Project Gutenberg's The Nursery, March 1873, Vol. XIII., by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Nursery, March 1873, Vol. XIII. A Monthly Magazine for Youngest People Author: Various Release Date: January 31, 2008 [EBook #24476] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, MARCH 1873 *** Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net THE NURSERY A Monthly Magazine For Youngest Readers. VOLUME XIII.—No. 3 BOSTON: JOHN L. SHOREY, No. 36 BROMFIELD STREET. 1873. Entered according to Act of Congress, in the year 1873, By JOHN L. SHOREY, In the Office of the Librarian of Congress at Washington. Boston: Rand, Avery, & Co., Stereotypers and Printers. Contents IN PROSE. PAGE. The Pigeons and their Friend 65 The Obedient Chickens 69 John Ray's Performing Dogs 71 Ellen's Cure for Sadness 75 Kitty and the Bee 78 Little Mischief 82 How the Wind fills the Sails 85 Ida's Mouse 88 Almost Lost 91 Little May 93 An Important Disclosure 95 IN VERSE. PAGE. Rowdy-Dowdy 67 The Sliders 74 Mr. Prim 77 Minding Baby 80 Deeds, not Words 84 Molly to her Dolly 87 Timothy Tippens (with music) 96 Decoration: Cherub and birds [65] W THE PIGEONS AND THEIR FRIEND. THE PIGEONS AND THEIR FRIEND. THE PIGEONS AND THEIR FRIEND. A TRUE STORY. HEN I was in Boston about a year ago, I stopped one day at the corner of Washington Street and Franklin Street to witness a pretty sight. Here, just as you turn into Franklin Street, on the right, a poor peddler used to stand with a few baskets of oranges or apples or peanuts, which he offered for sale to the passers-by. The street-pigeons had found in him a good friend; for he used to feed them with bits of peanuts, crumbs of bread, and seed: and every day, at a certain hour, they would fly down to get their food. On the day when I stopped to see them, the sun shone, and the street was crowded; and many people stopped, like myself, to see the pretty sight. The pigeons did not seem to be at all disturbed or frightened by the noise of carriages or the press of people; but would fly down, and light on the peddler's wrist, and peck the food from the palm of his hand. He had made them so tame, that they would often light on his shoulders or on his head; and, if he put food in his mouth, they would try to get it even from between his teeth. The children would flock round to see him; and even the busy newsboy would pause, and forget the newspapers under his arm, while he watched these interviews between the birds and their good friend. A year afterwards I was in Boston again; but the poor peddler and his birds were not to be seen. All Franklin Street, and much of the eastern side of Washington Street, were in ruins. There had been a great fire in Boston,—the largest that was ever known there; and more than fifty acres, crowded with buildings, had been made desolate, so that nothing but smoking ruins was left. This was in November, 1872. I do not know where the poor peddler has gone; but I hope that his little friends, the pigeons, have found him out, and that they still fly down to bid him good-day, and take their dinner from his open hand. The picture is an actual drawing from life, made on the spot, and not from memory. The likeness of the peddler is a faithful one; and I thank the artist for reproducing the scene so well to my mind. Folks do say that he has hit off my likeness also in the man standing behind the taller of the two little girls. Alfred Selwyn. [66] [67] ROWDY-DOWDY. Rowdy-dowdy loves a noise; Cannot play with quiet boys; Cannot play with quiet toys: Rowdy-dowdy loves a noise! In the street he takes delight,— In the street from morn till night: Don't I tell the story right, Rowdy-dowdy, noisy sprite? Rowdy-dowdy's full of fun; Never walks if he can run; Never likes the setting sun: That stops Rowdy-dowdy's fun. Rowdy-Dowdy He is full of prankish ways; Never still one moment stays; Boys are fond of boyish plays: These are Dowdy's rowdy days. Out at elbows, out at toes, Out at knees, the urchin goes: Still he laughs, and still he grows Rowdier, dowdier, I suppose. Rowdy-dowdy, don't you see, Full of noisy, boys-y glee, Is as sweet as he can be, For the sprite belongs to me! He is mine to have and hold, Worth his weight in solid gold: Ah! I've not the heart to scold Rowdy-dowdy, brave and bold! Josephine Pollard. [68] [69] The Obedient Chickens THE OBEDIENT CHICKENS. When I was a little girl, I had a nice great Shanghai hen given to me. She soon laid a nest full of eggs; and then I let her sit on them, till, to my great joy, she brought out a beautiful brood of chickens. They were big fellows even at first, and had longer legs and fewer feathers than the other little yellow roly-poly broods that lived in our barn-yard. But, although I could see that they were not quite so pretty as the others, I made great pets of them. They were a lively, stirring family, and used to go roving all over the farm; but never was there a better behaved, or more thoroughly trained set of children. If a hawk, or even a big robin, went sailing over head, how quickly they scampered, and hid themselves at their mother's note of warning! and how meekly they all trotted roost-ward at the first sound of her brooding-call! I wish all little folks were as ready to go to bed at the right time. One day when the chickens were five or six weeks' old, I saw them all following their mother into an old shed near the house. She led them up into one corner, and then, after talking to them for a few minutes in the hen language, went out and left them all huddled together. She was gone for nearly an hour; and never once did they stir away from the place where she left them. Then she came back, and said just as plain as your mother could say it, only in another way, "Cluck, cluck, cluck! You've all been good chickens while I was away; have you? Well, now, we'll see what a good dinner we can pick up." Out they rushed, pell-mell, as glad to be let out of their prison, and as pleased to see their mother again, as so many boys and girls would have been. Well, day after day, this same thing happened. It came to be a regular morning performance; and we hardly knew what to make of it, until one day we followed old Mother Shanghai, and discovered her secret. She had begun to lay eggs again, and was afraid some harm would come to her young family if she left them out in the field while she was in the barn on her nest. So she took this way of keeping them out of danger. Of course, what she said to her brood when she left them must have been, "My dears, my duties now call me away from you for a little while; and you must stay right here, where no harm can come to you, till I come back. Good-by!" And then off she would march as dignified and earnest as you please. She did this for a number of weeks, until she thought her young folks were old and wise enough to be trusted out alone. Then she let them take care of themselves. This is a true story. East Dorset, Vt. M. H. F. [70] [71] John Ray's Performing Dogs JOHN RAY'S PERFORMING DOGS. There was once a little boy whose name was John Ray, and who lived near a large manufacturing town in England. When only seven years old, he fell from a tree, and was made a cripple for life. His father, who was a sailor, was lost at sea soon afterwards; and then, John's mother dying, the little boy was left an orphan. He was nine years of age when he went to live with Mrs. Lamson, his aunt,—a poor woman with a large family of young children. It was a sad thought to John that he could not work so as to help his good aunt. It was his frequent prayer that he might do something so as not to be a burden to her; but for a long time he could not think of any thing to do. One day a stray dog came to the house; and John gave him a part of his dinner. The dog liked the attention so well, that he staid near the house, and would not be driven off. Every day John gave him what he could spare. One day, John said to him, "Doggie, what is your name? Is it Fido? Is it Frisk? Is it Nero? Is it Nap? Is it Tiger? Is it Toby? Is it Plato? Is it Pomp?" When John uttered the word "Pomp," the dog began to bark; and John said, "Well, sir, then your name shall be Pomp." Then John began to play with him, and found that Pomp was not only acquainted with a good many tricks, but was quick to learn new ones. Pomp would walk on his hind-legs better than any dog that John ever saw. Pomp would let John dress him up in an old coat and a hat; and would sit on a chair, and hold the reins that were put in his paws, just as if he were a coachman. Pomp learned so well, and afforded such amusement to those who saw his tricks, that the thought occurred to John, "What if I try to earn some money by exhibiting Pomp?" So John exhibited him in a small way, to some of the neighbors, and with so much success, that he bought another dog and a monkey, and began to teach all three to play tricks together. A kind lady, who had been informed of his efforts to do something for his aunt, made some nice dresses for the dogs and the monkey. The pictures will show you how the animals looked when dressed up for an exhibition. Dogs in fancy dress The kind lady did still more: she hired a hall in which John could show off his dogs; and then she sold five hundred tickets for a grand entertainment. It was so successful, that John was called upon to repeat it many times. [72] [73] Oh! was he not a proud and happy little boy when he found himself so rich that he could put a twenty-pound note in the hands of his aunt as a token that he was grateful for all her care of him? It was more money than the poor woman had had at any one time in her whole life before; and she kissed her little nephew, and called him the best boy in the world. John and his dogs grew to be so famous, that he had to go to other cities to show them; and soon he earned money enough to keep him till he could learn to be a watchmaker. As he was a diligent, faithful workman, he at last became the owner of a nice house, and then took his aunt and some of her children to live with him. Uncle Charles. The Sliders THE SLIDERS. Come Clara and Jane, Frank and Tom, come along; We'll watch the boys sliding, and listen their song: You'll hear it ring out like the notes of a horn, In the clear, frosty air of this cold winter's morn. THE SONG. Oh! how pleasant it is when the snow's on the ground, And the icicles hang on the eaves all around, O'er the white winter-carpet our way to pursue, With our schoolmates and friends ever hearty and true! When we come to the place of the jolly long slide, With a run and a jump o'er the ice we will glide: Look out for the engine! keep off of the rail! Don't you hear the steam-whistle? make way for the mail! We laugh at cold weather; we laugh at mishaps; We will slide till we're warm from our shoes to our caps; And the quick bounding blood as it mantles and glows Shall paint all our cheeks like the fresh, ruddy rose. So we'll keep the pot boiling; now up the long slide, And then down on the other that runs by its side,— There's nothing like tiring, there's nothing like rest,— Till the broad yellow sun is far down in the west. George Bennett. [74] [75] ELLEN'S CURE FOR SADNESS. Our little Ellen is never in a good temper when she comes down late to breakfast, and finds the things cleared away. First she complains that her bowl of bread and milk is too hot; and then, when Aunt Alice pours in some water to cool it, Ellen says, "It is now too cold." I think the fault is in herself. She is five years old,—quite old enough to know that she ought to get up when the first bell rings, and come down to breakfast. She knows she is in fault. She has missed papa's kiss, for he had to leave home early on business; and this adds to her grief. But, after she had eaten her bread and milk on the day I am speaking of, she asked Aunt Alice what she should do to cure herself of her "sadness." "I think that the best plan, in such cases, is to try to do some good to somebody," said Aunt Alice. "The best way to cheer yourself is to cheer another." Talking to Aunt Alice This made Ellen thoughtful; and she stood at the window, looking out on the street, long after Aunt Alice had left the room. It was a cold, cloudy day, and there were flakes of snow in the air. Ellen stood watching a poor woman at the corner, who was trying to sell shoe-strings; but nobody stopped to buy of her. "That poor woman looks sad and discouraged," said Ellen to herself: "she must be almost as sad as I am. How can I comfort her? Why, by buying some of her shoestrings, of course." Ellen had some money of her own put away in a box. She ran and got it, then, putting on her bonnet, went out and bought a whole bunch of shoestrings. Then, with her aunt's consent, she asked the poor woman to come in and get some luncheon. The poor woman gladly accepted the invitation; and Ellen soon had her seated by a nice fire in the kitchen, chatting and laughing with the maids as merrily as if she had no care in the world. "Have I made you happy?" asked Ellen. "That you have, you darling," said the poor woman, with a tear in her eye. "And so you have made me happy," replied Ellen. Yes, she had found that Aunt Alice was in the right. "The best way to cheer yourself is to cheer another." Emily Carter. [76] [77] Kitty considering the chickens Kitty runing from the chicken Kitty catching a butteryfly Fishing Mr. Prim sat on the bank from twelve o'clock till four: He caught one fish—he caught a cold—and then—caught nothing more. KITTY AND THE BEE. THERE WERE NO MICE FOR KITTY, AND WHAT COULD SHE DO? SHE COULD NOT SIT STILL. SHE SAW THE LITTLE SOFT WHITE CHICKENS RUNNING ABOUT IN THE GRASS, AND she thought she would try to catch one. SO SHE CROUCHED DOWN, AND, WITHOUT making a bit of noise, was getting ready for a spring. BUT THE CHICKENS HAD A DEAR MOTHER WHO LOVED THEM. WHEN SHE SAW KITTY CREEPING ALONG, SHE KNEW THAT THEY WERE IN DANGER: SO SHE FLEW AT KITTY, AND MADE A DREADFUL NOISE THAT SCARED HER away. THEN KITTY SAW A GREAT BUTTERFLY FLYING ALONG IN THE AIR. BY AND BY IT FLEW DOWN UPON A FLOWER. KITTY SPRANG and caught it in her mouth. THEN SHE SAW A PRETTY BIRD ON A [78] [79] Kitty watching the bird Kitty catching the bee BUSH, SINGING AS HARD AS HE COULD SING. KITTY CREPT ALONG UNDER THE BUSH, LIKE A SLY LITTLE ROGUE. BUT THE BIRD SAW HER coming, and flew away. ONE DAY A BEE WAS COMING HOME WITH HONEY. KITTY SAW THE BEE, AND CAUGHT IT IN HER MOUTH. I THINK SHE WILL NOT TRY TO CATCH ANY MORE BEES. Can you guess why? W. O. C. MINDING BABY. Nurse. Rock the cradle Just a minute; Rock it gently, Baby's in it. If he's sleeping, Do not wake him; If he rouses, Nurse will take him. Sing him now Some little ditty, Sweet and bird-like, Low and pretty. He will hear it In his slumbers, And will feel Its soothing numbers. Sound and sounder He'll be sleeping In the angels' Holy keeping; For they always, Darling Carrie, Near to infants Watch and tarry. Carrie. Baby, baby, Stop your play now, And to sleep-land Go away now. As the bee's rocked In the lily, I will rock you, Little Willy. [80] As the May-bough Rocks the nest-bird, I will rock you, Mother's best bird. Boys, at play there, Hush your clatter! Don't wake baby With your chatter! In the garden Do not play now: Go and frolic On the hay-mow. I am minding Baby-brother; For, you see, I'm Little mother. George Bennet. MINDING BABY. MINDING BABY. [81] [82] Mischief and the clock LITTLE MISCHIEF. VIII. Bessie went into the parlor one day, and noticed that the clock did not tick. "I must wind it up," thought she. "It must be very easy, for you only have to turn the key round and round." So Bessie began to turn the key. At first it would not move; but then she tried it the other way, and it went round and round quite easily. She was determined to do it thoroughly while she was about it: so she went on winding and winding, and was charmed to hear it begin to tick. But all at once it made a noise,—burr-r-r-r,—and then it stopped ticking. No sound IX. The hands, too, that had been going so fast, stood still. What could be the reason of it? Had it really stopped? Bessie put her ear quite near, and listened. Yes, there was not a sound. She began to feel frightened, and to think that perhaps, after all, she had better have left it alone. Her mother came into the room and said, "What are you doing, Bessie? You must have broken the mainspring of the clock." "I saw it was not going, mamma, and so I wound it up," sobbed out Bessie: "I did not mean to break it." That was all she could say. [83] [84] Benny DEEDS, NOT WORDS. Benny says he'll be a soldier: He will march to fife and drum, With a musket on his shoulder; Never stouter heart nor bolder, Where the shots the thickest come. (Yet I've seen the speckled hen Put to rout brave Captain Ben!) Willie longs to be sailor: He will cross the farthest seas; 'Mid the terror and commotion Of the dark, tempestuous ocean, He will pace his deck at ease. (Storms are certain when we scrub Willie in his bathing-tub.) Nellie hears with awe and wonder Of the perils they will seek; Weeps at thought of cruel slaughter; Prays for seamen on the water; Blushes for her courage weak: (Yet the best thing, Nellie dear, Is to do the duty near.) A. D. W. HOW THE WIND FILLS THE SAILS. "What makes the vessel move on the river?" asked little Anna one day of her brother Harry. "Why," said Harry, "it's the wind, of course, that fills the sails, and that pushes the vessel on. Come out on the bank, and I will show you how it is done." So Anna, Harry, and Bravo, all ran out on the lawn. Bravo was a dog; but he was always curious to see what was going on. When they were on the lawn, Harry took out his handkerchief, and told Anna to hold it by two of the corners while he held the other two. As soon as they had done this, the wind made it swell out, and look just like a sail. "Now you see how the wind fills the sails," said Harry. [85] [86] Holding the handkerchief "Yes; but how does it make the ship go?" asked Anna. "Well, now let go of the handkerchief, and see what becomes of it," said Harry. So they both let go of it; and off the wind bore it up among the bushes by the side of the house. In order to explain the matter still further to his sister, Harry made a little flat boat out of a shingle, and put in it a mast, and on the mast a paper sail. Then they went down to the river and launched it; and, much to Anna's delight, the wind bore it far out towards the middle of the stream. Bravo swam out, took it in his mouth, and brought it back; and Anna was at last quite satisfied that she knew how it is that the wind makes the vessel go on the river. Dora Burnside. Molly and Dolly MOLLY TO HER DOLLY. Well, dolly, here I am again, Just home from school, you see: Let's come down to our cubby-house Beneath the willow-tree. There, dolly, now we're snug and safe, [87] Away from horrid boys; Oh! don't we hate their teasing tricks, Their rudeness and their noise! Come, let me press your little cheek, So rosy and so cool; And I will tell you all about The times I had at school. I said my tables pretty well, But missed on five times seven: In spelling I went to the head (The word, dear, was e-lev-en). At recess, Nelly Fay and I A splendid "teter" made: O dolly! we went up so high, You would have been afraid. And Nelly promised she would come And spend this afternoon: So, dolly, I must change your dress, For she will be here soon. She'll bring with her her stylish doll, (Miss Maud May Rosalie) Who wears real ear-rings and a watch (As vain as she can be)! Ah, dolly! by her Paris dress Yours will look plain, I fear; But you have twice as sweet a face, My ownty darling dear! Mouse in a bottle IDA'S MOUSE. One morning when Ida went to the closet for the birdseed to feed her canary, she found a wee brown mouse in the bottom of the bottle where the seed was kept. Instead of screaming and running away, Ida clapped her fat little hand over the mouth of the bottle, and mousie was a prisoner. [88]