Project Gutenberg's The Little Colonel in Arizona, by Annie Fellows Johnston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Little Colonel in Arizona Author: Annie Fellows Johnston Illustrator: Etheldred B. Barry Release Date: May 2, 2012 [EBook #39599] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE LITTLE COLONEL IN ARIZONA *** Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE DUCK HUNT (See page 168) The Little Colonel in Arizona By ANNIE FELLOWS JOHNSTON Author of "The Little Colonel Series," "Big Brother," "Ole Mammy's Torment," "Joel: A Boy of Galilee," "Asa Holmes," etc. Illustrated by ETHELDRED B. BARRY Emblem BOSTON * L. C. PAGE & COMPANY * PUBLISHERS Copyright, 1904 By L. C. Page & Company (INCORPORATED) ———— All rights reserved Published September, 1904 Ninth Impression, March, 1908 CONTENTS CHAPTER PAGE I. Mary Tells All She Knows 1 II. A Robinson Crusoe of the Desert 19 III. A Day at School 38 IV. Ware's Wigwam 56 V. What a Letter Brought About 78 VI. Wash-Day and Washington 94 VII. A Surprise 116 VIII. In the Desert of Waiting 137 IX. Lloyd's Duck Hunt 162 X. The School of the Bees 179 XI. The New Boarder at Lee's Ranch 193 XII. Phil Has a Finger in the Pie 212 XIII. A Change of Fortune 231 XIV. The Lost Turquoises 253 XV. Lost on the Desert 272 XVI. Back to Dixie 293 LIST OF ILLUSTRATIONS PAGE The Duck Hunt (See page 168) Frontispiece "She Proceeded with a joyful heart to paint the African lion" 51 "'We allee samee lak Chinamen,' he said" 94 "'I thought we'd nevah, nevah get heah!'" 128 "Enjoying every moment of the sunny afternoon" 162 "She leaned over to offer him the little basket" 209 "He was holding out both forefingers" 244 "Clattering down the road as fast as his feet could carry him" 279 THE LITTLE COLONEL IN ARIZONA CHAPTER I. MARY TELLS ALL SHE KNOWS "Joyce," said Jack Ware, stopping beside his sister's seat in the long, Western-bound train, "I wish you'd go back into the observation-car, and make Mary stop talking. She's telling all she knows to a couple of strangers." "Why don't you do it?" asked Joyce, looking up from her magazine with a teasing smile. "That dignified scowl of yours ought to frighten anything into silence." "I did try it," confessed Jack. "I frowned and shook my head at her as I passed, but all the good it did was to start her to talking about me. 'That's my brother Jack,' I heard her say, and her voice went through the car like a fine-pointed needle. 'Isn't he big for fourteen? He's been wearing long trousers for nearly a year.' They both turned to look at me, and everybody smiled, and I was so embarrassed that I fell all over myself getting out of sight. And it was a girl she said it to," he continued, wrathfully. "A real pretty girl, about my age. The fellow with her is her brother, I reckon. They look enough alike. He's a cadet from some military school. You can tell by his uniform. They laugh at everything that Mary says, and that makes her go on all the worse. So if you don't want them to know all our family history, past, present, and to come, you'd better go back and shut up that chatterbox. You know what Mary's like when she gets started." "Yes, I know," sighed Joyce, "but I don't dare move now. Norman has just fallen asleep, and he's been so restless all day that I don't want him to waken until mamma has had her nap." She glanced down at the little six-year-old brother stretched out on the seat beside her with his head in her lap, and then across the aisle at her mother, lying with her white face hidden among the shawls and pillows. "If I send for Mary to come back here, she'll flop around until she wakes them both. Can't you get her out on to the rear platform for awhile? I should think she would enjoy riding out there on one of those little camp-stools. Slip one of those oranges into your pocket, and whisper to her to follow you out and guess what you have for her." "Well, I'll try," said Jack, dubiously, "but I'm almost sure she won't budge. It isn't every day she gets an audience like that. It flatters her to have them laugh at everything she says, and as sure as I stop and speak to her she'll say something that I don't want to hear." "Oh, never mind, then," said Joyce. "They are strangers, and probably we'll never see them again, so it won't make [1] [2] [3] any difference. Sit down here and forget about them. You can have this magazine in a minute, just as soon as I finish reading this half-page." But Jack did mind. He could not forget the amused glances that the pretty girl had exchanged with her big brother, and after standing irresolutely in the aisle a moment, he strolled back to the observation-car. Slipping into a wicker chair near the door, he sat waiting for Mary to look in his direction, so that he could beckon her to come to him. Half the passengers had gone to sleep and forgotten that they were being whirled across the great American Desert as fast as the limited express-train could carry them. Some were reading, and some gazing out of the windows at the monotonous wastes of sand. The only ones who really seemed to be enjoying the journey were his small sister and her audience of two. She sat on a footstool in the aisle, just in front of them, a box of candy in her lap, and a look of supreme satisfaction on her face. Two little braids of blond hair, tied with big bows of blue ribbon, bobbed over her shoulders as she talked. Jack was too far away to hear what she said, but his scowl deepened whenever the girl exchanged amused glances with her brother. "This candy is almost as good as the fudge we used to make at home every Saturday afternoon," said Mary, putting a chocolate-covered marshmallow in her mouth, and gravely running her tongue around her lips. "But we'll never again make any more fudge in that house." "Why not, dear?" asked the girl, with encouraging interest. This child was the most diverting thing she had found on the long journey. "Oh, everything has come to an end now. Joyce says you can never go back when you've burned your bridges behind you. It was certainly burning our bridges when we sold the little brown house, for of course we could never go back with strangers living in it. It was almost like a funeral when we started to the train, and looked back for the last time. I cried, because there was the Christmas-tree standing on the porch, with the strings of popcorn and cranberries on it. We put it out for the birds, you know, when we were done with it. When I saw how lonesome it looked, standing out in the snow, and remembered that it was the last Christmas-tree we'd ever have there, and that we didn't have a home any more, why I guess anybody would have cried." "Why did you sell the little home if you loved it so?" asked the girl. It was not from any desire to pry into a stranger's affairs that she asked, but merely to keep the child talking. "Oh, mamma was so ill. She had pneumonia, and there are so many blizzards in Kansas, you know, that the doctor said she'd never get rid of her cough if she stayed in Plainsville, and that maybe if we didn't go to a warm place she wouldn't live till spring. So Mr. Link bought the house the very next day, so that we could have enough money to go. He's a lawyer. It used to be Link and Ware on the office door before papa died. He's always been good to us because he was papa's partner, and he gave Jack a perfectly grand gun when he found we were coming out among the Indians. "Then the neighbours came in and helped us pack, and we left in a hurry. To-morrow we'll be to the place where we are going, and we'll begin to live in tents on New Year's Day. You'd never think this was the last day of the old year, would you, it's so warm. I 'spose we'll be mixed up all the time now about the calendar, coming to such a different climate." There was a pause while another marshmallow disappeared, then she prattled on again. "It's to Lee's Ranch we are going, out in Arizona. It's a sort of boarding-camp for sick people. Mrs. Lee keeps it. She's our minister's sister, and he wrote to her, and she's going to take us cheaper than she does most people, because there's so many of us. Joyce and Jack and Holland and Norman and mamma and me makes an even half-dozen. But we're going to keep house as soon as our things come and we can get a place, and then I'll be glad that Jack has his gun. He can't shoot very well yet, unless it's at something big like a stable door, but you always feel safer, when there's Indians around, if you've got something to bang at them." Here she lowered her voice confidentially. "Holland scared Norman and me most to death one night. We were sitting on the rug in front of the fire, before the lamp was lighted, saying what would we do s'posen an Indian should come to the camp sometime, and try to scalp us, and just when we were so scared we didn't dare look around behind us, he rolled out from under the bed where he'd been hiding, and grabbed us by the hair, with the awfullest whoop, that made us feel as if we'd been dipped in ice-water. Why, we didn't stop yelling for half an hour. Norman had the nightmare that night. We never did find out how Joyce punished Holland, but what she did to him was plenty, for he hasn't scared us since, not yet, though you never know when he's going to. "Joyce isn't afraid of anything on earth. You ought to hear about the way she played ghost once, when she was in France. And she just talked right up to the old monsieur who owned the Gate of the Giant Scissors, and told him what she thought of him." "How old is this Joyce?" asked the tall young fellow whom his sister called Phil. "She sounds interesting, don't you think, Elsie?" he said, leaning over to help himself to a handful of candy. Elsie nodded with a smile, and Mary hastened to give the desired information. "Oh, she's fifteen, going on sixteen, and she is interesting. She can paint the loveliest pictures you ever saw. She was going to be an artist until all this happened, and she had to leave school. Nobody but me knows how bad it made her feel to do that. I found her crying [4] [5] [6] [7] [8] in the stable-loft when I went up to say good-bye to the black kitten, and she made me cross my heart and body I'd never tell, so mamma thinks that she doesn't mind it at all. "Things have gone wrong at our house ever since I had the mumps," she began again, when she had slowly crunched two burnt almonds. "Holland sprained his wrist and mamma nearly died with pneumonia and Norman upset the clothes- horse on the stove and burnt up a whole week's ironing. And after that Jack had both ears frosted in a blizzard, and Bob, our darling little fox-terrier that Joyce brought from Kentucky, was poisoned." "That was a list of misfortunes," exclaimed Phil, sympathetically, "enough to discourage anybody." "Oh, at our house we never get discouraged to stay," answered Mary. "Of course we feel that way at first, but Joyce always says 'Remember the Vicar,' and then we stiffen." "The vicar," echoed Phil, much puzzled. "Yes, the Vicar of Wakefield, you know. Don't you remember what bad luck they all had, about the green spectacles and everything, and he said, 'Let us be inflexible, and fortune will at last change in our favour!'" "Was there ever anything funnier!" exclaimed Phil, in an aside, as this bit of wisdom was rolled out with such a dramatic toss of the head, that the big blue bows on the little blond braids bobbed wildly. "The idea of a child like that reading the 'Vicar of Wakefield.'" "Oh, I didn't read him myself," answered Mary, eager to be entirely truthful. "Joyce read it aloud to all the family last winter, and since then we've all tried to do as the Vicar did, be inflexible when troubles come. Even Norman knows that if you'll swallow your sobs and stiffen when you bump your head, or anything, that it doesn't hurt half so bad as when you just let loose and howl." Jack started to his feet when he heard the laugh that followed, sure that Mary was saying something that ought to be left unsaid. He reached her just in time to hear her remark, "We're going to eat in the dining-car to-night. Our lunch has all given out, and I'm glad of it, for I never did eat in a dining-car, and I've always wanted to. We're going to have ice- cream, if it doesn't cost too much." Jack's face was crimson as he bent down and whispered in Mary's ear, and it grew several shades redder as she calmly answered aloud, "No, I don't want to go out on the platform. It's blowing so hard, I'll get my eyes full of sand." He bent again to whisper, this time savagely, and then turned back toward the other car, not waiting for her answer. But it followed him shrilly in an indignant tone: "It's no such a thing, Jack Ware! I'm not telling all I know." A few minutes later a freckle-faced boy of twelve appeared in the door, looking up and down the car with keen gray eyes. The moment his glance fell on Mary, he started down the aisle toward her with such an air of determination that she started up in dismay. "Oh, dear!" she exclaimed. "There's Holland beckoning for me. Now I've got to go." "Why should you go for him rather than Jack?" asked Phil. "He isn't nearly so big." "You don't know Holland," said Mary, taking a step forward. "He doesn't mind making a scene anywhere we happen to be. If he was told to bring me, he'd do it, if he had to drag me down the aisle by my hair. Good-bye. I've had a mighty nice time, and I'm much obliged for the candy." The Ware family were already seated in the dining-room when Phil and Elsie went in to dinner a little later. Mary, over her soup, was giving an enthusiastic account of her new acquaintances. "They're going to their grandfather's in California," she said. "It's the most beautiful place you ever heard of, with goldfish in the fountain, and Gold of Ophir roses in the garden, and Dago, their old pet monkey, is there. They had to send him away from home because he got into so much mischief. And Miss Elsie Tremont, that's her name, is all in black because her Great-Aunt Patricia is dead. Her Aunt Patricia kept house for them, but now they live at their grandfather's. Mr. Phil is only seventeen, but he's six feet tall, and looks so old that I thought maybe he was thirty." "Gracious, Mary, how did you find out so much?" asked Joyce, with a warning shake of the head at Norman, who was crumbling his bread into his soup. "Oh, I asked him if he was married, and he laughed, and said he was only seventeen, just a schoolboy, a cadet in a military academy out in California. There they are now!" she added, excitedly, as the waiter pulled out two chairs at the little table across the aisle. Both the newcomers smiled at Mary, who beamed broadly in response. Then they gave a quick side-glance at the rest of the family. "What a sweet-looking woman the little mother is," said Elsie, in a low tone, "and Joyce is interesting, but I wouldn't say she is exactly pretty, would you?" "Um, I don't know," answered Phil, after another politely careless glance in her direction. "She has a face you like to keep looking at. It's so bright and pleasant, and her eyes are lovely. She'd be jolly good company, I imagine, a sort of a surprise-party, always doing and saying unusual things." [9] [10] [11] [12] In the same casual way, Joyce was taking note of them. She felt strongly drawn toward the pretty girl in black, and wished that they were going to the same place, so that she might make her acquaintance. Once when they were all laughing at something Norman said, she looked up and caught her eye, and they both smiled. Then Phil looked across with such an understanding gleam of humour in his eyes that she almost smiled at him, but checked herself, and looked down in her plate, remembering that the handsome cadet was a stranger. The train stopped at a junction just as Mary finished her ice-cream, which she had been eating as slowly as possible, in order to prolong the pleasure. Finding that there would be a wait of nearly half an hour, Joyce persuaded her mother to go back to the rear platform of the observation-car, and sit out awhile, in the fresh air. Although the sun was down, it was so warm that Mrs. Ware scarcely needed the shawl Joyce drew around her shoulders. "I can't believe that this is the last day of December," she said to Mary, as Joyce hurried into the station to make some inquiry of the ticket-agent. "The last day of the old year," she added. "These electric-lights and the band playing over there in the park, and all the passengers promenading up and down in front of the station, bareheaded, make it seem like a summer resort." Mary peered after the promenading passengers wistfully. The boys had disappeared to watch the engine take water, and there was no one for her to walk with. Just then, Phil and Elsie Tremont, sauntering along, caught sight of her wistful little face. "Don't you want to come too?" asked Elsie, pausing. "You'll sleep better for a little exercise." "Oh, yes!" was the delighted reply. "May I, mamma? It's Miss Elsie Tremont, that I told you about, that ran away with a monkey and a music-box when she was a little bit of a girl." "I'm afraid that with such an introduction you'll think I'm not a proper person to trust your daughter with, Mrs. Ware," said Elsie, laughing, "but I assure you I'll never run away again. That experience quite cured me." "Probably Mary has given you just as alarming an impression of us," answered Mrs. Ware. "She has never learned to regard any one as a stranger, and all the world is her friend to confide in." "Wouldn't you like to walk a little while, too?" asked Elsie, stirred by some faint memory of a delicate white face like this one, that years ago used to smile out at her from a hammock in the Gold of Ophir rose garden. She was only five years old the last time she saw her mother, but the dim memory was a very sweet one. "Yes, come! It will do you good," urged Phil, cordially, influenced partly by the same memory, and partly by the thought that here was a chance to make the acquaintance of Joyce as well. According to her little sister she was an unusually interesting girl, and the glimpse he had had of her himself confirmed that opinion. So it happened to Joyce's great astonishment, as she hurried back to the train, she met her mother walking slowly along beside Elsie. Phil, with Mary chattering to him like an amusing little magpie, was just behind them. Almost before she knew how it came about, she was walking with them, listening first to Elsie, then to Phil, as they told of the boarding-school she was going back to in California, and the Military Academy in which he was a cadet. They had been back home to spend the Christmas vacation with their father, whom they did not expect to see again for a long time. He was a physician, and now on his way to Berlin, where he expected to spend a year or two in scientific research. At the warning call of all aboard, they hurried back to the car just as the boys came scrambling up the steps. Acquaintances grow almost as rapidly on these long overland journeys across the continent as they do on shipboard. The girls regretted the fact that they had not found each other earlier, but Jack and Phil soon made up for lost time. Phil, who had hunted wild goats among the rocks of Catalina Island, and Jack, who expected unlimited shooting of quail and ducks at Lee's Ranch, were not long in exchanging invitations for future hunting together, if either should happen to stray into the other's vicinity. "I feel as if I had known you always," said Elsie to Joyce, as they separated, regretfully, at bedtime, wondering if they ever would meet again. "I wish you were going to the boarding-school with me." "I wish you were going to stop in Arizona," answered Joyce. "Maybe you can come out to the ranch sometime, when you are on your way back East." "I think that we ought to all sit up together to see the old year out and the new year in," protested Mary, indignant at being hurried off to bed at half-past seven. "You'll see the change all right," remarked Jack, "and you'll have a chance to make a night of it. We have to get off at Maricopa a little after midnight, and there's no telling when that train for Ph[oe]nix will come along. They say it's always behind time." Late that night, Elsie, wakened by the stopping of the train, looked at her watch. The new year had just dawned. A brakeman went through the car with a lantern. There were strange voices outside, a confusion of calls, and the curtains of her berth swayed and shook as a number of people hurried down the aisle, laden with baggage. Somebody tripped over a pair of shoes, left too far out in the aisle, and somebody muttered a complaint about always being wakened at [13] [14] [15] [16] [17] Maricopa by people who had no more consideration for the travelling public than to make their changes in the dead of night. "Maricopa," she thought, starting up on her elbow. "That is where the Wares are to get off." Raising the window- shade, she peered out into the night. Yes, there they were, just going into the station. Jack and Holland weighted down with baggage, Joyce helping the sweet-faced little mother with one hand, and dragging the drowsy Norman after her with the other, Mary sleepily bringing up the rear with her hat tipped over one eye, and her shoe-strings tripping her at every step. "Bless her little soul, she's the funniest, fattest little chatterbox of a girl I ever saw," thought Elsie, as she watched her stumble into the station. "Good-bye, little vicar," she whispered, waving her hand. "May you always keep inflexible. I wonder if I'll ever see any of them again. I wish I were in a big family like that. They do have such good times together." As the train pulled slowly out and went thundering on into the darkness, she tried to go to sleep again, but for a long time, whenever she closed her eyes, she saw the little house in Kansas that Mary had described so vividly. There it stood, empty and deserted in the snow, with the pathetic little Christmas-tree, left for the birds. And far away, the family who loved it so dearly were facing blithely and bravely the untried New Year, in which they were to make for themselves another home, somewhere out on the lonely desert. "Oh, I do hope they'll keep 'inflexible,'" was Elsie's last waking thought. "I do hope they'll have a happy New Year." CHAPTER II. A ROBINSON CRUSOE OF THE DESERT Joyce stood in the door of the little adobe house, and looked out across the desert with tears in her eyes. If this was to be their home through all the dreary years that stretched ahead of them, it hardly seemed worth while to go on living. Jack, in the bare unfurnished room behind her, was noisily wielding a hatchet, opening the boxes and barrels of household goods which had followed them by freight. He did not know which one held his gun, but he was determined to find it before the sun went down. For nearly three weeks they had been at Lee's Ranch, half a mile farther down the road, waiting for the goods to come, and to find a place where they could set up a home of their own. Boarding for a family of six was far too expensive to be afforded long. Now the boxes had arrived, and they had found a place, the only one for rent anywhere near the ranch. Joyce felt sick at heart as she looked around her. "Here it is at last," called Jack, triumphantly, dropping the hatchet and throwing pillows and bedding out of the box in reckless haste to reach his most cherished possession, the fine hammerless shotgun which Mr. Link had given him Christmas. He had intended to carry it with him on the journey, in its carved leather case, but in the confusion of the hurried packing, some well-meaning neighbour had nailed it up in one of the boxes while he was absent, and there had been no time to rescue it. He had worried about it ever since. "Oh, you beauty!" he exclaimed, rubbing his hand along the polished stock as he drew it from the case. Sitting on the floor tailor-fashion, he began whistling cheerfully as he fitted the parts together. "Joyce," he called, peering down the barrels to see if any speck of rust had gathered in them, "do you suppose we brought any machine-oil with us? I'll uncrate the sewing-machine if you think that the can is likely to be in one of the drawers." "I don't know," answered Joyce, in such a hopeless tone that Jack lowered his gun-barrels and stared at her in astonishment. Her back was toward him, but her voice certainly sounded choked with tears. It was so unusual for Joyce to cry that he felt that something very serious must be the cause. "What's the matter, sister?" he inquired. "You aren't sick, are you?" "Yes!" she exclaimed, with a sob, turning and throwing herself down on the pile of pillows he had just unpacked. "I'm sick of everything in this awful country! I'm sick of the desert, and of seeing nothing but invalids and sand and cactus and jack-rabbits wherever I go. And I'm sick of the prospect of living in this little hole of a mud-house, and working like a squaw, and never doing anything or being anything worth while. If I thought I had to go on all my life this way, I'd want to die right now!" Jack viewed her uneasily. "Goodness, Joyce! I never knew you to go all to pieces this way before. You've always been the one to preach to us when things went wrong, that if we'd be inflexible that fortune would at last change in our favour." "Inflexible fiddlesticks!" stormed Joyce from the depths of a bolster, where she had hidden her face, "I've been holding out against fate so long that I can't do it any more, and I'm going to give up, right here and now!" [18] [19] [20] [21] [22] "Then I don't know what will become of the rest of us," answered Jack, raising his empty gun to aim at a butcher- bird in the fig-tree outside the door. "It's you that has always kept things cheerful when we were down in the mouth." Joyce sat up and wiped her eyes. "I think that it must be that old camel-back mountain out there that makes me feel so hopeless. It is so depressing to see it kneeling there in the sand, day after day, like a poor old broken-down beast of burden, unable to move another step. It is just like us. Fate is too much for it." Jack's glance followed hers through the open door. Straight and level, the desert stretched away toward the horizon, where a circle of mountains seemed to rise abruptly from the sands, and shut them in. There was Squaw's Peak on the left, cold and steely blue, and over on the right the bare buttes, like mounds of red ore, and just in front was the mountain they must face every time they looked from the door. Some strange freak of nature had given it the form of a giant camel, five miles long. There it knelt in the sand, with patient outstretched neck, and such an appearance of hopeless resignation to its lot, that Joyce was not the only one who found it depressing. More than one invalid, sent to the surrounding ranches for the life-giving atmosphere of Arizona, had turned his back on it with a shiver of premonition, saying, "It's just like me! Broken-down, and left to die on the desert. Neither of us will ever get away." It made no difference to Jack what shape the mountains took. He could not understand Joyce's sensitiveness to her surroundings. But it made him uncomfortable to see her so despondent. He sat hugging his gun in silence a moment, not knowing how to answer her, and then began idly aiming it first in one direction, then another. Presently his glance happened to rest upon a battered book that had fallen from one of the boxes. He drew it toward him with his foot. It was open at a familiar picture, and on the opposite page was a paragraph which he had read so many times, that he could almost repeat it from memory. "Hello!" he exclaimed. "Here's an old friend who was in as bad a fix as we are, Joyce, and he lived through it." Leaning over, without picking up the book from the floor, he began reading from the page, printed in the large type of a child's picture-book: "'September 30, 1609. I, poor, miserable Robinson Crusoe, being shipwrecked during a dreadful storm in the offing, came on shore this dismal, unfortunate island, which I called the Island of Despair, all the rest of the ship's company being drowned, and myself almost dead. All the rest of the day I spent in afflicting myself at the dismal circumstances I was brought to, viz., I had neither house, clothes, weapons, nor place to fly to, and in despair of any relief saw nothing but death before me, either that I should be devoured by wild beasts, murdered by savages, or starved to death for want of food.'" A long pause followed. Then Joyce sat up, looking teased, and held out her hand for the book. "I don't mind old Crusoe's preaching me a sermon," she said, as she turned the tattered leaves. "Now he's done it, I'll quit 'afflicting myself at the dismal circumstances I was brought to.' I've wished a thousand times, when I was smaller, that I could have been in his place, and had all his interesting adventures. And to think, here we are at last, in almost as bad a plight as he was. Only we have a weapon," she added, with a mischievous glance at the gun Jack was holding. "And that means food, too," he answered, proudly, "for I expect to kill many a quail and duck with this." "Oh, we're better off than Crusoe in a thousand ways, I suppose, if we'd only stop to count our blessings," she answered, now ready to take a more cheerful view of life since she had had her little outburst of rebellion. "He didn't have a Chinaman driving by with fresh vegetables twice a week, as we will have, and we have clothes, and a house, such as it is, and a place to fly to, for Lee's Ranch will always be open to us if we need a refuge." "So we can start at the place where Crusoe was when he really began to enjoy his Island of Despair," said Jack. "Shall I go on unpacking these things? I stopped when you announced that you were going to give up and die, for I thought there wouldn't be any use trying to do anything, with you in the dumps like that." Joyce looked around the dingy room. "It's not worth while to unpack till the place has been scrubbed from top to bottom. If we're going to make a home of it, we'll have to begin right. The landlord won't do anything, and we could hardly expect him to, considering the small amount of rent we pay, but I don't see how we can live in it without fresh paper and paint." "I wish we'd find a ship cast up on the sands of the desert to-morrow," said Jack, "that would have all sorts of supplies and tools in it. The shipwrecks helped old Robinson out amazingly. I'd make a bookcase if we did, and put up shelves and all sorts of things. This would be a fine place to show what I learned in the manual training-school. We need benches and rustic seats out under those umbrella-trees." "We'll have to buy some tools," said Joyce. "Let's make out a list of things we need, and go to town early in the morning. Mrs. Lee said we could borrow Bogus and the surrey to-morrow." "All right," assented Jack, ready for anything that promised change. "And Jack!" she exclaimed, after a long slow survey of the room, "let's paint and paper this place ourselves! I'm sure we can do it. There's a tape measure in one of the machine drawers. Suppose you get it out and measure the room, so we'll know how much paper to buy." [23] [24] [25] [26] Joyce was her old brave, cheery self again now, giving orders like a major-general, and throwing herself into the work at hand with contagious enthusiasm. With the stub of a pencil Jack found in his pocket, she began making a memorandum on the fly-leaf of Robinson Crusoe. "Paint, turpentine, brushes, screws, nails, saw, mop, broom, scrubbing-brush, soap," she wrote rapidly. "And a hatchet," added Jack. "This one belongs to the Mexican at the ranch. And, oh, yes, an axe. He says that Holland and I can get all the wood we need right here on the desert, without its costing us a cent, if we're willing to chop it; mesquite roots, you know, and greasewood." "It's fortunate we can get something without paying for it," commented Joyce, as she added an axe to the list. Then she sat studying the possibilities of the room, while Jack knocked the crate from the machine, found the tape measure, and did a sum in arithmetic to find the amount of paper it would take to cover the walls. "I can see just how it is going to look when we are all through," she said, presently. "When this old dark woodwork is painted white, and these dismal walls are covered with fresh light paper, and there are clean, airy curtains at the windows, it won't seem like the same place. Mamma mustn't see it till it is all in order." Exhausted by the journey, Mrs. Ware had been too weak to worry over their future, or even to wonder what would become of them, and had handed over the little bank-book to Joyce. "Make it go just as far as it will, dear," she said. "You are too young to have such a load laid on your shoulders, but I see no other way now." Joyce had taken up the burden of responsibility so bravely that no one but Jack knew of her moments of discouragement, and he was forgetting her recent tears in her present enthusiasm. "Oh, I wish it was to-morrow," she exclaimed, "and we had all our supplies bought so that we could begin." "So do I," answered Jack. "But it's nearly sundown now, and the supper-bell will be ringing before we get back to the ranch, if we don't start soon." "Well, lock the doors, and we'll go," said Joyce, beginning to pin on her hat. "Oh, what's the use of being so particular! Mrs. Lee says everybody is honest out in this country. They never turn a key on the ranch, and they've never had anything taken either by Mexicans or Indians in all the years they've lived here. It isn't half as wild as I hoped it would be. I wish I could have been a pioneer, and had some of the exciting times they had." Nevertheless, Jack barred the back door and locked the front one, before following Joyce across the yard, and over the little bridge spanning the irrigating canal, into the public road. They stood there a moment, looking back at the house, just one big square adobe room, with a shed-kitchen in the rear. Around three sides of it ran a rough sort of porch or shack, built of cottonwood posts, supporting a thatch of bamboo-stalks and palm-leaves. While it would afford a fine shelter from the sun in the tropical summer awaiting them, it was a homely, primitive-looking affair, almost as rough in its appearance as if Robinson Crusoe himself had built it. "It's hopeless, isn't it!" said Joyce, with a despairing shake of the head. "No matter how homelike we may make it inside, it will always be the picture of desolation outside." "Not when the leaves come out on that row of umbrella-trees," answered Jack. "Mrs. Lee says they will be so green and bushy that they will almost hide the house, and the blossoms on them in the spring are as purple and sweet as lilacs. Then this row of fig-trees along the road, and the clump of cottonwoods back of the house, and those two big pepper- trees by the gate will make it cool and shady here, no matter how scorching hot the desert may be. We'll have to give them lots of water. Oh, that reminds me, I'll have to have a pair of rubber boots, if I am to do the irrigating. The water will be in again day after to-morrow." Joyce groaned as she opened the book she was carrying, and added boots to the long list on the fly-leaf. "What a lot it's going to take to get us started. Crusoe certainly had reason to be thankful for the shipwrecked stores he found." "But it'll cost less to get the boots than to hire a Mexican every eight days to do the irrigating," said Jack. Following the road beside the canal, they walked along in the last rays of the sunset, toward the ranch. Birds twittered now and then in the fig-trees on their right, or a string of cows went lowing homeward through the green alfalfa pastures, to the milking. The road and canal seemed to run between two worlds, for on the left it was all a dreary desert, the barren sands stretching away toward the red buttes and old Camelback Mountain, as wild and cheerless as when the Indians held possession. Some day it too would "rejoice and blossom like the rose," but not until a network of waterways dug across it brought it new life. Once as they walked along, a jack-rabbit crossed their path and went bounding away in a fright. A covey of quail rose with a loud whirr of wings from a clump of bushes beside the road, but they met no human being until Holland and Mary, just from school, came racing out from the ranch to meet them with eager questions about the new home. Chris, the Mexican, had made the round of the tents, building a little fire of mesquite wood in each tiny drum stove, for in February the air of the desert grows icy as soon as the sun disappears. Mrs. Ware was sitting in a rocking-chair between the stove and table, on which stood a lamp with a yellow shade, sending a cheerful glow all over the tent. [27] [28] [29] [30] [31] Joyce took the remaining chair, Jack sat on the wood-box, and Mary, Norman and Holland piled upon the bed, to take part in the family conclave. The canvas curtain had been dropped over the screen-door, and the bright Indian rugs on the floor gave a touch of warmth and cosiness to the tent that made it seem wonderfully bright and homelike. "I don't see," said Mary, when she had listened to a description of the place, "how we are all going to eat and sleep and live in one room and a kitchen. It takes three tents to hold us all here, besides having the ranch dining-room to eat in. What if Eugenia Forbes should come from the Waldorf-Astoria to visit us, or the Little Colonel, or some of the other girls from Kentucky, that you knew at the house-party, Joyce? Where would they sleep?" "Yes," chimed in Holland, teasingly, "or the Queen of Sheba? Suppose she should come with all her train. It's about as likely. We would have to play 'Pussy wants a corner' all night, Mary, and whoever happened to be 'it' would have to sit up until he happened to find somebody out of his corner." "Goosey!" exclaimed Mary, sticking out her tongue at him and making the worst face she could screw up. "Honestly, what would we do, Joyce?" "We're not going to try to live in just one room," explained Joyce. "The doctor said mamma ought to sleep in a tent, so we'll get a big double one like this, wainscoted up high, with floor and screen-door, just like this. Mamma and you and I can use that, and the boys will have just an ordinary camping-tent, without door or floor. They have been so wild to be pioneers that they will be glad to come as near to it as possible, and that means living without extra comforts and conveniences. In the house one corner of the room will be the library, where we'll put papa's desk, and one corner will be the sewing-room, where we'll have the machine, and one will be a cosy corner, with the big lounge and lots of pillows. If the Queen of Sheba or the Little Colonel should do such an improbable thing as to stray out here, we'll have a place for them." "There goes the supper-bell," cried Norman, scrambling down from the bed in hot haste to beat Mary to the table. Joyce waited to turn down the lamp, close the stove draughts, and bring her mother's shawl, before following them. "How bright the camp looks with a light in every tent," she said, as they stepped out under the stars. "They look like the transparencies in the torchlight processions, that we used to have back in Plainsville." Mrs. Ware's tent was in the front row, so it was only a step to the door of the dining-room in the ranch house. The long table was nearly filled when they took their seats. Gathered around it were people who had drifted there from all parts of the world in search of lost health. A Boston law-student, a Wyoming cowboy, a Canadian minister, a Scotchman from Inverness, and a jolly Irish lad from Belfast were among the number. The most interesting one to Joyce was an old Norwegian who sat opposite her, by the name of Jan Ellestad. Not old in years, for his hair was still untouched by gray, and his dark eyes flashed at times with the spirit of the old vikings, when he told the folk-lore of his fatherland. But he was old in sad experiences, and broken health, and broken hopes. The faint trace of a foreign accent that clung to his speech made everything he said seem interesting to Joyce, and after Mrs. Lee had told her something of his history, she looked upon him as a hero. This was the third winter he had come back to the ranch. He knew he could not live through another year, and he had stopped making plans for himself, but he listened with unfailing cheerfulness to other people's. Now he looked up expectantly as Joyce took her seat. "I can see by your face, Miss Joyce," he said, in his slow, hesitating way, as if groping for the right words, "that you are about to plunge this ranch into another wild excitement. What is it now, please?" "Guess!" said Joyce, glancing around the table. "Everybody can have one guess." During the three weeks that the Wares had been on the ranch they had made many friends among the boarders. Most of them could do little but sit in the sun and wait for the winter to creep by, so they welcomed anything that relieved the monotony of the long idle days. Mary's unexpected remarks gave fresh zest to the conversation. The boys, bubbling over with energy and high spirits, were a constant source of entertainment, and Joyce's enthusiasms were contagious. She was constantly coming in from the desert with some strange discovery to arouse the interest of the listless little company. Now, as her challenge passed around the table, any one hearing her laugh at the amusing replies would not have dreamed that only a few hours before she was sobbing to Jack that she was sick of seeing nothing but invalids and sand and cactus. "We haven't any name for our new home," she announced, "and I'm thinking of having a name contest. Any one can offer an unlimited number, and the best shall receive a prize." "Then I'll win," responded the Scotchman, promptly. "There's nae mair appropriate name for a wee bit lodging-place like that, than Bide-a-wee." "That is pretty," said Joyce, repeating it thoughtfully. "I love the old song by that name, but I'm afraid that it isn't exactly appropriate. You see, we may have to bide there for years and years instead of just a wee." "Give it a Spanish name," said the minister. "Alamo means cottonwood, and you have a group of cottonwoods there. That would be just as good as naming it The Pines, or The Oaks, or The Beeches." [32] [33] [34] [35] [36] "No, call it something Indian," said the cowboy. "Something that means little-mud-house-in-the-desert, yet has a high-sounding swing to the syllables." "Wait till we get through fixing it," interrupted Jack. "It'll look so fine that you won't dare call it little-mud-house-in- the-desert. We're going to paint and paper it ourselves." "Not you two children," exclaimed the Norwegian, in surprise. "With our own lily fingers," answered Joyce. "Then you'll have an interested audience," he answered. "You'll find all of us who are able to walk perching in the fig- trees outside your door every morning, waiting for the performance to begin." "Whoever perches there will have to descend and help, won't they, Jack?" said Joyce, saucily. "Oh, mamma," whispered Mary, "is Mr. Ellestad really going to climb up in the fig-tree and watch them? Please let me stay home from school and help. I know I can't study if I go, for I'll be thinking of all the fun I'm missing." CHAPTER III. A DAY AT SCHOOL. It was with a most unwilling mind and an unhappy heart that Mary began her third week at school. In the first place she could not bear to tear herself away from all that was going on at the new house. She wanted to have a hand in the dear delights of home-making. She wanted to poke the camp-fire, and dabble in the paste, and watch the walls grow fresh and clean as the paper spread over the old patches. The smell of the fresh paint drew her, and gave her a feeling that there were all sorts of delightful possibilities in this region, yet unexplored. In the second place, life in the new school was a grievous burden, because the boys, seeing how easily she was teased, found their chief pleasure in annoying her. She was a trusting little soul, ready to nibble the bait that any trap offered. "Never mind! You'll get used to it after awhile," her mother said, consolingly, each evening when she came home with a list of fresh woes. "You're tired now from that long walk home. Things will seem better after supper." And Joyce would add, "Don't look so doleful, Mother Bunch; just remember the vicar, and keep inflexible. Fortune is bound to change in your favour after awhile." But the third Friday found her as unhappy as the third Monday. There were two rooms in the school building, one containing all the primary classes, the other the grammar grades, where Holland found a place. Mary had one of the back seats in the primary department, and one of the highest hooks in the cloak-room, on which to hang her belongings. But this Friday morning she did not leave her lunch-basket in either place. She and Patty Ritter, the little girl who sat across the aisle from her, had had an indignation-meeting the day before, and agreed to hide their baskets in a hedgerow, so that there could be no possibility of Wig Smith's finding them. Salt on one's jelly cake and pepper in one's apple-pie two days in succession is a little too much to be borne calmly. Wig Smith's fondness for seasoning other people's lunches was only one of his many obnoxious traits. "There," said Mary, scanning the horizon anxiously, to see that no prowling boy was in sight. "Nobody would think of looking behind that prickly cactus for a lunch-basket! We're sure of not going hungry to-day!" With their arms around each other, they strolled back to the schoolhouse, taking a roundabout way, with great cunning, to throw Wig Smith off the track, in case he should be watching. But their precautions were needless this time. Wig had set up a dentist's establishment on the steps of the stile, his stock in trade being a pocket-knife and a hat full of raw turnips. Nothing could have been friendlier than the way he greeted Mary and Patty, insisting that they each needed a set of false teeth. Half a dozen of his friends had already been fitted out, and stood around, grinning, in order to show the big white turnip teeth he had fitted over the set provided by Nature. As the teeth were cut in irregular shapes, wide square-tipped ones alternating with long pointed fangs, and the upper lip had to be drawn tightly to hold them in place, the effect was so comical that they could hardly hold the new sets in position for laughing at each other. In payment for his work, Wig accepted almost anything that his customers had to offer: marbles, when he could get them, pencils, apples, fish-hooks, even a roll of tin-foil, saved from many chewing-gum packages, which was all one girl had to trade. A search through Mary's orderly pencil-box failed to show anything that he wanted of hers, but the neatly prepared home lesson which fluttered out of her arithmetic caught his eye. He agreed to make her the teeth for a copy of six problems which he could not solve. Mary had much the hardest part of the bargain, for, sitting on the stile, she patiently copied long-division sums until the second bell rang, while he turned off the teeth with a few masterful strokes of his knife. [37] [38] [39] [40] [41] "Let's all put them in as soon as we're done singing, and wear them till we recite spelling," he suggested. "It's mighty hard to keep from chawin' on 'em after they've been in your mouth awhile. Let's see who can keep them in longest. Every five minutes by the clock, if the teacher isn't lookin', we'll all grin at onct to show that they're still in." Needless to say, the usual Friday morning studiousness did not prevail in the primary room that morning. Too many eyes were watching the clock for the moment of display to arrive, and when it did arrive, the coughing and choking that was set up to hide the titters, plainly told the teacher that some mischief was afoot. If she could have turned in time to see the distorted faces, she must have laughed too, it was such a comical sight, but she was trying to explain to a row of stupid little mathematicians the mysteries of borrowing in subtraction, and always looked up a moment too late. Mary Ware, having written every word of her spelling lesson from memory, and compared it with her book to be sure that she knew it, now had a quarter of an hour of leisure. This she devoted to putting her desk in order. The books were dusted and piled in neat rows. Everything in her pencil-box was examined, and laid back with care, the slate-rag folded and tucked under the moist sponge. There was another box in her desk. It had bunches of violets on it and strips of lace-paper lining the sides...