Therapy and Emotions in Film and Television A lso byClaudia Wassman: Die Macht der Emotionen: Wie Gefühle unser Denken und Handeln beeinflussen The Brain as Icon – Reflections on the Representation of Brain Imaging on American Television, 1984–2002. In R. Heil, A. Kaminski, M. Stippak, & A. Unger (Eds.), Tensions and Convergences: Technological and Aesthetic Transformations of Societyy(pp. 153–162) Evaluating Threat, Solving Mazes, and Having the Blues. In J. A. Fisher (Ed.), Gender and the Science of Difference: Cultural Politics of Contemporary Science and Medicine (pp. 67–87) Therapy and Emotions in Film and Television The Pulse of Our Times Edited by Claudia Wassmann Universidad de Navarra, Spain Selection and editorial matter © Claudia Wassmann 2015 Chapters © Contributors 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-57889-4 ISBN 978-1-137-54682-1 (eBook) DOI 10.1057/9781137546821 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Therapy and emotions in film and television : the pulse of our times / [edited by] Claudia Wassmann, Universidad de Navarra, Spain. pages cm Includes bibliographical references and index. 1. Psychoanalysis and motion pictures. 2. Motion pictures – Psychological aspects. 3. Television programs – Psychological aspects. 4. Emotions in motion pictures. 5. Emotions on television. I. Wassmann, Claudia, 1959– editor. PN1995.9.P783T63 2015 791.430199—dc23 2015020304 Contents List of Illustrations vii Acknowledgments viii Notes on Contributors ix 1 An Introduction: Therapy and Emotions in Film and Television 1 Claudia Wassmann 2 The Big Holiday, Work, and the British Family, 1930–Present 17 Sandra Trudgen Dawson 3 American Anger Control and the Role of Popular Culture 34 P eter N. Stearns 4 Beyond Emotional Intelligence: Anger, Emotional Stupidity, and Lifestyle Issues 52 Ursula Oberst 5 Empty Husks: Age, Disability, Care, Death, and Amour 72 Sally Chivers 6 Re-enacting Trauma in Film and Television: Restaging History, Revisiting Pain 89 Stella Bruzzi 7 The Relationships between Therapy Culture, Psychology and Cinema: The Case of Woody Allen 9 9 M iguel Ángel Huerta Floriano 8 Therapy Cultures in Society: A Polycontextual Approach 115 R obin Kurilla 9 The Emotional Framing of Terrorism in Online Media: The Case of C harlie Hebdo 134 Omar V. Rosas 10 A Tentative Conclusion: The Pulse of Our Times 153 Claudia Wassmann v vi Contents R eferences 169 Filmographyy 186 Index 189 List of Illustrations Figures 2.1 The Drive Duporth Holiday Camp 1 8 2.2 Squires Gate Holiday Camp 21 2.3 Pig & Whistle Bar, Butlin’s Holiday Camp, Clacton 22 5.1 Screen capture from A mourr (2012) directed by Michael Haneke 78 5.2 Screen capture from Amourr (2012) directed by Michael Haneke 83 6.1 S creen capture from Abaham Bomba, Shoah (1985) directed by Claude Lanzmann 92 6.2 Screen capture from Abraham Zapruder (1963) frame 312 93 6.3 Screen capture from Abraham Zapruderr (1963) frame 313 94 6.4 Screen capture from T he Act of Killingg (2012) by Joshua Oppenheimer 97 7.1 Screen capture from S pellboundd (1945) directed by Alfred Hitchcock is a reference point in the portrayal of therapy in cinema 107 7.2 Screen capture from the opening sequence of Annie Hall (1977) directed by Woody Allen is a kind of confession 109 7.3 Woody Allen uses a split screen technique to confront therapy sessions, screen capture from Annie Hall (1977) 112 9.1 E ditorial from L e Monde ‘Libre, debout, ensemble’ (2015) 139 9.2 ‘Point de vue de Boris Cyrulnik, neuropsychiatre.’ 15 January 2015. Screen captureTV7 1 48 Table 8.1 Film themes 118 vii Acknowledgments This collective volume is the result of an international conference titled T aking the Pulse of Our Times: Media, Therapy and Emotions, which I convened at the University of Navarra, Spain, in November 2014. My sincere thanks go to all of the participants of the conference as well as to the members of the Institute for Culture and Society (ICS) at the University of Navarra. In particular, we would like to thank Ana Marta González, head of the research project ‘Emotional Culture and Identity’, for her support of our ideas, and also Estefanía Berjón for her kind and wonderful help in organizing the conference. Our special thanks go to Daniel Moulin, University of Navarra, and Sebastian Greppo, Center of the University of Chicago in Paris, who provided productive feedback and corrections for some of the chapters in this volume. The workshop and this collective volume are part of the research project ‘Scientific Concepts of Emotion and Cultural Identities’ (SCECI), conducted by Claudia Wassmann. The project studies the scientific concepts of emotion that psycho-medical research has produced between 1950 and 2000, and investigates if and how these concepts have informed emotional culture(s) and identity in post- industrial societies in Western Europe, assessed through the lens of cultural productions such as films and television. This research was supported by the European Commission FP7-PEOPLE-2013-IEF Marie Curie Intra-European Fellowships For Career Development [Grant Agreement PIEF-GA-2012–327538 SCECI]. We also wish to thank Chris Penfold at Palgrave Macmillan for seeing promise in this collected volume. viii Notes on Contributors Stella Bruzziis Professor of Film and Television Studies and Director of Research at the University of Warwick. From 2006 to 2008 she was Head of Department and from 2008 to 2011 she was Chair of the Faculty of Arts. She did her BA at Manchester University, and her PhD at Bristol, also working for three years as a researcher for the BBC. In 2013 she was made a fellow of the British Academy. Her primary areas of research include documentary film and television; fashion and film; and masculinity and fathers in Hollywood cinema. In 2011 she was awarded a Leverhulme Major Research Fellowship for her study titled ‘Approximation: Documentary, History and Staging Reality’, which she is currently writing up as a monograph (forthcoming 2016–17). She is the author of the following mono- graphs: Undressing Cinema: Clothing and Identity in the Movies (1997); New Documentaryy (2000 and 2006); B ringing Up Daddy: Fatherhood and Masculinity in Post-war Hollywoodd (2005); Seven Up (2007); Men’s Cinema: Masculinity and Mise-en-Scène in Hollywoodd(2013). Sally Chivers is Professor of English Literature and Founding Executive Member of the Trent Centre for Aging and Society at Trent University, Peterborough, Canada. She is the author of From Old Woman to Older Women: Contemporary Culture and Women’s Narratives and T he Silvering Screen: Old Age and Disability in Cinema as well as co-editor of T he Problem Body: Projecting Disability on Film. She has also authored journal articles and book chapters on representations of aging and disability in Canada and beyond. She is a member of the international research team ‘Re-imagining Long-Term Residential Care’ which seeks promising practices to transform institutional care for seniors. Her current research focuses on the interplay between aging and disability in the public sphere, with a focus on care narra- tives in the context of austerity. Sandra Trudgen D awsonis acting Assistant Director of Programming and Communications in the Honors Program at Northern Illinois University where she also teaches in the History Department and ix