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The Various Methods of Marking Accent Employed in Vedic Literature PDF

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1 The Various Methods of Marking Accent Employed in Vedic Literature 9/15/07 Notes translated and adapted from Yudhi˘Òhira M„m‡ßsaka's Hindi-language work. M„m‡ßsaka, Yudhi˘Òhira. Vikrama 2021 [1964]. Vaidika-v‡Ômaya meß prayukta vividha svar‡Ôkana prak‡ra. Ajmer: Bh‡rat„ya Pr‡cyavidy‡ Prati˘Òh‡na. | svarita (RV, AV), ud‡tta (MS) _ anud‡tta (RV), ud‡tta (¯B) ‚c‡rya, Padman‡r‡yaıa. "Vaidika svara k‡ eka paricaya." N‡gar„ Prac‡riı„ Patrik‡, bh‡ga 14, pp. 283-322. [YM: Follows european rules which are deficient.] ¯‡str„, Dh‡re˜var„ (a?). YM: "Dh‡re˜vara ¯‡str„ ne S‡ma saßbandh„ svar‡Ôkana k‡ nirde˜a 8 sÂtroß se dar˜‡y‡ hai." But he can't remember the name of the book because he copied it as a student long ago. S‡tavalekara. Intro to S‡maveda, Maitr‡yaı„ Saßhit‡, etc. Vi˜vabandhu ¯‡str„. Vaidikapad‡nukramako˘a. Saßhit‡ bh‡ga, part 1, intro. [YM: Follows european rules which are deficient.] Scan Abbreviations: DRGG = Daulata R‡ma GauÛa editor for Gupta publication of M‡dhyandina ¯ukla Yajurveda DRGC = Daulata R‡ma GauÛa editor for Caukhamba publication of M‡dhyandina Sa¸hit‡ RVKhS = Ëgveda, editors Sontakke and Kashikar VSKS = V‡jasaneyi Sa¸hit‡, K‡ıva recension, editor S‡tavalekar K‡SS = K‡Òhaka Sa¸hit‡, editor S‡tavalekar K‡SSch = K‡Òhaka Sa¸hit‡, editor Schrîder MSS = Maitr‡yaı„ya Sa¸hit‡, editor S‡tavalekara MSSch= Maitr‡yaı„ya Sa¸hit‡, editor Schrîder SVK¯ = S‡maveda, Kauthuma recension, editor B.R. ¯arma AV¯W= Atharvaveda, ¯aunaka recension, editor Whitney AVPR = Atharvaveda, Paippal‡da recension, editor Raghuv„ra ¯BMA = ¯atapatha Br‡hmaıa, M‡dhyandina recension, published by Acyuta Grantham‡la K‡BS = K‡Òhaka Br‡hmaıa, editor SÂryak‡nt Svarita j‡tya svarita: lexicalized k˘aipra, e.g. kva k˘aipra svarita: ud‡tta ik > yaı, subsequent anud‡tta > svarita iko yaı aci pra˜le˘a svarita: ud‡tta ac + anud‡tta ac > svarita, e.g. ‡, „, etc. aka˛ savarıe d„rgha, ‡d guıa˛, vÁddhir eci abhinihita: [eo] + a > [eo] ' eÔa˛ pad‡nt‡d aci 2 P‡Òha nirbhuja = saßhit‡ mantra-saßhit‡ = ‡r˘„-saßhit‡ pratÁıa = analyzed (padap‡Òha) pada-saßhit‡ = ‡c‡rya-saßhit‡ prakÁti = saßhit‡, pada-p‡Òha, > krama-p‡Òha > vikÁti = (8) jaÒa, m‡l‡, ˜ikh‡, rekh‡, dhvaja, daıÛa, ratha, ghana principal among the vikÁtis are jaÒa and daıÛa jaÒa > ˜ikh‡ daıÛa > m‡l‡, rekh‡, dhvaja, ratha both > ghana krama-saßhit‡ = another name for krama-p‡Òha = rÂÛh‡ (2 words at a time: ab | bc | cd | ...) saßhit‡ = yog‡ (abcd...) Accentuation according to Vedic recensions [Underlying accents are marked with a mark preceding the accented vowel as follows: Mark only ud‡tta (with forward slash), and independent svarita (with caret) [pracaya is unmarked] Surface graphic accents are marked as follows: backslash = horizontal line below the preceding ak˘ara caret = vertical line above the preceding ak˘ara] (Page) SÂtra. eka˜ruti: the same pitch as a preceding raised pitch (p. 7) 7. Ëgveda (¯‡kala) 8. _ anud‡tta 9. | svarita 10. unmarked after a svarita is eka˜ruti = pracaya (p. 8) YM thinks pracaya is similar to anud‡tta, but in RV _ marks sannatara which is lower than anud‡tta and svarita begins higher than ud‡tta so ud‡tta ends up between the beginning of svarita and the sannatara. In aÖ…¶mI¬ÿ e pûru oihtÿ m( (Ëgveda 1.1.1) p. 7 (1) Deep accent: agn°m„˚e pur¢hitam a pu and are anud‡tta mI ih and are svarita In hot;rÿ ' ràÖ/;tÿmm( (Ëgveda 1.1.1) p. 8 (2) Deep accent: h¢t‡raß ratnadhµtamam r' r m , , and are eka˜ruti. 11. Initial or preceded by an anud‡tta, an unmarked syllable is ud‡tta. In a¶eÖ y' yÖDm?ÿ vrÖ m( (Ëgveda 1.1.4) p. 8 (3) Deep accent: †gne y†ß yaj§†madhvar†m 12. Preceded by an independent (j‡tya, k˘aipra, pra˜le˘a, or abhinihita) svarita that is uttered with kampa, an unmarked syllable is ud‡tta. (If the preceding doesn't have kampa then 3 it'll be eka˜ruti=pracaya.) (p. 9) 13. An independent (j‡tya, k˘aipra, pra˜le˘a, or abhinihita) svarita has kampa if followed by an ud‡tta or svarita. (Ëkpr‡ti˜‡khya 3.34) Other svaritas result from anud‡tta which remains anud‡tta before ud‡tta or svarita. (p. 10) | 14. 1 after a short independent (j‡tya, k˘aipra, pra˜le˘a, or abhinihita) svarita with kampa. ¨ûKQy1' Ö ÿ vcoÿ yÖtßÿcu ; KQy' j‡tya: in: (Ëgveda 1.83.3) p. 10 (4) Deep accent: ukthyÖß v†co yat†sruc‡ sÖ/‰[ 1ÿÖõ≠n;m ÿ .Ö{m( /‰[ k˘aipra: in: (Ëgveda 1.108.3) p. 10 (5) Deep accent: sadhryÖÔnµma bhadr†m [pra˜li˘Òa and abhinihita svaritas are never short] The first half m‡tra of a svarita vowel is ud‡tta; the remainder, i.e. half a m‡tra of a short vowel, 1.5 m‡tra of a long vowel and 2.5 m‡tras of a pluta vowel, is anud‡tta. (p. 11) [pluta svarita with kampa is never found] xÖtcÿkÖ' â yoô3Ö ÿ åÁoÿ vtRÖin" yo In (Ëgveda 10.144.4) is a long [YM: abhinihita < yo) aÁÖ ÿ" ] svarita with kampa followed by a svarita. p. 11 (6) Deep accent: ˜at†cakraß yï Ÿhyï vartan°˛ 15. Long svarita with kampa is marked with horizontal line below plus the numeral 3 with vertical line above and horizontal line below. rÄQyo3ô ÿÖ vyÿSvt" j‡tya: (Ëgveda 2.24.15) …vÖ+v;3ô ÿÖyo" k˘aipra: (Ëgveda 2.4.2) Deep accent: vik˘v∂y¢˛ aÖ.IÖ3Ödÿ m( pra˜li˘Òa: (Ëgveda 10.48.7 Deep accent: abh∏d†m p[qÖm ' v;¡ ' vO,;ônoô3Öåÿ y' somoô abhinihita: (Ëgveda 1.108.6) Deep accent: pratham†ß v‡ß vÁı‡nï Ÿy†ß s¢mo v yo d y Qyo +v; .I no Here, on p. 11 (7), , , , and are ud‡tta; , , , and are svarita with kampa. (p. 12) The 3 does not indicate pluta; a 3 without other marks (such as vertical line above and horizontal line below) does. A pluta is shown in ao3õ≠ktâ oÿ Smr (M‡dhyandinasaßhit‡ 40.15) p. 12 (8) 4 Deep accent: ¢3Ôkr†to smara DRGG40.15 View Scan [.png] High Res [.tif] 16. Kashmiri Ëgveda End of the khilas in vol. 4 of the Pune edition: khila according to the Kashmiri recension. 17. In mss of the Ëgveda in Kashmir, the high pitch (ud‡tta) is marked by a vertical line above. ah¡ ' yÿxæSvnÿ ;' yÿxo …vÿê; Âp;ÿ<y; ÿ dd e ) (Ëgveda Khila 1.1.1) p. 12 (9) Deep accent: ah†ß y†˜asv°n‡ß y†˜o v°˜v‡ rÂpµıyµ dade . RVKhS1.1.1 View Scan [.png] High Res [.tif] [Khilas Sontakke and Kashikar 1983: 889-1001. Pp. includes the Khilas according to the Kashmiri recension.] [Peterson. Catalogue of mss. in the Alwar State Library. includes Khilas with accent found in certain saßhit‡ and pada mss. of Ëgveda found in that library. "The most extensive collection of Khilas is preserved in a ms. of Ëgveda saßhit‡ discovered in Kashmir by Prof. G. BÅhler and described for the first time in his "Detailed report of a tour in search of Sanskrit mss.", Bombay 1877, pp. 35-36. The ms. was procured for the library of the Deccan College, Poona, which is now transferred to the Bhandarkar Oriental Research Institute, Poona, where it is deposited at present." p. 892. "The text is accented throughout. ... only the Ud‡tta and primary Svarita are marked. The Ud‡tta is marked by a small vertical stroke. This kind of marking Ud‡tta is also found in the Maitr‡yaı„ Saßhit‡ (Cf. Schrîder, Preface p. xxx). The primary Svarita is denoted by the sign "T" [that is just the curly hook at the beginning of a scripted T]. This sign occurs twice in the Khila portion (I.11.4; 12.7). In K‡Òhaka Saßhit‡ a strong curve above the line comes as a sign of the primary Svarita, while in Maitr‡yaı„ Saßhit‡ the curve lies below the line (Cf. Schrîder, ibid.). If the next syllable is accented, the primary svarita is denoted by '3' (Trikampa) even though the preceding syllable is short. This '3' which stands after the Svarita syllable has either a horizontal stroke below the line or a perpendicular stroke above the line. Scheftelowitz has retained this method of accentuation in his edition; the same has been followed here too. p. 894 p. 895 "In the Junagadh ms. however, the Svarita is marked by a horizontal line through the body of the letter and the Anud‡tta is marked as usual. This method is exactly the same as that in part of one of the alwar mss. of Ëgveda Saßhit‡ which are described in the Catalogue as belonging to the ¯‡Ôkh‡yana ˜‡kh‡ (See 'A Second Report of operations in search of Sanskrit mss. in the Bombay Circle', 1883-84 by Peter Peterson; Extra No. JBBRAS 1884). p. 895.] Sontakke, N. S. and C. G. Kashikar, eds. 1983. Ëgveda-saßhit‡ with the commentary of S‡yaı‡c‡rya. Vol. 4, MaıÛalas 9-10. 2d. Pune: Tilak Maharashtra Vidyapith, Vaidika Saߘodhana MaıÛala. y (The corresponding Atharvaveda has anud‡tta 6.39.1, 19.56.6 and only vin-pratyaya should be high-pitched: ya˜asv°n, not both the 1st a and i. (p. 13) 18. An independent (j‡tya, k˘aipra, pra˜le˘a, or abhinihita) svarita is marked with a crooked line above. It is indicated in this file by the numeral 8 which as a superscript approximates the beginning of a scripted capital T used in Sontakke and Kashikar's 5 edition. hÿvNt ' meW;ÿn ( vOKy8e J‡tya: (Khila 1.12.7) p. 13 (10) (Sontakke and Kashikar 1983: 923) Deep accent: h†vantaß me˘µn vÁkyä RVKhS1.12.7 View Scan [.png] High Res [.tif] sÿm/;ÿNv;®hn ( Sv8" K˘aipra (Khila 1.11.4) p. 13 (10) (Sontakke and a;®•hn( Kashikar 1983: 922) [YM erroneously has ] Deep accent: s†madhµnv‡ruhan svÖ˛ RVKhS1.11.4 View Scan [.png] High Res [.tif] (In YM, a Devan‡gar„ 8 appears small and raised over the last consonantal character of the ak˘ara. In Sontakke and Kashikar, it looks like the loop at the beginning of the fancy scripted T at the top and to the right of the horizontal bar at the top of the character.) 19. Followed by an ud‡tta, an independent (j‡tya, k˘aipra, pra˜le˘a, or abhinihita) svarita has kampa. 20. It itself, unmarked, is followed by a 3 with a horizontal line below (regardless of whether it is short or long). (p. 14) a;ÿpo nÿ v≤j•[ ÿNvoKy'3 Ö sÿr" ) j‡tya (Khila 3.1.3) p. 14 (11) (Sontakke and Kashikar 1983: 940) Deep accent: µpo n† vajrinn†nvokyÖß3 s†ra˛ . sÿ‚Nt Á3Öyà R a;≤xÿW k˘aipra (Khila 3.6.7) p. 14 (11) (Sontakke and Kashikar 1983: 944) Deep accent: s†nti hyÖry† ‡˜°˘a RVKhS3.6.7 View Scan [.png] High Res [.tif] yoÿ j;My;3"Ö pÿT[ ymd¥"ÿ (Khila 5.12.2) p. 14 (11) Deep accent: y¢ j‡my∂˛ pr†tyamadady†˛ RVKhS5.12.2 View Scan [.png] High Res [.tif] prÿ e hIåto3Ö~Ny;Sÿ ye abhinihita (Khila 4.5.32) p. 14 (11) Deep accent: parÇ h„Ÿtïghnyµsye RVKhS4.5.32 View Scan [.png] High Res [.tif] (Av 10.1.20 verifies the last example which is incorrect in the Pune edition and the German edition.) 21. The rest (anud‡tta, eka˜ruti, and svarita following an ud‡tta) is unmarked. p.15 [K‡Òhaka and Maitr‡yaı„ Saßhit‡ use the above methods with some modification.] 22. Yajurveda 6 23. ¯ukla versus KÁ˘ıa 24. ¯ukla: M‡dhyandina, K‡ıva 25. KÁ˘ıa: Taittir„ya, Maitr‡yaı„, K‡Òhaka, Kapi˘Òhala KaÒha 26. In the M‡dhyandina Saßhit‡, the ud‡tta, anud‡tta, eka˜ruti, and dependent svarita is marked as in Ëgveda (¯‡kala). îÖWe Tvojô R e Tv; ÿ v;ôyvÿ Sq ) (M‡dhyandina 1.1.) p. 15 (12) Deep accent: i˘Ç tvorjÇ tv‡ v‡y†va stha . DRGG1.1 View Scan [.png] High Res [.tif] DRGC1.1 View Scan [.png] High Res [.tif] î Tvo v; , , marked with horizontal line are anud‡tta (sÂ. 8) Tv; v , marked with vertical line are svarita (sÂ. 9) Sq unmarked is eka˜ruti (sÂ. 10) We jRe y , , unmarked are ud‡tta after anud‡tta (sÂ. 11) 27. Following an anud‡tta, an independent (j‡tya, k˘aipra, pra˜le˘a, or abhinihita) svarita is kï marked with a crooked line below: ( ) indicated in this file by <ISM> for "Independent Svarita (not followed by ud‡tta or svarita) YV M‡dhyandina Saßhit‡" = Vedic Symbol 149. (p. 16) vIyÖ ;R …, Ö p[ voÿcÖ' y" j‡tya <ISM> (M‡dhyandina 5.18) p. 16 (13) Deep accent: v„ry∂ıi pr† vocaß y†˛ DRGG5.18 View Scan [.png] High Res [.tif] DRGC5.18 View Scan [.png] High Res [.tif] ¥*rÿ…s pO≤qVÖ y …s k˘aipra <ISM> (M‡dhyandina 1.2) p. 16 (13) Deep accent: dya£rasi pÁthivyÖsi DRGG1.2 View Scan [.png] High Res [.tif] DRGC1.2 View Scan [.png] High Res [.tif] aÖ.I N/t;m%u e vÂ]ÿ IÇ; pra˜le˘a <ISM> (M‡dhyandina 11.61) p. 16 (13) Deep accent: abh∏ndhat‡mukhe v†rÂtr„˘Òv‡ DRGG11.61 View Scan [.png] High Res [.tif] DRGC11.61 View Scan [.png] High Res [.tif] `ÖmoR å…s abhinihita <ISM> (M‡dhyandina 1.2) p. 16 (13) Deep accent: gharmï Ÿsi DRGG1.2 View Scan [.png] High Res [.tif] DRGC1.2 View Scan [.png] High Res [.tif] 7 vÖ/o å…s abhinihita <ISM> (M‡dhyandina 1.2) p. 16 (13) Deep accent: vadhï Ÿsi DRGG1.2 View Scan [.png] High Res [.tif] DRGC1.2 View Scan [.png] High Res [.tif] When k˘aipra does not follow a low pitch, then it's marked like a dependent svarita with a vertical line above. }yÿMbk˘ yj;mhe (M‡dhyandina 3.60) p. 16 (14) Deep accent: tryÖmbakaß yaj‡mahe DRGG3.60 View Scan [.png] High Res [.tif] DRGC3.60 View Scan [.png] High Res [.tif] avÿ deÖv' }yMÿ bkm( (M‡dhyandina 3.58) p. 16 (14) Deep accent: †va dev†ß tryÖmbakam DRGG3.58 View Scan [.png] High Res [.tif] DRGC3.58 View Scan [.png] High Res [.tif] ¨ûVy; R Vy¥ÿ *t( (M‡dhyandina 12.1) p. 16 (14) Deep accent: urvyµ vyÖdyaut DRGG12.1 View Scan [.png] High Res [.tif] DRGC12.1 View Scan [.png] High Res [.tif] 28. If an independent (j‡tya, k˘aipra, pra˜le˘a, or abhinihita) svarita is followed by an ud‡tta ká then it is marked with a three-pronged mark ( ) below indicated in this file by <ISKM> for "Independent Svarita followed by ud‡tta or svarita YV M‡dhyandina Saßhit‡" = Vedic Symbol 135. vde URûTy mvÿt;' Tv; j‡tya <ISKM> (M‡dhyandina 2.9) p. 16 (15) Deep accent: verdÂtyÖm†vat‡ß tv‡ DRGG2.9 View Scan [.png] High Res [.tif] DRGC2.9 View Scan [.png] High Res [.tif] ¨ûvR Nt·r=ÖmNvÿ…e m k˘aipra <ISKM> (M‡dhyandina 1.7, 1.11) p. 16 (15) Deep accent: urvÖnt†rik˘am†nvemi DRGG1.7 View Scan [.png] High Res [.tif] DRGC1.7 View Scan [.png] High Res [.tif] DRGG1.11 View Scan [.png] High Res [.tif] DRGC1.11 8 View Scan [.png] High Res [.tif] a.I m' mÿihmû ; pra˜le˘a <ISKM> (M‡dhyandina 38.17) p. 16 (15) Deep accent: abh∏m†ß mahimµ DRGG38.17 View Scan [.png] High Res [.tif] DRGC38.17 View Scan [.png] High Res [.tif] p;xÖyw oR åSm;n( √…º ∑Ö y' cÿ abhinihita <ISKM> (M‡dhyandina 1.25) p. 16 (15) Deep accent: pµ˜airyï Ÿsmµn dvǢÒi y†ß ca DRGG1.25 View Scan [.png] High Res [.tif] DRGC1.25 View Scan [.png] High Res [.tif] loôkÉ åæSmn( <ISKM> (M‡dhyandina 3.21) p. 16 (15) Deep accent: lokä Ÿsm°n DRGG3.21 View Scan [.png] High Res [.tif] DRGC3.21 View Scan [.png] High Res [.tif] kï [The crooked line ( ) occurs beneath the independent svarita if it is followed by ká anud‡tta, eka˜ruti, or no sound; the three-pronged mark ( ) if followed by ud‡tta.] Sv,R [YM raises the following problem: But in the following passage, in the first , the kÖ k˘aipra or j‡tya svarita is marked with a horizontal line below ( ) instead of with the ká three pronged mark ( ) as in the non-initial. Day‡nanda Sarasvati's commentary has the three-pronged mark. SvÖ, R `m"R Sv;h; ô Sv ,;Rk"ú Sv;h; ô Sv , R xuûkâ" Sv;h; ô <ISKM> <ISKM> Sv , R JyoitÖ" Sv;h;ô Sv ,R sUyR" Sv;h; ÿ )) <ISKM> <ISKM> (M‡dhyandina 18.50) p. 16 (16) [YM missing accent marks on gharma˛, arka˛, and sÂrya˛] Deep accent: svÖrı† gharm†˛ svµh‡ svÖrı∂rk†˛ svµh‡ svÖrı† ˜ukr†˛ svµh‡ svÖrı† jy¢ti˛ svµh‡ svÖrı† sΩrya˛ svµh‡ .. Deep accent: gharm†˛ . ark†˛ . n† . svµh‡ . ˜ukr†˛ . sΩrya˛ . jy¢ti˛ [MW has gharm†.] DRGG18.50 View Scan [.png] High Res [.tif] DRGC18.50 View Scan [.png] High Res [.tif] (p. 17) 29. In all saßhit‡s of the YV except Maitr‡yaı„saßhit‡, an independent svarita before an ud‡tta does not have kampa as it does in the RV. [See sÂ. 47 for Maitr‡yaı„'s kampa.] 30. K‡ıvasaßhit‡ An independent svarita not followed by an ud‡tta, i.e. followed by anud‡tta, eka˜ruti, or vir‡ma, is marked by a vertical line above as in RV. 9 (p. 18) vIyÖ ;RÃ…,Ö p[ voÿcÖ' y" j‡tya (K‡ıvasaßhit‡ 5.5.6) p. 18 (17) Deep accent: v„ry∂ıi pr† vocaß y†˛ VSKS5.5.6 View Scan [.png] High Res [.tif] ¥*rÿ…s pO≤qVÖ y…ÿ s k˘aipra (K‡ıvasaßhit‡ 1.2.1) p. 18 (17) Deep accent: dya£rasi pÁthivyÖsi VSKS1.2.1 View Scan [.png] High Res [.tif] aÖ.IÿN/t;m%u e pra˜le˘a (K‡ıvasaßhit‡ 12.6.2) p. 18 (17) Deep accent: abh∏ndhat‡mukhe VSKS12.6.2 View Scan [.png] High Res [.tif] `Ömoà R å…s abhinihita (K‡ıvasaßhit‡ 1.2.1) p. 18 (17) Deep accent: gharmï Ÿsi VSKS1.2.1 View Scan [.png] High Res [.tif] vÖ/oÿ å…s (K‡ıvasaßhit‡ 1.9.6) p. 18 (17) Deep accent: vadhï Ÿsi VSKS1.9.6 View Scan [.png] High Res [.tif] 31. An independent svarita followed by an ud‡tta or svarita is marked just by a horizontal line below. vIyÖ |Ö m…yÿ /eih j‡tya (K‡ıvasaßhit‡ 21.1.8) p. 18 (18) Deep accent: v„ryÖß m†yi dhehi VSKS21.1.8 View Scan [.png] High Res [.tif] ¨ûvÖNR t·rÿ=mÖ Nvÿ…e m k˘aipra (K‡ıvasaßhit‡ 1.3.3) p. 18 (18) Deep accent: urvÖnt†rik˘am†nvemi VSKS1.3.3 View Scan [.png] High Res [.tif] aÖ.IÖm ' mÿihmû ; pra˜le˘a (K‡ıvasaßhit‡ 38.4.1) p. 18 (18) Deep accent: abh∏m†ß mahimµ VSKS38.4.1 View Scan [.png] High Res [.tif] yoô åSm;n( √…º ∑Ö y' cÿ abhinihita (K‡ıvasaßhit‡ 1.9.4) p. 18 (18) Deep accent: yï Ÿsmµn dve˘Òi y†ß ca VSKS1.9.4 View Scan [.png] High Res [.tif] yR vR BhI yo , , , and are marked below with a horizontal line. Just as by A˘Ò‡dhy‡y„ 8.4.66 After an ud‡tta an anud‡tta is replaced by a svarita, and by A˘Ò‡dhy‡y„ 8.4.67 not before an ud‡tta or svarita, similarly in the K‡ıvasaßhit‡ (not only 10 a svarita after an ud‡tta but) even an independent svarita before an ud‡tta or svarita is replaced by an anud‡tta. inihtmud;†Sv·rtprm( V‡jasaneyi Pr‡ti˜‡khya 4.138 <rule source = "^" target = "\" rcontext = "[/^]" c = "VPr. 4.138"/> In K‡ıvasaßhit‡, an independent svarita becomes anud‡tta before an ud‡tta or svarita. [In ¯‡kalya and ¯aunaka's ˜‡kh‡s the 2nd part of a svarita becomes low-pitched and has kampa but in Taittir„yasaßhit‡ it doesn't (in opposition to Ananta's commentary on VPr. sÂtra 4.141.] Cf M‡dhyandina on p. 16 sÂtra 28) K‡ıva on 22.2.13 [YM error; located at 20.2.13 in Satavalekar's edition of the K‡ıva recension of the V‡jasaneyisaßhit‡]: SvÖ, R `mÖ R" Sv;h; ô SvÖ,;kR "ú Sv;h;ô Sv,Ö R xuûkâ" Sv;h; ÿ SvÖ, R JyoitÖ" Sv;h;ô Sv,Ö R sUyRÖ" Sv;h;ÿ )) (K‡ıvasaßhit‡ 22.2.13) p. 19 (19) Deep accent: svÖrı† gharm†˛ svµh‡ svÖrı∂rk†˛ svµh‡ svÖrı† ˜ukr†˛ svµh‡ svÖrı† jy¢ti˛ svµh‡ svÖrı† sΩrya˛ svµh‡ .. VSKS20.2.13 View Scan [.png] High Res [.tif] Sv is anud‡tta before ud‡tta. h; Sv;h; Sv,;kR ú" in becomes anud‡tta before even though its svarita becomes anud‡tta. So it still retains some influence of being svarita. (p. 20) 32. Kapi˘Òhala-kaÒha Saßhit‡ In Kapi˘Òhala-kaÒha Saßhit‡ everything is as in K‡ıvasaßhit‡. 33. A short independent (j‡tya or k˘aipra) svarita followed by an ud‡tta becomes long. [pra˜le˘a and abhinihita svaritas are always long.] (p. 21) ¨ûv;RNt·rÿ=m( (KKS. 1.2) p. 21 (20) Deep accent: urvÖnt†rik˘am aÖPSv;ôNt" (KKS. 48.4) p. 21 (20) Deep accent: apsvÖnt†˛ [Intro to Vishvabandhu's Vaidika Ko˘a, 1st part of saßhit‡ vol. intro. p. 119.] 34. Taittir„ya Saßhit‡ In Taittir„ya Saßhit‡ recitation the marking of accents is the same as in K‡ıva recitation except an independent svarita followed by an ud‡tta. 35. An independent svarita followed by an ud‡tta too is marked by a vertical line above. [All svaritas in TS are marked with a vertical line above.] 36. K‡Òhaka Saßhit‡ In K‡Òhaka Saßhit‡ the ud‡tta is marked by a vertical line above. devÿSy Tv; s…vtÿ"u (K‡S. 1.2) p. 21 (21) Deep accent: dev†sya tv‡ savit£˛ K‡SS1.2 View Scan [.png] High Res [.tif] K‡SSch1.2 View Scan [.png] High Res [.tif]

Description:
The Various Methods of Marking Accent Employed in Vedic. Literature VSKS. = V‡jasaneyi Sa¸hit‡, K‡ıva recension, editor S‡tavalekar. K‡SS.
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