "'" Ii. .t of his ,~~ Harvard lea ureo (10' ... pub. wi,h Budd!t;'m. "+tieh ....p " u.. two I. ., <hlp'.". ~ had ........ >lip-.tidy Iw..d o. How.,~ IN TluW wit~ ~im!o~ only ,0 disown it """<Whe,,, ..-ound .~cu, br bener or worot. on m. ..r ong consciousnc.. 0( \«>Cation .h. . .IM: cigh.h. He ,Iiso..-n.ordismantks "pcrfOrma'Mf)': that is ....1 >< name made: a book lik. F.,.u'""oJWv""'~ Clout oound <on~dc nt of it. i"ten. ." tion uf. dlSllna .nd bounded <a1egotI of un.r.nc.,--,hat mis!!, be ~ '" i,,,· on <llOltmpor.nco", "'. .... of ..: m.li')' .nd critic.1 theory. By contra ... ,he "",,,,Iy """"". . ~ ~~ive. "",inl:( ,hot ,:!!. . ~,uin ••p ttm ·ct is boIh' ('47). Thus lhe u,", th., deconstruction h., hod for ·pcrl"orrn •. Uut ,he mu'l of the n .... -.wcd category is no< to introdu« yet .not""r 1i';ly- beg;", with lhe =ognitkln"c It "" propeny 0< 'spe<t common 1e,. .l al whirh to play 'he g.me of ..e king .oroptions .nd "c,• .,;"g ""t 10 aU ""c ..n rt• . Ungui"ics and onaly.1c philosophy. by <;onl .... , in spilt qualifying from "",nqualifylng u"ora"_. In. ...d , Uhinbhe.ca'cgory is "f Austin', dtmur,.,,1.long ",maintd imc",,,td in the pn>CC'SS of ,b ..i fying mo<t u..,fu lin ••p atialil:td mode of IhoughUf. .. A\ Utin him. .! fs ay •. then: as ""mo. ,oo, .. ..t ",,,,,,e. pcrf<:>nm.liYcJ ath,. .. is fin.lly no yes/no dislinaloo bet", • .., prrl'ormotivc .nd nonperl"onn.u..: Vel. as Shoshana ~Iman poinu OUt Ito Tv !.it. ...? , SpmA Nt, Awtin', "tt.nnen. then it; could be l1lOOl:.bdpful 10Jmagine a maplik.o set: of ",b "".., pcrlOnnan« in lhe. .. lcnum if "nythmg but. simplt one. Qn<, of ,;.,no: • map 'hOI migl" rca{Ufl' upIInl pnp._ri. .. """,""u, conform;"g tt..ir slyc~ia if a "'P" •• e<!trop;.m IOW.nI. •n evident fa<cinarion "rioly.o ",Irs t Ihrougb 6. al !I$ middle, and. "",llilude: ofather un ..... willi. • putlrular do .. of aamplet of pcriOrrnat;'" un.~_ PresenfCd ance< K'ucrni 00-clulleml nnr and far. dtpcnding on ,he nrious ...- .ys firs! as 1"''''. originary. • nd dt:6niing lOr 'he conrcpI: ~.' Ir.. bot they might rtSCmblc or difli<, from lho« uampb. In e h""" I ofT"""'· as no _ tkon -a marginallimiti"' .....• of iI. if indotd either tt.. a • iot f<tIiJI&. -Around It.. PerformaIM: 1 go f1,,""'" with this spalializing ... .mpks or the concqx n n be said 10 -suni\,," the ....I ytic optntion of in'pub<. posittng I new dau of ,...,-~i une~ ",hast COI11f1IeJ: thc Iccru..,. II aU (AUJlin ':!O): """""helt$J """ncd 10 .,.,.... and ....,. as if effiraty d<prnds on ,"";,-t~ to. .. ...,U as Ihci< difli:",,,,. from. lbt no "'l""""n. or .noly. .. no d«omtruttion oo-dismanlle"""", could "'oily aplicil pcriOrrnatives. vitiate or..,..., ch2lltnge the ..I f,evldence ofthcirenmplary fOn:e-the .. E'en 'h" broad 1ew1 of inlernl in 1Iw: fonns of pcri:>rmalh-e bnguagc ..,ntenen:an wh., Austin', won.lruulls m It.. mind as pcrfurmarivity toot "1"""'"n<s I depo>nufl' from .h. deconsnuoh-e/q"". . lin"gc towtrich I Tt· coun, ..,..., ,,-hi\c ",odeting nominally un ....b k: the CO<Kc-pI of pcrfun-n •. "rrt<I.artier. For from jacque! Drrrida 10 Judi,h 8ull. .. ,t.. In;«""yof .ivil)' '<IU' coun. """"""Iy. tt..se .'" • clllSlerof K1ltenen .bout ",hio.·it; b\ •••r y and gcndrr Ibcory has angltd I"" ....i ngly ~'ay from (what migh< sec"" cle.r that to uneT It.. senlen« (In, of (OU'''. the appropriate <i .. be (alkd) the gr.mmatial mome"t. or the gnmtn.ltical impulK:. in dis ru""unca) is no< to lit...". ... my doing(. thing) . .. or to "ate th" I.m cussions of pcrfor.".tivity. leI """ <M'>1-implify "",,, ;" f'O'iting that both doing it: it is to do;t" ()). Enmpl• • lndud. -I promise:"J bequeath.,.: drcOfUt"'Ction and gcndrr Ih.ory h~ invoked Austinian pcrl"ormativity you: pro;e.:' '1 <hti. ..n ... : "1 apologil:.:"1 da ... "1 sent.nrc you_ in Ih . .....; .e of an .pI. .. moIogic.1 thot ran roughly be id.ntifiood In the pre..,n, book. depaninG from Au'lin', u ..g c. I ",f.rto Ih...,,,,,.m. as .mie_nli.lism. AU$llni.n p"rfo,malivity !! .buut h£.wJanguoge COP ,,,raJ plary itUun .., ... r.rp1i<il ri"","-",jvt .1I. ... "J1'~ They ho"" .. 'y" ..o k $ITU«. ouff«<s ",ality "t heft ~ on "",,,,Iy describing ii, This dirrcdy.1_rod.,· .nd .. montic fcotu"" in common: Ihey .rr in th. (') first·person .;"gular Ii", ..p ect oflIngu.gc if ",Ost ..l Ih)g.Jor_llllie*n~l'rojem. when the: (» PT<<cnt ()) indic .. i. ... (41.oi",,: (,) the ,'.rb in cach one nam« rTt~ly uUeranres in qurSlkln art (1""''''0 claimin~ a .imply.descriJuU:c:..rtl.tion rn: .. th. ort (in AU>lin', I~rm, the illoc-uliOfl) th., th. .u uer.1lCC it ..l f perl"orm.; '0 tom<: nnding.9S1ttUlbly auadi"u. ." '" ",.lity. Analogously in the and (6) 'ho adverb "heT<by" could be instntd In tach oflhem withoot di,. . Ttl of hi"ory. d ....m e .ntlCl<cn,i.list proj«1$ h.ve fuo-cgroundtd r-ou· Inrting thcir form or meaning, Thu• . "I [h.tn:by Ja pologil:e' apologize>. ' 1 a ult '. "'proted demonsl"t""" of the: prod..,;", faTt. both of tuonom;", ["".-.by) ..n toneo" .. ntences •• nd so un. .nd disciplines lhal I . Ifthe€Otegory ~xplitil ~Ij", .11 ...." """""'" d.tifying at oil. i. "';U no< do so by ",. . oping t"" .abk: clt.r of dulMouo co ..... ",.", "" pic"'}' of. .. nt<no:'c> whose £OTt. SttOU uoprobl<m ..i aUy pcrl"ONNIM in a da<.<i. cally Auainian""'" bul tNt vioIale eorh of tt.. ......... ",I. .. "no. ......i ng ..ru if adjqurned-vIol ..C I , and •. for.>:ample; "The court come 10 """'r" vioIa,es t .nd 1; "y""',,, OUI" viol.. .a , and s: 'Present!- viola,es •. >. and 1. if no< aIso<l. fOrm>!i.." by »ying. -8uI lhe only molly inlercscing pan of it It how all ~ .U (Ome ",,,,,,,Iy from ..- orIr. on spttch KII ron-ing A""in. Vel langu;og<' It pcrfo. ""In~-; and judi.h 8ulle,as adding. -No. only ,ha,. but in mor»' ron ..m poury ....g a. ~y in I\"'ndtt and cuhural .rudi<s. i,', ""'"' pcmmni. ...~ ill pcl'furm:otni,y It lu« e"fllicic -i~<lN<I. ar' it ..e ms 10 be lied prinurily 10. moriv• • ..J primarily by.he notion of. guably. mOS' of.1I when it isn', e,.,n en,bodied in O<1ual w"""'." perform>"« in me defining i'!1l •.n « _,mu'rical, BUll .... c.rly .....,rk a~;cu: I h ... , "0 qu.,rel ,,, m.k. with the. . f'O"'erful dem<>nStra,ion$. r>Qr in. I.tel.n inyi,o,i<>n \0. in her words. <"""dc, gond ......5 . .. • n .ct, d<<<i with \he an'i. ...~ 'ial;sm thai impc'" them. I would ",mark. though. .. il we ..., whl<h is both 1n!~,ionaIand p<:rl'orntlriot. whe ... 'pcrfi),m>.. on 00w boIh Ikrrid;c 'und Butler. pcrlOrmali";tieJ" boa. ... ,My.", in the ri"'" itsoclf can-ir:s m. doublt·mtaning <Ii·dra ....l lc· and ·""".",I'c:n:ntW· ..r vice of.n ...' .....n tialisc epistemological mOCn~. can Sttm '0 bt CUI in CI>erforntllM' '7'-7)). -Pe,fom,.,;. ..- 31 ,he pn:sent rnc>rno<n. carries thc the: .....o K im;o&c of,he hypoolatiU1l gr:ommadc-al,uonomie1lh.c h .... .uthurill' of' .....0 quite cliffr",,,t di5CO\l.rseS. Ih., Gf ,heateron the ooe hand. h.raooriz.d. for example. Joh" Searle', or Emlllknvenlsl". positivistic and 0( !pCt<:h act Ihrory ."d d.cormrucli<>n 00 'he otho<. Pan.king in Tha," u ... of AWlin. '0 say. Ik,rido and Butle, Sttm 10 emerge from a ',he p<""ige of bo<h discou .... '" i, nonerhe\ess. " Buoo sugge1u. me.ns junrtun: .t ..m m Austin ·. .y nlaCllc ....l lnOrrtieo. "'hich .." '''' originaUy both ,"'..,. d;1K",nliy in each. "T'hfc SI ...l ch berwttn ,he'lri<:oI and dccoN.ructn", I""'isional and pb)-ful. can pcrsioc only .. n:ducriotly ~lWrtg; the: m. ." mgs <Ii-pcriOnnari ..- <an Sttm ,,, "1"" ,he poWiries of noll'tftbal _ from ""'" Iongu.1\'" ",.U w'W"'g< ..e m. rtqui"'" by .hci. .m ie. ..n .nd , ..m .1 ac,ion. It .t..> '1"'110 ,,,,,,,, "f. at cit"'" "'reme. lbe txI~iDn ,ia/i" pro;t:<:l. Perh'p. ." ending '0 ,he "nm'., .nd drect, of porticula, bits of the .CIO' (.imed en,lrely outward tow.rd the .udien,o) .nd th. i.,,,,· ,,[language. a.s I try '" do in m.ny "flhe.., CU>J'''' "'quir. . a "ep.o.he $ido ,..".iDo. .,(Ihe Signifier (if "I a~iu" ooIy apologizes. "I .." ,encr' only of .n'i. ...n lialism. a n:1'1~ lighlening of me epistem<>logi<al dentlnd on ..n lenru, .nd ... .,..). Michael frioed·.oppariIion he, ...n lheanica6,y and ""r-adoI ....-ntial ,ru,h. ""'""rprion Sttms CUOlOl11·m:;todt for chis about -pcrformalmty": in I h:" ... abo ..U n a dislincl .ocp 10 the >ide of lhe dernrutru<ti. . p,*", its d«on"ructi"" <moe p<:rform.ti";ly signals abJorpti<>n: in ,he Ylcinill' 01 of analy.;ns 'PI"",nlly nonllnguls.ic pI1enomena In rigorously lingois.ic Ill. >I.ge. h"""".". tile pc"",m.';," ;. the theatric.1. Bu' in anocher range .s """e'Y ,,[ """..,.j..,. "TlTH, when DUller anall"" • partkui"I:"t'\l.ral style a.s . .,(twgcs• ••e XC such.., Lyotlrd', Thr C<mditWn U$e1 'performa- l"'rformaci .. ulteran«: r Pl:rfl)fm.ti. . ' ~;n.-7J). like much <kcono'ru<ti.-. .mcy"I" mean ... eXC ... "", ofsomcthing~ik~-p<>I,modc:m "'P"'. ",-un, Thwfoi'\( ftdi '\( wanlliOa ddress.spKII ofu pcriencc and ""~'y ,ha, scn,ation a.s. bnn.,(c api,aI;" eflicioonq _ .....h ile, agUl. ,he deconoc.-ucm-" do nOC ponenl Ihcmoel"", in proposiOOnal O<~ in ..r baI IOo-m aIong>ide 'pnfurmativity- of Paul de MIn 0< J- Hill;' Mille. _ .0 be characle ... ochers Iha. d<>. ra,he,-,ha,o ",bmh 10 ,h. 'PI"",n' common",,_ tha' ... - iud by 'M di.Unuge pr«iscly "fc .u"" and eff«t hc:,v.-ttn 'hr Jignlfi.r.nd qui..,. ...r ic, .. p.ra""" o.lwe~n 'M tw<> and u.u.lly impli •••n omologica 1 the ..... .".td. At ,11 ...m ~ lime. I,', worth ke~plng in mind 'hat even in de· pmikging of'he former. Who, mol' 0. iliffe",m in the presen, work. 00w' <onsIruccion, mon: can bt ,.id of p<:rformari"" specch .CIS ,h.n lha, ,My "''''', is a disindiru.rion to ........... ,~ priorilie. by subsuming nonotrbal an: on'oIogirally dWinked .... in,""""";".,1y non ... ~ ... nti.ll. FoIJow;nS on de aspects <Ii ...a lity lil'rnIy u ....., ,hc .egis ofthc Unguhcic. [ .....m e lha, ,hc Man', dtmon."".tion of'a radical ""rangem."" bcno...,." the me""ing.nd line bet .... n ",..,ods and things 0< be",'ffn ~nguiotlc and """lingo ist" !'!>c- lhe: perform.nce of",,)· 1<>1' (>98). """ mlgb' ",·.nt '0 d..-cU noc ... m",h ""men. is e n~)'S!I."gj ng, p<: 'mc.ble. • nd rnt i. .. )y u~£!i1>I. '0 ;ny on .he """",ferenee of the p<:rf"nnati...., but rath. . on (what de Man ",II<) definili ..... .,lculation. With Wingcru.cin. how ..., . I h ... an inclin;uion '" its nccnoarily ",berran,' (,)0.) "'~tion 10 its ""'n ",f.",nce: Ihe lonion.lh~ deP"'OIC rho '",gnm~1 of .....r y spttiaIvalur. my"K]uc. or thingnt. . '" rnu,ual p<:n-cnion. as """ mig!lt ~. of ",k,en«: and .... 'r.:.,.. .... liYiry. The l m<aning and Language. Many kinds of objo<u and ....... -... .. in rruny lint {VI'" rhap<ers .,rT~",*i", Fnti'\(. ", espe6>ly in,ooI.-..I with 'his un· ttnu,'g,',,",ou. ~ys. and """.at", 'nd.1 Stt """" ,..:tue in "'" ",ifying or >ctding .btr.-.o<c o.l......,.,n pcrlO .....' ..; ,y and ,heatric.ali.y: 'he fi .... in 'he mYOl>fy"'S tbe hngu"<>c kJnds <Ii m<."mg ~nncaw.rily. lirelons, profound. ..a. nd un"'qui,ed longin" with "'h;~ H.nry J>me. fonta .1:to\J, Up '0 thi. poin. I haw been ,,,,. .i ng pcrform'liyily as if i"I~.Q",.icai sized 'M Brilish ,hucrr: ,~e second in,l\ .n.)ys,\> "O'Ol1rgcois rna ... rwo""_ 'n' riogc ond ..... nel slawry 10$ of mobilt dle~'cr_of,he , ......I ing NC"~on include> ..." ....... "'_/\ he. >cudy oH. ....I . ;mpersonot.,... p<OSCmium- in nint,. ..n tlHmtury nlIrn,t. .... in the U",,«i Sut"", the IIoor pions of...., drag dubs (7'.119). The plans • ... port .,( her field dll. on shows at each ","ue:. •n d one of the Sln:ngths one. 'P"lany pred• ••n .lyslo is an .., '" .I."ne. . to 'he multuid,d inter· .cti<>I\o among people ·wide· each Other In • room. Thu., whU •• per- I ...v c al~.dy indicoo,cd th. . , 10< all n. in,c,", in perfonruttrlty, ,Iw: ,hrost 1Ocmc' in one kind 01 room remains oJonc _age and ,ft<r";aM doa no ofTOOidti.o: 1'«/;. is no< '0 Uf"- =idu.11Onns of ~ialism lu"'ing ",inng ..i 1h lhc,udimce, the pnformtrin tIM:: Otfln room "'. ...i nsin nca<- "'.m ...... behind >f'I'>~ndy ~w.I;'" forms ofa Nlysis. N<><is i, '0 uncanh un roou .." " int.r>ction with the band leader. dub lOInage-. of the coorcioo. drivn Of compulsions underlying the 'PI'''''''' pI.,. of li .." ,'Y .udimct". and ",her performers both older Ind younger, in .nd 0'" of v.ri- ou, forms. Norag,in is it to uncover 'iolent oroppre. .i ve hi"oric.1 forcel mos kind. of drag, .mateuro lid prof.$<i<. .... I.T he effect underl in .. New,on'. quc. ... ding undtr bkral ~thctic guise. , rontinUOUI assumption \h .. drag is 1. ....i ngk kind 01 XI th.n • he. .r <>- Wi,houl .. , ....p ring 10 dtqluc ouch <riricol pranitts. I tw..: ,ricd in ,his ~ 1)'$' ..... In eroIogiul field ,,"hose in,tnlivc and <ltfining rebtioo projtn lOupion: _ .... ys .round """oposold epth 0.-hiddcnness.!)'pi ality is intemal .. much IS it II dirteted '_lnI tllte norms it may,lull.,n&,,_ cdly ful~ by. drama ofe xposure. <ha, h., been $Uch. ".ple ofc ririaol When Butl .. dn",' on Newton', work .t ,he .nd ofG<>ultr n..!>It, on 'he ..... ri< of,he p'" fou.dec.de •. Bnlta,h and IotM ..! a~ h.rd enough In I., go othor h. nd, ,he ecological ."cntion to .po« conarse' i n f. ." Or of• ,em 1"'",1 of; wh>, .... been e'"n morediflicull is to grt alittle di"anct from~. in emphasis on gen<lcr .. ""yl iud rcpcririoo· .nc! • sodaltem!"",1 i'y· (j. But· i,. ponicul:arthc boosy fPture of·~for· In imminmtly ~m:a.d crirical ler , .... _.,). Wi,h the loss of spa'iality, h~, the m..rnoUy complu or revolutionary pn<ti<c'N' """ con 0I"InC1i 001)1 adumbncc. r..:1d 01 d",& pof",,,,,,,,,, JU/krS a ...,mingly unaooidaI>Ic simplification ,hi, I.....,;ad, as its titIc wggnu. the ""'" soJicnt ptepo<itioo in To",*iPI& f'ffl .nd ... ificarion_ In faa, 1 think I"" ofd imcnJion mIJI explain why many i~ it proO.>bly ltoiJ~ Invoking I Dtlcutl.n imeres' in pbna, rel>lions, 'he <.rly re,derS, wrongly, intc'l'"'ted Bu,ler'. di"' ...." '" as p"'",ribing • • im· i=du<ib!y spOlial position.li,y of IotsUh .1.., ..e mS '0 offer some useful re plistic volun ..r it}'_ Ahhough temporal and 'P,ti,1 thinking arc ~. ~.Ily n...nc. to the: .... with ,,-hich Itt. ...., ," and "':>o>n.I turn from spatw.1 dt:Krip al'erna,;'" to e ..h OI""r, I'vc consi>,ent/y ,ried in T.,..o,i", f'ffli", '0 push tor> in,o implKit narraoiws 01, mptttivdy, on"n and ,.los. bKk ag.l. ... an ocrup;otion.al ICndcnq 10 undc"" ..n d '0 ,"" rich dimmsioo 8tri<It is on intc=ting pttposilion .bo boaw;e ,he:re'0 nothing very-dual· of <pace. iW< abou, it; • numberor clements m.y lie alongsi<lt one '!1QIher, though not In infinhy of them_ llt,id. permits I .p.d. .... 'gn<>Otkism about OCY' e",1 of the line" logia th>t enforce du.listic 'Mnlting: noncontradiction or ,"" law 01 ,he ududed mi<ldlc, ca .... ""....., clfut. "'bjooa ."... .. ob- The jnkes tha, Aid in peopk', minds I~ the on .. ,hey don't quite get. ject. Its in,nnt doa!1Ql, Ioooo-",\'Cr, depend on • ran,..,.. oI .....o nymiraUy Toll<1U", f'ffli..g displays. 1 think. _thing like ,hot relation to Fouauk's <'ga1i ..' ;'n or""'n pod"" ~J.rion., os any cMd kn<>ws who', ....~ • bed Hurory oJ'St. ...... lit)', \'.10 .... t, Foucaul' '. "<lIume """indo; mt of. joke be· .w.ith. oiblings. lltliJ. comprise •• wide rangr of ~<iring, id.mifyin~, ~p_ caU .. I,"argun. .n , i, so promising .nd economic.l; my ..n se of n .... getting ",sen';"g, re~lling, poullel;ng. dilr.",n'ia,ing, rI .... ling, loaning, twiseing, it comel from ,he way itS ""'" .I.ga"". ...m l .1>0 to make Its prom'" m;nudting, wi,hdrowmg, au"""ing. .gglCSSing. warping. and Other ~Io· unfulAlbblc. To mt, ,he .lmost <ltlirio ... I""""'" of the book is most .". .h od '0 """. SpotialWng <iscipIiMs such lOS t;tt'graphy .nd .nth"'P"logy do, though, caul,', Idcnrification 01 ,he .... pn:ssivo hrpod,. .n " .nd his ...g gestion that h.\oC t"" """antage of permi'ting eco!ogkal o<.y.tcm• •p pr~h"" to .uch 'he", might he w.yo of thinking .round it. "ccording '0 ,he "'pr<!S.i .... hy. ..r .. u..u •••, iikn'ity .nd penorm'nee. For in"ancc, the .n,hropologl" ESlh<r poth. .i . ,hat Fouc~ul' dcpree". .. ,..., history <u.li,y <o~ld only be ,h.,

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A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwic
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