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Preview The Literary World Seventh Reader edited by John Calvin Metcalf Sarah Withers and Hetty S Browne

The Project Gutenberg EBook of The Literary World Seventh Reader, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Literary World Seventh Reader Author: Various Editor: John Calvin Metcalf Sarah Withers Hetty S. Browne Release Date: November 5, 2006 [EBook #19721] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE LITERARY WORLD SEVENTH READER *** Produced by Juliet Sutherland, Julia Miller, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber’s Note Obvious typographical errors have been corrected. A list of the changes is found at the end of the text. Inconsistencies in hyphenation have been maintained. A list of inconsistently hyphenated words is found at the end of the text. Frontispiece [1] THE LITERARY WORLD SEVENTH READER BY JOHN CALVIN METCALF PROFESSOR OF ENGLISH LITERATURE IN THE UNIVERSITY OF VIRGINIA SARAH WITHERS PRINCIPAL ELEMENTARY GRADES AND CRITIC TEACHER WINTHROP NORMAL AND INDUSTRIAL COLLEGE ROCK HILL. S.C. AND HETTY S. BROWNE EXTENSION WORKER IN RURAL SCHOOL PRACTICE WINTHROP NORMAL AND INDUSTRIAL COLLEGE colophon JOHNSON PUBLISHING COMPANY RICHMOND, VIRGINIA COPYRIGHT, 1919 B. F. JOHNSON PUBLISHING COMPANY All Rights Reserved L.H.J. ACKNOWLEDGMENTS For permission to use copyrighted material the authors and publishers express their indebtedness to the Macmillan Company for “A Deal in Bears” from McTodd, by W. Cutcliffe Hyne, and for “Sea Fever,” by John Masefield; to Duffield & Company and Mr. H. G. Wells for “In Labrador” from Marriage; to the John Lane Company for “The Making of a Man” from The Rough Road, by W. J. Locke; to Dodd, Mead & Company and Mr. Arthur Dobson for “A Ballad of Heroes,” and to Dodd, Mead & Company for “Under Seas,” by Count Alexis Tolstoi; to G. P. Putnam’s Sons for “Old Ephraim” from The Hunting Trips of a Ranchman, by Theodore Roosevelt; to Houghton Mifflin Company for “A Greyport Legend,” by Bret Harte, “Midwinter,” by John Townsend Trowbridge, “The First Snowfall,” by James Russell Lowell, “Among the Cliffs” from The Young Mountaineers, by Charles Egbert Craddock [2] [3] (Mary N. Murfree), and for “The Friendship of Nantaquas” from To Have and to Hold, by Mary Johnston; to Harper & Brothers for “The Great Stone of Sardis” from The Great Stone of Sardis, by Frank R. Stockton, and to Harper & Brothers and Mr. Booth Tarkington for “Ariel’s Triumph” from The Conquest of Canaan. TABLE OF CONTENTS LEGENDS OF OUR LAND Rip Van Winkle Washington Irving 9 The Great Stone Face Nathaniel Hawthorne 33 The Courtship of Miles Standish Henry W. Longfellow 59 The Friendship of Nantaquas Mary Johnston 79 HOME SCENES Harry Esmond’s Boyhood Wm. Makepeace Thackeray 112 The Family Holds Its Head Up Oliver Goldsmith 126 The Little Boy in the Balcony Henry W. Grady 138 Ariel’s Triumph Booth Tarkington 141 NATURE AND ANIMALS The Cloud Percy Bysshe Shelley 160 New England Weather Mark Twain 162 The First Snowfall James Russell Lowell 166 Old Ephraim Theodore Roosevelt 168 Midwinter John Townsend Trowbridge 175 A Georgia Fox Hunt Joel Chandler Harris 177 Rain and Wind Madison Julius Cawein 192 The Southern Sky Matthew Fontaine Maury 193 Daffodils William Wordsworth 195 Dawn Edward Everett 196 Spring Henry Timrod 198 MOVING ADVENTURE Among the Cliffs Charles Egbert Craddock 201 A Deal in Bears W. Cutcliffe Hyne 217 Lochinvar Sir Walter Scott 232 In Labrador H. G. Wells 235 The Bugle Song Alfred Tennyson 258 The Siege of the Castle Sir Walter Scott 259 MODERN WONDER TALES Sea Fever John Masefield 334 A Greyport Legend Bret Harte 335 A Hunt Beneath The Ocean Jules Verne 337 Under Seas Count Alexis Tolstoi 354 A Voyage to the Moon Edgar Allan Poe 367 The Great Stone of Sardis Frank R. Stockton 391 SKETCHES OF THE GREAT WAR A Stop At Suzanne’s Greayer Clover 407 [4] [5] [6] The Making of a Man W. J. Locke 414 In Flanders Fields John McCrae 436 In Flanders Fields (An Answer) C. B. Galbraith 436 A Ballad Of Heroes Austin Dobson 437 Dictionary 439 He Was Tempted to Repeat the Draught [See page 19] He Was Tempted to Repeat the Draught Rip Van Winkle RIP VAN WINKLE I Whoever has made a voyage up the Hudson must remember the Catskill Mountains. They are a branch of the great vAppalachian9-* family, and are seen away to the west of the river, swelling up to a noble height, and lording it over the surrounding country. Every change of season, every change of weather, indeed, every hour of the day, produces some change in the magical hues and shapes of these mountains, and they are regarded by all the goodwives, far and near, as perfect vbarometers. At the foot of these fairy mountains the traveler may have seen the light smoke curling up from a village, whose shingle roofs gleam among the trees, just where the blue tints of the upland melt away into the fresh green of the nearer landscape. It is a little village of great age, having been founded by some of the Dutch colonists in the early times of the province, just about the beginning of the government of the good Peter vStuyvesant (may he rest in peace!), and there were some of the houses of the original settlers standing within a few years, built of small yellow bricks brought from Holland, having latticed windows and gable fronts, surmounted with weathercocks. In that same village, and in one of these very houses, there lived, many years since, while the country was yet a province of Great Britain, a simple, good-natured fellow, of the name of Rip Van Winkle. He was a descendant of the Van Winkles who figured so gallantly in the vchivalrous days of Peter Stuyvesant, and accompanied him to the siege of [7] [8] [9] [10] Fort Christina. He inherited, however, but little of the martial character of his ancestors. I have observed that he was a simple, good-natured man; he was, moreover, a kind neighbor and an obedient, henpecked husband. Certain it is that he was a great favorite among all the goodwives of the village, who took his part in all family squabbles; and never failed, whenever they talked those matters over in their evening gossipings, to lay all the blame on Dame Van Winkle. The children of the village, too, would shout with joy whenever he approached. He assisted at their sports, made their playthings, taught them to fly kites and shoot marbles, and told them long stories of ghosts, witches, and Indians. Whenever he went dodging about the village, he was surrounded by a troop of them, hanging on his skirts, clambering on his back, and playing a thousand tricks on him; and not a dog would bark at him throughout the neighborhood. The great error in Rip’s composition was a strong dislike of all kinds of profitable labor. It could not be from the want of perseverance; for he would sit on a wet rock, with a rod as long and heavy as a lance, and fish all day without a murmur, even though he should not be encouraged by a single nibble. He would carry a fowling piece on his shoulder for hours together, trudging through woods and swamps, and up hill and down dale, to shoot a few squirrels or wild pigeons. He would never refuse to assist a neighbor even in the roughest toil, and was a foremost man at all country frolics for husking Indian corn, or building stone fences; the women of the village, too, used to employ him to run their errands, and to do such little odd jobs as their less obliging husbands would not do for them. In a word, Rip was ready to attend to anybody’s business but his own; but as to doing family duty, and keeping his farm in order, he found it impossible. His children, too, were as ragged and wild as if they belonged to nobody. His son Rip promised to inherit the habits, with the old clothes, of his father. He was generally seen trooping like a colt at his mother’s heels, equipped in a pair of his father’s cast-off breeches, which he had much ado to hold up with one hand, as a fine lady does her train in bad weather. Rip Van Winkle, however, was one of those happy mortals, of foolish, well-oiled dispositions, who take the world easy, eat white bread or brown, whichever can be got with least thought or trouble, and would rather starve on a penny than work for a pound. If left to himself, he would have whistled life away in perfect contentment; but his wife kept continually dinning in his ear about his idleness, his carelessness, and the ruin he was bringing on his family. Morning, noon, and night, her tongue was incessantly going, and everything he said or did was sure to produce a torrent of household eloquence. Rip had but one way of replying to all lectures of the kind, and that, by frequent use, had grown into a habit. He shrugged his shoulders, shook his head, cast up his eyes, but said nothing. This, however, always provoked a fresh volley from his wife; so that he was fain to draw off his forces, and take to the outside of the house— the only side which, in truth, belongs to a henpecked husband. Rip’s sole vdomestic adherent was his dog Wolf, who was as much henpecked as his master; for Dame Van Winkle regarded them as companions in idleness, and even looked upon Wolf with an evil eye, as the cause of his master’s going so often astray. True it is, in all points of spirit befitting an honorable dog, he was as courageous an animal as ever scoured the woods; but what courage can withstand the ever-enduring and all-besetting terrors of a woman’s tongue? The moment Wolf entered the house his crest fell, his tail drooped to the ground or curled between his legs, he sneaked about with a gallows air, casting many a sidelong glance at Dame Van Winkle, and at the least flourish of a broomstick or ladle he would fly to the door with yelping precipitation. Times grew worse and worse with Rip Van Winkle as years of matrimony rolled on. A tart temper never mellows with age, and a sharp tongue is the only edged tool that grows keener with constant use. For a long while he used to console himself, when driven from home, by frequenting a kind of perpetual club of sages, philosophers, and other idle personages of the village, which held its sessions on a bench before a small inn, designated by a vrubicund portrait of His Majesty George III. Here they used to sit in the shade of a long, lazy summer’s day, talking listlessly over village gossip, or telling endless sleepy stories about nothing. But it would have been worth any statesman’s money to have heard the profound discussions which sometimes took place, when by chance an old newspaper fell into their hands from some passing traveler. How solemnly they would listen to the contents, as drawled out by Derrick Van Bummel, the schoolmaster,—a dapper, learned little man, who was not to be daunted by the most gigantic word in the dictionary! and how sagely they would deliberate upon public events some months after they had taken place! The opinions of this vjunto were completely controlled by Nicholas Vedder, a patriarch of the village, and landlord of the inn, at the door of which he took his seat from morning till night, just moving sufficiently to avoid the sun, and keep in the shade of a large tree; so that the neighbors could tell the hour by his movements as accurately as by a sun- dial. It is true, he was rarely heard to speak, but smoked his pipe incessantly. His adherents, however (for every great man has his adherents), perfectly understood him, and knew how to gather his opinions. When anything that was read or related displeased him, he was observed to smoke his pipe vehemently, and to send forth short, frequent, and angry puffs; but, when pleased, he would inhale the smoke slowly and tranquilly, and emit it in light and placid clouds, and sometimes, taking the pipe from his mouth, and letting the fragrant vapor curl about his nose, would nod his head in approbation. From even this stronghold the unlucky Rip was at length routed by his vtermagant wife, who would suddenly break in upon the tranquility of the assemblage, and call the members all to naught; nor was that august personage, Nicholas Vedder himself, sacred from the daring tongue of this terrible virago, who charged him with encouraging her [11] [12] [13] [14] husband in habits of idleness. Poor Rip was at last reduced almost to despair; and his only valternative, to escape from the labor of the farm and clamor of his wife, was to take gun in hand and stroll away into the woods. Here he would sometimes seat himself at the foot of a tree, and share the contents of his wallet with Wolf, with whom he sympathized as a fellow-sufferer in persecution. “Poor Wolf,” he would say, “thy mistress leads thee a dog’s life of it; but never mind, my lad, whilst I live thou shalt never want a friend to stand by thee.” Wolf would wag his tail, look wistfully in his master’s face; and if dogs can feel pity, I verily believe he vreciprocated the sentiment with all his heart. In a long ramble of the kind on a fine autumnal day, Rip had unconsciously scrambled to one of the highest parts of the Catskill Mountains. He was after his favorite sport of squirrel-shooting, and the still solitudes had echoed and reëchoed with the reports of his gun. Panting and fatigued, he threw himself, late in the afternoon, on a green knoll, covered with mountain herbage, that crowned the brow of a precipice. From an opening between the trees he could overlook all the lower country for many a mile of rich woodland. He saw at a distance the lordly Hudson, far, far below him, moving on its silent but majestic course, with the reflection of a purple cloud, or the sail of a lagging bark, here and there sleeping on its glassy bosom, and at last losing itself in the blue highlands. On the other side he looked down into a deep mountain glen, wild and lonely, the bottom filled with fragments from the overhanging cliffs, and scarcely lighted by the reflected rays of the setting sun. For some time Rip lay musing on this scene; evening was gradually advancing; the mountains began to throw their long blue shadows over the valleys; he saw that it would be dark long before he could reach the village, and he heaved a heavy sigh when he thought of encountering the terrors of Dame Van Winkle. As he was about to descend, he heard a voice from a distance, hallooing, “Rip Van Winkle! Rip Van Winkle!” He looked round, but could see nothing but a crow winging its solitary flight across the mountain. He thought his fancy must have deceived him, and turned again to descend, when he heard the same cry ring through the still evening air: “Rip Van Winkle! Rip Van Winkle!”—at the same time Wolf bristled up his back, and giving a low growl, skulked to his master’s side, looking fearfully down into the glen. Rip now felt a vague apprehension stealing over him; he looked anxiously in the same direction, and perceived a strange figure slowly toiling up the rocks, and bending under the weight of something he carried on his back. He was surprised to see any human being in this lonely and unfrequented place; but supposing it to be some one of the neighborhood in need of his assistance, he hastened down to yield it. On nearer approach he was still more surprised at the vsingularity of the stranger’s appearance. He was a short, square-built old fellow, with thick bushy hair, and a grizzled beard. His dress was of the antique Dutch fashion,—a cloth jerkin strapped round the waist, and several pair of breeches, the outer one of ample volume, decorated with rows of buttons down the sides. He bore on his shoulder a stout keg that seemed full of liquor, and made signs for Rip to approach and assist him with the load. Though rather shy and distrustful of this new acquaintance, Rip complied with his usual valacrity, and relieving one another, they clambered up a narrow gully, apparently the dry bed of a mountain torrent. As they ascended, Rip every now and then heard long, rolling peals, like distant thunder, that seemed to issue out of a deep ravine, or rather cleft, between lofty rocks, toward which their rugged path conducted. He paused for an instant, but supposing it to be the muttering of one of those transient thundershowers which often take place in mountain heights, he proceeded. Passing through the ravine, they came to a hollow, like a small vamphitheater, surrounded by perpendicular precipices, over the brinks of which trees shot their branches, so that you only caught glimpses of the azure sky and the bright evening cloud. During the whole time Rip and his companion had labored on in silence; for though the former marveled greatly, what could be the object of carrying a keg of liquor up this wild mountain, yet there was something strange and incomprehensible about the unknown that inspired awe and checked familiarity. On entering the amphitheater new objects of wonder presented themselves. On a level spot in the center was a company of odd-looking personages playing at ninepins. They were dressed in a quaint, outlandish fashion; some wore short doublets, others jerkins, with long knives in their belts, and most of them had enormous breeches, of similar style with that of the guide’s. Their visages, too, were peculiar: one had a large head, broad face, and small, piggish eyes; the face of another seemed to consist entirely of nose, and was surmounted by a white sugar-loaf hat, set off with a little red cock’s tail. They all had beards, of various shapes and colors. There was one who seemed to be the commander. He was a stout old gentleman, with a weather-beaten countenance; he wore a laced doublet, broad belt and hanger, high- crowned hat and feather, red stockings, and high-heeled shoes, with roses in them. The whole group reminded Rip of the figures in an old Flemish painting, in the parlor of vDominie Van Shaick, the village parson, which had been brought over from Holland at the time of the settlement. What seemed particularly odd to Rip was that, though these folks were evidently amusing themselves, yet they maintained the gravest faces, the most mysterious silence, and were, withal, the most melancholy party of pleasure he had ever witnessed. Nothing interrupted the stillness of the scene but the noise of the balls, which, whenever they were rolled, echoed along the mountains like rumbling peals of thunder. As Rip and his companion approached them, they suddenly desisted from their play, and stared at him with such fixed, statue-like gaze, and such strange, uncouth countenances, that his heart turned within him, and his knees smote together. His companion now emptied the contents of the keg into large flagons, and made signs to him to wait upon the company. He obeyed with fear and trembling; they quaffed the liquor in profound silence, and then returned to their [15] [16] [17] [18] [19] game. By degrees Rip’s awe and apprehension subsided. He even ventured, when no eye was fixed upon him, to taste the beverage, which he found had much of the flavor of excellent Hollands. He was naturally a thirsty soul, and was soon tempted to repeat the draught. One taste provoked another; and he repeated his visits to the flagon so often that at length his senses were overpowered, his eyes swam in his head, his head gradually declined, and he fell into a deep sleep. II On waking he found himself on the green knoll whence he had first seen the old man of the glen. He rubbed his eyes—it was a bright, sunny morning. The birds were hopping and twittering among the bushes, and the eagle was wheeling aloft, and breasting the pure mountain breeze. “Surely,” thought Rip, “I have not slept here all night.” He recalled the occurrences before he fell asleep. The strange man with a keg of liquor—the mountain ravine—the wild retreat among the rocks—the woe-begone party at ninepins—the flagon—“Oh! that flagon! that wicked flagon!” thought Rip; “what excuse shall I make to Dame Van Winkle?” He looked round for his gun, but in place of the clean, well-oiled fowling piece, he found an old firelock lying by him, the barrel incrusted with rust, the lock falling off, and the stock worm-eaten. He now suspected that the grave revelers of the mountain had put a trick upon him and, having dosed him with liquor, had robbed him of his gun. Wolf, too, had disappeared, but he might have strayed away after a squirrel or partridge. He whistled after him, and shouted his name, but all in vain; the echoes repeated his whistle and shout, but no dog was to be seen. He determined to revisit the scene of the last evening’s gambol, and if he met with any of the party, to demand his dog and gun. As he rose to walk, he found himself stiff in the joints, and wanting in his usual activity. “These mountain beds do not agree with me,” thought Rip, “and if this frolic should lay me up with a fit of the rheumatism, I shall have a blessed time with Dame Van Winkle.” With some difficulty he got down into the glen; he found the gully up which he and his companion had ascended the preceding evening; but to his astonishment a mountain stream was now foaming down it, leaping from rock to rock, and filling the glen with babbling murmurs. He, however, made shift to scramble up its sides, working his toilsome way through thickets of birch, sassafras, and witch-hazel, and sometimes tripped up or entangled by the wild grapevines that twisted their coils from tree to tree, and spread a kind of network in his path. At length he reached to where the ravine had opened through the cliffs to the amphitheater; but no traces of such opening remained. The rocks presented a high, impenetrable wall, over which the torrent came tumbling in a sheet of feathery foam, and fell into a broad, deep basin, black from the shadows of the surrounding forest. Here, then, poor Rip was brought to a stand. He again called and whistled after his dog; he was only answered by the cawing of a flock of idle crows sporting high in air about a dry tree that overhung a sunny precipice; and who, secure in their elevation, seemed to look down and scoff at the poor man’s perplexities. What was to be done?—the morning was passing away, and Rip felt famished for want of his breakfast. He grieved to give up his dog and gun; he dreaded to meet his wife; but it would not do to starve among the mountains. He shook his head, shouldered the rusty firelock, and, with a heart full of trouble and anxiety, turned his steps homeward. As he approached the village he met a number of people, but none whom he knew, which somewhat surprised him, for he had thought himself acquainted with every one in the country round. Their dress, too, was of a different fashion from that to which he was accustomed. They all stared at him with equal marks of surprise, and whenever they cast their eyes upon him, invariably stroked their chins. The constant recurrence of this gesture induced Rip, involuntarily, to do the same, when, to his astonishment, he found his beard had grown a foot long! He had now entered the skirts of the village. A troop of strange children ran at his heels, hooting after him, and pointing at his gray beard. The dogs, too, not one of which he recognized for an old acquaintance, barked at him as he passed. The very village was altered; it was larger and more populous. There were rows of houses which he had never seen before, and those which had been his familiar haunts had disappeared. Strange names were over the doors— strange faces at the windows—everything was strange. His mind now misgave him; he began to doubt whether both he and the world around him were not bewitched. Surely this was his native village, which he had left but the day before. There stood the Catskill Mountains—there ran the silver Hudson at a distance—there was every hill and dale precisely as it had always been. Rip was sorely perplexed. “That flagon last night,” thought he, “has addled my poor head sadly!” It was with some difficulty that he found the way to his own house, which he approached with silent awe, expecting every moment to hear the shrill voice of Dame Van Winkle. He found the house gone to decay—the roof fallen in, the windows shattered, and the doors off the hinges. A half-starved dog that looked like Wolf was skulking about it. Rip called him by name, but the cur snarled, showed his teeth, and passed on. This was an unkind cut indeed. “My very dog,” sighed Rip, “has forgotten me!” He entered the house, which, to tell the truth, Dame Van Winkle had always kept in neat order. It was empty, forlorn, and apparently abandoned. He called loudly for his wife and children—the lonely chambers rang for a moment with his voice, and then all again was silence. [20] [21] [22] [23] III He now hurried forth, and hastened to his old resort, the village inn—but it, too, was gone. A large, rickety wooden building stood in its place, with great gaping windows, some of them broken and mended with old hats and petticoats, and over the door was painted, “The Union Hotel, by Jonathan Doolittle.” Instead of the great tree that used to shelter the quiet little Dutch inn of yore, there now was reared a tall, naked pole, with something on the top that looked like a red nightcap, and from it was fluttering a flag, on which was a singular assemblage of stars and stripes; all this was strange and incomprehensible. He recognized on the sign, however, the ruby face of King George, under which he had smoked so many a peaceful pipe; but even this was singularly changed. The red coat was changed for one of blue and buff, a sword was held in the hand instead of a scepter, the head was decorated with a cocked hat, and underneath was painted in large characters, General Washington. There was, as usual, a crowd of folk about the door, but none that Rip recollected. The very character of the people seemed changed. There was a busy, bustling tone about it, instead of the accustomed drowsy tranquility. He looked in vain for the sage Nicholas Vedder, with his broad face, double chin, and long pipe, uttering clouds of tobacco smoke instead of idle speeches; or Van Bummel, the schoolmaster, doling forth the contents of an ancient newspaper. In place of these, a lean fellow, with his pockets full of handbills, was haranguing vehemently about rights of citizens— elections—members of congress—Bunker’s Hill—heroes of seventy-six—and other words, which were a perfect jargon to the bewildered Van Winkle. The appearance of Rip, with his long, grizzled beard, his rusty fowling piece, his uncouth dress, and an army of women and children at his heels, soon attracted the attention of the tavern politicians. They crowded round him, eyeing him from head to foot with great curiosity. The orator bustled up to him, and, drawing him partly aside, inquired “On which side he voted?” Rip stared in vacant stupidity. Another short but busy little fellow pulled him by the arm, and, rising on tiptoe, inquired in his ear, “Whether he was Federal or Democrat?” Rip was equally at a loss to comprehend the question; when a knowing, self-important old gentleman, in a sharp cocked hat, made his way through the crowd, putting them to the right and left with his elbows as he passed, and planting himself before Van Winkle, with one arm akimbo, the other resting on his cane, his keen eyes and sharp hat penetrating, as it were, into his very soul, demanded, in an austere tone, “What brought him to the election with a gun on his shoulder, and a mob at his heels; and whether he meant to breed a riot in the village?”—“Alas! gentlemen,” cried Rip, somewhat dismayed, “I am a poor, quiet man, a native of the place, and a loyal subject of the king, God bless him!” Here a general shout burst from the bystanders—“A tory! a tory! a spy! a refugee! hustle him! away with him!” It was with great difficulty that the self-important man in the cocked hat restored order; and having assumed a tenfold vausterity of brow, demanded again of the unknown culprit, what he came there for, and whom he was seeking! The poor man humbly assured him that he meant no harm, but merely came there in search of some of his neighbors. “Well—who are they? Name them.” Rip bethought himself a moment, and inquired, “Where’s Nicholas Vedder?” There was a silence for a little while, when an old man replied, in a thin, piping voice, “Nicholas Vedder! why, he is dead and gone these eighteen years! There was a wooden tombstone in the churchyard that used to tell all about him, but that’s rotten and gone, too.” “Where’s Brom Dutcher?” “Oh, he went off to the army in the beginning of the war; some say he was killed at the storming of Stony Point; others say he was drowned in a squall at the foot of Anthony’s Nose. I don’t know; he never came back again.” “Where’s Van Brummel, the schoolmaster?” “He went off to the wars, too, was a great militia general, and is now in congress.” Rip’s heart died away at hearing of these sad changes in his home and friends and finding himself thus alone in the world. Every answer puzzled him, too, by treating of such enormous lapses of time, and of matters which he could not understand: war—congress—Stony Point. He had no courage to ask after any more friends, but cried out in despair, “Does nobody here know Rip Van Winkle?” “Oh, Rip Van Winkle!” exclaimed two or three, “oh, to be sure! that’s Rip Van Winkle yonder, leaning against the tree.” Rip looked, and beheld a precise counterpart of himself, as he went up the mountain—apparently as lazy and certainly as ragged. The poor fellow was now completely confounded. He doubted his own identity, and whether he was himself or another man. In the midst of his bewilderment, the man in the cocked hat demanded who he was, and what was his name. “God knows,” exclaimed he, at his wits’ end; “I’m not myself—I’m somebody else—that’s me yonder—no— that’s somebody else got into my shoes—I was myself last night, but I fell asleep on the mountain, and they’ve changed my gun, and everything’s changed, and I’m changed, and I can’t tell what’s my name, or who I am!” [24] [25] [26] [27] The bystanders began now to look at each other, nod, wink significantly, and tap their fingers against their foreheads. There was a whisper, also, about securing the gun, and keeping the old fellow from doing mischief, at the very suggestion of which the self-important man in the cocked hat retired with some precipitation. At this critical moment a fresh, comely woman pressed through the throng to get a peep at the gray-bearded man. She had a chubby child in her arms, which, frightened at his looks, began to cry. “Hush, Rip,” cried she, “hush, you little fool; the old man won’t hurt you.” The name of the child, the air of the mother, the tone of her voice, all awakened a train of recollections in his mind. “What is your name, my good woman?” asked he. “Judith Gardenier.” “And your father’s name?” “Ah, poor man, Rip Van Winkle was his name, but it’s twenty years since he went away from home with his gun, and never has been heard of since—his dog came home without him; but whether he shot himself, or was carried away by the Indians, nobody can tell. I was then but a little girl.” Rip had but one question more to ask; but he put it with a faltering voice: “Where’s your mother?” “Oh, she, too, had died but a short time since; she broke a blood-vessel in a fit of passion at a New England peddler.” There was a drop of comfort, at least, in this intelligence. The honest man could contain himself no longer. He caught his daughter and her child in his arms. “I am your father!” cried he—“Young Rip Van Winkle once—Old Rip Van Winkle now! Does nobody know poor Rip Van Winkle?” All stood amazed until an old woman, tottering out from among the crowd, put her hand to her brow, and peering under it in his face for a moment, exclaimed, “Sure enough! it is Rip Van Winkle—it is himself! Welcome home again, old neighbor. Why, where have you been these twenty long years?” Rip’s story was soon told, for the whole twenty years had been to him but as one night. The neighbors stared when they heard it; some were seen to wink at each other, and put their tongues in their cheeks: and the self-important man in the cocked hat, who when the alarm was over had returned to the field, screwed down the corners of his mouth, and shook his head—upon which there was a general shaking of the head throughout the assemblage. It was determined, however, to take the opinion of old Peter Vanderdonk, who was seen slowly advancing up the road. He was a descendant of the historian of that name, who wrote one of the earliest accounts of the province. Peter was the most ancient inhabitant of the village, and well versed in all the wonderful events and traditions of the neighborhood. He recollected Rip at once, and corroborated his story in the most satisfactory manner. He assured the company that it was a fact, handed down from his ancestor the historian, that the Catskill Mountains had always been haunted by strange beings. It was affirmed that the great Hendrick Hudson, the first discoverer of the river and country, kept a kind of vigil there every twenty years, with his crew of the Half-moon; being permitted in this way to revisit the scenes of his enterprise, and keep a guardian eye upon the river and the great city called by his name. His father had once seen them in their old Dutch dresses playing at ninepins in a hollow of the mountain; and he himself had heard, one summer afternoon, the sound of their balls, like distant peals of thunder. To make a long story short, the company broke up and returned to the more important concerns of the election. Rip’s daughter took him home to live with her; she had a snug, well-furnished house, and a stout, cheery farmer for a husband, whom Rip recollected for one of the urchins that used to climb upon his back. As to Rip’s son and heir, who was the ditto of himself, seen leaning against the tree, he was employed to work on the farm; but showed an hereditary disposition to attend to anything else but his business. Washington Irving. HELPS TO STUDY “Rip Van Winkle” is the most beautiful of American legendary stories. Washington Irving, the author, taking the old idea of long sleep, as found in “The Sleeping Beauty” and other fairy tales, gave it an American setting and interwove in it the legend of Henry Hudson, the discoverer of the Hudson river, who was supposed to return to the scene of his achievement every twenty years, together with the shades of his crew. I. Where is the scene of this story laid? In which paragraph do you learn when the incident related in the story took place? Why does Irving speak of the mountains as “fairy mountains”? In which paragraph do you meet the principal characters? Give the opinion you form of Rip and his wife. Read sentences that show Rip’s good qualities—those that show his faults. What unusual thing happened to Rip on his walk? How was the dog affected? Give a full account of what happened afterward. Tell what impressed you most in this scene. Read aloud the lines that best describe the scenery. II. Describe Rip’s waking. What was his worst fear? How did he explain to himself the change in his gun and the disappearance of Wolf? How did he account for the stiffness of his joints? What was still his chief fear? Describe the changes which had taken place in the mountains. With what feeling did he turn homeward? Why? How did he discover the alteration in his own appearance? How did the children and dogs treat him? Why was this particularly hard for Rip to understand? What other changes did he find? What [28] [29] [30] [31] remained unaltered? How did Rip still account for the peculiar happenings? Describe Rip’s feelings as he turned to his own house, and its desolation. III. What change had been made in the sign over the inn? Why? What important thing was taking place in the village? Why did the speech of the “lean fellow” seem “perfect jargon” to Rip? Why did he not understand the questions asked him? What happened when Rip made his innocent reply to the self-important gentleman? How did he at last learn of the lapse of time? What added to his bewilderment? How was the mystery explained? Note the question Rip reserved for the last and the effect the answer had upon him. How did Peter Vanderdonk explain the strange happening? What is the happy ending? Do you like Rip? Why? SUPPLEMENTARY READING Urashima—Graded Classics III. Vice Versa—F. Anstey. Peter Pan—James Barrie. The Legend of Sleepy Hollow—Washington Irving. A Christmas Carol—Charles Dickens. Enoch Arden—Alfred Tennyson. 9-* For words marked v, see Dictionary. The Great Stone Face Photograph by Aldrich The Great Stone Face THE GREAT STONE FACE I One afternoon when the sun was going down, a mother and her little boy sat at the door of their cottage, talking about the Great Stone Face. They had but to lift their eyes, and there it was plainly to be seen, though miles away, with the sunshine brightening all its features. And what was the Great Stone Face? The Great Stone Face was a work of Nature in her mood of majestic playfulness, formed on the perpendicular side of a mountain by some immense rocks, which had been thrown together in such a position as, when viewed at a proper distance, precisely to resemble the features of the human countenance. It seemed as if an enormous giant, or a vTitan, had sculptured his own likeness on the precipice. There was the broad arch of the forehead, a hundred feet in height; the nose, with its long bridge; and the vast lips, which, if they could have spoken, would have rolled their thunder accents from one end of the valley to the other. It was a happy lot for children to grow up to manhood or womanhood with the Great Stone Face before their eyes, for all the features were noble, and the expression was at once grand and sweet, as if it were the glow of a vast, [32] [33] warm heart that embraced all mankind in its affections, and had room for more. As we began with saying, a mother and her little boy sat at their cottage door, gazing at the Great Stone Face, and talking about it. The child’s name was Ernest. “Mother,” said he, while the Titanic visage smiled on him, “I wish that it could speak, for it looks so very kindly that its voice must be pleasant. If I were to see a man with such a face, I should love him dearly.” “If an old prophecy should come to pass,” answered his mother, “we may see a man, some time or other, with exactly such a face as that.” “What prophecy do you mean, dear mother?” eagerly inquired Ernest. “Pray tell me all about it!” So his mother told him a story that her own mother had told to her, when she herself was younger than little Ernest; a story, not of things that were past, but of what was yet to come; a story, nevertheless, so very old that even the Indians, who formerly inhabited this valley, had heard it from their forefathers, to whom, they believed, it had been murmured by the mountain streams, and whispered by the wind among the tree tops. The story said that at some future day a child should be born hereabouts who was destined to become the greatest and noblest man of his time, and whose countenance, in manhood, should bear an exact resemblance to the Great Stone Face. “O mother, dear mother!” cried Ernest, clapping his hands above his head, “I do hope that I shall live to see him!” His mother was an affectionate and thoughtful woman, and felt that it was wisest not to discourage the hopes of her little boy. She only said to him, “Perhaps you may,” little thinking that the prophecy would one day come true. And Ernest never forgot the story that his mother told him. It was always in his mind whenever he looked upon the Great Stone Face. He spent his childhood in the log cottage where he was born, and was dutiful to his mother, and helpful to her in many things, assisting her much with his little hands, and more with his loving heart. In this manner, from a happy yet thoughtful child, he grew to be a mild, quiet, modest boy, sun-browned with labor in the fields, but with more intelligence in his face than is seen in many lads who have been taught at famous schools. Yet Ernest had had no teacher, save only that the Great Stone Face became one to him. When the toil of the day was over, he would gaze at it for hours, until he began to imagine that those vast features recognized him, and gave him a smile of kindness and encouragement in response to his own look of vveneration. We must not take upon us to affirm that this was a mistake, although the Face may have looked no more kindly at Ernest than at all the world besides. For the secret was that the boy’s tender simplicity vdiscerned what other people could not see; and thus the love, which was meant for all, became his alone. II About this time, there went a rumor throughout the valley that the great man, foretold from ages long ago, who was to bear a resemblance to the Great Stone Face, had appeared at last. It seems that, many years before, a young man had left the valley and settled at a distant seaport, where, after getting together a little money, he had set up as a shopkeeper. His name—but I could never learn whether it was his real one, or a nickname that had grown out of his habits and success in life—was Gathergold. It might be said of him, as of vMidas in the fable, that whatever he touched with his finger immediately glistened, and grew yellow, and was changed at once into coin. And when Mr. Gathergold had become so rich that it would have taken him a hundred years only to count his wealth, he bethought himself of his native valley, and resolved to go back thither, and end his days where he was born. With this purpose in view, he sent a skillful architect to build him such a palace as should be fit for a man of his vast wealth to live in. As I have said above, it had already been rumored in the valley that Mr. Gathergold had turned out to be the person so long and vainly looked for, and that his visage was the perfect and undeniable likeness of the Great Stone Face. People were the more ready to believe that this must needs be the fact when they beheld the splendid edifice that rose, as if by enchantment, on the site of his father’s old weather-beaten farmhouse. The exterior was of marble, so dazzling white that it seemed as though the whole structure might melt away in the sunshine, like those humbler ones which Mr. Gathergold, in his young playdays, had been accustomed to build of snow. It had a richly ornamented portico, supported by tall pillars, beneath which was a lofty door, studded with silver knobs, and made of a kind of variegated wood that had been brought from beyond the sea. The windows, from the floor to the ceiling of each stately apartment, were each composed of but one enormous pane of glass. Hardly anybody had been permitted to see the interior of this palace; but it was reported to be far more gorgeous than the outside, insomuch that whatever was iron or brass in other houses was silver or gold in this; and Mr. Gathergold’s bedchamber, especially, made such a glittering appearance that no ordinary man would have been able to close his eyes there. But, on the other hand, Mr. Gathergold was now so accustomed to wealth that perhaps he could not have closed his eyes unless where the gleam of it was certain to find its way beneath his eyelids. In due time, the mansion was finished; next came the upholsterers, with magnificent furniture; then a whole troop of black and white servants, the harbingers of Mr. Gathergold, who, in his own majestic person, was expected to arrive at sunset. Our friend Ernest, meanwhile, had been deeply stirred by the idea that the great man, the noble man, the man of prophecy, after so many ages of delay, was at length to appear in his native valley. He knew, boy as he was, that there [34] [35] [36] [37] [38] were a thousand ways in which Mr. Gathergold, with his vast wealth, might transform himself into an angel of beneficence, and assume a control over human affairs as wide and vbenignant as the smile of the Great Stone Face. Full of faith and hope, Ernest doubted not that what the people said was true, and that now he was to behold the living likeness of those wondrous features on the mountain side. While the boy was still gazing up the valley, and fancying, as he always did, that the Great Stone Face returned his gaze and looked kindly at him, the rumbling of wheels was heard, approaching swiftly along the winding road. “Here he comes!” cried a group of people who were assembled to witness the arrival. “Here comes the great Mr. Gathergold!” A carriage, drawn by four horses, dashed round the turn of the road. Within it, thrust partly out of the window, appeared the face of a little old man, with a skin as yellow as gold. He had a low forehead, small, sharp eyes, puckered about with innumerable wrinkles, and very thin lips, which he made still thinner by pressing them forcibly together. “The very image of the Great Stone Face!” shouted the people. “Sure enough, the old prophecy is true.” And, what greatly perplexed Ernest, they seemed actually to believe that here was the likeness which they spoke of. By the roadside there chanced to be an old beggar woman and two little beggar children, stragglers from some far- off region, who, as the carriage rolled onward, held out their hands and lifted up their doleful voices, most piteously beseeching charity. A yellow claw—the very same that had clawed together so much wealth—poked itself out of the coach window, and dropped some copper coins upon the ground; so that, though the great man’s name seems to have been Gathergold, he might just as suitably have been nicknamed Scattercopper. Still, nevertheless, with an earnest shout, and evidently with as much good faith as ever, the people bellowed: “He is the very image of the Great Stone Face!” But Ernest turned sadly from the wrinkled shrewdness of that visage and gazed up the valley, where, amid a gathering mist, gilded by the last sunbeams, he could still distinguish those glorious features which had impressed themselves into his soul. Their aspect cheered him. What did the benign lips seem to say? “He will come! Fear not, Ernest; the man will come!” The years went on, and Ernest ceased to be a boy. He had grown to be a young man now. He attracted little notice from the other inhabitants of the valley, for they saw nothing remarkable in his way of life, save that, when the labor of the day was over, he still loved to go apart and gaze and meditate upon the Great Stone Face. According to their idea of the matter, however, it was a pardonable folly, for Ernest was industrious, kind, and neighborly, and neglected no duty for the sake of this idle habit. They knew not that the Great Stone Face had become a teacher to him, and that the sentiment which was expressed in it would enlarge the young man’s heart, and fill it with wider and deeper sympathies than other hearts. They knew not that thence would come a better wisdom than could be learned from books, and a better life than could be molded on the example of other human lives. Neither did Ernest know that the thoughts and affections which came to him so naturally, in the fields and at the fireside, were of a higher tone than those which all men shared with him. A simple soul,—simple as when his mother first taught him the old prophecy,—he beheld the marvelous features beaming down the valley, and still wondered that their human counterpart was so long in making his appearance. By this time poor Mr. Gathergold was dead and buried; and the oddest part of the matter was that his wealth, which was the body and spirit of his existence, had disappeared before his death, leaving nothing of him but a living skeleton, covered over with a wrinkled, yellow skin. Since the melting away of his gold, it had been very generally allowed that there was no such striking resemblance, after all, betwixt the ignoble features of the ruined merchant and that majestic face upon the mountain side. So the people ceased to honor him during his lifetime, and quietly forgot him after his decease. Once in a while, it is true, his memory was brought up in connection with the magnificent palace which he had built, and which had long ago been turned into a hotel for the accommodation of strangers, multitudes of whom came, every summer, to visit that famous natural curiosity, the Great Stone Face. The man of prophecy was yet to come. III It so happened that a native-born son of the valley, many years before, had enlisted as a soldier, and, after a great deal of hard fighting, had now become an illustrious commander. Whatever he may be called in history, he was known in camps and on the battlefield under the nickname of Old Blood-and-Thunder. This war-worn veteran, being now weary of a military life, and of the roll of the drum and the clangor of the trumpet that had so long been ringing in his ears, had lately signified a purpose of returning to his native valley, hoping to find repose where he remembered to have left it. The inhabitants, his old neighbors and their grown-up children, were resolved to welcome the vrenowned warrior with a salute of cannon and a public dinner; and all the more enthusiastically because it was believed that at last the likeness of the Great Stone Face had actually appeared. A friend of Old Blood-and-Thunder, traveling through the valley, was said to have been struck with the resemblance. Moreover, the...

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