Project Gutenberg's The House of Fulfilment, by George Madden Martin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The House of Fulfilment Author: George Madden Martin Release Date: March 28, 2010 [EBook #31806] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE HOUSE OF FULFILMENT *** Produced by David Garcia, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Kentuckiana Digital Library) THE HOUSE OF FULFILMENT By GEORGE MADDEN MARTIN AUTHOR OF EMMY LOU Publisher's logo NEW YORK McCLURE, PHILLIPS & CO. MCMIV Copyright, 1904, by McCLURE, PHILLIPS & CO. Published, September, 1904 Second Impression Copyright, 1904, by The S. S. McClure Co. Alexina stands with William before his parents “WHAT IS YOUR NAME, DEAR?” To A. R. M. CONTENTS PAGE PART ONE 1 CHAPTER ONE 3 CHAPTER TWO 18 CHAPTER THREE 27 CHAPTER FOUR 35 CHAPTER FIVE 53 CHAPTER SIX 65 CHAPTER SEVEN 78 PART TWO 85 CHAPTER ONE 87 CHAPTER TWO 106 CHAPTER THREE 115 CHAPTER FOUR 147 CHAPTER FIVE 163 CHAPTER SIX 173 CHAPTER SEVEN 187 CHAPTER EIGHT 207 PART THREE 227 CHAPTER ONE 229 CHAPTER TWO 244 CHAPTER THREE 261 CHAPTER FOUR 278 CHAPTER FIVE 286 CHAPTER SIX 297 CHAPTER SEVEN 304 CHAPTER EIGHT 321 CHAPTER NINE 328 CHAPTER TEN 337 CHAPTER ELEVEN 341 CHAPTER TWELVE 350 CHAPTER THIRTEEN 354 CHAPTER FOURTEEN 368 PART ONE “Love is enough: ho ye who seek saving, Go no further: come hither: there have been who have found it, And these know the House of Fulfilment of craving; These know the Cup with the roses around it; These know the World’s Wound and the balm that hath bound it.” WILLIAM MORRIS. —“Elements, breeds, adjustments ... A new race dominating previous ones.” WALT WHITMAN. CHAPTER ONE [3] Harriet Blair was seventeen when she went with her father and mother and her brother Austen to New Orleans, to the marriage of an older brother, Alexander, the father’s business representative at that place. It was characteristic of the Blairs that they declined the hospitality of the bride’s family, and from the hotel attended, punctiliously and formally, the occasions for which they had come. It takes ease to accept hospitality. Alexander Blair, the father, banker and capitalist, of Vermont stock, now the richest man in Louisville, was of a stern ruggedness unsoftened by a long and successful career in the South, while his wife, the daughter of a Scotch schoolmaster settled in Pennsylvania, was the possessor of a thrifty closeness and strong, practical sense. Alexander, their oldest son, a man of thirty, to whose wedding they had come, was what was natural to expect, a literal, shrewd man, with a strong sense of duty as he saw it. His long, clean-shaven upper lip, above a beard, looked slightly grim, and his straight-gazing, blue-grey eyes were stern. The second son, Austen, was clean-featured, handsome and blond, but he was also, by report, the shrewd and promising son of his father, even as his brother was reported before him. Harriet, the daughter, was a silent, cold-looking girl, who wrapped herself in reserve as a cover for self-consciousness but, observing closely, thought to her own conclusions. She had a disillusioning way of baring facts in these communings, which showed life to her very honestly but without romance or glamour. At the wedding, sitting in her white dress by her father and mother in the flower-bedecked parlours of the Randolphs, Harriet looked at her brother, standing by the girl of seventeen whom he had just married, and saw things much as they were. In Molly, the bride of an hour, with her child’s face and red-brown hair and shadowy lashes, she saw a descendant of pleasure-loving, ease-taking Southerners. Molly’s father, from what Austen had said, was the dispenser of a lavish and improvident hospitality and a genial dweller on the edge of bankruptcy, while the mother, a belle of the ’40’s, some one had told the Blairs, seemed just the woman to marry her only child to a man opposed to her people in creed, politics and habits—which in 1860 meant something—but son of one of the richest men in the South. Harriet ate her supper close by her father and mother. She did not know how to mix with these gay, incidental Southerners, and sitting there, went on with her communings. She could explain it on the Randolph side, but why Alexander was marrying Molly she could not understand. Shy and self-conscious, she knew vaguely of a thing called love. She had met it in her reading rather than seen its acting forces anywhere about her. To be sure, her brother Austen had been engaged to a Miss Ransome of Woodford County, a fashionable Kentucky beauty. The Blairs were a narrowly religious people. Harriet, a school-girl then, had stood at the window of the stately new stone house in Louisville which the Blairs called home, and, watching the fashionable world flow in and out of the high old brick cottage across the street, where Miss Ransome spent much time with a great-aunt, had wondered. But love had not proved such a factor after all. Austen’s engagement had been broken. Harriet went back to Kentucky with the question of Alexander and Molly still open. A year later her father went South again. War was loudly threatening, and he had large interests in Louisiana and Mississippi. There was a certain sympathy and understanding between the stern, silent man and his daughter, and he suggested that she go with him and see the child newly born to Alexander and Molly. But, reaching New Orleans to find his son gone to Mobile, concerning these same interests, Mr. Blair decided to join him, and Molly being about to leave for her father’s plantation with the baby and nurse, that she might the more rapidly convalesce, it was decided that Harriet accompany her. The two weeks at Cannes Brulée were strange to the girl, thus introduced to a Southern house overflowing with guests and servants, and she moved amid the idling and irresponsibility, the laughter and persiflage, with a sense of being outside of it all, and the fault, try as she would, her own. This feeling was strongest that Sunday afternoon when the gaiety and badinage seemed to centre about a new arrival, a handsome, silver-aureoled Catholic priest, confessor to half the parish. Genial, polished, and affable, his very charm seemed to the Calvinistic-bred Harriet to invest him the more with the seductions of Romanism, as she had been taught to regard them. There were music, cards, a huge bowl frosted with the icy beverage within, and to the stunned young Puritan the genial little priest in the midst seemed smiling a bacchanalian benediction over all. Suddenly, above chatter and music Molly’s voice arose, gay but insistent, Molly there in the big chair, pale and big- eyed, her strength so slow to return, herself a child in her little muslin dress. “Baby is four weeks old,” Molly was declaring, “and here is Father Bonot from service at Cannes Brulée and so with his vestments. I’m here and Harriet’s here, and mamma’s here, and everybody else is a cousin or something. I’m sure I don’t know when I can get to church. P’tite shall be baptized here, now.” And before the slower comprehension of the dazed Harriet had grasped the meaning of the ensuing preparations—the draping of the pier-table, the lighting of waxen candles—a sudden silence had fallen; the gay abandon of these mercurial Southerners had given place to reverent awe, even to tears, as the new-born representative of the Puritan Blairs was [4] [5] [6] [7] [8] [9] [10] brought in, in robes like cascades of lace, while of all that followed, the one thing seeming to reach the comprehension of Harriet was the chanting monotone of Father Bonot saying above the child, “Mary Alexina—” Later Molly and Harriet went back to New Orleans, to find Alexander there but his father gone up to Vicksburg. Molly was to keep Harriet with her until his return. Only the girl knew what it meant to find herself near her brother. It was as if here was something sane, rational, stable, by which to re-establish poise and standards. Harriet would have trembled to oppose her brother, so that to see Molly and Alexander together was a revelation. His sternness and his displeasure alike broke as a wave upon Molly, and as a wave receded, leaving her, as a wave would leave the sand, pretty and sparkling and smiling. Other things were revelations to Harriet, too. Going down to breakfast one morning, she found her brother clean-shaven, immaculate, monosyllabic, awaiting the overdue meal. The French windows were open to the scent of myriads of roses outside, and also to the morning sun, far too high. The negro servants were hurrying to and fro, Molly nowhere visible. Later, as the dishes were being uncovered, she appeared, her unstockinged little feet thrust into pretty French slippers, and her cambric nightgown by no means concealed by a negligée, all lace and ribbons, hastily caught together. Yet she was pretty, pretty like a lovely and naughty child. Nor did the embarrassment of Harriet, the presence of the servants, or her husband’s cold preoccupation with his breakfast disturb Molly, who trailed along with apparent unconcern until, reaching his elbow, she threw a wicked glance at Harriet, then kissed him on that spot on his head which, but for a few carefully disposed strands, must have been termed bald. At the thing, absurd as it was, there swept over Harriet the hot shrinking of one made conscious of sex for the first time. With throbbing at throat and ears, she gazed into her plate, her feeling, oddly enough, centring in keen revulsion against her brother. But Molly was dragging a chair to his elbow. “What’s the fricassee made of, Alexander?” Her husband vouching her no reply, she slipped an arm about his neck, and, leaning over, drew his fork to her mouth and tasted the morsel thereon. Then she turned her head sideways to regard him. “Don’t frown it back, Alec, the smile I mean. I adore you when you don’t want to and have to let it come. Acknowledge now, this is the way to breakfast.” And Harriet, who had been led to regard playfulness as little less than vice, was conscious of Molly trying to force a ripe fig between Alexander’s lips, repressed, thin lips upon which softening sat as if afraid of itself and her. “You see,” Molly was explaining, “I couldn’t get down sooner. P’tite was making the most absurd catches at her mosquito bar, and Celeste refusing to laugh at her. You haven’t finished your breakfast? Why must you always hurry off? No”—her hand against his mouth, he, risen now, she on a knee in her chair, clinging to him—“don’t tell me any more about Sumter having been fired upon, and your being worried over business. I hate business. What’s anything this moment, if you would only see it, compared with me, and ripe figs dipped in cream?” And then the triumph of her laugh as, his arms suddenly around her, he grasped her, lifted, enfolded her for a moment, then as fiercely put her from him and went out, leaving Harriet sick, shaken, at this sight of human passion seen for the first time. The following day Harriet’s father returned and she went home. When she next saw her brother it was in Louisville, where he was driven back to his own people by reason of his Northern creed and sympathies. His father-in-law had been among the first to fall in defence of the Confederacy, and with Alexander, now, was his mother-in-law, widowed and dependent, and a wife in this sense changed from child to woman—that she was a fiercely avowed Southerner to the fibre of her. With his little family he remained in Louisville a year. If his own people wondered at the extravagance of his wife and mother-in-law at a time when incomes were so seriously shrunken, Alexander was too much a Blair for even a Blair to approach the subject. The child was sent daily to his mother’s—he saw to that—a pretty baby, the little Mary Alexina, and robed like a young princess; but beyond this he seemed to discourage intimacy between the households. Certainly there was no common ground, the business judgment, large experience, and the integrity of the Blairs being in the constant service of the government, while rumor had it that the home of young Mrs. Alexander Blair was the social rallying place for Southern sympathizers generally. Suddenly, in the midst of big affairs, Alexander arranged otherwise for the maintenance of his wife’s mother, whom it was his to support for the few remaining years of her life, and went to Europe with Molly and the child. Long after it came to Harriet’s hearing that the frequent presence of a young Confederate officer at his house had led to the step. It was four years from this time, in 1867, that Alexander Blair, the senior, died, to be shortly followed by his wife. [11] [12] [13] [14] [15] [16] [17] Though the son Alexander returned to Louisville of necessity, following these events, he left Molly and the child in Washington with some of her people there. And though his interests became centred in Louisville again, he never brought his family back, but went and came between the two places. In domestic infelicity it is our own people we would hide it from longest. It was two years after, in ’69, that Alexander met his end with the shocking suddenness of accidental death as he was returning East to Molly and the child. CHAPTER TWO The leisure of a summer evening had fallen with the twilight. Along that street in Louisville wherein stood the Blair house, with its splendid lawn, and its carriage driveway issuing through a tall, iron gate, front doors were opening and family groups gathering. The yards wore the fresh green of June. A homecoming crumple-horn ambled by, her bag swinging heavily. In the South, in 1870, cities were villages overgrown. In the parlour of her home Harriet Blair sat, awaiting the arrival of her brother Austen from Washington, where he had gone to bring back their dead brother’s child. Harriet, at twenty-six, in lustreless mourning, was handsome and, some might have said, cold. Her face was finely chiselled, and framed with light hair waving from its parting in curves regular as the flutings of a shell. There was a poise, a composure about this Harriet, making her unlike the tall, shy girl of nine years before. As the bell rang she laid down her book and rose, and a second later Austen entered, leading a little girl with a round, short-cropped head. His eyes met his sister’s in greeting, then he loosed the child’s hand. “This is your Aunt Harriet, Alexina,” he said, and stepped across the room to stand before the mantel and watch the two. Harriet bent and kissed the small cheek. Demonstration, even to this extent, meant much for a Blair. Then she crossed the room. She was more than ordinarily tall for a woman, with form proportioned to length of limb, and the beauty of her carriage gained by her unconsciousness of it. Having pulled the bell-cord she came back, smiling, calmly expectant, looking from Austen to the child, who, seated now on the edge of a chair, was regarding her with grave eyes. “She has a strong look of Alexander,” said Harriet, consideringly, “and a little look of you—and of me. She is a Blair, though I can see her mother, too, about the mouth.” The child moved under the scrutiny, but her gaze, returning the study, did not falter. Harriet laughed; was it at this imperturbability? “I think,” she decided, “we may consider her a Blair.” Then to the white maid-servant entering: “You may order supper, Nelly, for Mr. Blair and myself. This is Alexina, and, I should say, tired out. Suppose you give her a warm bath and let her go right to bed—have you her trunk key, Austen?—and I will send a tray up with her supper afterward.” Then, as Nelly took the key and went out, Harriet addressed her brother. “For, apart from the hygienic advantages of the bath before the supper, I confess”—with faintly discernible amusement—“to a fancy for the ceremony as a form, so to speak, emblematic of a moral washing and a fresh start.” She ended with a raising of her brows as she regarded her brother. Austen Blair had no use for levity. Mild as this was, he dismissed it curtly. “I would suggest,” he said, “that you avoid personalities; it can but be injudicious for any child to hear itself discussed.” Again Harriet laughed; she was provokingly good-humoured. “Coming from her nine years of life beneath Molly’s expansive nature, I don’t think you need fear for what she’ll gather from me.” She took the child’s hand and lifted her from the chair. “Here is Nelly, Alexina; go with her and do what she says. Say good-night to your uncle. Supper, Austen.” The dining-room being sombre, one might have said it accorded with the master, whose frown had not all cleared away. Harriet was speaking. “What of Molly? Was there a scene at parting with her voluntarily given-up offspring? For her moods, like her tempers, used to delight in being somewhat inconsistent and mixed.” “She has in no way changed,” replied Austen. Was it this flat conciseness in all he said that made levity irresistible to Harriet in turn? “My interview with her was confined to business. That ended, she told me, as an afterthought, apparently, that the coloured woman was going to remain with her, and she supposed Alexina could manage on the train. She also told me that her husband had severed connection with the legation and was going back to Paris. Alexina was not with them at the hotel, but with her uncle, Senator Randolph, from whose house Molly was married.” “And Molly’s parting with the child—” “Was a piece with it all, tears and relief, just as you would have expected.” [18] [19] [20] [21] [22] [23] “And the husband’s, this Mr. Garnier’s, attitude?” “Was enigmatical; how far he understands the situation I had no means of judging.” “I’m sorry for the child, though,” said Harriet suddenly, “for if there is anything of Molly in her, life according to the Blair standard may pall, and,” whimsically, “her mixture of natures be vexed within her.” Austen took the Blairs seriously, and at any time he disliked the personal or the playful. He spoke coldly. “Having given the child over to you from the moment of arrival, of this initiatory tone you are taking I shall say no more. Duties you assume you do best your own way.” Harriet arched her brows. “You mean, having found better results followed the withdrawal of your oversight of me as mistress of our house, you are going to let me alone in this?” “Exactly,” said her brother, “and therefore on the subject, now or hereafter, I shall say no more.” And it was eminently characteristic of him that he never did. Meanwhile up-stairs the child had gone through with the bath and the supper like an automaton in Nelly’s hands. “She said ‘yes’ when I asked her anything,” Nelly reported later to the cook; “or she said ‘no’. And her lips were set that hard she might a’most have been Mr. Austen’s own child.” And that was all Nelly saw in the little creature she tucked into the huge, square bedstead under the bobinet mosquito bar. But no sooner had Nelly’s footsteps ceased along the hall than the child, as one throwing off an armour of repression, rolled out of the high bed and from under the bar, flinging and disarranging the neat covers with passionate fury, sobbing wildly. A bead of gas lit the room. She pattered across the floor to the opened trunk, and when the little figure, stumbling over its gown, stole back to bed, a heartrendingly battered, plaster-headed doll was clasped in its arms. And, as the voices of children at play on the sidewalk came up through the open windows, the child, shaken with crying—the more passionate because of long repression—was declaring: “Sally Ann, baby, I couldn’t never have given you up, not even if I was your own truly mother, Sally Ann, I couldn’t, never.” CHAPTER THREE Down-stairs the evening passed as evenings usually did when Harriet and Austen were alone. There were not even the varyings from parlour to front door that the heat seemed to necessitate for the rest of the neighbourhood. Front porches are sociable things. The Blairs’ was the only house on the street without one. The evening passed with the brother and sister at opposite sides of the black, marble-topped table in the long parlour, she embroidering on a strip of cambric with nice skill, he quickly and deftly cutting the wrappers and pages of papers and magazines accumulated in his absence. To undertake just what he could do justice to and keep abreast of it, was the method by which he accomplished more than any two men, in business, in church affairs, in civic duties, for the man took his citizenship seriously. Both brother and sister had been raised to economy of time, yet sometimes she mocked at herself for her many excellencies and sometimes sighed, while he— At ten o’clock Harriet rolled her work together and said good-night, ascending the crimson-carpeted stairway with the unhurried movement of an Olympian goddess; that is, if an Olympian goddess could have been so genuinely above concern about it. Her room, a front one on the second floor, had a look of spaciousness and exquisite order. She moved about, adjusting a shade, setting a gas-bracket at some self-imposed angle of correctness, giving the sheets of the opened bed a touch of adjustment. It was the price paid for the free exercise of individuality. Already, at twenty-six, ways were becoming habits. These things arranged, she passed to the adjoining room, from to-night given to Alexina. Turning up the gas, Harriet glanced about at Nelly’s disposition of things, then moved to the bed. Whatever were the emotions called forth by the relaxed little form, softly and regularly breathing against a battered doll, or by the essentially babyish face with the fine, flaxen hair damp and clinging about the forehead, the Blairs were people to whom restraint was second nature. Whatever Harriet felt showed only in solicitude for the child who had thrown aside all cover. But as she drew the sheet and light blanket up, her hand touched the smoothness of a bared little limb. It brought embarrassment. She had but once before touched the bareness of another’s body, and that her mother’s, and in death. Was it shame, this surging of strange hotness through her? The refuge of a Blair was always action. She stepped to the bay of the room and drew the shutters against the night- wind. [24] [25] [26] [27] [28] [29] [30] Between the windows stood the bureau. Harriet paused, arrested by a daguerreotype in a velvet case open upon it. The child must have left it there. She sat down and laying the picture on her knee, regarded it, her chin in her palm. It was the face of the father of the sleeping child, dead less than a year, for whom his sister was wearing this black trailing in folds about her. And looking on his face, she recalled another, exquisite in pallor, with shadowy lashes, the face of Molly, who ten months after Alexander’s death had married again; who not only married but gave up her child. Had it been the purpose of Alexander to test her for the child’s sake? She had been given her third and the child the same, with Austen as executor and guardian. In the event of Molly marrying again, she had been given choice. She might relinquish all right in the remaining third and keep the child, or by giving up the child could claim the portion. And the estate was large. In ten months Molly had chosen. And yet, thinking of these things, Harriet bade herself be just, chief tenet in the Blair creed. Was she so certain Alexander had been altogether unhappy in his marriage? May not compensations arise out of a man’s own nature if he cares for the woman? For Harriet no longer asked why her brother had married Molly. She knew, knew that the thing called love is stronger than reason, than life—some even claimed, than death. Not that she knew it of herself, this calm, poised Harriet, but, watching, she had seen its miracles. And out of this, Alexander may have drawn his compensation, for, stronger than the hourly friction of his daily life, stronger than the hurt of outraged conventionality, thrift, and pride, stronger than the jealousy which must have often assailed him, had not love survived in Alexander to the end, love that protected and concealed Molly’s failings from his own people? Suddenly, over Harriet swept the breath of roses coming into an open breakfast room and she saw a stern-lipped man lift, enfold a child-woman to him for a moment, and as fiercely put her from him and go out. Harriet, breathing quickly, put her brother’s picture back, and going to the bed, lifted the bar and drew the sheet again over the child. Then she stood looking down. What manner of little creature was this child of Alexander and Molly? Glancing about to assure herself all was in order, she put the light out, and, with hand outstretched against the darkness, moved to the door, when there swept over her again the vision of Molly clinging to Alexander, and again she felt the surrender of the man, the fierce closing of his arms, and again she was shaken by his passion. And even after she reached her room and sat down at her desk to the ledger of household accounts, it came over her, and she paused, her hand pressed to her hot cheek. But that a little creature had cried itself to sleep in the next room she did not dream. She would have cried herself, had she known it, she, to whom tears came seldom and hard. But she was a slow awakening soul, groping, and she did not know. CHAPTER FOUR The next morning Harriet sat in Alexina’s room putting criss-cross initials on a pile of unmarked little garments. It was part of the creed that clothes be marked. Presently, as the child came to her aunt’s knee for a completed garment, Harriet laid a hand on the little shoulder. Demonstration came hard and brought a flush of embarrassment with it. “Alexina,” she said, “you haven’t mentioned your mother!” The child stood silent but there came a repeated swallowing in her throat while a slow red welled up over the little face. Harriet had a feeling of sudden liking and understanding. “You would rather—you prefer not?” The child nodded, but later, as if from some fear of appearing unresponsive, she brought an album from her trunk and spread it open on Harriet’s knee. She seemed a loyal small soul to her kinsfolk, mainly her mother’s people, and turning the leaves went through the enumeration. At one page—“Daddy,” she said. “Daddy” applied in a baby’s cadence to Alexander! Daddy! It was a revelation of that part of her brother’s life which Harriet had forgotten in accounting assets. “Daddy,” called fearlessly, with intonation unconsciously dear and appealing. And Alexander had been that to his child! There was no picture of Molly, but there was a torn and vacant space facing Alexander. Had the child removed one? She bore resentment then? Harriet had no idea how far a child of nine could comprehend and feel the situation. She would have been surprised at other things a child of nine can feel. If the routine of the house dragged dully to Alexina, Harriet never suspected it. The personal attention was detailed to Nelly, who divined more—Nelly, the [31] [32] [33] [34] [35] [36] [37] freckle-faced, humorous-eyed house girl, taken from the Orphans’ Home and trained by Harriet’s mother. But, then, Nelly had been orphaned herself, and had known those first days following asylum consignment and perhaps had not forgot. Her sympathy expressed itself through the impersonal, the Blair training not having encouraged the other. “Such a be-yewtiful dress,” said she, laying out the clothes for her charge. Which was true; no child of Molly’s would have suffered for clothes, Molly loving them too well herself. “And such be-yewtiful slippers,” said Nelly, with Alexina in her lap, pulling up the little stocking and buttoning the strap about the ankle. Alexina’s hand held tight to Nelly’s hard, firm arm, steadying herself. Perhaps she divined the intention. “Can I come, too, when you go to set the table?” she asked. But Harriet never suspected. Nor again, that evening while she and Austen read under the lamp, did Harriet know that Alexina, standing at the open parlour window gazing at the children playing on the sidewalk, was fighting back passionate tears of an outraged love and a baffling sense of injustice. All at once a child’s treble came in from the pavement. “Can’t you come play?” Alexina turned, with backward look of eager inquiry to her aunt, who had come behind her to see who called. “As you please; go if you want,” said Harriet good-humouredly. Austen, too, glanced out. Tip-toe on the stone curbing of the iron fence perched a little girl, spokesman for the group of children behind her. “Who is the child?” he asked his sister. “Her name is Carringford. She is a grand-daughter of the old Methodist minister who lives at the corner; secretary of his church board, or something, isn’t he? I’ve noticed two or three little Carringfords playing in the yard as I go by, and all of them handsome.” Austen placed them at once. The child’s mother was the daughter of the old minister, and, with husband and children, lived in the little brown house with him. An interest in the details of the human affairs about him was an unexpected phase in Austen’s character. He liked to know what a man was doing, his income, his habits, his family ties. “I know Carringford,” he remarked; “he is book-keeper for Williams, a good, steady man. As you say, a handsome child, exceedingly so.” Harriet watched until the little niece joined the group outside. “Gregarious little creatures they seem to be,” she remarked. There was good-humour in her tone, but there was no understanding. The next day was Sunday. On Monday it rained. Tuesday evening Alexina stood at the parlour window as before, looking out. The little figure looked very solitary. “May I go play?” suddenly she asked. The voice was low, there was no note even of wistfulness, it was merely the question. There are children who suffer silently. “Why not?” Harriet rejoined, looking up from her magazine. She was the last person to restrict any one needlessly. The little niece went forth. The children had not come for her again. Perhaps they did not want her, but, even with this fear upon her, go she must. At the gate she paused and with the big house in its immaculate yard behind her, gazed up and down. It was a quiet street with the houses set irregularly back from fences of varying patterns, and the brick sidewalks were raised and broken in places by the roots of huge sycamores and maples along the curbs. But the cropped head of Alexina turned this way and that in vain. The street was deserted, the stillness lonesome. She swallowed hard. She knew where the little girl named Emily Carringford lived, for she had pointed out the house that first evening as they ran past in play, so Alexina slowly crossed the street, hoping Emily might be at her gate. But first, as she went along, came a wide brick cottage, sitting high above a basement, a porch across the front. She gazed in between the pickets of the fence, for it seemed nice in there. The ground was mossy under the trees, and the untrimmed bushes made bowers with their branches. She would like to play in this yard. Her eyes travelled on to the house. A gentleman sat in a cane arm-chair at the foot of the steps, smoking, and on the porch was a lady in a white dress with ribbons. The house looked old and the yard looked old, and so did the gentleman, but the lady was young; maybe she was going to a party, for it was a gauzy dress and the ribbons were rosy. Alexina liked the cottage and the lady, and the big, wide yard, and somehow did not feel as lonesome as she had. She started on to find Emily, but at that moment the gate of the cottage swung out across her path. How could she know that the boy upon it, lonely, too, had planned the thing from the moment of her starting up the street? [38] [39] [40] [41] [42] [43] “Oh,” said Alexina, and stopped, and looked at the boy, uncomfortably immaculate in fresh white linen clothes, but he was absorbed in the flight of a bird across the rosy western sky. “Come and play,” said the straightforward Alexina. Companionship was what she was in search of. The boy, without looking at her, shook his head, not so much as if he meant no, but as if he did not know how to say yes. Perhaps she divined this, for approaching the gate and fingering its hasp, she asked, “Why?” The boy, assuming a sort of passivity of countenance as for cover to shyness, kicked at the gate, then scowled as he twisted his neck within the stiff circle of his round collar with the combative air of one who wars against starch. “There’s nobody to play with,” he said; “they’ve all gone to the Sunday-school picnic. I don’t go to that church,” nodding in the direction of a brick structure down the street. “You go to the same one as my Aunt Harriet and my uncle,” Alexina informed him. “I saw you there, and your name is William. I heard the lady calling you that, coming out.” The gate which had swung in swung out again, bringing the boy nearer this outspoken little girl, whose unconsciousness was putting him more at his ease. He had seen her at church, too, but he could not have told her so. “What’s the rest of your name—William what?” Such a question makes a shy person very miserable, but the interest was pleasing. “William Leroy,” said the boy tersely. Then, as if in amend for the abruptness, he added: “Sometimes they call it the other way, King William, you know.” “Who do?” “Father and mother.” “You mean when you’re pretending?” The gate stopped in its jerkings. There had been enough about the name. He was an imperious youngster. “No, I don’t,” he said; “it’s William Leroy backward.” The little girl looked mystified, but evidently thought best to change a subject about which the person concerned seemed testy. “I saw one once,” she said sociably; “a real one. He was in a carriage, with horses and soldiers, and a star on his coat.” “One what?” demanded the boy. “A king, a real one, you know.” Now, this princeling on the gate knew when his own sex were guying and he knew the remedy. He did not know this little girl, but he would not have thought it of her. “A real—what?” he demanded. “A real king, but they don’t say king; they say ‘l’empereur.’” William looked stern. “I don’t know what you mean,” he returned; “where did you see any king?” The grave eyes were not one bit abashed. “In Paris, where we lived,” said the little girl. “There was a boy named Tommy watching at the hotel window, too, and he said, ‘Vive le roi,’ and Marie, my bonne, she said, ‘Sh—h: l’empereur!’” The effect of this was unexpected, for the boy, descending from the gate, turned a keenly irradiated countenance upon her. “Do you mean Paris, my father’s Paris, Paris in France?” “Why,” said the little girl, regarding him with some surprise, “yes.” For he was taking her by the hand in a masterful fashion. “Come in,” he commanded. “I want you to tell father; that’s father there.” But Alexina, friendly soul, went willingly enough with him through the gate and up the wide pavement between bordering beds of unflourishing perennials. “Listen, father,” William Leroy was calling to the gentleman at the foot of the steps; “she’s been in Paris, your Paris.” The gentleman’s ivory-tinted fingers removed the cigar from his lips. As he turned the western light fell on his lean, clean-shaven face, thin-flanked beneath high cheek-bones. From between grey brows thick as a finger rose a Louis Philippe nose, its Roman prominence accentuated by the hollowness of the cheeks. The iron-grey hair, thrown back off [44] [45] [46] [47] [48] the face, fell, square-cut, to the coat collar behind. Never a word spoke the gentleman, only, cigar in hand, waited, eagle-countenanced, sphinx-like. Yet straight Alexina came to his side, and her baby eyes, quick to dilate, now confidingly calm, met the ones looking out piercingly from their retreat beneath the heavy brows, and quite as a matter of course a little hand rested on his knee as she stood there, and equally as naturally, his face impassive, did the fingers of the gentleman close upon it. A silent compact, silently entered into, for before a word was interchanged the animated contralto of the lady came down from above. “Who is the little girl, son? What is your name, dear?” Son’s wince was visible. He had no knowledge of the little girl’s name, but he did not want to say so. But she was answering for herself, looking up at the pretty lady, dressed as though for a party. “It’s Mary Alexina Blair,” she was saying, “but my Aunt Harriet says it’s to be just Alexina now.” “Oh,” said the lady. There was a little silence before she spoke again. “It must be Alexander Blair’s child, Georges. Come up, dear, and let me see you.” But King William, balancing himself on the back of his father’s chair, objected. “Hurry, then, mother,” he demanded; “we want to play.” But Alexina had gone up the steps obediently. The eyes of the lady were dark and slumbrous, but in them was the slightly helpless look of short vision. She drew the child close for inspection. The fair hair, the even brows, the clear-gazing eyes she seemed to have expected, but the dilation in those same wondering eyes raised to hers, the short upper-lip, the full under one that trembled—these the lady did not know. “A sensitiveness, a warmth,” she said, half aloud. What did she mean? Then she raised her voice. “See, Willy Leroy, how she stands for me, while you pull away if I so much as lay my hand on you.” “But you look so close,” objected Willy, “and you fix my hair, and you say my collar ain’t straight. You’ve seen her now, mother; you’ve seen her close, and I want her to come sit on the step.” “Go, then, little Mary Alexina Blair,” said the lady; “he’s a little ingrate whose mother has to barter with him for every concession he makes her.” And, smiling at herself, her face alight and arch with the animation of her smile, Charlotte Leroy sat back in the scarlet settee and respread her draperies as a bird its plumage, touching the ribbons at her waist and throat, resettling them with the air of one who takes frank pleasure in their presence and becomingness. This done, she viewed her hands, charming hands heavy with costly rings, and finally, reassured at all points, she relaxed her buoyant figure and looked around with smiling return to her surroundings. It was for no party she was dressed but for her own satisfaction. CHAPTER FIVE “Your initials spell Mab,” King William was telling Alexina as they sat on the step; “that means you’ll be rich. Mine don’t spell anything. I’m named for my grandfather up in Woodford, William Ransome. He’s dead. Father’s don’t either—Georges Gautier Hippolyte Leroy. His father ran away from France because he was a Girondist, and came to Louisville because it was French, and father’s been to Paris, too; haven’t you, father?” The gentleman thus adjured removed his cigar and addressed his wife. “It begins to amount to garrulity. If the opposite sex produces this at ten, what are we to expect later on?” Mrs. Leroy’s voice had a note of defence in it, as if she could not brook even humorous criticism of the boy. It was plain where the passionate ardour in her nature was centred. “I’m glad, I’m glad to see it,” she declared. “I was afraid it was not in him, I was beginning to fear he was a self- sufficient little monster.” But her son was continuing the family history. “Mother’s name was Charlotte Ransome; wasn’t it, mother? When I’m a man I’m going to buy my grandfather’s stock farm back, and we’ll live there; won’t we, mother?” But the impulsive Charlotte, veering around, here took her husband’s side: “‘I’m going to—I’m going to,’” she mimicked the boy, then began to chant derisively as in words familiar to both: “And if you don’t believe me And think I tell a lie—” But it only gave him an idea. He was not often a host. It was going to his head. “Wait!” he ordered, to whom it was not quite clear, and tore into the house, to be back almost at once, bearing a beribboned guitar. “Now,” he said, depositing it upon his mother’s lap; “now, sing it for her; sing it right, mother. It’s ‘The Ram of [49] [50] [51] [52] [53] [54] [55] Derby.’” This to Alexina, with a sudden shyness as he found himself addressing her. But she, unconscious soul, did not recognize it, hers being an all-absorbed interest, and, reassured, young William went on: “There was a William Ransome once, when he was little, sat on General Washington’s knee, and General Washington sang him ‘The Ram of Derby.’ Go on, mother, sing it.” And Charlotte, with eyes laughing down on the two upturned faces, “went on,” her jewelled fingers bringing the touch of a practised hand upon the strings, her buoyant figure responsive to the rhythm, while into the Munchausen recital she threw a dash, a swing that rendered the interest breathless. “There was a ram of Derby I’ve often heard it said, He was the greatest sheep, sir, That ever wore a head. And if you don’t believe me And think I tell a lie, Just go down to Derby And see as well as I. “The horns upon this ram, sir, They reached up to the sky, The eagles built their nest there, For I heard the young ones cry. And if you don’t believe me, etc., etc. “The wool upon this ram, sir, It grew down to the ground, The devil cut it off, sir, To make a morning gown. And if you don’t believe me, etc., etc.” And so on through the tale. King William, at her knees, clapped his hands. Alexina, by him, clapped hers, too, for joy of companionship, while the third listener sat with unchanging countenance below. But he liked it, somehow one knew he liked it, knew that he was listening down there in the dusk. Perhaps Charlotte knew it, too. The vibrant twang slowed to richer chords, broke into rippling chromatic, caught a new measure, a minor note, and her contralto began: “I am going far away, far away to leave you now, To the Mississippi River I am going—” But this was only so much suggestion for her son’s active brain. “Tell her, mother,” he begged, pulling at Charlotte’s sleeve; “tell her about the ‘King William.’” “And it has lain dormant, this egotism, unsuspected,” came up from out of the dusk. Charlotte’s fingers swept the chords, her eyes fixed adoringly on her little son’s face, the while she sang on, absently, softly: “Down in my ol’ cabin home, There lies my sister an’ my brother. There lies my wife, the joy of my life, An’ the child in the grave with its mother.” But King William, far from being harrowed by the woeful enumeration, laid an imperious hand on the strings. “Tell her, mother; I want you to tell her.” “Come then, and kiss mother, and I will.” He moved the intervening step and submitted a cheek reluctantly. “Just one and you said you’d tell.” But Charlotte, imperious herself, waved him off; she’d none of him now. “It’s because he’s a vain boy, little Mary Alexina Blair, and filled with self-importance, that he wants you to know, and he only wants me to tell you because he has not quite the assurance to do it himself; that is why he wants me to tell about the great, white-prowed Argo—” “We call them bows, not prows,” came up out of the dusk. But she refused the correction. “—The white-prowed Argo that is building across the river, to go in search of a golden fleece for little Jason here, a boat large, oh larger even than those other boats of little Jason’s father, the Captain down [56] [57] [58] [59] [60] there, which used to float up and down the Mississippi, and which vanished one day into the maw of the Confederacy —” But Jason was lifting his voice. “Not that way; make her stop, father; that ain’t the way!” But mother was not to be hurried out of her revenge. “And this big, white ark is one day going to float off on the flood of Hope, bearing Jason and his father and his mother, the last plank of fortune between them and—” Jason was beating with his hands on the steps. “Make her stop, father; make her tell it right; she don’t understand what mother means. Do you?” with an appeal to the absorbed Alexina. That small soul jumped and looked embarrassed to know what to say, for direct admissions are not always polite. “I had an ark once,” she stated, “but I sucked the red off Noah, and Marie, my bonne, took it away.” Leaning down, Charlotte Leroy swept the baby-voiced creature up into her lap. There was a passion of maternity in the act. “You innocent,” she said, and held her fast. It was nice to be there; the ribbons and the lacy ruffles were soft beneath her cheek, and the dark eyes of the lady were smiling down. The child turned suddenly and clung to Charlotte with passionate responsiveness. “It’s about the boat his father is building, Willy wants you to know, little Mab,” the lady was telling her, “and how, the other day, the Captain down there and our friends and Willy and I went aboard her, on the ways at the shipyard over the river, and how, at the ax-stroke, as she slid down and out across the water, Willy broke the bottle on the bow and christened the boat ‘King William.’” “Just so,” came up in the Captain’s voice. The moon was rising slowly. “There’s some one at the gate,” cried Willy. “It’s for me,” said Alexina, starting up; “it’s Nelly and she’s hunting me.” Later, Nelly, leading her across the street, was saying, “I don’t believe Miss Harriet is going to like it when she knows where you’ve been.” “Why?” But Nelly couldn’t say; “except that they’re the only ladies on the street not knowing each other,” she explained. The two went in. Alexina dropped Nelly’s hand and walked into the parlour and across to Harriet’s knee. Austen sat reading on the other side of the table. “I’ve been over to a boy’s house,” said Alexina; “his name is King William and their other name is Leroy.” Harriet held the cambric strip of embroidery from her and viewed it. “Austen,” she asked, “is Alexina to play indiscriminately with the children on the square?” Austen looked across at his sister. “It is within your authority to decide,” he returned, “but I know of no reason why she should not.” Harriet made no response. Outwardly she was concerned with some directions to Nelly, waiting to take the child to bed, but inwardly she was wondering if Austen ever could have cared for this Charlotte Ransome. He sat long after Harriet had gone. Then, rising abruptly, he went out the front door and walked to the corner of the house. It was dark in the coachman’s room above the stable, and the master could go to bed secure that his oil was not being wasted. That was all, yet he did not go in. The night was perfect, full of moonlight and the scent of earth and growing things. It was so still the houses along the street seemed asleep. Almost furtively, the gaze of Austen lifted to the cottage, dark and silent across the way. He had been the one who would not forgive; the other had been only an impetuous girl. He stood there long. Perhaps his face was colder, his lips pressed to a thinner line; perhaps it was the moonlight. Then he turned and went into the house. CHAPTER SIX Alexina came to Harriet with information. [60] [61] [62] [63] [64] [65] “Emily goes to school to her aunt, and King William goes there, too.” “Do they?” returned Harriet. Her interest was good-humoured rather than ardent. “I’d like to go, too,” said her niece. “Oh,” from Harriet, understanding at last; “but isn’t school about over?” “There’s two weeks more.” “If it will make you happy, why not, if the teacher does not object?” So Alexina went with Emily to school. King William was there, but he hardly noticed her, seeming gloomy and given to taking his slate off into corners. “He don’t want to come,” explained Emily; “he’s the only boy.” “Then what does he come for?” queried the practical Alexina. “His mother won’t let him go to a public school.” There was more to be learned about William. He fought the boys who went to the public school, because they jeered him in his ignominy. Alexina saw it happening up the alley but, strangely enough, when William appeared at school, he seemed cheered up, though something of a wreck. Out of school, Alexina often went over to Emily’s house to play. There were no servants there, but her mamma beat up things in crocks, and her great-aunty, a brisk little old woman with sharp eyes, made yeast cakes and dried them out under the arbour and milked the cow, too, and Emily’s little brother, Oliver, carried milk to the neighbours. Once in the spotless, shining kitchen, Alexina was allowed to wield a mop in a dish-pan and, still again, to stir at batter in a bowl. In the room which would have been the parlour in another house, Emily’s grandfather Pryor sat at a table with books around him, and wrote on big sheets of paper in close writing. He was a stern old man and his hair stood out fine and white about his head. Once, as he passed across the front porch, he looked at Emily, then stopped, pointing to the chain about her neck. It was Alexina’s little gold necklace which Emily had begged to wear. “Take it off,” he said. Emily obeyed, but her checks were flaming, and when he had gone she threw her head back. “Wh...