Most of Stephen Lawhead's popular historical fantasies are part of one or another of his sagas, trilogies, or cycles. For readers who enjoy big galloping yarns set in distant lands, and don't mind having their hands held by the author every step of the way, the first volume of his new Christian trilogy should hit the spot.

The framing device begins at the end of the nineteenth century, in Edinburgh, where Gordon Murray is about to be inducted into an ancient brotherhood whose secret rites involve a sacred relic: the iron lance of the title. The main narrative is set in eleventh century Orkney. When Pope Urban II calls for the retaking of Jerusalem from the infidel, the local lord, Ranulf, joins the Crusade with his elder sons, leaving behind young Murdo to oversee the family holdings. When the Church, through a nefarious scheme, confiscates the house and holdings, Murdo has no choice but to follow the Crusaders to the Holy Land and bring his father home to fix the whole mess.

Lawhead paints a vast and exotic canvas of medieval world politics, then peoples it with colorful characters--cunning Byzantine rulers, bluff Norman knights, gap-toothed, shaggy-brained Saxon peasants--who encounter visions and miracles, brutality and ambition, love and justice. At the end of the main narrative, Murdo gets what he wants but not in the ways expected. The framing narrative ends with hints that, as the world lurches towards a new millennium, Gordon Murray's Christian secret society is the world's only hope for survival, and the time nears for the brotherhood to reveal itself. --Luc Duplessis

This massive historical-fantasy novel about the First Crusade begins a family-saga trilogy recounting the story of a mysterious mystical order founded upon the discovery of the spear that pierced Christ's side as he hung on the cross. The narrative is framed as a series of visions by a Victorian Scots lawyer, who begins by seeing his ancestors leaving the Orkneys on the Crusade, except for the youngest brother, Murdo, who remains behind to watch the family holdings. When fraudulent clerics take those lands, Murdo attempts to rejoin his family. In describing the young man's journey to the Holy Land, Lawhead displays considerable historical scholarship, some talent for depicting picaresque adventures and verbiage in such excess that the emotional impact of the climax?the discovery of the lance?is diminished. Lawhead is known for his ability to combine Arthurian and Christian fantasy, as in his Pendragon Cycle, blending disparate elements into engaging if frequently overlong tales. But here the historian overwhelms the storyteller. The novel fails to meet Lawhead's usual standard, let alone that of other time-binding fantasies such as the novels of Diana Gabaldon. Agency, William Morris.
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