Project Gutenberg's The Pearl of Orr's Island, by Harriet Beecher Stowe This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Pearl of Orr's Island A Story of the Coast of Maine Author: Harriet Beecher Stowe Release Date: March 6, 2010 [EBook #31522] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE PEARL OF ORR'S ISLAND *** Produced by David Edwards, Jane Hyland and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) THE PEARL OF ORR'S ISLAND A Story of the Coast of Maine BY HARRIET BEECHER STOWE BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1896 [Pg i-ii] Copyright, 1862 and 1890, By HARRIET BEECHER STOWE. Copyright, 1896, By HOUGHTON, MIFFLIN & CO. All rights reserved. The Riverside Press, Cambridge, Mass., U.S.A. Electrotyped and Printed by H.O. Houghton & Co. [Pg iii-iv] CONTENTS Introductory Note CHAPTER I. Naomi 1 II. Mara 5 III. The Baptism and the Burial 9 IV. Aunt Roxy and Aunt Ruey 15 V. The Kittridges 25 VI. Grandparents 36 VII. From the Sea 47 VIII. The Seen and the Unseen 58 IX. Moses 74 X. The Minister 85 XI. Little Adventurers 99 XII. Sea Tales 110 XIII. Boy and Girl 120 XIV. The Enchanted Island 132 XV. The Home Coming 143 XVI. The Natural and the Spiritual 154 XVII. Lessons 165 XVIII. Sally 175 [Pg v] XIX. Eighteen 179 XX. Rebellion 186 XXI. The Tempter 198 XXII. A Friend in Need 208 XXIII. The Beginning of the Story 218 XXIV. Desires and Dreams 229 XXV. Miss Emily 235 XXVI. Dolores 245 XXVII. Hidden Things 258 XXVIII. A Coquette 270 XXIX. Night Talks 279 XXX. The Launch of the Ariel 290 XXXI. Greek meets Greek 303 XXXII. The Betrothal 315 XXXIII. At a Quilting 323 XXXIV. Friends 329 XXXV. The Toothacre Cottage 335 XXXVI. The Shadow of Death 339 XXXVII. The Victory 351 XXXVIII. Open Vision 358 XXXIX. The Land of Beulah 368 XL. The Meeting 376 XLI. Consolation 380 XLII. Last Words 387 XLIII. The Pearl 393 XLIV. Four Years After 398 The frontispiece (Mara, page 376) was drawn by W.L. Taylor. The vignette was etched by Charles H. Woodbury. INTRODUCTORY NOTE The publication of Uncle Tom's Cabin, though much more than an incident in an author's career, seems to have determined Mrs. Stowe more surely in her purpose to devote herself to literature. During the summer following its appearance, she was in Andover, making over the house which she and her husband were to occupy upon leaving Brunswick; and yet, busy as she was, she was writing articles for The Independent and The National Era. The following extract from a letter written at that time, July 29, 1852, intimates that she already was sketching the outline of the story which later grew into The Pearl of Orr's Island:— "I seem to have so much to fill my time, and yet there is my Maine story waiting. However, I am composing it every day, only I greatly need living studies for the filling in of my sketches. There is old Jonas, my "fish father," a sturdy, independent fisherman farmer, who in his youth sailed all over the world and made up his mind about everything. In his old age he attends prayer-meetings and reads the Missionary Herald. He also has plenty of money in an old brown sea-chest. He is a great heart with an inflexible will and iron muscles. I must go to Orr's Island and see him again." The story seems to have remained in her mind, for we are told by her son that she worked upon it by turns with The Minister's Wooing. It was not, however, until eight years later, after The Minister's Wooing had been published and Agnes of Sorrento was well begun, that she took up her old story in earnest and set about making it into a short serial. It would seem that her first intention was to confine herself to a sketch of the childhood of her chief characters, with a view to delineating the influences at work upon them; but, as she herself expressed it, "Out of the simple history of the little Pearl of Orr's Island as it had shaped itself in her mind, rose up a Captain Kittridge with his garrulous yarns, and Misses Roxy and Ruey, given to talk, and a whole pigeon roost of yet undreamed of fancies and dreams which would insist on being written." So it came about that the story as originally planned came to a stopping place at the end of Chapter XVII., as [Pg vii] [Pg viii] the reader may see when he reaches that place. The childish life of her characters ended there, and a lapse of ten years was assumed before their story was taken up again in the next chapter. The book when published had no chapter headings. These have been supplied in the present edition. THE PEARL OF ORR'S ISLAND CHAPTER I NAOMI On the road to the Kennebec, below the town of Bath, in the State of Maine, might have been seen, on a certain autumnal afternoon, a one-horse wagon, in which two persons were sitting. One was an old man, with the peculiarly hard but expressive physiognomy which characterizes the seafaring population of the New England shores. A clear blue eye, evidently practiced in habits of keen observation, white hair, bronzed, weather-beaten cheeks, and a face deeply lined with the furrows of shrewd thought and anxious care, were points of the portrait that made themselves felt at a glance. By his side sat a young woman of two-and-twenty, of a marked and peculiar personal appearance. Her hair was black, and smoothly parted on a broad forehead, to which a pair of penciled dark eyebrows gave a striking and definite outline. Beneath, lay a pair of large black eyes, remarkable for tremulous expression of melancholy and timidity. The cheek was white and bloodless as a snowberry, though with the clear and perfect oval of good health; the mouth was delicately formed, with a certain sad quiet in its lines, which indicated a habitually repressed and sensitive nature. The dress of this young person, as often happens in New England, was, in refinement and even elegance, a marked contrast to that of her male companion and to the humble vehicle in which she rode. There was not only the most fastidious neatness, but a delicacy in the choice of colors, an indication of elegant tastes in the whole arrangement, and the quietest suggestion in the world of an acquaintance with the usages of fashion, which struck one oddly in those wild and dreary surroundings. On the whole, she impressed one like those fragile wild-flowers which in April cast their fluttering shadows from the mossy crevices of the old New England granite,—an existence in which colorless delicacy is united to a sort of elastic hardihood of life, fit for the rocky soil and harsh winds it is born to encounter. The scenery of the road along which the two were riding was wild and bare. Only savins and mulleins, with their dark pyramids or white spires of velvet leaves, diversified the sandy wayside; but out at sea was a wide sweep of blue, reaching far to the open ocean, which lay rolling, tossing, and breaking into white caps of foam in the bright sunshine. For two or three days a northeast storm had been raging, and the sea was in all the commotion which such a general upturning creates. The two travelers reached a point of elevated land, where they paused a moment, and the man drew up the jogging, stiff-jointed old farm-horse, and raised himself upon his feet to look out at the prospect. There might be seen in the distance the blue Kennebec sweeping out toward the ocean through its picturesque rocky shores, docked with cedars and other dusky evergreens, which were illuminated by the orange and flame-colored trees of Indian summer. Here and there scarlet creepers swung long trailing garlands over the faces of the dark rock, and fringes of goldenrod above swayed with the brisk blowing wind that was driving the blue waters seaward, in face of the up-coming ocean tide,—a conflict which caused them to rise in great foam-crested waves. There are two channels into this river from the open sea, navigable for ships which are coming in to the city of Bath; one is broad and shallow, the other narrow and deep, and these are divided by a steep ledge of rocks. Where the spectators of this scene were sitting, they could see in the distance a ship borne with tremendous force by the rising tide into the mouth of the river, and encountering a northwest wind which had succeeded the gale, as northwest winds often do on this coast. The ship, from what might be observed in the distance, seemed struggling to make the wider channel, but was constantly driven off by the baffling force of the wind. "There she is, Naomi," said the old fisherman, eagerly, to his companion, "coming right in." The young woman was one of the sort that never start, and never exclaim, but with all deeper emotions grow still. The color slowly mounted into her cheek, her lips parted, and her eyes dilated with a wide, bright expression; her breathing came in thick gasps, but she said nothing. The old fisherman stood up in the wagon, his coarse, butternut-colored coat-flaps fluttering and snapping in the breeze, while his interest seemed to be so intense in the efforts of the ship that he made involuntary and eager movements as if to direct her course. A moment passed, and his keen, practiced eye discovered a change in her movements, for he cried out involuntarily,— [Pg 1] [Pg 2] [Pg 3] "Don't take the narrow channel to-day!" and a moment after, "O Lord! O Lord! have mercy,—there they go! Look! look! look!" And, in fact, the ship rose on a great wave clear out of the water, and the next second seemed to leap with a desperate plunge into the narrow passage; for a moment there was a shivering of the masts and the rigging, and she went down and was gone. "They're split to pieces!" cried the fisherman. "Oh, my poor girl—my poor girl—they're gone! O Lord, have mercy!" The woman lifted up no voice, but, as one who has been shot through the heart falls with no cry, she fell back,—a mist rose up over her great mournful eyes,—she had fainted. The story of this wreck of a home-bound ship just entering the harbor is yet told in many a family on this coast. A few hours after, the unfortunate crew were washed ashore in all the joyous holiday rig in which they had attired themselves that morning to go to their sisters, wives, and mothers. This is the first scene in our story. CHAPTER II MARA Down near the end of Orr's Island, facing the open ocean, stands a brown house of the kind that the natives call "lean- to," or "linter,"—one of those large, comfortable structures, barren in the ideal, but rich in the practical, which the workingman of New England can always command. The waters of the ocean came up within a rod of this house, and the sound of its moaning waves was even now filling the clear autumn starlight. Evidently something was going on within, for candles fluttered and winked from window to window, like fireflies in a dark meadow, and sounds as of quick footsteps, and the flutter of brushing garments, might be heard. Something unusual is certainly going on within the dwelling of Zephaniah Pennel to-night. Let us enter the dark front-door. We feel our way to the right, where a solitary ray of light comes from the chink of a half-opened door. Here is the front room of the house, set apart as its place of especial social hilarity and sanctity,—the "best room," with its low studded walls, white dimity window-curtains, rag carpet, and polished wood chairs. It is now lit by the dim gleam of a solitary tallow candle, which seems in the gloom to make only a feeble circle of light around itself, leaving all the rest of the apartment in shadow. In the centre of the room, stretched upon a table, and covered partially by a sea-cloak, lies the body of a man of twenty-five,—lies, too, evidently as one of whom it is written, "He shall return to his house no more, neither shall his place know him any more." A splendid manhood has suddenly been called to forsake that lifeless form, leaving it, like a deserted palace, beautiful in its desolation. The hair, dripping with the salt wave, curled in glossy abundance on the finely-formed head; the flat, broad brow; the closed eye, with its long black lashes; the firm, manly mouth; the strongly- moulded chin,—all, all were sealed with that seal which is never to be broken till the great resurrection day. He was lying in a full suit of broadcloth, with a white vest and smart blue neck-tie, fastened with a pin, in which was some braided hair under a crystal. All his clothing, as well as his hair, was saturated with sea-water, which trickled from time to time, and struck with a leaden and dropping sound into a sullen pool which lay under the table. This was the body of James Lincoln, ship-master of the brig Flying Scud, who that morning had dressed himself gayly in his state-room to go on shore and meet his wife,—singing and jesting as he did so. This is all that you have to learn in the room below; but as we stand there, we hear a trampling of feet in the apartment above,—the quick yet careful opening and shutting of doors,—and voices come and go about the house, and whisper consultations on the stairs. Now comes the roll of wheels, and the Doctor's gig drives up to the door; and, as he goes creaking up with his heavy boots, we will follow and gain admission to the dimly-lighted chamber. Two gossips are sitting in earnest, whispering conversation over a small bundle done up in an old flannel petticoat. To them the doctor is about to address himself cheerily, but is repelled by sundry signs and sounds which warn him not to speak. Moderating his heavy boots as well as he is able to a pace of quiet, he advances for a moment, and the petticoat is unfolded for him to glance at its contents; while a low, eager, whispered conversation, attended with much head- shaking, warns him that his first duty is with somebody behind the checked curtains of a bed in the farther corner of the room. He steps on tiptoe, and draws the curtain; and there, with closed eye, and cheek as white as wintry snow, lies the same face over which passed the shadow of death when that ill-fated ship went down. This woman was wife to him who lies below, and within the hour has been made mother to a frail little human existence, which the storm of a great anguish has driven untimely on the shores of life,—a precious pearl cast up from the past eternity upon the wet, wave-ribbed sand of the present. Now, weary with her moanings, and beaten out with the wrench of a double anguish, she lies with closed eyes in that passive apathy which precedes deeper shadows and longer [Pg 4] [Pg 5] [Pg 6] [Pg 7] rest. Over against her, on the other side of the bed, sits an aged woman in an attitude of deep dejection, and the old man we saw with her in the morning is standing with an anxious, awestruck face at the foot of the bed. The doctor feels the pulse of the woman, or rather lays an inquiring finger where the slightest thread of vital current is scarcely throbbing, and shakes his head mournfully. The touch of his hand rouses her,—her large wild, melancholy eyes fix themselves on him with an inquiring glance, then she shivers and moans,— "Oh, Doctor, Doctor!—Jamie, Jamie!" "Come, come!" said the doctor, "cheer up, my girl, you've got a fine little daughter,—the Lord mingles mercies with his afflictions." Her eyes closed, her head moved with a mournful but decided dissent. A moment after she spoke in the sad old words of the Hebrew Scripture,— "Call her not Naomi; call her Mara, for the Almighty hath dealt very bitterly with me." And as she spoke, there passed over her face the sharp frost of the last winter; but even as it passed there broke out a smile, as if a flower had been thrown down from Paradise, and she said,— "Not my will, but thy will," and so was gone. Aunt Roxy and Aunt Ruey were soon left alone in the chamber of death. "She'll make a beautiful corpse," said Aunt Roxy, surveying the still, white form contemplatively, with her head in an artistic attitude. "She was a pretty girl," said Aunt Ruey; "dear me, what a Providence! I 'member the wedd'n down in that lower room, and what a handsome couple they were." "They were lovely and pleasant in their lives, and in their deaths they were not divided," said Aunt Roxy, sententiously. "What was it she said, did ye hear?" said Aunt Ruey. "She called the baby 'Mary.'" "Ah! sure enough, her mother's name afore her. What a still, softly-spoken thing she always was!" "A pity the poor baby didn't go with her," said Aunt Roxy; "seven-months' children are so hard to raise." "'Tis a pity," said the other. But babies will live, and all the more when everybody says that it is a pity they should. Life goes on as inexorably in this world as death. It was ordered by the Will above that out of these two graves should spring one frail, trembling autumn flower,—the "Mara" whose poor little roots first struck deep in the salt, bitter waters of our mortal life. CHAPTER III THE BAPTISM AND THE BURIAL Now, I cannot think of anything more unlikely and uninteresting to make a story of than that old brown "linter" house of Captain Zephaniah Pennel, down on the south end of Orr's Island. Zephaniah and Mary Pennel, like Zacharias and Elizabeth, are a pair of worthy, God-fearing people, walking in all the commandments and ordinances of the Lord blameless; but that is no great recommendation to a world gaping for sensation and calling for something stimulating. This worthy couple never read anything but the Bible, the "Missionary Herald," and the "Christian Mirror,"—never went anywhere except in the round of daily business. He owned a fishing- smack, in which he labored after the apostolic fashion; and she washed, and ironed, and scrubbed, and brewed, and baked, in her contented round, week in and out. The only recreation they ever enjoyed was the going once a week, in good weather, to a prayer-meeting in a little old brown school-house, about a mile from their dwelling; and making a weekly excursion every Sunday, in their fishing craft, to the church opposite, on Harpswell Neck. To be sure, Zephaniah had read many wide leaves of God's great book of Nature, for, like most Maine sea-captains, he had been wherever ship can go,—to all usual and unusual ports. His hard, shrewd, weather-beaten visage had been seen looking over the railings of his brig in the port of Genoa, swept round by its splendid crescent of palaces and its snow-crested Apennines. It had looked out in the Lagoons of Venice at that wavy floor which in evening seems a sea of glass mingled with fire, and out of which rise temples, and palaces, and churches, and distant silvery Alps, like so many fabrics of dreamland. He had been through the Skagerrack and Cattegat,—into the Baltic, and away round to [Pg 8] [Pg 9] [Pg 10] Archangel, and there chewed a bit of chip, and considered and calculated what bargains it was best to make. He had walked the streets of Calcutta in his shirt-sleeves, with his best Sunday vest, backed with black glazed cambric, which six months before came from the hands of Miss Roxy, and was pronounced by her to be as good as any tailor could make; and in all these places he was just Zephaniah Pennel,—a chip of old Maine,—thrifty, careful, shrewd, honest, God-fearing, and carrying an instinctive knowledge of men and things under a face of rustic simplicity. It was once, returning from one of his voyages, that he found his wife with a black-eyed, curly-headed little creature, who called him papa, and climbed on his knee, nestled under his coat, rifled his pockets, and woke him every morning by pulling open his eyes with little fingers, and jabbering unintelligible dialects in his ears. "We will call this child Naomi, wife," he said, after consulting his old Bible; "for that means pleasant, and I'm sure I never see anything beat her for pleasantness. I never knew as children was so engagin'!" It was to be remarked that Zephaniah after this made shorter and shorter voyages, being somehow conscious of a string around his heart which pulled him harder and harder, till one Sunday, when the little Naomi was five years old, he said to his wife,— "I hope I ain't a-pervertin' Scriptur' nor nuthin', but I can't help thinkin' of one passage, 'The kingdom of heaven is like a merchantman seeking goodly pearls, and when he hath found one pearl of great price, for joy thereof he goeth and selleth all that he hath, and buyeth that pearl.' Well, Mary, I've been and sold my brig last week," he said, folding his daughter's little quiet head under his coat, "'cause it seems to me the Lord's given us this pearl of great price, and it's enough for us. I don't want to be rambling round the world after riches. We'll have a little farm down on Orr's Island, and I'll have a little fishing-smack, and we'll live and be happy together." And so Mary, who in those days was a pretty young married woman, felt herself rich and happy,—no duchess richer or happier. The two contentedly delved and toiled, and the little Naomi was their princess. The wise men of the East at the feet of an infant, offering gifts, gold, frankincense, and myrrh, is just a parable of what goes on in every house where there is a young child. All the hard and the harsh, and the common and the disagreeable, is for the parents,—all the bright and beautiful for their child. When the fishing-smack went to Portland to sell mackerel, there came home in Zephaniah's fishy coat pocket strings of coral beads, tiny gaiter boots, brilliant silks and ribbons for the little fairy princess,—his Pearl of the Island; and sometimes, when a stray party from the neighboring town of Brunswick came down to explore the romantic scenery of the solitary island, they would be startled by the apparition of this still, graceful, dark-eyed child exquisitely dressed in the best and brightest that the shops of a neighboring city could afford,—sitting like some tropical bird on a lonely rock, where the sea came dashing up into the edges of arbor vitæ, or tripping along the wet sands for shells and seaweed. Many children would have been spoiled by such unlimited indulgence; but there are natures sent down into this harsh world so timorous, and sensitive, and helpless in themselves, that the utmost stretch of indulgence and kindness is needed for their development,—like plants which the warmest shelf of the green-house and the most careful watch of the gardener alone can bring into flower. The pale child, with her large, lustrous, dark eyes, and sensitive organization, was nursed and brooded into a beautiful womanhood, and then found a protector in a high-spirited, manly young ship- master, and she became his wife. And now we see in the best room—the walls lined with serious faces—men, women, and children, that have come to pay the last tribute of sympathy to the living and the dead. The house looked so utterly alone and solitary in that wild, sea-girt island, that one would have as soon expected the sea-waves to rise and walk in, as so many neighbors; but they had come from neighboring points, crossing the glassy sea in their little crafts, whose white sails looked like millers' wings, or walking miles from distant parts of the island. Some writer calls a funeral one of the amusements of a New England population. Must we call it an amusement to go and see the acted despair of Medea? or the dying agonies of poor Adrienne Lecouvreur? It is something of the same awful interest in life's tragedy, which makes an untaught and primitive people gather to a funeral,—a tragedy where there is no acting,—and one which each one feels must come at some time to his own dwelling. Be that as it may, here was a roomful. Not only Aunt Roxy and Aunt Ruey, who by a prescriptive right presided over all the births, deaths, and marriages of the neighborhood, but there was Captain Kittridge, a long, dry, weather-beaten old sea-captain, who sat as if tied in a double bow-knot, with his little fussy old wife, with a great Leghorn bonnet, and eyes like black glass beads shining through in the bows of her horn spectacles, and her hymn-book in her hand ready to lead the psalm. There were aunts, uncles, cousins, and brethren of the deceased; and in the midst stood two coffins, where the two united in death lay sleeping tenderly, as those to whom rest is good. All was still as death, except a chance whisper from some busy neighbor, or a creak of an old lady's great black fan, or the fizz of a fly down the window-pane, and then a stifled sound of deep-drawn breath and weeping from under a cloud of heavy black crape veils, that were together in the group which country-people call the mourners. A gleam of autumn sunlight streamed through the white curtains, and fell on a silver baptismal vase that stood on the mother's coffin, as the minister rose and said, "The ordinance of baptism will now be administered." A few moments more, and on a baby brow had fallen a few drops of water, and the little pilgrim of a new life had been called Mara in the name of the Father, Son, and Holy Ghost,—the minister slowly repeating thereafter those beautiful words of Holy [Pg 11] [Pg 12] [Pg 13] Writ, "A father of the fatherless is God in his holy habitation,"—as if the baptism of that bereaved one had been a solemn adoption into the infinite heart of the Lord. With something of the quaint pathos which distinguishes the primitive and Biblical people of that lonely shore, the minister read the passage in Ruth from which the name of the little stranger was drawn, and which describes the return of the bereaved Naomi to her native land. His voice trembled, and there were tears in many eyes as he read, "And it came to pass as she came to Bethlehem, all the city was moved about them; and they said, Is this Naomi? And she said unto them, Call me not Naomi; call me Mara; for the Almighty hath dealt very bitterly with me. I went out full, and the Lord hath brought me home again empty: why then call ye me Naomi, seeing the Lord hath testified against me, and the Almighty hath afflicted me?" Deep, heavy sobs from the mourners were for a few moments the only answer to these sad words, till the minister raised the old funeral psalm of New England,— "Why do we mourn departing friends, Or shake at Death's alarms? 'Tis but the voice that Jesus sends To call them to his arms. "Are we not tending upward too, As fast as time can move? And should we wish the hours more slow That bear us to our love?" The words rose in old "China,"—that strange, wild warble, whose quaintly blended harmonies might have been learned of moaning seas or wailing winds, so strange and grand they rose, full of that intense pathos which rises over every defect of execution; and as they sung, Zephaniah Pennel straightened his tall form, before bowed on his hands, and looked heavenward, his cheeks wet with tears, but something sublime and immortal shining upward through his blue eyes; and at the last verse he came forward involuntarily, and stood by his dead, and his voice rose over all the others as he sung,— "Then let the last loud trumpet sound, And bid the dead arise! Awake, ye nations under ground! Ye saints, ascend the skies!" The sunbeam through the window-curtain fell on his silver hair, and they that looked beheld his face as it were the face of an angel; he had gotten a sight of the city whose foundation is jasper, and whose every gate is a separate pearl. CHAPTER IV AUNT ROXY AND AUNT RUEY The sea lay like an unbroken mirror all around the pine-girt, lonely shores of Orr's Island. Tall, kingly spruces wore their regal crowns of cones high in air, sparkling with diamonds of clear exuded gum; vast old hemlocks of primeval growth stood darkling in their forest shadows, their branches hung with long hoary moss; while feathery larches, turned to brilliant gold by autumn frosts, lighted up the darker shadows of the evergreens. It was one of those hazy, calm, dissolving days of Indian summer, when everything is so quiet that the faintest kiss of the wave on the beach can be heard, and white clouds seem to faint into the blue of the sky, and soft swathing bands of violet vapor make all earth look dreamy, and give to the sharp, clear-cut outlines of the northern landscape all those mysteries of light and shade which impart such tenderness to Italian scenery. The funeral was over; the tread of many feet, bearing the heavy burden of two broken lives, had been to the lonely graveyard, and had come back again,—each footstep lighter and more unconstrained as each one went his way from the great old tragedy of Death to the common cheerful walks of Life. The solemn black clock stood swaying with its eternal "tick-tock, tick-tock," in the kitchen of the brown house on Orr's Island. There was there that sense of a stillness that can be felt,—such as settles down on a dwelling when any of its inmates have passed through its doors for the last time, to go whence they shall not return. The best room was shut up and darkened, with only so much light as could fall through a little heart-shaped hole in the window-shutter,—for except on solemn visits, or prayer meetings, or weddings, or funerals, that room formed no part of the daily family scenery. The kitchen was clean and ample, with a great open fireplace and wide stone hearth, and oven on one side, and rows of old-fashioned splint-bottomed chairs against the wall. A table scoured to snowy whiteness, and a little work-stand whereon lay the Bible, the "Missionary Herald" and the "Weekly Christian Mirror," before named, formed the principal furniture. One feature, however, must not be forgotten,—a great sea-chest, which had been the companion of [Pg 14] [Pg 15] [Pg 16] Zephaniah through all the countries of the earth. Old, and battered, and unsightly it looked, yet report said that there was good store within of that which men for the most part respect more than anything else; and, indeed, it proved often when a deed of grace was to be done,—when a woman was suddenly made a widow in a coast gale, or a fishing- smack was run down in the fogs off the banks, leaving in some neighboring cottage a family of orphans,—in all such cases, the opening of this sea-chest was an event of good omen to the bereaved; for Zephaniah had a large heart and a large hand, and was apt to take it out full of silver dollars when once it went in. So the ark of the covenant could not have been looked on with more reverence than the neighbors usually showed to Captain Pennel's sea-chest. The afternoon sun is shining in a square of light through the open kitchen-door, whence one dreamily disposed might look far out to sea, and behold ships coming and going in every variety of shape and size. But Aunt Roxy and Aunt Ruey, who for the present were sole occupants of the premises, were not people of the dreamy kind, and consequently were not gazing off to sea, but attending to very terrestrial matters that in all cases somebody must attend to. The afternoon was warm and balmy, but a few smouldering sticks were kept in the great chimney, and thrust deep into the embers was a mongrel species of snub-nosed tea-pot, which fumed strongly of catnip-tea, a little of which gracious beverage Miss Roxy was preparing in an old-fashioned cracked India china tea- cup, tasting it as she did so with the air of a connoisseur. Apparently this was for the benefit of a small something in long white clothes, that lay face downward under a little blanket of very blue new flannel, and which something Aunt Roxy, when not otherwise engaged, constantly patted with a gentle tattoo, in tune to the steady trot of her knee. All babies knew Miss Roxy's tattoo on their backs, and never thought of taking it in ill part. On the contrary, it had a vital and mesmeric effect of sovereign force against colic, and all other disturbers of the nursery; and never was infant known so pressed with those internal troubles which infants cry about, as not speedily to give over and sink to slumber at this soothing appliance. At a little distance sat Aunt Ruey, with a quantity of black crape strewed on two chairs about her, very busily employed in getting up a mourning-bonnet, at which she snipped, and clipped, and worked, zealously singing, in a high cracked voice, from time to time, certain verses of a funeral psalm. Miss Roxy and Miss Ruey Toothacre were two brisk old bodies of the feminine gender and singular number, well known in all the region of Harpswell Neck and Middle Bay, and such was their fame that it had even reached the town of Brunswick, eighteen miles away. They were of that class of females who might be denominated, in the Old Testament language, "cunning women,"—that is, gifted with an infinite diversity of practical "faculty," which made them an essential requisite in every family for miles and miles around. It was impossible to say what they could not do: they could make dresses, and make shirts and vests and pantaloons, and cut out boys' jackets, and braid straw, and bleach and trim bonnets, and cook and wash, and iron and mend, could upholster and quilt, could nurse all kinds of sicknesses, and in default of a doctor, who was often miles away, were supposed to be infallible medical oracles. Many a human being had been ushered into life under their auspices,—trotted, chirruped in babyhood on their knees, clothed by their handiwork in garments gradually enlarging from year to year, watched by them in the last sickness, and finally arrayed for the long repose by their hands. These universally useful persons receive among us the title of "aunt" by a sort of general consent, showing the strong ties of relationship which bind them to the whole human family. They are nobody's aunts in particular, but aunts to human nature generally. The idea of restricting their usefulness to any one family, would strike dismay through a whole community. Nobody would be so unprincipled as to think of such a thing as having their services more than a week or two at most. Your country factotum knows better than anybody else how absurd it would be "To give to a part what was meant for mankind." Nobody knew very well the ages of these useful sisters. In that cold, clear, severe climate of the North, the roots of human existence are hard to strike; but, if once people do take to living, they come in time to a place where they seem never to grow any older, but can always be found, like last year's mullein stalks, upright, dry, and seedy, warranted to last for any length of time. Miss Roxy Toothacre, who sits trotting the baby, is a tall, thin, angular woman, with sharp black eyes, and hair once black, but now well streaked with gray. These ravages of time, however, were concealed by an ample mohair frisette of glossy blackness woven on each side into a heap of stiff little curls, which pushed up her cap border in rather a bristling and decisive way. In all her movements and personal habits, even to her tone of voice and manner of speaking, Miss Roxy was vigorous, spicy, and decided. Her mind on all subjects was made up, and she spoke generally as one having authority; and who should, if she should not? Was she not a sort of priestess and sibyl in all the most awful straits and mysteries of life? How many births, and weddings, and deaths had come and gone under her jurisdiction! And amid weeping or rejoicing, was not Miss Roxy still the master-spirit,—consulted, referred to by all?—was not her word law and precedent? Her younger sister, Miss Ruey, a pliant, cozy, easy-to-be-entreated personage, plump and cushiony, revolved around her as a humble satellite. Miss Roxy looked on Miss Ruey as quite a frisky young thing, though under her ample frisette of carroty hair her head might be seen white with the same snow that had powdered that of her sister. Aunt Ruey had a face much resembling the kind of one you may see, reader, by looking at yourself in the convex side of a silver milk-pitcher. If you try the experiment, this description will need no further amplification. [Pg 17] [Pg 18] [Pg 19] The two almost always went together, for the variety of talent comprised in their stock could always find employment in the varying wants of a family. While one nursed the sick, the other made clothes for the well; and thus they were always chippering and chatting to each other, like a pair of antiquated house-sparrows, retailing over harmless gossips, and moralizing in that gentle jogtrot which befits serious old women. In fact, they had talked over everything in Nature, and said everything they could think of to each other so often, that the opinions of one were as like those of the other as two sides of a pea-pod. But as often happens in cases of the sort, this was not because the two were in all respects exactly alike, but because the stronger one had mesmerized the weaker into consent. Miss Roxy was the master-spirit of the two, and, like the great coining machine of a mint, came down with her own sharp, heavy stamp on every opinion her sister put out. She was matter-of-fact, positive, and declarative to the highest degree, while her sister was naturally inclined to the elegiac and the pathetic, indulging herself in sentimental poetry, and keeping a store thereof in her thread-case, which she had cut from the "Christian Mirror." Miss Roxy sometimes, in her brusque way, popped out observations on life and things, with a droll, hard quaintness that took one's breath a little, yet never failed to have a sharp crystallization of truth,—frosty though it were. She was one of those sensible, practical creatures who tear every veil, and lay their fingers on every spot in pure business-like good-will; and if we shiver at them at times, as at the first plunge of a cold bath, we confess to an invigorating power in them after all. "Well, now," said Miss Roxy, giving a decisive push to the tea-pot, which buried it yet deeper in the embers, "ain't it all a strange kind o' providence that this 'ere little thing is left behind so; and then their callin' on her by such a strange, mournful kind of name,—Mara. I thought sure as could be 'twas Mary, till the minister read the passage from Scriptur'. Seems to me it's kind o' odd. I'd call it Maria, or I'd put an Ann on to it. Mara-ann, now, wouldn't sound so strange." "It's a Scriptur' name, sister," said Aunt Ruey, "and that ought to be enough for us." "Well, I don't know," said Aunt Roxy. "Now there was Miss Jones down on Mure P'int called her twins Tiglath-Pileser and Shalmaneser,—Scriptur' names both, but I never liked 'em. The boys used to call 'em, Tiggy and Shally, so no mortal could guess they was Scriptur'." "Well," said Aunt Ruey, drawing a sigh which caused her plump proportions to be agitated in gentle waves, "'tain't much matter, after all, what they call the little thing, for 'tain't 'tall likely it's goin' to live,—cried and worried all night, and kep' a-suckin' my cheek and my night-gown, poor little thing! This 'ere's a baby that won't get along without its mother. What Mis' Pennel's a-goin' to do with it when we is gone, I'm sure I don't know. It comes kind o' hard on old people to be broke o' their rest. If it's goin' to be called home, it's a pity, as I said, it didn't go with its mother"— "And save the expense of another funeral," said Aunt Roxy. "Now when Mis' Pennel's sister asked her what she was going to do with Naomi's clothes, I couldn't help wonderin' when she said she should keep 'em for the child." "She had a sight of things, Naomi did," said Aunt Ruey. "Nothin' was never too much for her. I don't believe that Cap'n Pennel ever went to Bath or Portland without havin' it in his mind to bring Naomi somethin'." "Yes, and she had a faculty of puttin' of 'em on," said Miss Roxy, with a decisive shake of the head. "Naomi was a still girl, but her faculty was uncommon; and I tell you, Ruey, 'tain't everybody hes faculty as hes things." "The poor Cap'n," said Miss Ruey, "he seemed greatly supported at the funeral, but he's dreadful broke down since. I went into Naomi's room this morning, and there the old man was a-sittin' by her bed, and he had a pair of her shoes in his hand,—you know what a leetle bit of a foot she had. I never saw nothin' look so kind o' solitary as that poor old man did!" "Well," said Miss Roxy, "she was a master-hand for keepin' things, Naomi was; her drawers is just a sight; she's got all the little presents and things they ever give her since she was a baby, in one drawer. There's a little pair of red shoes there that she had when she wa'n't more'n five year old. You 'member, Ruey, the Cap'n brought 'em over from Portland when we was to the house a-makin' Mis' Pennel's figured black silk that he brought from Calcutty. You 'member they cost just five and sixpence; but, law! the Cap'n he never grudged the money when 'twas for Naomi. And so she's got all her husband's keepsakes and things just as nice as when he give 'em to her." "It's real affectin'," said Miss Ruey, "I can't all the while help a-thinkin' of the Psalm,— "'So fades the lovely blooming flower,— Frail, smiling solace of an hour; So quick our transient comforts fly, And pleasure only blooms to die.'" "Yes," said Miss Roxy; "and, Ruey, I was a-thinkin' whether or no it wa'n't best to pack away them things, 'cause Naomi hadn't fixed no baby drawers, and we seem to want some." "I was kind o' hintin' that to Mis' Pennel this morning," said Ruey, "but she can't seem to want to have 'em touched." "Well, we may just as well come to such things first as last," said Aunt Roxy; "'cause if the Lord takes our friends, he does take 'em; and we can't lose 'em and have 'em too, and we may as well give right up at first, and done with it, that they are gone, and we've got to do without 'em, and not to be hangin' on to keep things just as they was." [Pg 20] [Pg 21] [Pg 22] "So I was a-tellin' Mis' Pennel," said Miss Ruey, "but she'll come to it by and by. I wish the baby might live, and kind o' grow up into her mother's place." "Well," said Miss Roxy, "I wish it might, but there'd be a sight o' trouble fetchin' on it up. Folks can do pretty well with children when they're young and spry, if they do get 'em up nights; but come to grandchildren, it's pretty tough." "I'm a-thinkin', sister," said Miss Ruey, taking off her spectacles and rubbing her nose thoughtfully, "whether or no cow's milk ain't goin' to be too hearty for it, it's such a pindlin' little thing. Now, Mis' Badger she brought up a seven-months' child, and she told me she gave it nothin' but these 'ere little seed cookies, wet in water, and it throve nicely,—and the seed is good for wind." "Oh, don't tell me none of Mis' Badger's stories," said Miss Roxy, "I don't believe in 'em. Cows is the Lord's ordinances for bringing up babies that's lost their mothers; it stands to reason they should be,—and babies that can't eat milk, why they can't be fetched up; but babies can eat milk, and this un will if it lives, and if it can't it won't live." So saying, Miss Roxy drummed away on the little back of the party in question, authoritatively, as if to pound in a wholesome conviction at the outset. "I hope," said Miss Ruey, holding up a strip of black crape, and looking through it from end to end so as to test its capabilities, "I hope the Cap'n and Mis' Pennel'll get some support at the prayer-meetin' this afternoon." "It's the right place to go to," said Miss Roxy, with decision. "Mis' Pennel said this mornin' that she was just beat out tryin' to submit; and the more she said, 'Thy will be done,' the more she didn't seem to feel it." "Them's common feelin's among mourners, Ruey. These 'ere forty years that I've been round nussin', and layin'-out, and tendin' funerals, I've watched people's exercises. People's sometimes supported wonderfully just at the time, and maybe at the funeral; but the three or four weeks after, most everybody, if they's to say what they feel, is unreconciled." "The Cap'n, he don't say nothin'," said Miss Ruey. "No, he don't, but he looks it in his eyes," said Miss Roxy; "he's one of the kind o' mourners as takes it deep; that kind don't cry; it's a kind o' dry, deep pain; them's the worst to get over it,—sometimes they just says nothin', and in about six months they send for you to nuss 'em in consumption or somethin'. Now, Mis' Pennel, she can cry and she can talk, —well, she'll get over it; but he won't get no support unless the Lord reaches right down and lifts him up over the world. I've seen that happen sometimes, and I tell you, Ruey, that sort makes powerful Christians." At that moment the old pair entered the door. Zephaniah Pennel came and stood quietly by the pillow where the little form was laid, and lifted a corner of the blanket. The tiny head was turned to one side, showing the soft, warm cheek, and the little hand was holding tightly a morsel of the flannel blanket. He stood swallowing hard for a few moments. At last he said, with deep humility, to the wise and mighty woman who held her, "I'll tell you what it is, Miss Roxy, I'll give all there is in my old chest yonder if you'll only make her—live." CHAPTER V THE KITTRIDGES It did live. The little life, so frail, so unprofitable in every mere material view, so precious in the eyes of love, expanded and flowered at last into fair childhood. Not without much watching and weariness. Many a night the old fisherman walked the floor with the little thing in his arms, talking to it that jargon of tender nonsense which fairies bring as love- gifts to all who tend a cradle. Many a day the good little old grandmother called the aid of gossips about her, trying various experiments of catnip, and sweet fern, and bayberry, and other teas of rustic reputation for baby frailties. At the end of three years, the two graves in the lonely graveyard were sodded and cemented down by smooth velvet turf, and playing round the door of the brown houses was a slender child, with ways and manners so still and singular as often to remind the neighbors that she was not like other children,—a bud of hope and joy,—but the outcome of a great sorrow,—a pearl washed ashore by a mighty, uprooting tempest. They that looked at her remembered that her father's eye had never beheld her, and her baptismal cup had rested on her mother's coffin. She was small of stature, beyond the wont of children of her age, and moulded with a fine waxen delicacy that won admiration from all eyes. Her hair was curly and golden, but her eyes were dark like her mother's, and the lids drooped over them in that manner which gives a peculiar expression of dreamy wistfulness. Every one of us must remember eyes that have a strange, peculiar expression of pathos and desire, as if the spirit that looked out of them were pressed with vague remembrances of a past, or but dimly comprehended the mystery of its present life. Even when the baby lay in its cradle, and its dark, inquiring eyes would follow now one object and now another, the gossips would say the child was longing for something, and Miss Roxy would still further venture to predict that that child always would long and never would know exactly what she was after. [Pg 23] [Pg 24] [Pg 25] [Pg 26] That dignitary sits at this minute enthroned in the kitchen corner, looking majestically over the press-board on her knee, where she is pressing the next year's Sunday vest of Zephaniah Pennel. As she makes her heavy tailor's goose squeak on the work, her eyes follow the little delicate fairy form which trips about the kitchen, busily and silently arranging a little grotto of gold and silver shells and seaweed. The child sings to herself as she works in a low chant, like the prattle of a brook, but ever and anon she rests her little arms on a chair and looks through the open kitchen-door far, far off where the horizon line of the blue sea dissolves in the blue sky. "See that child now, Roxy," said Miss Ruey, who sat stitching beside her; "do look at her eyes. She's as handsome as a pictur', but 't ain't an ordinary look she has neither; she seems a contented little thing; but what makes her eyes always look so kind o' wishful?" "Wa'n't her mother always a-longin' and a-lookin' to sea, and watchin' the ships, afore she was born?" said Miss Roxy; "and didn't her heart break afore she was born? Babies like that is marked always. They don't know what ails 'em, nor nobody." "It's her mother she's after," said Miss Ruey. "The Lord only knows," said Miss Roxy; "but them kind o' children always seem homesick to go back where they come from. They're mostly grave and old-fashioned like this 'un. If they gets past seven years, why they live; but it's always in 'em to long; they don't seem to be really unhappy neither, but if anything's ever the matter with 'em, it seems a great deal easier for 'em to die than to live. Some say it's the mothers longin' after 'em makes 'em feel so, and some say it's them longin' after their mothers; but dear knows, Ruey, what anything is or what makes anything. Children's mysterious, that's my mind." "Mara, dear," said Miss Ruey, interrupting the child's steady lookout, "what you thinking of?" "Me want somefin'," said the little one. "That's what she's always sayin'," said Miss Roxy. "Me want somebody to pay wis'," continued the little one. "Want somebody to play with," said old Dame Pennel, as she came in from the back-room wi...