The Project Gutenberg EBook of The Quest of Glory, by Marjorie Bowen This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Quest of Glory Author: Marjorie Bowen Release Date: April 23, 2015 [EBook #48767] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THE QUEST OF GLORY *** Produced by Shaun Pinder, Richard Hulse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Notes Punctuation has been standardized. This book was written in a period when many words had not become standardized in their spelling. Words may have multiple spelling variations or inconsistent hyphenation in the text. These have been left unchanged unless indicated with a Transcriber’s Note. Transcriber Notes are used when making corrections to the text or to provide additional information for the modern reader. These notes are not identified in the text, but have been accumulated in a table at the end of the book. THE QUEST OF GLORY BY THE SAME AUTHOR THE VIPER OF MILAN I WILL MAINTAIN DEFENDER OF THE FAITH GOD AND THE KING THE QUEST OF GLORY BY MARJORIE BOWEN “LA GLOIRE NOUS DONNE SUR LES CŒURS UNE AUTORITÉ NATURELLE QUI NOUS TOUCHE SANS DOUTE AUTANT QUE NULLE DE NOS SENSATIONS ET NOUS ÉTOURDIT PLUS SUR NOS MISÈRES QU’UNE VAINE DISSIPATION; ELLE EST DONC RÉELLE EN TOUS SENS.” Marquis de Vauvenargues METHUEN & CO. LTD. 36 ESSEX STREET W.C. LONDON First Published in 1912 CONTENTS PART I THE QUEST JOYFUL I. Prague, 1742 II. The Chapel of St. Wenceslas III. Carola Koklinska IV. Cardinal Fleury’s Blunder V. The Retreat from Prague VI. On the Heights VII. The Home at Aix VIII. Clémence de Séguy IX. The Heretic X. The Magician XI. M. de Richelieu XII. The Diamond Ring XIII. Three Letters PART II THE QUEST SORROWFUL I. Paris II. A Walled Garden III. A Pavilion at Versailles IV. Despair V. The Painter VI. In the Garden VII. A Picture VIII. Voltaire IX. Reflections X. In the Louvre XI. The Fête XII. Afterwards XIII. Clémence XIV. In the Convent PART III THE QUEST TRIUMPHANT I. The Father II. Return to Life! III. The Betrothed IV. The Conflict V. The Departure from Aix VI. The Garret VII. The Roses of M. Marmontel VIII. The End of the Quest Epilogue THE QUEST OF GLORY PART I THE QUEST JOYFUL “TOUT EST TRÈS ABJECT DANS LES HOMMES, LA VERTU, LA GLOIRE, LA VIE; MAIS LES CHOSES LES PLUS PETITES ONT DES proportions RECONNUES. LE CHÊNE EST UN GRAND ARBRE PRÈS DU CERISIER; AINSI LES HOMMES À L’ÉGARD LES UNS DES autres.”—LE MARQUIS DE VAUVENARGUES. T CHAPTER I PRAGUE, 1742 he Austrian guns had ceased with the early sunset, and the desolate city of Prague was silent, encompassed by the enemy and the hard, continuous cold of a Bohemian December: in the hall of Vladislav in the Hradcany, that ancient palace of ancient kings that rose above the town, several French officers wrapped in heavy cloaks were walking up and down, as they had done night after night since the dragging siege began. In the vast spaces of the huge pillarless hall with the high arched Gothic roof, bare walls and floor, imperfectly lit by a few low-placed lamps, their figures looked slight to insignificance, and the sound of their lowered voices was a mere murmur in the great frozen stillness. At one end of the hall rose a tall carved wooden throne and rows of benches divided from the main hall by a light railing; these, which had once been the seats of the King and nobility of Bohemia, were now decayed and broken, and behind the empty chair of state was thrust a Bourbon flag tied with the blue and white colours that the French carried in compliment to the Elector of Bavaria, whom they, for many intricate reasons,— some wise, and some foolish, and none just,—were seeking to place on the Austrian throne as Charles II. These officers, who were the unquestioning instruments of this policy of France, ceased talking presently and gathered round the degraded throne before which burnt a handful of charcoal over an iron tripod. The only near light was a heavy lamp suspended before the window; a stench of rank oil and powder filled even the cold air, which rasped the throat and the nostrils and had no freshness in it but only a great lifeless chill. There were four of these officers, and as they stood round the struggling flame that leapt and sank on the brazier, the cross lights of fire and lamp showed a great similarity in their persons. It was noticeable how totally different they were from their surroundings; no one ever would have thought that they were of the breed that had built this vast barbaric hall or carved the bold monsters on the rude throne: in every line they stood confessed foreign, alien to this crude grandeur and of another nation, another civilization, old and thrice refined. They were all slight men, though two were tall; they all wore under their cloaks the uniforms of the famous régiment du roi; and they all had their hair as carefully powdered and curled and their linen as fresh and elaborate as if they were at Versailles: yet it was now several months since Prince Lobkowitz and his Hungarian Pandours had driven the French into Prague. Their manner was as similar as their persons: a composed gaiety, an unconscious courtesy, an absolute reserve and command of emotion were as common to each as the silver epaulettes and frogs of their blue uniforms. The four faces the charcoal flame lit were proud and delicate and much alike in feature, but one was distinguished, even in that light, by the fresh attractiveness of its youthful beauty—the beauty of dark colour, of soft eyes, of rich hair that pomade could scarcely disguise, of ardent lips and eager expression that even the formality of that universal noble manner could not conceal; a face beautiful and lovable, and one that had not yet looked on twenty years. He was the youngest as he was the tallest. His companions were much of an age and much of a height, and nothing remarkable distinguished one from the other save that one wore the gorgeous uniform of a colonel, two that of captain; the youth’s rank was merely that of lieutenant. They were all silent; there was absolutely nothing to talk about. They had been shut up in Prague all the winter, and though they could easily have broken through the loose ranks of the unskilful besiegers, all thought of leaving the city was impossible until the spring. Bohemia was ice from end to end, and even in the encampment in Prague the Frenchmen died of cold. The siege was almost without incident and quite without excitement; the Austrians made no attempt to take the city by storm, and the French made no sallies. News of the outside war was their one diversion: all Europe was in arms; Spain and England had been the last to march on to the universal battle-field; France was but one member of a coalition that endeavoured to wrest new possessions from the Empress-Queen, Maria Theresa, whom English gold and Magyar loyalty alone supported. France had signed the Pragmatic Sanction that left her heiress to her father’s empire, but that promise had been lightly enough broken when France saw her advantage in allying herself with Frederick of Prussia, who, after his seizure of Silesia, had become a power in Europe. No Frenchman had any personal feeling about the war; Prussian was the same as Austrian in the eyes of most, and very few troubled to follow the ramifications of the policy that had led the Ministers who ruled in Paris to side with the effete Elector rather than the gallant Queen of Hungary in this struggle for the succession of Charles V. Therefore, with no interest in the war, little news from home, enclosed in a foreign and half-barbarous town among a people strange and mostly unfriendly, the French, during the long months of the nominal siege, were utterly overcome with weariness and a dispirited lassitude from which these four standing over the charcoal pan in the Vladislav Hall were not wholly free. The opening of the door at the farther end of the hall caused them all to turn with the expectancy born of monotony. Several figures entered the shadows, themselves dark and casting shadows by reason of the lantern the foremost held. The officers moved forward. The light of dim lamp and swinging lantern was merely confusing to the sight; the advancing group threw fantastic blots of shade, and seemed to merge, subdivide, and merge again until there might have been ten people or two coming down the great bare aisle of the hall. When the light above the throne at last flung its feeble illumination over them, it disclosed a stout Bohemian servant carrying a lantern, a young man in a splendid dress of scarlet and fur, and a woman rather clumsily muffled in a military cloak which was caught up so as to show her riding-boots and fantastic long spurs. The officers saluted; the lady paused and looked at her companion, who returned the salute and said in good French, “We are prisoners, I believe.” “Austrians?” asked the Colonel. “No: Poles. On our way to Paris. We were captured by the Pandours, who routed our escort, and then by a Bohemian regiment, who considered us enemies”—he smiled engagingly. “But I have induced them to allow me an audience of M. de Belleisle, who, I am certain, will allow us on our way.” “Why, doubtless,” returned the Frenchman, with disinterested courtesy; “but it is severe weather for travelling, and in time of war, with a lady.” “My sister,” said the young Pole, “is used to the cold, for she has lived all her life in Russia.” The lady lifted a face pale with fatigue and shadowed with anxiety; her black hair was very unbecomingly twisted tight round her head, and she wore a fur cap of fox’s skin drawn down to her ears. “I have a good reason to wish to hasten to Paris,” she said. “I am summoned there by the Queen.” She made an impatient gesture to the Bohemian who conducted them, and with a weary little bow followed him through the small door that had been cut in the high blank wall. With a more elaborate courtesy her companion followed her, his heavy tread echoing in the stillness even after the door had closed behind him. “I wish I were bound for Paris,” remarked the young Colonel, M. de Biron. One of the captains lightly echoed his wish; the other glanced at the lieutenant and said in a very pleasing voice— “No, M. le Duc, wish for a battle, which would suit us all better.” M. de Biron smiled. “You are very sanguine, Luc.” “How sanguine, Monsieur?” “You speak as if war was what it used to be in the days of Amathis de Gaul: forays, single combats, pitched battles, one cause—reward, honour, glory.” The faint smile deepened on Luc de Clapiers’ face; he made no reply, but the lieutenant flushed quickly and answered— “Pardon me, Monsieur, but it seems to me like that still.” The young Duke seated himself on one of the wooden benches and crossed his slender feet. “Even Luc,” he said, with an accent of slight amusement, “cannot make this a crusade. We do not know exactly what we fight for—we respect our enemies as much as our allies; we think the Ministers fools, and know the generals jealous of each other. The country, that never wanted the war, is being taxed to death to pay for it; we”—he shrugged elegantly—“are ruining ourselves to keep ourselves in weariness and idleness. We get no thanks. I see not the least chance of promotion for any of us.” “But, Monsieur,” cried the lieutenant eagerly, “you forget glory.” “Glory!” repeated M. de Biron lightly. Luc de Clapiers flashed a profound look at him in silence; the other captain laughed. “We are none of us,” he remarked, “like to get much glory in Prague.” “Oh, hear d’Espagnac on that,” returned the Duke half mockingly; “he hath not yet awakened from fairy tales.” The exquisite young face of Georges d’Espagnac blushed into a beautiful animation. “A soldier,” he said, “may find glory anywhere, Monsieur le Duc.” “In death, for instance,” replied M. de Biron, with a whimsical gravity. “Yes, one might find that—any day.” “No—I meant in life,” was the ardent answer. “Die—to die!” The young voice was scornful of the word. “I mean to live for France, for glory. What does it matter to me how long I stay in Prague—for what cause the war is? I march under the French flag, and that is enough. I fight for France—I am on the quest of glory, Monsieur.” He paused abruptly; M. de Biron took a fan of long eagle feathers from the bench and fanned the dying charcoal into a blaze. “A long quest,” he said, not unkindly. He was thinking that he had been ten years in the army himself, and only obtained his colonelcy by reason of his rank and great influence at Court; Georges d’Espagnac, of the provincial nobility, with no friend near the King, had no bright prospects. A little silence fell, then Luc de Clapiers spoke. “A short or easy quest would be scarcely worth the achieving.” M. d’Espagnac smiled brilliantly and rose. “It is splendid to think there are difficulties in the world when one knows one can overcome them—fight, overcome, achieve—chase the goddess, and clasp her at last! To ride over obstacles and mount on opposition—nothing else is life!” His dark hazel eyes unclosed widely; he looked as magnificent, as confident, as his words sounded. His cloak had fallen apart, and the last blaze of the charcoal flame gave a red glow to the silver pomp of his uniform; his face, his figure, his pose were perfect in human beauty, human pride transformed by spiritual exaltation; his soul lay like holy fire in his glance. So might St. Sebastian have looked when he came the second time to deliver himself to martyrdom. “I give you joy of your faith,” said M. de Biron. “Oh, Monsieur, you shall give me joy of my achievement one day. I know that I am going to succeed. God did not put this passion in men for them to waste it.” He spoke without embarrassment as he spoke without boasting, and with a pleasing personal modesty, as if his pride was for humanity and not for himself. Luc de Clapiers was looking at him with eyes that shone with understanding and sympathy. “Keep that faith of yours, d’Espagnac,” he said softly; “it is the only thing in the world worth living for. Indeed, how could we live but for the hope of glory—some day?” “I trust you may both die a Maréchal de France,” remarked M. de Biron. The charcoal sank out beyond recovery; a sudden cold blast of wind blew through the upper part of the window that had been smashed by an Austrian shell. M. de Biron rose with a shudder. “It is warmer in the guardroom,” he declared. Luc de Clapiers spoke to the Lieutenant. “Will you come with me to the church?” The young man answered readily. “Certainly, Monsieur.” The Duke put his hand on the shoulder of the other captain. “I do believe”—he smiled—“that Luc is on the same quest of glory.” T CHAPTER II THE CHAPEL OF ST. WENCESLAS he two young men left the palace and proceeded rapidly, by reason of the intense cold, through the ways, covered and uncovered, that led from the royal residence to the other buildings that, ringed by half-destroyed fortifications, formed the Hradcany. The night was moonless, and heavy clouds concealed the stars; lanterns placed at irregular intervals alone lit the way, but Luc de Clapiers guided his companion accurately enough to the entrance of the huge, soaring, unfinished, and yet triumphant cathedral of St. Vitus. “You have been here before?” he asked, as they stepped into the black hollow of the porch. Though they were of the same regiment, the two had never been intimate. “No, Monsieur,” came the fresh young voice out of the dark, “and you?—I have heard you reason on the new philosophy and speak as one of those who follow M. de Voltaire—as one of those who do not believe in God.” “I do not believe that He can be confined in a church,” answered Luc quietly. “Yet some churches are so beautiful that one must worship in them.” “What?” asked M. d’Espagnac, below his breath. “Glory, perhaps?” The captain did not answer; he gently pushed open a small door to one side of the porch. A thin glow of pale-coloured light fell over his dark cloak and serene face; beyond him could be seen a glimmer like jewels veiled under water. He pulled off his beaver and entered the cathedral, followed softly by his companion. For a moment they stood motionless within the door, which slipped silently into place behind them. The air was oppressive with the powerful perfume of strong incense, and yet even more bitterly cold than the outer night; the light was dim, flickering, rich, and luxurious, and came wholly from hanging lamps of yellow, blue, and red glass. In what appeared the extreme distance, the altar sparkled in the gleam of two huge candles of painted wax, and behind and about it showed green translucent, unsubstantial shapes of arches and pillars rising up and disappearing in the great darkness of the roof, which was as impenetrable as a starless heaven. The church was bare of chair or pew or stool; the straight sweep of the nave was broken only by the dark outlines of princely tombs where lay the dust of former Bohemian kings and queens: their reclining figures so much above and beyond humanity, yet so startlingly like life, could be seen in the flood of ruby light that poured from the lamps above them, with praying hands and reposeful feet, patient faces and untroubled pillows on which the stately heads had not stirred for centuries. “This is very old, this church, is it not?” whispered M. d’Espagnac. “Old? Yes, it was built in the days of faith. This is the legend”—he turned to the left, where two lights of a vivid green cast an unearthly hue over huge bronze gates that shut off a chapel of the utmost magnificence and barbaric vividness. A brass ring hung from one of these gates, and the Frenchman put out his fair hand and touched it. “This is the chapel of St. Wenceslas,” he said. “He was a prince, and he built this church; but before it was finished his brother murdered him as he clung to this ring—and the church has never been completed.” He pushed the heavy gate open, and the two stood surrounded by the pomp and grave splendour of Eastern taste. From floor to ceiling the walls were inlaid with Bohemian jewels set in patterns of gold; the ceiling itself was covered with ancient but still glowing frescoes; the altar was silver and gold and lumachella, the marble which holds fire, and contained vessels of crude but dazzling colour and shape in enamel, painted wood, and precious stones. A mighty candelabrum which showed a beautiful and powerful figure of Wenceslas stood before the altar, and lit, by a dozen wax candles, the cuirass and helmet of the murdered saint, preserved in a curious case of rock crystal which rested on the altar cover of purple silk and scarlet fringing. Above the altar hung a Flemish picture showing the murder of the Prince by the fierce Boleslav; the colours were as bright as the gems in the walls, and the faces had a lifelike look of distorted passion. A pink marble shell of holy water stood near the entrance, and the lieutenant, with the instinct of an ingrained creed, dipped in his fingers and crossed himself. Luc de Clapiers did not perform this rite, but passed to the altar rails and leant there thoughtfully, a figure in strong contrast to his background. “M. d’Espagnac,” he said, in a low, composed voice, “I liked the way you spoke to-night. Forgive me—but I too have thought as you do—I also live for glory.” At hearing these words the youth flushed with a nameless and inexpressible emotion; he came to the altar also and lowered his eyes to the mosaic pavement that sparkled in the candlelight. He had only been a year in the army and one campaign at the war; every detail of his life still had the intoxication of novelty, and these words, spoken by his captain amidst surroundings exotic as an Eastern fairy tale, fired his ardent imagination and caught his spirit up to regions of bewildering joy. “You have everything in the world before you,” continued Luc de Clapiers, and his voice, though very soft, had a note of great inner strength. “If anyone should laugh or sneer because you desire to give your life to glory, you must only pity them. M. de Biron, for instance—those people cannot understand.” He moved his hand delicately to his breast and turned his deep hazel eyes earnestly on the youth. “You must not be discouraged. You are seeking for something that is in the world, something that other men have found—and won—in different ways, but by the light of the same spirit—always.” M. d’Espagnac sighed, very gently; his whitened hair and pure face were of one paleness in the ghostly, dim, mingled light of coloured lamp and flickering candle. “I want to achieve myself,” he said simply. “There is something within me which is great; therefore I feel very joyful. It is like a flame in my heart which warms all my blood; it is like wings folded to my feet which one day will open and carry me—above the earth.” He paused and added, “You see I am speaking like a child, but it is difficult to find a language for these thoughts.” “It is impossible,” answered Luc de Clapiers under his breath; “the holiest things in the world are those that have never been expressed. The new philosophy is as far from them as the old bigotry, and Prince Wenceslas, who died here five hundred years ago, knew as much of it as we do who are so wise, so civilized—so bewildered, after all.” The youth looked at him reverently; until to-day he had hardly noticed the silent young soldier, for Luc de Clapiers had nothing remarkable about his person or his manner. “Monsieur, you think, then, that I shall achieve my ambitions?” Hitherto he had been indifferent to encouragement; now he felt eager for this man’s approval and confidence. “Of course—you surely never doubt?” “No.” Georges d’Espagnac smiled dreamily. “I have done nothing yet. I have no task, no duty, no burden; there is nothing put to my hand—everything is so golden that it dazzles me. I think that will clear like dawn mists, and then I shall see what I am to do. You understand, Monsieur?” The young captain smiled in answer. “I brought you here to say a prayer to St. Wenceslas,” he said. M. d’Espagnac looked up at the picture above the altar. A prince, and young; a saint, and brave; a knight, and murdered—it was an ideal to call forth admiration and sorrow. The lieutenant went on his knees and clasped his hands. “Ah, Monsieur,” he said, half wistfully, “he was murdered—a villain’s knife stopped his dreams. Death is unjust”—he frowned, “if I were to die now, I should be unknown—empty-handed—forgotten. But it is not possible,” he added sharply. He drew from the bosom of his uniform a breviary in ivory with silver clasps, opened it where the leaves held some dried flowers and a folded letter, then closed it and bent his head against the altar rail as if he wept. Luc de Clapiers went to the bronze gates and looked thoughtfully down the vast dusky aisles of the church, so cold, so alluring yet confusing to the senses, so majestic and silent. He stood so several minutes, then turned slowly to observe the young figure kneeling before the barbaric Christian altar. Georges d’Espagnac had raised his face; his cloak had fallen open on the pale blue and silver of his uniform; the candle glowing on the silken, crystal-encased armour of St. Wenceslas cast a pale reflected light on to his countenance, which, always lovely in line and colour, was now transformed by an unearthly passion into an exquisite nobility. He was absolutely still in his exalted absorption, and only the liquid lustre of his eyes showed that he lived, for his very breath seemed suppressed. The young captain looked at him tenderly. “Beautiful as the early morning of spring,” he thought, “are the first years of youth.” M. d’Espagnac rose suddenly and crossed himself. “I would like to keep vigil here, as the knights used to,” he said—his breath came quickly now. “How silent it is here and vast—and holy; an outpost of heaven, Monsieur.” His companion did not reply; he remained at the opening of the gates, gazing through the coloured lights and shadows. The world seemed to have receded from them; emotion and thought ceased in the bosom of each; they were only conscious of a sensation, half awesome, half soothing, that had no name nor expression. The weary campaign, the monotonous round of duties, the sordid details of the war, the prolonged weeks in Prague, the fatigues, disappointments, and anxieties of their daily life—all memory of these things went from them; they seemed to breathe a heavenly air that filled their veins with delicious ardour, the silence rung with golden voices, and the great dusks of the cathedral were full of heroic figures that lured and beckoned and smiled. A divine magnificence seemed to burn on the distant altar, like the far-off but clearly visible goal of man’s supreme ambitions, nameless save in dreams, the reward only of perfect achievement, absolute victory—the glamour of that immaculate glory which alone can satisfy the hero’s highest need. To the two young men standing on the spot where the saintly prince fell so many generations before, the path to this ultimate splendour seemed straight and easy, the journey simple, the end inevitable. The distant mournful notes of some outside clock struck the hour, and M. d’Espagnac passed his hand over his eyes with a slight shiver; he was on duty in another few minutes. “Au revoir, Monsieur,” he said to the captain. Their eyes met; they smiled faintly and parted. M. d’Espagnac walked rapidly and lightly towards the main door of the cathedral. He noticed now that it was very cold, with an intense, clinging chill. He paused to arrange his mantle before facing the outer air, and as he did so, saw suddenly before him a figure like his own in a heavy military cloak. The first second he was confused, the next he recognized the Polish lady he had lately seen in the Vladislav Hall. He voiced his instinctive thought. “Why, Madame, I did not hear the door!” “No,” she answered. “Did you not know that there was a secret passage from the palace?” She added instantly— “What is the name of your companion, Monsieur?” He glanced where she glanced, at the slight figure of the young captain standing by the bronze gates of the Wenceslas Chapel. He felt a shyness in answering her; her manner was abrupt, and she seemed to him an intruder in the church that had inspired such a religious mood in him. She evidently instantly perceived this, for she said, with direct haughtiness— “I am the Countess Carola Koklinska.” M. d’Espagnac bowed and flushed. He gave his own name swiftly. “I am the Comte d’Espagnac, lieutenant in the régiment du roi ; my friend is Luc de Clapiers, Monsieur le Capitaine le Marquis de Vauvenargues, of the same regiment, Madame la Comtesse.” She laughed now, but in a spiritless fashion. “Very well—I will speak to M. de Vauvenargues.” T CHAPTER III CAROLA KOKLINSKA he lady waited until M. d’Espagnac had left the church, then turned directly to the gates of the Wenceslas Chapel, loosening, as she moved, the heavy folds of her great cloak. She came so directly towards him that the Marquis could not avoid opening the gate and waiting as if he expected her, though in truth he found her sudden appearance surprising. “This is a famous chapel, is it not?” she remarked as she reached him. She stepped into the deep glitter of the jewelled dusk, and the Marquis felt the frozen air she brought in with her—cold even in the cold. He smiled and waited. She stood a pace or two away from him, and he could see her frosty breath. “I am Carola Koklinska,” she added. “I have been in the church some time, and I overheard what you said to your friend, M. de Vauvenargues.” He still was silent; his smile deepened slightly. She moved towards the altar and stood in the exact spot where M. d’Espagnac had knelt; with a broken sigh she shook off her mantle and cast it down on the gorgeous pavement. She was dressed in a fantastic and brilliant fashion: her long blue velvet coat, lined and edged with a reddish fur, was tied under the arms by a scarlet sash heavy with gold fringings; her crimson skirt came scarcely below her knees and showed embroidered leather riding-boots and long glimmering spurs; her coat was open at the bosom on a mass of fine lace and linen worked with gold threads; she wore coral ornaments in her ears and a long scarlet plume in her heavy cap of fox’s fur; her hands were concealed in thick leather gloves embroidered with silk down the backs; in her sash were a short sword and a gold-mounted riding-whip. The Marquis noticed these details instantly, also that the lady herself, in the setting of these strange Oriental garments, was pale and fair and delicate as a white violet nourished on snow. She exhaled a powerful perfume as of some Eastern rose or carnation: he had noticed it when she crossed the Vladislav Hall. “You are travelling to Paris?” he asked. “I told you,” she replied, with a kind of delicate directness. “My sister is maid-of-honour to the Queen Marie Leckinska, and as she is to be married I am going to take her place. But we are delayed, it seems. M. de Belleisle advises us to stay in the Hradcany till the spring.” “Prague,” said the Marquis, “is full of travellers and refugees. No one would willingly journey this weather.” “I would, save that we have lost our sledges, our horses, our servants, our escort. Sometimes it is colder than this in Russia.” “You will find it dreary in Prague, Mademoiselle,” said the Marquis kindly; “but when you reach Paris you will be recompensed.” She fixed her large, clear and light brown eyes on his face. “I told you I had heard what you said, Monsieur. Are you usually so indifferent to eavesdroppers?” “I said nothing that anyone might not hear—though not perhaps discuss,” he answered gently. “You mean you will not talk of these things to a woman!” she exclaimed quickly. “And I suppose I seem a barbarian to you. But perhaps I could understand as well as that young officer.” Her voice was slow and sad. “I come from an heroic and unfortunate country, Monsieur. I also have dreamt of glory.” Still he would not speak; her frankness was abashed before his gentle reserve. “I came here to attend Mass,” she said hurriedly. “There is Mass here? I have not been inside a church for many weeks.” “Service is held here and well attended,” he replied, “but it is yet too early.” She still kept her eyes on him. “My brother is finding lodgings—he is to meet me here. I will stay for the Mass.” The Marquis moved just outside the bronze gates so that the light of the green lamps cast a sea-pearl glow over his person. He was looking towards the high altar, and Carola Koklinska observed him keenly. He appeared older than his years, which were twenty-seven, and was of a delicate, though dignified and manly, bearing. A little above the medium height, he carried himself with the full majesty of youth and health and the perfect ease of nobility and a long soldier’s training. His face, in its refinement, repose, and slight hauteur of composure, was typical of his nation and his rank; his expression was given a singular charm by the great sweetness of the mouth and the impression of reserved power conveyed by the deep hazel eyes, which were of a peculiarly innocent and dreamy lustre—not eyes to associate with a soldier, incongruous, indeed, with the stiff gorgeous uniform and the pomaded curls that waved loosely round his low serene forehead. The details of his dress were fashionable and exquisite: he wore diamonds in his neckcloth and his sword-hilt was of great beauty. His manner and whole poise were so utterly calm that the Countess Carola felt it difficult to associate him with the ardent voice that had spoken to Georges d’Espagnac. He had put her very completely outside his thoughts. She winced under it as if it were a personal discourtesy. “I regret I intruded,” she said sincerely. The Marquis gave her a look of astonishment; her open glance met his; he blushed, opened his lips to speak, but did not. “I also can admire St. Wenceslas,” she added. She pulled off her clumsy cap, and long trails of smoke-black hair fell untidily over her resplendent coat. She went on one knee before the altar, snatched off her gloves, and clasped above her head her small hands, which were white, stiff, and creased from the pressure of the leather. “I have been discourteous,” said the Marquis, and the ready colour heightened in his delicate cheek. The Countess Carola took no heed; she was murmuring prayers in her own language, which to his ears sounded uncouth, but not unpleasing. He moved respectfully away. An acolyte was passing before the high altar; the door was swinging to and fro as several people—French, Bavarian, and Bohemian—entered the church for vespers. M. de Vauvenargues looked back at the figure of the Polish lady. She appeared to be praying with a real and rather sad fervour; her strange, rich, and flamboyant dress, her disarranged hair, her attitude of supplication made her a fitting figure for the sparkling chapel; she looked more like a youth than a woman; she might have been St. Wenceslas himself just before the knife of Boleslav was plunged into his back. The Marquis passed out into the bitter sombre night, which was filled with the ringing of the bells of many churches. He made his way along the dark terraces until he stood looking over the lights of Prague below, the still more distant fires of the Austrians, the whole windy depth of the night spread before him. Immediately beneath him he could hear the rustling of the great bare trees in the Stags Ditch. Presently the organ from the cathedral silenced these sounds and rolled out gloomily and commandingly across the darkness. M. de Vauvenargues, of ancient family and small fortune, had been nine years in the army, had served in the Italian campaign of ’32, and had as yet met with no distinction and could foresee no hope of advancement; but it never occurred to him to doubt that the great career that filled his dreams would be one day his. He never spoke of his ambitions, yet he foresaw himself a Maréchal de France, carrying the baton with the silver lilies, riding across Europe at the head of a huge army. Sometimes, as now, this vision was so intensely vivid that a little shiver ran through his blood and his breath choked his throat and a desire for action possessed him, so passionate that it shook his heart. He found himself chafing—and not for the first time—at this long idleness in Prague. He felt impatient with M. de Broglie for allowing himself to be forced into the city, and impatient even with M. de Belleisle for not moving before the winter set in, for now they could not move for three, perhaps four, months. Even if the Austrians disappeared from under the walls to-morrow it would be impossible to stir from the city in this utter severity of cold. M. de Vauvenargues saw that the generalship that had brought them to lie useless in Prague was as wrong as the policy that had offered assistance to Frederick of Prussia. He did not admire the war nor the causes that had brought it about; but he was merely one of thousands of pawns that had no choice as to where they stood. The wind was so insistently chill that he moved from his post overlooking the town and turned, still thoughtful, towards that portion of the rambling buildings of the Hradcany where his regiment was quartered. Before he reached it he met his colonel, M. de Biron, who caught hold of his arm rather eagerly. “A messenger from Paris,” whispered the Duke. “Came with letters to M. Belleisle—he has sent for M. de Broglie.” The second in command was not loved by the Maréchal; that they should be in consultation seemed to both the young officers as if the news from France must be serious. “When shall we know?” asked M. de Vauvenargues. “Not before the morning,” sighed the colonel. They entered the guardroom together: the chamber was full of the perfume of Virginian tobacco and pleasantly warm. Georges d’Espagnac was playing cards at a curious old table inlaid with ivory; his fair young face was flushed with warmth and animation and showed dazzling through the smoke wreaths.