The Project Gutenberg EBook of The Other Girls, by Mrs. A. D. T. Whitney This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Other Girls Author: Mrs. A. D. T. Whitney Release Date: July 19, 2005 [EBook #16329] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE OTHER GIRLS *** Produced by Janet Kegg and the Online Distributed Proofreading Team at https://www.pgdp.net THE OTHER GIRLS BY MRS. A. D. T. WHITNEY BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1893 Entered, according to Act of Congress, in the year 1873, by James R. Osgood and Company, in the Office of the Librarian of Congress, at Washington. By Mrs. A. D. T. Whitney. WRITINGS. New Edition, from new plates. The set, 17 vols. 16mo, $21.25. FAITH GARTNEY'S GIRLHOOD. 16mo, $1.25. HITHERTO: A Story of Yesterdays. 16mo, $1.25. PATIENCE STRONG'S OUTINGS. 16mo, $1.25. THE GAYWORTHYS. 16mo, $1.25. A SUMMER IN LESLIE GOLDTHWAITE'S LIFE. 16mo, $1.25. WE GIRLS: A Home Story. Illustrated. 16mo, $1.25. REAL FOLKS. 16mo, $1.25. THE OTHER GIRLS. 16mo, $1.25. SIGHTS AND INSIGHTS. 2 vols. 16mo, $2.50. ODD, OR EVEN? 16mo, $1.25. BONNYBOROUGH. 16mo, $1.25. BOYS AT CHEQUASSET. Illustrated. 16mo, $1.25. MOTHER GOOSE FOR GROWN FOLKS. Enlarged Edition. Illustrated by Hoppin. 16mo, $1.25. HOMESPUN YARNS. Short Stories. 16mo, $1.25. ASCUTNEY STREET. A Neighborhood Story. 16mo, $1.25. A GOLDEN GOSSIP. Neighborhood Story Number Two. 16mo, $1.25. DAFFODILS. Poems. Illustrated. 16mo, $1.25. PANSIES. Poems. New Edition. 16mo, $1.25. HOLY-TIDES. Seven Songs for the Church's Seasons. 16mo, illuminated paper, 75 cents. BIRD-TALK. New Poems. Illustrated. Crown 8vo, $1.00. JUST HOW: A Key to the Cook-Books. 16mo, $1.00. HOUGHTON, MIFFLIN & CO. Boston and New York. PREFACE. "Wait until you are helped, my dear! Don't touch the pie until it is cut!" The old Mother, Life, keeps saying that to us all. As individuals, it is well for us to remember it; that we may not have things until we are helped; at any rate, until the full and proper time comes, for courageously and with right assurance helping ourselves. Yet it is good for people, as people, to get a morsel—a flavor—in advance. It is well that they should be impatient for the King's supper, to which we shall all sit down, if we will, one day. So I have not waited for everything to happen and become a usage, that I have told you of in this little story. I confess that there are good things in it which have not yet, literally, come to pass. I have picked something out of the pie beforehand. I meant, therefore, to have laid all dates aside; especially as I found myself a little cramped by them, in re-introducing among these "Other Girls" the girls whom we have before, and rather lately, known. Lest, possibly, in anything which they have here grown to, or experienced, or accomplished, the sharply exact reader should seem to detect the requirement of a longer interval than the almanacs could actually give, I meant to have asked that it should be remembered, that we story-tellers write chiefly in the Potential Mood, and that tenses do not very essentially signify. It will all have had opportunity to be true in eighteen-seventy-five, if it have not had in eighteen-seventy-three. Well enough, indeed, if the prophecies be justified as speedily as the prochronisms will. The Great Fire, you see, came in and dated it. I could not help that; neither could I leave the great fact out. Not any more could I possibly tell what sort of April days we should have, when I found myself fixed to the very coming April and Easter, for the closing chapters of my tale. If persistent snow-storms fling a falsehood in my face, it will be what I have not heretofore believed possible,—a white one; and we can all think of balmy Aprils that have been, and that are yet to be. With these appeals for trifling allowance,—leaving the larger need to the obvious accounting for in a largeness of subject which no slight fiction can adequately handle,—I give you leave to turn the page. A. D. T. W. BOSTON, March, 1873. CONTENTS. I. Spilled Out II. Up-stairs III. Two Trips in the Train IV. Ninety-nine Fahrenheit V. Spilled out again VI. A Long Chapter of a Whole Year VII. Bel and Bartholomew VIII. To help: somewhere IX. Inheritance X. Fillmer and Bylles XI. Christofero XII. Letters and Links XIII. Rachel Froke's Trouble XIV. Mavis Place Chapel XV. Bonny Bowls XVI. Recompense XVII. Errands of Hope XVIII. Brickfield Farms XIX. Blossoming Ferns XX. "Wanted" XXI. Voices and Visions XXII. Box Fifty-two XXIII. Evening and Morning: The Second Day XXIV. Temptation XXV. Bel Bree's Crusade: The Preaching XXVI. Trouble at the Schermans' XXVII. Bel Bree's Crusade: The Taking of Jerusalem XXVIII. "Living In" XXIX. Wintergreen XXX. Neighbor Street and Graves Alley XXXI. Chosen: and called XXXII. Easter Lilies XXXIII. Kitchen Crambo XXXIV. What Nobody could help XXXV. Hill-Hope THE OTHER GIRLS CHAPTER I. SPILLED OUT. Sylvie Argenter was driving about in her mother's little basket-phæton. There was a story about this little basket-phæton, a story, and a bit of domestic diplomacy. The story would branch away, back and forward; which I cannot, right here in this first page, let it do. It would tell—taking the little carriage for a text and key—ever so much about aims and ways and principles, and the drift of a household life, which was one of the busy little currents in the world that help to make up its great universal character and atmosphere, at this present age of things, as the drifts and sweeps of ocean make up the climates and atmospheres that wrap and influence the planet. But the diplomacy had been this:— "There is one thing, Argie, I should really like Sylvie to have. It is getting to be almost a necessity, living out of town as we do." Mr. Argenter's other names were "Increase Muchmore;" but his wife passed over all that, and called him in the grace of conjugal intimacy, "Argie." Increase Muchmore Argenter. A curious combination; but you need not say it could not have happened. I have read half a dozen as funny combinations in a single advertising page of a newspaper, or in a single transit of the city in a horse-car. It did not happen altogether without a purpose, either. Mr. Argenter's father had been fond of money; had made and saved a considerable sum himself; and always meant that his son should make and save a good deal more. So he signified this in his cradle and gave him what he called a lucky name, to begin with. The wife of the elder Mr. Argenter had been a Muchmore; her only brother had been named Increase, either out of oddity, such as influenced a certain Mr. Crabtree whom I have heard of, to call his son Agreen, or because the old Puritan name had been in the family, or with a like original inspiration of luck and thrift to that which influenced the later christening, if you can call it such; and now, therefore, resulted Increase Muchmore Argenter. The father hung, as it were, a charm around his son's neck, as Catholics do, giving saints' names to their children. But young Increase found it, in his earlier years, rather of the nature of a millstone. It was a good while, for instance, before Miss Maria Thorndike could make up her mind to take upon herself such a title. She did not much mind it now. "I.M. Argenter" was such a good signature at the bottom of a check; and the surname was quite musical and elegant. "Mrs. Argenter" was all she had put upon her cards. There was no other Mrs. Argenter to be confounded with. The name stood by itself in the Directory. All the rest of the Argenters were away down in Maine in Poggowantimoc. "Living out of town as we do." Mrs. Argenter always put that in. It was the nut that fastened all her screws of argument. "Away out here as we are, we must keep an expert cook, you know; we can't send out for bread and cake, and salads and soups, on an emergency, as we did in town." "We must have a seamstress in the house the year round; it is such a bother driving about a ten-mile circuit after one in a hurry;" and now,—"Sylvie ought to have a little vehicle of her own, she is so far away from all her friends; no running in and out and making little daily plans, as girls do in a neighborhood. All the girls of her class have their own pony-chaises now; it is a part of the plan of living." "It isn't any part of my plan," said Mr. Argenter, who had his little spasms of returning to old- fashioned ideas he was brought up in, but had long ago practically deserted; and these spasms mostly took him, it must be said, in response to new propositions of Mrs. Argenter's. His own plans evolved gradually; he came to them by imperceptible steps of mental process, or outward constraint; Mrs. Argenter's "jumped" at him, took him at unawares, and by sudden impinging upon solid shield of permanent judgment struck out sparks of opposition. She could not very well help that. He never had time to share her little experiences, and interests, and perplexities, and so sympathize with her as she went along, and up to the agreeing and consenting point. "I won't set her up with any such absurdities," said Mr. Argenter. "It's confounded ruinous shoddy nonsense. Makes little fools of them all. Sylvie's got airs enough now. It won't do for her to think she can have everything the Highfords do." "It isn't that," said Mrs. Argenter, sweetly. Her position, and the soft "g" in her name, giving her a sense of something elegant and gentle-bred to be always sustained and acted up to, had really helped and strengthened Mrs. Argenter in very much of her established amiability. We don't know, always, where our ties and braces really are. We are graciously allowed many a little temporary stay whose hold cannot be quite directly raced to the everlasting foundations. "It isn't that; I don't care for the Highfords, particularly. Though I do like to have Sylvie enjoy things as she sees them enjoyed all around her, in her own circle. But it's the convenience; and then, it's a real means of showing kindness. She can so often ask other girls, you know, to drive with her; girls who haven't pony-chaises." "Showing kindness, yes; you've just hit it there. But it isn't always fun to the frogs, Mrs. A.!" Now if Mrs. Argenter disliked one thing more than another, that her husband ever did, it was his calling her "Mrs. A.;" and I am very much afraid, I was going to say, that he knew it; but of course he did when she had mildly told him so, over and over,—I am afraid he recollected it, at this very moment, and others similar. "I don't know what you mean, Mr. Argenter," she said, with some quiet coldness. "I mean, I know how she takes other girls to ride; she sets them down at the small gray house,— the house without any piazza or bay window, Michael!" and Mr. Argenter laughed. That was the order he had heard Sylvie give one day when he had come up with his own carriage at the post-office in the village, whither he had walked over for exercise and the evening papers. Sylvie had Aggie Townsend with her, and she put her head out at the window on one side just as her father passed on the other, and directed Michael, with a very elegant nonchalance, to "set this little girl down" as aforesaid. Mr. Argenter had been half amused and half angry. The anger passed off, but he had kept up the joke. "O, do let that old story alone," exclaimed Mrs. Argenter. "Sylvie will soon outgrow all that. If you want to make her a real lady, there is nothing like letting her get thoroughly used to having things." "I don't intend her to get used to having a pony-chaise," Mr. Argenter said very quietly and shortly. "If she wants to 'show a kindness,' and take 'other' girls to ride, there's the slide-top buggy and old Scrub. She may have that as often as she pleases." And Mrs. Argenter knew that this ended—or had better end—the conversation. For that time. Sylvie Argenter did get used to having a pony-chaise, after all. Her mother waited six months, until the pleasant summer weather, when her friends began to come out from the city to spend days with her, or to take early teas, and Michael had to be sent continually to meet and leave them at the trains. Then she began again, and asked for a pony-chaise for herself. To "save the cost of it in Michael's time, and the wear and tear of the heavy carriages. Those little sunset drives would be such a pleasure to her, just when Michael had to be milking and putting up for the night." Mr. Argenter had forgotten all about the other talk, Sylvie's name now being not once mentioned; and the end of it was that a pretty little low phæton was added to the Argenter equipages, and that Sylvie's mother was always lending it to her. So Sylvie was driving about in it this afternoon. She had been over to West Dorbury to see the Highfords, and was coming round by Ingraham's Corner, to stop there and buy one of his fresh big loaves of real brown bread for her father's tea. It was a little unspoken, politic understanding between Sylvie and her mother, that some small, acceptable errand like this was to be accomplished whenever the former had the basket-phæton of an afternoon. By quiet, unspoken demonstration, Mr. Argenter was made to feel in his own little comforts what a handy thing it was to have a daughter flitting about so easily with a pony-carriage. But there was something else to be accomplished this time that Sylvie had not thought of, and that when it happened, she felt with some dismay might not be quite offset and compensated for by the Ingraham brown bread. Rod Sherrett was out too, from Roxeter, Young-Americafying with his tandem; trying, to-day, one of his father's horses with his own Red Squirrel, to make out the team; for which, if he should come to any grief, Rodgers, the coachman, would have to bear responsibility for being persuaded to let Duke out in such manner. Just as Sylvie Argenter drew up her pony at the baker's door, Rod Sherrett came spinning round the corner in grand style. But Duke was not used to tandem harness, and Red Squirrel, put ahead, took flying side-leaps now and then on his own account; and Duke, between his comrade's escapades and his driver's checks and admonitions, was to that degree perplexed in his mind and excited off his well-bred balance, that he was by this time becoming scarcely more reliable in the shafts. Rod found he had his hands full. He found this out, however, only just in time to realize it, as they were suddenly relieved and emptied of their charge; for, before his call and the touch of his long whip could bring back Red Squirrel into line at this turn, he had sprung so far to the left as to bring Duke and the "trap" down upon the little phæton. There was a lock and a crash; a wheel was off the phæton, the tandem was overturned, Sylvie Argenter, in the act of alighting, was thrown forward over the threshold of the open shop-door, Rod Sherrett was lying in the road, a man had seized the pony, and Duke and Red Squirrel were shattering away through the scared Corner Village, with the wreck at their heels. Sylvie's arm was bruised, and her dress torn; that was all. She felt a little jarred and dizzy at first, when Mr. Ingraham lifted her up, and Rodney Sherrett, picking himself out of the dust with a shake and a stamp, found his own bones unbroken, and hurried over to ask anxiously—for he was a kind-hearted fellow—how much harm he had done, and to express his vehement regret at the "horrid spill." Rod Sherrett and Sylvie Argenter had danced together at the Roxeter Assemblies, and the little Dorbury "Germans;" they had boated, and picknicked, and skated in company, but to be tumbled together into a baker's shop, torn and frightened, and dusty,—each feeling, also, in a great scrape,—this was an odd and startling partnership. Sylvie was pale; Rod was sorry; both were very much demolished as to dress: Sylvie's hat had got a queer crush, and a tip that was never intended over her eyes; Rodney's was lying in the street, and his hair was rumpled and curiously powdered. When they had stood and looked at each other an instant after the first inquiry and reply, they both laughed. Then Rodney shrugged his shoulders, and walked over and picked up his hat. "It might have been worse," he said, coming back, as Mr. Ingraham and the man who had held Sylvie's pony took the latter out of the shafts and led him to a post to fasten him, and then proceeded together, as well as they could, to lift the disabled phæton and roll it over to the blacksmith's shop to be set right. "You'll be all straight directly," he said, "and I'm only thankful you're not much hurt. But I am in a mess. Whew! What the old gentleman will say if Duke don't come out of it comfortable, is something I'd rather not look ahead to. I must go on and see. I'll be back again, and if there's anything—anything more," he added with a droll twinkle, "that I can do for you, I shall be happy, and will try to do it a little better." The feminine Ingrahams were all around Sylvie by this time: Mrs. Ingraham, and Ray, and Dot. They bemoaned and exclaimed, and were "thankful she'd come off as she had;" and "she'd better step right in and come up-stairs." The village boys were crowding round,—all those who had not been in time to run after the "smash,"—and Sylvie gladly withdrew to the offered shelter. Rod Sherrett gave his hair a toss or two with his hands, struck the dust off his wide-awake, put it on, and walked off down the hill, through the staring and admiring crowd. CHAPTER II. UP-STAIRS. The two Ingraham girls had been sitting in their own room over the shop when the accident occurred, and it was there they now took Sylvie Argenter, to have her dress tacked together again, and to wash her face and hands and settle her hair and hat. Mrs. Ingraham came bustling after with "arnicky" for the bruised arm. They were all very delighted and important, having the great Mr. Argenter's daughter quite to themselves in the intimacy of "up-stairs," to wait upon and take care of. Mrs. Ingraham fussed and "my-deared" a good deal; her daughters took it with more outward calmness. Although baker's daughters, they belonged to the present youthful generation, born to best education at the public schools, sewing-machines, and universal double-skirted full-fashions; and had read novels of society out of the Roxeter town library. There was a good deal of time after the bathing and mending and re-arranging were all done. The axle of the phæton had been split, and must be temporarily patched up and banded. There was nothing for Sylvie to do but to sit quietly there in the old-fashioned, dimity-covered easy-chair which they gave her by the front window, and wait. Meanwhile, she observed and wondered much. She had never got out of the Argenter and Highford atmosphere before. She didn't know—as we don't about the moon—whether there might be atmosphere for the lesser and subsidiary world. But here she found herself in the bedroom of two girls who lived over a bake-shop, and, really, it seemed they actually did live, much after the fashion of other people. There were towels on the stand, a worked pincushion on the toilet, white shades and red tassels to the windows, this comfortable easy-chair beside one and a low splint rocker in the other,—with queer, antique-looking soft footstools of dark cloth, tamboured in bright colors before each,—white quilted covers on table and bureau, and positively, a striped, knitted foot-spread in scarlet and white yarn, folded across the lower end of the bed. She had never thought of there being anything at Ingraham's Corner but a shop on a dusty street, with, she supposed,—only she never really supposed about it,—some sort of places, behind and above it, under the same roof, for the people to get away into when they weren't selling bread, to cook, and eat, and sleep, she had never exactly imagined how, but of course not as they did in real houses that were not shops. And when Mrs. Ingraham, who had bustled off down-stairs, came shuffling up again as well as she could with both hands full and her petticoats in her way, and appeared bearing a cup of hot tea and a plate of spiced gingerbread,—the latter not out of the shop, but home-made, and out of her own best parlor cupboard,—she perceived almost with bewilderment, that cup and plate were of spotless china, and the spoon was of real, worn, bright silver. She might absolutely put these things to her own lips without distaste or harm. "It'll do you good after your start," said kindly Mrs. Ingraham. The difference came in with the phraseology. A silver spoon is a silver spoon, but speech cannot be rubbed up for occasion. Sylvie thought she must mean before her start, about which she was growing anxious. "O, I'm sorry you should have taken so much trouble," she exclaimed. "I wonder if the phæton will be ready soon?" "Mr. Ingraham he's got back," replied the lady. "He says Rylocks'll be through with it in about half an hour. Don't you be a mite concerned. Jest set here and drink your tea, and rest. Dot, I guess you'd as good's come down-stairs. I shall be wantin' you with them fly nets. Your father's fetched home the frames." Ray Ingraham sat in the side window, and crocheted thread edging,—of which she had already yards rolled up and pinned together in a white ball upon her lap,—while Sylvie sipped her tea. The side window looked out into a shady little garden-spot, in the front corner of which grew a grand old elm, which reached around with beneficent, beautiful branches, and screened also a part of the street aspect. Seen from within, and from under these great, green, swaying limbs,—the same here in the village as out in free field or forest,—the street itself seemed less dusty, less common, less impossible to pause upon for anything but to buy bread, or mend a wheel, or get a horse shod. "How different it is, in behind!" said Sylvie, speaking out involuntarily. Ray shot a quick look at her from her bright dark eyes. "I suppose it is,—almost everywheres," she answered. "I've got turned round so, sometimes, with people and places, until they never seemed the same again." If Ray had not said "everywheres," Sylvie would not have been reminded; but that word sent her, in recollection, out to the house-front and the shop-sign again. Ray knew better; she was a good scholar, but she heard her mother and others like her talk vernacular every day. It was a wonder she shaded off from it as delicately as she did. Ray Ingraham, or Rachel,—for that was her name, and her sister's was Dorothy, though these had been shortened into two as charming, pet little appellatives as could have been devised by the most elegant intention,—was a pretty girl, with her long-lashed, quick-glancing dark eyes, her hair, that crimped naturally and fell off in a deep, soft shadow from her temples, her little mouth, neatly dimpled in, and the gypsy glow of her clear, bright skin. Dot was different: she was dark too, not so dark; her eyes were full, brilliant gray, with thick, short lashes; she was round and comfortable: nose, cheeks, chin, neck, waist, hands; her mouth was large, with white teeth that showed easily and broadly, instead of, like Ray's, with just a quiver and a glimmer. She was like her mother. She looked the smart, buxom, common-sense village girl to perfection. Ray had the hint of something higher and more delicate about her, though she had the trigness, and readiness, and every-day-ness too. Sylvie sat silent after this, and looked at her, wondering, more than she had wondered about the furniture. Thinking, "how many girls there were in the world! All sorts—everywhere! What did they all do, and find to care for?" These were not the "other" girls of whom her mother had blandly said that she could show kindnesses by taking them to drive. Those were such as Aggie Townsend, the navy captain's widow's daughter,—nice, but poor; girls whom everybody noticed, of course, but who hadn't it in their power to notice anybody. That made such a difference! These were otherer yet! And for all that they were girls,—girls! Ever so much of young life, and glow, and companionship, ever so much of dream, and hope, and possible story, is in just that little plural of five letters. A company of girls! Heaven only knows what there is not represented, and suggested, and foreshadowed there! Sylvie Argenter, with all her nonsense, had a way of putting herself, imaginatively, into other people's places. She used to tell her mother, when she was a little child and said her hymns,—which Mrs. Argenter, not having any very fresh, instant spiritual life, I am afraid, out of which to feed her child, chose for her in dim remembrance of what had been thought good for herself when she was little,—that she "didn't know exactly as she did 'thank the goodness and the grace that on her birth had smiled.'" She "should like pretty well to have been a little—Lapland girl with a sledge; or—a Chinese; or—a kitchen girl; a little while, I mean!" She had a way of intimacy with the servants which Mrs. Argenter found it hard to check. She liked to get into Jane's room when she was "doing herself up" of an afternoon, and look over her cheap little treasures in her band-box and chest-drawer. She made especial love to a carnelian heart, and a twisted gold ring with two clasped hands on it. "I think it's real nice to have only two or three things, and to 'clean yourself up,' and to have a 'Sunday out!'" she said. Mrs. Argenter was anxiously alarmed at the child's low tastes. Yet these were very practicably compatible with the alternations of importance in being driven about in her father's barouche, taking Aggie Townsend up on the road, and "setting her down at the small gray house." Sylvie thought, this afternoon, looking at Ray Ingraham, in her striped lilac and white calico, with its plaited waist and cross-banded, machine-stitched double skirt, sitting by her shady window, beyond which, behind the garden angle, rose up the red brick wall of the bakehouse, whence came a warm, sweet smell of many new-drawn loaves,—looking around within, at the snug tidiness of the simple room, and even out at the street close by, with its stir and curious interest, yet seen from just as real a shelter as she had in her own chamber at home,—that it might really be nice to be a baker's daughter and live in the village,—"when it wasn't your own fault, and you couldn't help it." Ray nodded to some one out of her window. Sylvie saw a bright color come up in her cheeks, and a sparkle into her eyes as she did so, while a little smile, that she seemed to think was all to herself, crept about her mouth and lingered at the dimpled corners. There was an expression as if she hid herself quite away in some consciousness of her own, from any recollection of the strange girl sitting by. The strange girl glanced from her window, and saw a young carpenter with his box of tools go past under the elm, with some sort of light subsiding also in like manner from his face. He was in his shirt sleeves,—but the sleeves were white,—and his straw hat was pushed back from his forehead, about which brown curls lay damp with heat. Sylvie did not believe he had even touched his hat, when he had looked up through the friendly elm boughs and bowed to the village girl in her shady corner. His hands were full, of course. Such people's hands were almost always full. That was the reason they did not learn such things. But how cute it had been of Ray Ingraham not to sit in the front window! He was certain to come by, too, she supposed. To be sure; that was the street. Ray Ingraham would not have cared to live up a long avenue, to wait for people to come on purpose, in carriages. She got as far as this in her thinkings, at the same moment that she came to the bottom of her cup of tea. And then she caught a glimpse of Rylocks, rolling the phæton across from the smithy. "What a funny time I have had! And how kind you have all been!" she said, getting up. "I am ever so much obliged, Miss Ingraham. I wonder"—and then, suddenly, she thought it might not be quite civil to wonder. Ray Ingraham laughed. "So do I!" she said quickly, with a bright look. She knew well enough what Sylvie stopped at. Each of these two girls wondered if there would ever be any more "getting in behind" for them, as regarded each other, in their two different lives. As Sylvie Argenter came out at the shop-door, Rodney Sherrett appeared at the same point, safely mounted on the runaway Duke. The team had been stopped below at the river; he had found a stable and a saddle, had left Red Squirrel and the broken vehicle to be sent for, and was going home, much relieved and assured by being able to present himself upon his father's favorite roadster, whole in bones and with ungrazed skin. The street boys stood round again, as he dismounted to make fresh certainty of Sylvie's welfare, handed her into her phæton, and then, springing to the saddle, rode away beside her, down the East Dorbury road. Mrs. Argenter was sitting with her worsted work in the high, many-columned terrace piazza which gave grandeur to the great show-house that Mr. Argenter had built some five years since, when Sylvie, with Rod Sherrett beside her, came driving up the long avenue, or, as Mrs. Argenter liked to call it, out of the English novels, the approach. She laid back her canvas and wools into the graceful Fayal basket- stand, and came down the first flight of stone steps to meet them. "How late you are, Sylvie! I had begun to be quite worried," she said, when Sylvie dropped the reins around the dasher and stood up in the low carriage, nodding at her mother. She felt quite brave and confident about the accident, now that Rodney Sherrett had come all the way with her to the very door, to account for it and to help her out with the story. Rodney lifted his hat to the lady. "We've had a great spill, Mrs. Argenter. All my fault, and Red Squirrel's. Miss Argenter has brought home more than I have from the mêlée. I started with a tandem, and here I am with only Gray Duke and a borrowed saddle. It was out at Ingraham's Corner,—a quick turn, you know,—and Miss Argenter had just stopped when Squirrel sprang round upon her. My trap is pretty much into kindlings, but there are no bones broken. You must let me send Rodgers round on his way to town to-morrow, to take the phæton to the builder's. It wants a new axle. I'm awful sorry; but after all"—with a bright smile,—"I can't think it altogether an ill wind,—for me, at any rate. I couldn't help enjoying the ride home." "I don't believe you could help enjoying the whole of it, except the very minute of the tip-out itself, before you knew," said Sylvie, laughing. "Well, it was a lark; but the worst is coming. I've got to go home all alone. I wish you'd come and tell the tale for me, Miss Sylvie. I shouldn't be half so afraid!" CHAPTER III. TWO TRIPS IN THE TRAIN. The seven o'clock morning train was starting from Dorbury Upper Village. Early business men, mechanics, clerks, shop-girls, sewing-girls, office-boys,—these made up the list of passengers. Except, perhaps, some travellers now and then, bound for a first express from Boston, or an excursion party to take a harbor steamer for a day's trip to Nantasket or Nahant. Did you ever contrast one of these trains—when perhaps you were such traveller or excursionist— with the after, leisurely, comfortable one at ten or eleven; when gentlemen who only need to be in the city through banking hours, and ladies bent on calls or elegant shopping, come chatting and rustling to their seats, and hold a little drawing-room exchange in the twenty-five minutes' trip? If you have,—and if you have a little sympathetic imagination that fills out hints,—you have had a glimpse of some of these "other girls" and the thing that daily living is to them, with which my story means to concern itself. Have you noticed the hats, with the rose or the feather behind or at top, scrupulously according to the same dictate of style that rules alike for seven and ten o'clock, but which has often to be worn through wet and dry till the rose has been washed by too many a shower, and the feather blown by too many a dusty wind, to stand for anything but a sign that she knows what should be where, if she only had it to put there? Have you seen the cheap alpacas, in two shades, sure to fade in different ways and out of kindred with each other, painfully looped in creasing folds, very much sat upon, but which would not by any means resign themselves to simple smoothed straightness, while silks were hitched and crisp Hernanis puffed? Yet the alpacas, and all their innumerable cousinhood, have also their first mornings of fresh gloss, when the newness of the counter is still upon them; there is a youth for all things; a first time, a charm that seems as if it might last, though we know it neither will nor was meant to; if it would, or were, the counters might be taken down. And people who wear gowns that are creased and faded, have each, one at a time, their days of glory, when they begin again. The farther apart they come, perhaps the more of the spring-time there is in them. Marion Kent bloomed out this clear, sweet, clean summer morning in a span new tea-colored zephyrine polonaise with three little frills edged with tiny brown braid, which set it off trimly with the due contrasting depth of color, and cost nearly nothing except the stitches and the kerosene she burned late in the hot July nights in her only time for finishing it. She had covered her little old curled leaf of a hat with a tea-colored corner that had been left, and puffed it up high and light to the point of the new style, with brown veil tissue that also floated off in an abundant cloudy grace behind; and she had such an air of breezy and ecstatic elegance as she came beaming and hastening into the early car, that nobody really looked down to see that the underskirt was the identical black brilliantine that had done service all the spring in the dismal mornings of waterproofs and india-rubbers and general damp woolen smells and blue nips and shivers. Marion Kent always made you think of things that never at all belonged to her. She gave you an impression of something that she seemed to stand for, which she could not wholly be. Her zephyrine, with its silky shine, hinted at the real lustres of far more costly fabrics; her hat, perked up with puffs of grenadine (how all these things do rhyme and repeat their little Frenchy tags of endings!) put you in mind of lace and feathers, and a general float and flutter of gay millinery; her step and expression, as she came airily into this second-rate old car, put on for the "journeymen" train, brought up a notion, almost, of some ball-room advent, flushed and conscious and glad with the turning of all admiring eyes upon it; her face, even, without being absolutely beautiful, sparkled out at you a certain will and force and intent of beauty that shot an idea or suggestion of brilliant prettiness instantly through your unresisting imagination, compelling you to fill out whatever was wanting; and what more, can you explain, do feature and bearing that come nearest to perfect fulfillment effect? The middle-aged cabinet-maker looked over his newspaper at her as she came in; he had little daughters of his own growing up to girlhood, and there might have been some thought in his head not purely admiring; but still he looked up. The knot of office-boys, crowding and skylarking across a couple of seats, stopped their shuffle and noise for a second, and one said, "My! ain't she stunning?" A young fellow, rather spruce in his own way also, with precise necktie, deep paper cuffs and dollar-store studs and initial sleeve-buttons, touched his hat with an air of taking credit to himself, as she glanced at him; and another, in a sober old gray suit, with only a black ribbon knotted under his linen collar, turned slightly the other way as she approached, and with something like a frown between his brows, looked out of the window at a wood-pile. Marion's cheeks were a tint brighter, and her white teeth seemed to flash out a yet more determined smile, as, passing him by, she seated herself with friendly bustle among some girls a little behind him. "In again, Marion?" said one. "I thought you'd left." "Only in for a transient," said Marion, with a certain clear tone that reminded one of the stage- trainer's direction to "speak to the galleries." "Nellie Burton is sick, and Lufton sent for me. I'll do for a month or so, and like it pretty well; then I shall have a tiff, I suppose, and fling it up again; I can't stand being ordered round longer than that." "Or longer than the new lasts," said the other slyly, touching the drapery sleeve of the zephyrine. "It is awful pretty, Marry!" "Yes, and while the new lasts Lufton'll be awful polite," returned Marion. "He likes to see his girls look stylish, I can tell you. When things begin to shab out, then the snubbing begins. And how they're going to help shabbing out I should like to know, dragging round amongst the goods and polishing against the counters? and who's going to afford ready-made, or pay for sewing, out of six dollars a week and cars and dinners, let alone regular board, that some of 'em have to take off? Why there isn't enough left for shoes! No wonder Lufton's always changing. Well—there's one good of it! You can always get a temporary there. Save up a month and then put into port and refit. That's the way I do." "But what does it come to, after all's said and done? and what if you hadn't the port?" asked Hannah Upshaw, the girl with the shawl on, who never wore suits. Marion Kent shrugged her shoulders. "I don't know, yet. I take things as they come to me. I don't pretend to calculate for anybody else. I know one thing, though, there is other things to be done,—and it isn't sewing-machines either, if you can once get started. And when I can see my way clear, I mean to start. See if I don't!" The train stopped at the Pomantic station. The young man in the gray clothes rose up, took something from under the car-seat and went out. What he had with him was a carpenter's box. It was the same youth who had greeted Ray Ingraham from beneath the elm branches. As the train got slowly under way again, Marion looked straight out at her window into Frank Sunderline's face, and bowed,— very modestly and sweetly bowed. He was waiting for that instant on the platform, until the track should be clear and he could cross. What he caught in Marion's look, as she turned it full upon him, nobody could see; but there was a quieter earnest in it, certainly, when she turned back; and the young man had responded to her salutation with a relaxing glance of friendly pleasantness that seemed more native to his face than the frown of a few minutes before. Marion Kent had several selves; several relations, at any rate, into which she could put herself with others. I think she showed young Sunderline, for that instant, out of gentler, questioning, almost beseeching eyes, a something she could not show to the whole car-full with whom at the moment of her entrance she had been in rapport, through frills and puffs and flutters, into which she had allowed her consciousness to pass. Behind the little window he could only see a face; a face quieted down from its gay flippancy; a face that showed itself purposely and simply to him; eyes that said, "What was that you thought of me just now? Don't think it!" They were old neighbors and child-friends. They had grown up together; had they been growing away from each other in some things since they had been older? Often it appeared so; but it was Marion chiefly who seemed to change; then, all at once, in some unspoken and intangible way, for a moment like this, she seemed to come suddenly back again, or he seemed to catch a glimpse of that in her, hidden, not altered, which might come back one of these days. Was it a glimpse, perhaps, like the sight the Lord has of each one of us, always? Meanwhile, what of Ray Ingraham? Ray Ingraham was sweet, and proper, and still; just what Frank Sunderline thought was prettiest and nicest for a woman to be. He was always reminded by her ways of what it would be so pretty and nice for Marion Kent to be. But Marion would sparkle; and it is so hard to be still and sparkle too. He liked the brightness and the airiness; a little of it, near to; he did not like a whole car-full, or room-full, or street full,—he did not like to see a woman sparkle all round. Mr. Ingraham had come into Dorbury Upper Village some half dozen years since; had leased the bakery, house, and shop; and two years afterward, Rachel had come home to stay. She had been left in Boston with her grandmother when the family had moved out of the city, that she might keep on a while with the school that she was used to and stood so well in; with her Chapel classes, also, where she heard literature and history lectures, each once a week. Ray could not bear to leave them, nor to give up her Sunday lessons in the dear old Mission Rooms. Dot was three years younger; she could begin again anywhere, and their mother could not spare both. Besides, "what Ray got she could always be giving to Dot afterwards." That is not so easy, and by no means always follows. Dot turned out the mother's girl, —the girl of the village, as was said; practical, comfortable, pleasant, capable, sensible. Ray was something of all these, with a touch of more; alive in a higher nature, awakened to receive through upper channels, sensitive to some things that neither pleased nor troubled Mrs. Ingraham and Dot. It took a good while to come to know a girl like Ray Ingraham; most of her young acquaintance felt the step up that they must take to stand fairly beside her, or come intimately near. Frank Sunderline felt it too, in certain ways, and did not suppose that she could see in him more than he saw in himself: a plain fellow, good at his trade, or going to be; bright enough to know brightness in other people when he came across it, and with enough of what, independent of circumstances, goes to the essential making of a gentleman, to perceive and be attracted by the delicate gentleness that makes a lady. That was just what Ray Ingraham did see; only he hardly set it down in his self-estimate at its full value. Do you perceive, story-reader, story-raveller, that Frank Sunderline was not quite in love with either of these girls? Do you see that it is not a matter of course that he should be? I can tell you, you girls who make a romance out of the first word, and who can tell from the first chapter how it will all end, that you will make great mistakes if you go to interpreting life so,—your own, or anybody's else. I can tell you that men—those who are good for very much—come often more slowly to their life- conclusions than you think; that woman-nature is a good deal to a man, and is meant to be, in gradual bearing and influence, in the shaping of his perception, the working of comparison, the coming to an understanding of his own want, and the forming of his ideal,—yes, even in the mere general pleasantness and gentle use of intercourse—before the individual woman reveals herself, slowly or suddenly, as the one only central need, and motive, and reward, and satisfying, that the world holds and has kept for him. For him to gain or to lose: either way, to have mightily to do with that soul-forging and shaping that the Lord, in his handling of every man, is about. That night they all came out together in the last train. Ray Ingraham had gone in after dinner to make some purchases for her mother, and had been to see some Chapel friends. Marion, as she came in through the gate at the station, saw her far before, walking up the long platform to the cars. She watched her enter the second in the line, and hastened on, making up her mind instantly, like a field general, to her own best manœuvre. It was not exactly what every girl would have done; and therein showed her generalship. She would get into the same carriage, and take a seat with her. She knew very well that Frank Sunderline would jump on at Pomantic, his day's work just done. If he came and spoke to Ray he should speak also to her. She did not risk trying which he would come and speak to. It should be, that joining them, and finding it pleasant, he should not quite know which, after all, had most made it so. Different as they were, she and Ray Ingraham toned and flavored each other, and Marion knew it. They were like rose-color and gray; or like spice and salt: you did not stop to think which ruled the taste, or which your eye separately rested on. Something charming, delicious, resulted of their being together; they set each other off, and helped each other out. Then it was something that Frank Sunderline should see that Ray would let her be her friend; that she was not altogether too loud and pronounced for her. Ray did not turn aside and look at wood-piles, and get rid of her. Furthermore, the way home from the Dorbury depot, for Frank and Marion both, lay past the bakery, on down the under-hill road. Marion did not think out a syllable of all this; she grasped the situation, and she acted in an instant. I told you she acted like a general in the field: perhaps neither she nor the general would be as skillful, always, with the maps and compasses, and time to plan beforehand. I do not think Marion was ever very wise in her fore-thoughts. Beyond Pomantic, the next one or two stations took off a good many passengers, so that they had their part of the car almost to themselves. Frank Sunderline had come in and taken a place upon the other side; now he moved over into the seat behind them, accosting them pleasantly, but not interrupting the conversation which had been busily going on between them all the way. Ray was really interested in some things Marion had brought up to notice; her face was intent and thoughtful; perhaps she was not quite so pretty when she was set thinking; her dimples were hidden; but Marion was beaming, exhilarated partly by her own talk, somewhat by an honest, if half mischievous earnestness in her subject, and very much also by the consciousness of the young mechanic opposite, within observing and listening distance. Marion could not help talking over her shoulders, more or less, always. "Men take the world in the rough, and do the work; women help, and come in for the finishing off," said Rachel, just as Frank Sunderline changed his place and joined them. "We could not handle those, for instance," she said, with a shy, quiet sign toward the carpenter's tools, and lowering her already gentle voice. "Men break in the fields, and plough, and sow, and mow; and women ride home on the loads,—is that it?" said Marion, laughing, and snatching her simile from a hay-field with toppling wagons, that the train was at that moment skimming by. "Well, may be! All is, I shall look out for my ride. After things are broken in, I don't see why we shouldn't get the good of it." "Value is what things stand for, or might procure, isn't it?" said Ray, turning to Sunderline, and taking him frankly and friendlily into the conversation. "No fair!" cried Marion. "He doesn't understand the drift of it. Do you, see, Mr. Sunderline, why a man should be paid any more than a woman, for standing behind a counter and measuring off the same goods, or at a desk and keeping the same accounts? I don't! That's what I'm complaining of." "That's the complaint of the day, I know," said Sunderline. "And no doubt there's a good deal of special unfairness that needs righting, and will get it. But things don't come to be as they are quite without a reason, either. There's a principle in it, you've got to look back to that." "Well?" said Marion, gleefully interrogatory, and settling herself with an air of attention, and of demurely giving up the floor. She was satisfied to listen, if only Frank Sunderline would talk. "I believe I see what you meant," he said to Ray. "About the values that things stand for. A man represents a certain amount of power in the world." "O, does he?" put in Marion, with an indescribable inflection. "I'm glad to know." "He could be doing some things that a woman could not do at all—was never meant to do. He stands for so much force. You may apply things as you please, but if you don't use them according to their relative capacity, the unused value has to be paid for—somewhere." "That's a nice principle!" said Marion. "I like that I should like to be paid for what I might be good for!" Frank Sunderline laughed. "It's a good principle; because by it things settle themselves, in the long run. You may take mahogany or pine to make a table, and one will answer the common convenience of a table as well as the other; but you will learn not to take mahogany when the pine will serve the purpose. You will keep it for what the pine wouldn't be fit for; which wouldn't come to pass if the pine weren't cheapest. Women wouldn't get those places to tend counters and keep books, if the world hadn't found out that it was poor economy, as a general rule, to take men for it." "But what do you say about mental power? About pay for teaching, for instance?" asked Ray....