(cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:2)(cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1)(cid:2)(cid:3)(cid:4)(cid:5)(cid:5)(cid:6)(cid:7)(cid:8)(cid:9)(cid:4)(cid:10)(cid:2)(cid:4)(cid:11)(cid:2)(cid:12)(cid:13)(cid:7)(cid:14)(cid:6)(cid:15)(cid:2)(cid:16)(cid:13)(cid:17)(cid:9)(cid:7)(cid:18)(cid:2)(cid:19)(cid:2)(cid:20)(cid:21)(cid:6)(cid:2)(cid:22)(cid:23)(cid:4)(cid:8)(cid:6)(cid:14)(cid:9)(cid:7)(cid:2)(cid:24)(cid:9)(cid:25)(cid:14)(cid:13)(cid:14)(cid:26)(cid:2)(cid:19)(cid:2)(cid:27)(cid:27)(cid:27)(cid:28)(cid:23)(cid:13)(cid:7)(cid:14)(cid:6)(cid:15)(cid:29)(cid:30)(cid:13)(cid:17)(cid:9)(cid:7)(cid:18)(cid:28)(cid:7)(cid:4)(cid:30)(cid:2) THE WINGED BEETLE By ALEISTER CROWLEY PRIVATELY PRINTED: TO BE HAD THROUGH "THE EQUINOX" 300 copies, 10s. net 50 copies on handmade paper, specially bound, £ 1 1s. net — — CONTENTS ROSA Coeli—Abjad-i-al’ain—The Hermit—The Wizard Way—The Wings—The Garden of Janus—The Two Secrets—The Priestess of Panormita—The Hawk and the Babe—The Duellists—Athor and Asar —After Judgment—The Five Adorations—Telepathy—The Swimmer —The Muse—The God and the Girl—Rosemary—Au Bal—Dis- appointment—The Octopus—The Eyes of Dorothy—Bathyllus—The Mantra-Yogi—The Poet and his Muse—Lilith—Sport and Marriage— The Twins—The Convert—The Sorceress—The Child—Clytie— A Slim Gilt Soul—The Silence of Columbine—The Archaeologist —The Ladder—Belladonna—The Poet at Bay—Ut—Rosa Decidua — The Circle and the Point—In Memoriam—Ad Fidelem Infidelem— The Sphinx—The Jew of Fez—The Pentagram—Song—An Hymn —Prologue to Rodin in Rime—The Camp Fire—Ave Adonai—The Wild Ass—The Opium-Smoker—In Manu Dominae. Mr. Todd: a Morality. TRANSLATIONS: L'Amour et le Crâne—L’Alchimie de Douleur—Le Vampire—Le Balcon—Le Gout de L'Infini—L'Héautontimoroumenos —Le vin de L'Assassin—Woman—Tout Entière—Le vin des Amants —Le Revenant—Lola de Valence—Le Beau Navire—L'Invitation au Voyage—Epilogue to “Petits Poèmes en Prose”—Colloque Senti- mental—En Sourdine—The Magician (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:2)(cid:1) (cid:1) (cid:1) (cid:1) MR. NEUBURG'S NEW(cid:1) VOLUME OF POEMS. (cid:1) Imperial 16(cid:1)mo, pp. 200 ———————————— (cid:1) Now ready. Order throug(cid:1)h The Equinox, or of (cid:1) any Bookseller. (cid:1) T H E T R I U M P H O F P A N . (cid:1) (cid:1) POEMS BY VICTO(cid:1)R B. NEUBURG. (cid:1) This volume, containing many poems,—nearly all of them hitherto unpublished — (cid:1) besides THE TRIUMPH OF PAN, includes THE ROMANCE OF OLIVA VANE. The First Edition is limited to Two Hu(cid:1)ndred and Fifty copies: Two Hundred and Twenty on ordinary paper, whereof less tha(cid:1)n Two Hundred are for sale; and Thirty on Japanese vellum, of which Twenty-five are fo(cid:1)r sale. These latter copies are numbered, and signed by the Author. The binding is half-(cid:1)parchment with crimson sides; the ordinary copies are bound in crimson boards, half holland. (cid:1) The price of ordinary copies is Five Shillings net; of the special copies, One (cid:1) Guinea net. (cid:1) EXTRACTS FROM FIRST NOTICES. (cid:1) “Not everyone will care for Mr. Neuburg's tone in all the pieces, but he is undoubtedly a poet to be reckoned with, and a volume so original as this is sho(cid:1)uld create no small stir. It is superbly produced by the publishers.”—Sussex Daily News. (cid:1) “When one comes to the poems . . . it is evident that they are written in English. . . . In a certain oblique and sub-sensible sense, eloquent and musica(cid:1)l. . . .Distinctly Wagnerian in their effects. . . .”— Scotsman. (cid:1) “It is full of ‘the murmurous monotones of whispering lust,’ ‘the song of young desire,’ and that kind of poppycock.”—London Opinion. (cid:1) “A competent master of words and rhythms. . . (cid:1). His esoteric style is unreasonably obscure from an intelligent plain poetry-lover's standpoint.”—Morning Leader. (cid:1) “A charming volume of poems . . . Pagan glamour . . . passion and vigour. . . . ‘Sigurd's Songs’ are commendable for dealing with the all too largely(cid:1) neglected Scandinavian Theology. . . . A scholarly disciple. . . . The entire volume is eminently recommen(cid:1)dable.”—Jewish Chronicle. “A gorgeous rhapsody. . . . Fortunately, there are the police. . . . On the whole, we cannot help regretting that such splendid powers of imagination and(cid:1) expression are flung away in such literary rioting.” — Light. (cid:1) “Sometimes of much beauty of rhythm and phrase. . . .”—Times. “Poets who have any originality deserve to be judg(cid:1)ed by their own standard. . . . A Neo-mystic or semi -astrological pantheist. . . .” —Liverpool Echo. (cid:1) “Love-making appears to have an added halo in his eyes if it is associated with delirium or blood- (cid:1) shed. . . . Mr. Neuburg has a '’careless rapture’ all his own; the carelessness, indeed, is just the trouble. His versification is remarkable, and there is somethin(cid:1)g impressive in its mere fluency. . . . So luxurious, so rampant, a decadence quickly palls. . . . On the whole, this book must be pronounced a quite (cid:1) grievous exhibition of recklessness and folly.”—Manchester Guardian. “. . .We began to be suspicious of him. . . . Hardly th(cid:1)e sort of person we should care to meet on a dark night with a knobby stick in his hand. . . . This clever book.”—(cid:1) Academy. “A vivid imagination fostered by a keen and loving insight of nature, and this allied to a command of richly adorned language . . . have already assured for the autho(cid:1)r a prominent place amongst present-day poets. . . . An enthusiastic devotion to classic song . . . sustained metr(cid:1)ical charm. From the first to last the poet's work is an important contribution to the century's literature.”—Publishers' Circular. (cid:1) “This [book] contains the answer to a very well-known riddle propounded by the late Elizabeth Barrett Browning. You remember she asked in one of her poem(cid:1)s, ‘What was he doing to Great God Pan: Down in the reeds by the River?’ Well, Mr. Victor Neuburg has discovered the answer, for he was obviously wandering (cid:1) near the river if he was not hidden in the reeds. . . .”—ROBERT ROSS in The Bystander. “There is no question about the poetic quality(cid:1) of much of Mr. Neuburg's verse. . . . We are given visions of love which open new amorous possibilit(cid:1)ies.”—Daily Chronicle. (cid:1) (cid:1) (cid:1) (cid:1)(cid:2)(cid:3)(cid:4)(cid:5)(cid:5)(cid:6)(cid:7)(cid:8)(cid:9)(cid:4)(cid:10)(cid:2)(cid:4)(cid:11)(cid:2)(cid:12)(cid:13)(cid:7)(cid:14)(cid:6)(cid:15)(cid:2)(cid:16)(cid:13)(cid:17)(cid:9)(cid:7)(cid:18)(cid:2)(cid:19)(cid:2)(cid:20)(cid:21)(cid:6)(cid:2)(cid:22)(cid:23)(cid:4)(cid:8)(cid:6)(cid:14)(cid:9)(cid:7)(cid:2)(cid:24)(cid:9)(cid:25)(cid:14)(cid:13)(cid:14)(cid:26)(cid:2)(cid:19)(cid:2)(cid:27)(cid:27)(cid:27)(cid:28)(cid:23)(cid:13)(cid:7)(cid:14)(cid:6)(cid:15)(cid:29)(cid:30)(cid:13)(cid:17)(cid:9)(cid:7)(cid:18)(cid:28)(cid:7)(cid:4)(cid:30)(cid:2) Demy 8vo. Cloth gilt. 4s. 6d. net —————— ALCHEMY: Ancient and Modern. Being a brief account of the Alchemistic Doctrines, and their relations to Mysticism on the one hand, and to recent discoveries in Physical Science on the other hand; together with some particulars regarding the lives and teachings of the most noted Alchemists. BY H. STANLEY REDGROVE. B.Sc. (Lond.), F.C.S AUTHOR OF “ON THE CALCULATION OF THERMO-CHEMICAL CONSTANTS,” “MATTER, SPIRIT, AND THE COSMOS,” ETC. WITH SIXTEEN FULL PAGE ILLUSTRATIONS (including Portraits of the most celebrated Alchemists). —————— CONTENTS: THE MEANING OF ALCHEMY—THE THEORY OF PHYSICAL ALCHEMY—THE ALCHEMISTS—THE OUTCOME OF ALCHEMY—THE AGE OF MODERN CHEMISTRY —MODERN ALCHEMY. Some Opinions of the Press. “A thoroughly well-informed study of the subject, which has the merit of being more sympathetic than such studies often are, and not less learned.”—The Scotsman. “This book is worth reading as a study in parallelism, and it has the merit of being written by one who is thoroughly well acquainted with both sides of his subject.”—The Observer. “Mr. Redgrove gives a careful and unbiassed account of alchemy, and traces its progress until it is absorbed by scientific chemistry. He also gives, from the layman's point of view, perhaps the most lucid account that has yet been rendered of the modern theories of matter and the ether.”—The Outlook. “This remarkable book.”—T.P.'s Weekly. “Exceedingly interesting book.”—Modern Society. “This unexpectedly arresting book. . . . Some of the author's accounts of what was done and believed by the masters in alchemy are most instructive. . . . Highly suggestive comparisons between the old men and the latter-day trend of science.”—Manchester City News. Ready early in March. 8 ¾ · 5 ½ in. 560 pp. —————— DEATH: Its Causes and Phenomena. WITH SPECIAL REFERENCE TO IMMORTALITY. BY HEREWARD CARRINGTON Late Member of the Council of the American Institute for Scientific Research. Author of “Vitality, Fasting, and Nutrition,” “The Coming Science,” “The Physical Phenomena of Spiritualism,” etc. etc. AND JOHN R. MEADER (“GRAHAM HOOD”) Member of the American Statistical Society and of the Society for Psychical Research, Author of “The Laws of Success,” etc. —————— CONTENTS. PREFACE. PART I. Physiological.—I. The Scientific Aspect of Life and Death. II. The Signs of Death. III. Trance, Catalepsy, Suspended Animation, etc. IV. Premature Burial. V. Burial, Crema- tion, Mummification. VI. The Causes of Death. VII. Old Age; its Scientific Study. By Hereward Carrington. VIII. My Own Theory of Death. By Hereward Carrington. IX. My Own Theory of Death. By John R. Meader. X. On the Possible Unification of our Theories. XI. The “Questionnaire” on Death. Answers. XII. General Conclusions. PART II. Historic Speculations on Death.—I. Man's Theories about Immortality. II. The Philosophical Aspect of Death and Immortality. III. The Theological Aspect of Death and Immortality. IV. The Common Arguments for Immortality. PART III. Scientific Attempts to Solve the Problem.—Introductory. I. The Moment of Death. II. Visions of the Dying. III. Death Described from Beyond the Veil. IV. Experiments in Photographing and Weighting the Soul. V. Death Coincidences. VI. The Testimony of Science—Psychical Research. VII. On the Intra-Cosmic Difficulties of Communication. VIII. Conclusions. Appendices. Bibliography. Index. —————— WILLIAM RIDER & SON, Ltd., 164 Aldersgate St., London. E.C. (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:2)(cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) The Star in the West (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) (cid:1) BY (cid:1) (cid:1) CAPTAIN J. F(cid:1). C. FULLER (cid:1) (cid:1) FOURTH LARGE EDITION(cid:1) NOW IN PREPARATION (cid:1) THROUGH THE EQUINOX(cid:1) AND ALL BOOKSELLERS (cid:1) (cid:1) SIX SHILLINGS NET (cid:1) (cid:1) (cid:1) A highly original study of morals and (cid:1) (cid:1) religion by a new writer, who is as (cid:1) entertaining as the (cid:1)average novelist is (cid:1) dull. Nowadays human thought has (cid:1) taken a brighter place(cid:1) in the creation: our (cid:1) emotions are weary of bad baronets and (cid:1) stolen wills; they are(cid:1) now only excited by (cid:1) spiritual crises, catastrophes of the reason, (cid:1) triumphs of the inte(cid:1) lligence. 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Further proofing and formatting by Frater T.S. for Celephaïs Press sihT noitide yam eb yleerf detubirtsid d eifidomnu dedivorp on egrahc rehto naht elbanosaer stsoc fo aidem dna noissimsnart / egatsop erehw( )elbacilppa si. e dam .noitubirts i’derawerah srl‘oaicremm or cotfoN