The Project Gutenberg EBook of The Gods and Mr. Perrin, by Hugh Walpole This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Gods and Mr. Perrin A Tragi-Comedy Author: Hugh Walpole Release Date: June 1, 2016 [EBook #52211] Last Updated: March 16, 2018 Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THE GODS AND MR. PERRIN *** Produced by David Widger from page images generously provided by the Internet Archive THE GODS AND MR. PERRIN A Tragi-Comedy By Hugh Walpole Author Of “Fortitude,” “The Prelude To Adventure,” Etc. New York George H. Doran Company 1911 “The Way Here Also Was Very Wearisome Through Dirt And Shabbiness: Nor Was There On All This Ground So Much As One Inn Or Victualling-House Wherein To Refresh The Feebler Sort.”— Pilgrim's Progress TO PUNCH My Dear Punch, There are a thousand and one reasons why I should dedicate this book to you. It would take a very long time and much good paper to give you them all; but here, at any rate, is one of them. Do you remember a summer day last year that we spent together? The place was a little French town, and we climbed its high, crooked street, and had tea in an inn at the top—an inn with a square courtyard, bad, impossible tea, and a large black cat. It was on that afternoon that I introduced you for a little time to Mr. Perrin, and you, because you have more understanding and sympathy than anyone I have ever met, understood him and sympathized. For the good things that you have done for me I can never repay you, but for the good things that you did on that afternoon for Mr. Perrin I give you this book. Yours affectionately, HUGH WALPOLE. Chelsea, January 1911. CONTENTS THE GODS AND MR. PERRIN CHAPTER I—MR. VINCENT PERRIN DRINKS HIS TEA AND GIVES MR. TRAILL SOUND ADVICE CHAPTER II—INTRODUCES A CONFUSING COMPANY OF PERSONS, WITH SPECIAL EMPHASIS ON MRS. COMBER CHAPTER III—CONCERNS ALL THE WONDERFUL THINGS THAT MAY HAPPEN BETWEEN SOUP AND DESSERT CHAPTER IV—BIRKLAND LOQUITUR CHAPTER V—A GAME OF FOOTBALL AND A DANCE IN PENDRAGON HAVE THEIR PART IN THE SCHEME OF THINGS CHAPTER VI—SÆVA INDIGNATIO CHAPTER VII—THE BATTLE OP THE UMBRELLA; THEY OPEN FIRE CHAPTER VIII—THE BATTLE OP THE UMBRELLA; CAMPS ARE FORMED—ALSO SOME SKIRMISHING CHAPTER IX—THE BATTLE OP THE UMBRELLA; WITH THE LADIES CHAPTER X—THE BATTLE OF THE UMBRELLA; “WHOM THE GODS WISH TO DESTROY....” CHAPTER XI—MR. PERRIN SEES DOUBLE CHAPTER XII—MR. PERRIN WALKS IN SLEEP CHAPTER XIII—MR. PERRIN LISTENS WHILE THEY ALL MAKE SPEECHES CHAPTER XIV—MR. PERRIN REACHES THE HEART OF HIS KINGDOM CHAPTER XV—THE GOLDEN VIEW THE GODS AND MR. PERRIN V CHAPTER I—MR. VINCENT PERRIN DRINKS HIS TEA AND GIVES MR. TRAILL SOUND ADVICE I. INCENT PERRIN said to himself again and again as he climbed the hill: “It shall be all right this term”—and then, “It shall be”—and then, “This term.” A cold wintry sun watched him from above the brown shaggy wood on the horizon; the sky was a pale and watery blue, and on its surface white clouds edged with gray lay like saucers. A little wind sighed and struggled amongst the hedges, because Mr Perrin had nearly reached the top of the hill, and there was always a breeze there. He stopped for a moment and looked back. The hill on which he was stood straight out from the surrounding country; it was shaped like a sugar-loaf, and the red-brown earth of its fields seemed to catch the red light of the sun; behind it was green, undulating country, in front of it the blue, vast sweep of the sea. “It shall be all right this term,” said Mr. Perrin, and he pulled his rather faded greatcoat about his ears, because the little wind was playing with the short bristly hairs at the back of his neck. He was long and gaunt; his face might have been considered strong had it not been for the weak chin and a shaggy, unkempt mustache of a nondescript pale brown. His hands were long and bony, and the collar that he wore was too high, and propped his neck up, so that he had the effect of someone who strained to overlook something. His eyes were pale and watery, and his eyebrows of the same sandy color as his mustache. His age was about forty-five, and he had been a master at Moffatt's for over twenty years. His back was a little bent as he walked; his hands were folded behind his back, and carried a rough, ugly walking-stick that trailed along the ground. His eyes were fixed on the enormous brown block of buildings on the top of the hill in front of him: he did not see the sea, or the sky, or the distant Brown Wood. The air was still with the clear suspense of an early autumn day. The sound of a distant mining stamp drove across space with the ring of a hammer, and the tiny whisper—as of someone who tells eagerly, but mysteriously, a secret—was the beating of the waves far at the bottom of the hill against the rocks. Paint blue smoke hung against the saucer-shaped clouds above the chimneys of Moffatt's; in the air there was a sharp scented smell, of some hidden bonfire. The silence was broken by the sound of wheels, and an open cab drove up the hill. In it were seated four small boys, surrounded by a multitude of bags, hockey-sticks, and rugs. The four small boys were all very small indeed, but they all sat up when they saw Mr. Perrin, and touched their hats with a simultaneous movement. Mr. Perrin nodded sternly, glanced at them for a moment, and then switched his eyes back to the brown buildings again. “Barker Minor, French, Doggett, and Rogers.” he said to himself quickly; “Barker Minor, French.. . ;” then his mind swung back to its earlier theme again, and he said out loud, hitting the road with his stick, “It shall be all right this term.” The school clock—he knew the sound so well that he often thought he heard it at home in Buckinghamshire—struck half-past three. He hastened his steps. His holidays had been good—better than usual; he had played golf well; the men at the Club had not been quite such idiots and fools as they usually were: they had listened to him quite patiently about Education—shall it be Greek or German? Public School Morality, and What a Mother can do for her Boy—all favorite subjects of his. Perhaps this term was not going to be so bad—perhaps the new man would be an acquisition: he could not, at any rate, be worse than Searle of the preceding term. The new man was, Perrin had heard, only just down from the University—he would probably do what Perrin suggested. No, this term was to be all right. He never liked the autumn term; but there were a great many new boys, his house was full, and then—he stopped once more and drew a deep breath—there was Miss Desart. He tried to twist the end of his mustache, but some hairs were longer than others, and he never could obtain a combined movement.... Miss Desart.... He coughed. He passed in through the black school gates, his shabby coat flapping at his heels. The distant Brown Wood, as it surrendered to the sun, flamed with gold; the dark green hedges on the hill slowly caught the light. II. The master's common room in the Lower School was a small square room that was inclined in the summer to get very stuffy indeed. It stood, moreover, exactly between the kitchen, where meals were prepared, and the long dining-room, where meals were eaten, and there was therefore a perpetual odor of food in the air. On a “mutton day”—there were three “mutton” days a week—this odor hung in heavy, clammy folds about the ceiling, and on those days there were always more boys kept in than on the other days—on so small a thing may punishment hang. To-day—this being the first day of the term—-the room was exceedingly tidy. On the right wall, touching the windows, were two rows of pigeon-holes, and above each pigeon-hole was printed, on a white label, a name— “Mr. Perrin,” “Mr. Dormer,” “Mr. Clinton,” “Mr. Traill.” Each master had two pigeon-holes into which he might put his papers and his letters; considerable friction had been caused by people putting their papers into other people's pigeon-holes. On the opposite wall was an enormous, shiny map of the world, with strange blue and red lines running across it. The third wall was filled with the fireplace, over which were two stern and dusty photographs of the Parthenon, Athens, and St. Peter's, Rome. Although the air was sharp with the first early hint of autumn, the windows were open, and a little part of the garden could be seen —a gravel path down which golden-brown leaves were fluttering, a round empty flower-bed, a stone wall. On the large table in the middle of the room tea was laid, one plate of bread and butter, and a plate of rock buns. Dormer, a round, red-faced, cheerful-looking person with white hair, aged about fifty, and Clinton, a short, athletic youth, with close-cropped hair and a large mouth, were drinking tea. Clinton had poured his into his saucer and was blowing at it—a practice that Perrin greatly disliked. However, this was the first day of term, and everyone was very friendly. Perrin paused a moment in the doorway. “Ah! here we are again!” he said, with easy jocularity. Dormer gave him a hand, and said, “Glad to see you, Perrin; had good holidays?” Clinton took the last rock bun, and shouted with a kind of roar, “You old nut!” Perrin, as he moved to the table, thought that it was a little hard that all the things that irritated him most should happen just when he was most inclined to be easy and pleasant. “Ha! no cake!” he said, with a surprised air. “Oh! I say, I'm so sorry,” said Clinton, with his mouth full, “I took the last. Ring the bell.” Perrin gulped down his annoyance, sat down, and poured out his tea. It was cold and leathery. Dormer was busily writing lists of names. The Lower School was divided into two houses—Dormer was house-master of one, and Perrin of the other. The other two junior men were under house-masters: Clinton belonged to Dormer; and Traill, the new man, to Perrin. Both houses were in the same building, but the sense of rival camps gave a pleasant spur of emulation and competition both to work and play. “I say, Perrin, “have you made out your bath-lists? Then there are locker-names—I want.” Perrin snapped at his bread and butter. “Ah, Dormer, please—my tea first.” “All right; only, it's getting on to four.” For some moments there was silence. Then there came timid raps on the door. Perrin, in his most stentorian voice, shouted, “Come in!” The door slowly opened, and there might be seen dimly in the passage a misty cloud of white Eton collars and round, white faces. There was a shuffling of feet. Perrin walked slowly to the door. “Here we all are again! How pleasant! How extremely pleasant! All of us eager to come back, of course—um—yes. Well, you know you oughtn't to come now. Two minutes past four. I 'll take your names then—another five minutes. It's up on the board. Well, Sexton? Hadn't you eyes? Don't you know that ten minutes past four is ten minutes past four and not four o'clock?” “Yes, sir, please, sir—but, sir—” Perrin closed the door, and walked slowly back to the fireplace. “Ha, ha,” he said, smiling reflectively; “had him there!” Dormer was muttering to himself, “Wednesday, 9 o'clock, Bilto, Cummin; 10 o'clock, Sayer, Long. Thursday, 9 o'clock—” The golden leaves blew with a whispering chatter down the path. The door opened again, and someone came in—Traill, the new man. Perrin looked at him with curiosity and some excitement. The first impression of him, standing there in the doorway, was of someone very young and very eager to make friends. Someone young, by reason of his very dress—the dark brown Norfolk jacket, light gray flannel trousers, turned up and short, showing bright purple socks and brown brogues. His hair, parted in the middle and brushed back, was very light brown; his eyes were brown and his cheeks tanned. His figure was square, his back very broad, his legs rather short—he looked, beyond everything else, tremendously clean. He stopped when he saw Perrin, and Dormer looked up and introduced them. Perrin was relieved that he was so young. Searle, last year, had been old enough to have an opinion of his own—several opinions of his own; he had contradicted Perrin on a great many points, and towards the end of the term they had scarcely been on speaking terms. Searle was a pig-headed ass.... But Traill evidently wanted to “know”—was quite humble about it, and sat, pulling at his pipe, whilst Perrin enlarged about lists and dormitories and marks and discipline to his hearts content. “I must say as far as order goes I 've never found any trouble. It 's in a man if he 's going to do it—I've always managed them all right—never any trouble—hum, ha! Yes, you 'll find them the first few days just a little restive—seeing what you 're made of, you know; drop on them, drop on them.” Traill asked about the holiday task. “Oh, yes, Dormer set that. Ivanhoe—Scott, you know. Just got to read out the questions, and see they don't crib. Let them go when you hear the chapel bell.” Traill was profuse in his thanks. “Not at all—anything you want to know.” Perrin smiled at him. There was, once again, the timid knock at the door. The door was opened, and a crowd of tiny boys shuffled in, headed by a larger boy who had the bold look of one who has lost all terror of masters, their ways, and their common rooms. “Well, Sexton?” Perrin cleared his throat. “Please, sir, you told me to bring the new boys. These are all I could find, sir—Pippin Minor is crying in the matron's room, sir.” Sexton backed out of the room. Perrin stared at the agitated crowd for some moments without saying anything. The boys were herded together like cattle, and were I staring at him with eyes that started from their round, close-cropped heads. Perrin took their names down. Then he talked to them for three minutes about discipline, decency, and decorum; then he reminded them of their mothers, and finally said a word about serving their country. Then he passed on to the subject of pocket-money. “It will be safer for you to hand it over to me,” he said slowly and impressively. “Then you shall have it when you want it.” A slight shiver of apprehension passed through the crowd; then slowly, one by one, they delivered up their shining silver. One tiny boy—he had apparently no neck and no legs; he was very chubby—had only two halfcrowns. He clutched these in his hot palm until Perrin said, “Well, Rackets?” Then, with eyes fixed devouringly upon them, the boy delivered them up. “I don't like to see you so fond of money, Rackets.” Perrin dropped the half-crowns slowly into his trouser pocket, one after the other. “I don't think you will ever see these half-crowns again.” He smiled. Rackets began to choke. His fist, which had closed again as though the money was still there, moved forward. A large, fat tear gathered slowly in his eye. He struggled to keep it back—he dug his fist into it, turned round, and fled from the room. Perrin was amused. “Caught friend Rackets on the hip,” he said. Then suddenly, in the distance, an iron bell began to clang. The four men put on their gowns, gathered books together, and moved to the door. Traill hung back a little. “You take the big room with me, Traill,” said Dormer. “I 'll give you paper and blotting-paper.” They moved slowly out of the room, Perrin last. A door was opened. There was a sudden cessation of confused whispers— complete silence, and then Perrin's voice: “Question one. Who were Richard I., Gurth, Wamba, Brian-de-Bois-Guilbert?.. . B,r,i,a,n —hyphen...” The door closed. III. A few papers fluttered about the table. It was growing dark outside, and a silver moon showed above the dark mass of the garden wall. The brown leaves, now invisible, passed rustling and whispering about the path. Into the room there stole softly, from the kitchen, the smell of onions.... CHAPTER II—INTRODUCES A CONFUSING COMPANY OF PERSONS, WITH SPECIAL EMPHASIS ON MRS. COMBER I. T would be fitting at this moment, were it possible, to give Traill's impressions, at the end of the first week, of the place and the people. But here one is met by the outstanding and dominating difficulty that Traill himself was not given to gathering impressions at all—he felt things, but he never saw them; he recorded opinions in simple language and an abbreviated vocabulary, but it was all entirely objective; motives, the way that things hung and were interdependent one upon the other, the sense of contrast and of the incessant jostling of comedy on tragedy and of irony upon both, never hit him anywhere. Nevertheless, he had, in a clear, clean-cut way, his opinions at the end of the first week. There is a letter of his to a college friend that is interesting, and there are some other things in a letter to his mother; but he was engaged, quite naturally, in endeavoring to keep up with the confusing medley of “things to be done and things not to be done” that that first week must necessarily entail. His relations to Perrin and Perrin's relations to him are, it may be said here now, once and for all, the entire motif of this episode—it is from first to last an attempt to arrive at a decision as to the real reasons of the catastrophe that ultimately occurred; and so, that being the case, it may seem that the particulars as to the rest of the people in the place, and, indeed, the place itself, are extraneous and unnecessary; but they all helped, every one of them, in their own way and their own time, to bring about the ultimate disaster, and so they must have their place. Traill had learnt during his three years at Cambridge that, above all things, one must not worry. He had been inclined, a little at first, to think, after the easy indolence of Clifton, that one ought to bother. He had found that two thirds in his Historical Tripos and a “Blue” for Rugby football were very easily; obtained; he found that the second of these things led to a popularity that invited a pleasant indifference to thought and discussion, and he was extremely happy. His “Blue” would undoubtedly have secured him something better than a post at Moffatt's had he taken more trouble; but He had left it, lazily, until the last and had been forced to accept what he could get; in a term or two he hoped to return to Clifton. All this meant that his stay at Moffatt's was in the nature of an interlude. He buoyantly regarded it as a month or two of “learning the ropes,” and he could not therefore he expected to regard masters, boys, or buildings with any very intense seriousness. It is, indeed, one of the most curious aspects of the whole affair that he remained, for so long a period, blind to all that was going on. In his motives, in his actions, he was of a surprising simplicity. He found the world an entirely delightful place—there was Rugby football in the winter, and cricket in the summer; there were splendid walks; there was a week in town every now and again; as to people, there was his mother—a widow, and he was her only son—whom he entirely worshiped; there were one or two excellent friends of his from Clifton and Cambridge; there was no one whom he really disliked; and there were one or two girls, hazily, not very seriously, in the distance, whom he had liked very much indeed. He read a little—liked it when he had time; had a passion for Napoleon, whose campaigns he had followed confusedly at Cambridge; and was even stirred—again when he had time—by certain sorts of poetry. And it is this that leads me to one of the questions that are most difficult of decision—as to how strongly, if indeed at all, he had any feeling for beauty before he met Isabel Desart. He certainly—if he had it at this time—could not put it into words; but I believe that he had, in the back of his brain, a kind of consciousness about it all, and his meeting with Isabel fired what had been lying there waiting. He never, certainly, talked about it, but it will be noticed that he went to the wood a great many times, even before he felt Isabel's influence, and that he realized quite vividly certain aspects of Pendragon and the Flutes; and he would not have cared for Richard Feverel quite so passionately had he not had something—some poetry and feeling—already in him. The reverse of the shield is, at any rate, given in that first letter to his mother. He says of Moffatt's: “You never saw anything so hideous. The red brick all looks so fresh, the stone corridors all smell so new, the iron and brass of the place is all so strong and regular. It's like the labs at Cambridge on an extensive scale; you'd think they were inventing gases or something, not teaching boys the way they should go.... All the same, coming up the hill the other night, with the sun setting behind it, it looked quite black and grand—it 's the fresh-lobster color of it that I can't stand...” That shows that he was, to some degree at any rate, sensitive to the way that the place looked, and he, in all probability, felt a great deal more about it than he ever said to anyone. Cambridge may have done something for him—few people can spend three years with these gray palaces and blue waters without some kind of development, although probably—because we are English—it is unconscious. II. He had, during that first week, too much to do to get any very concrete idea of the staff. On the first morning of term there was a masters' meeting, and he could see them all sitting, heavily, despondently, in conclave. There was a gradation of seats, and Traill, of course, took the lowest—a little, hard, sharp one near the window with a shelf just above his head, and it knocked him if he moved. The Rev. Moy-Thompson, the head master—a venerable-looking clergyman, with a long grizzled heard and bony fingers—sat at the end of the table in an impatient way, as though he were longing for an excuse to fly into a temper. For the others, Traill only noticed one or two; Perrin, Dormer, and Clifton were there, of course. There was a large stout man with a heavy mustache and a sharp voice like a creaking door; a clergyman, thin and rather haggard, with a white wall of a collar much too big for him; an agitated little Frenchman, who seemed to expect that at any moment he might be the victim of a practical joke; a thin, bony little man with a wiry mustache and a biting, cynical speech that seemed to goad Moy-Thompson to fury; a nervous and bald-headed man, whose hand continually brushed his mustache and whose manner was exceedingly deprecating. There were others, but these struck Traill's eyes as they roved about. During the discussion that followed concerning the moving of boys up and the moving of boys down, the time of lock-up, the possibilities and disadvantages of the new boys, it seemed to be everybody's intention to be as unpleasant as possible under cover of an agreeable manner. On several occasions it seemed that the storm was certain to break, and Traill bent eagerly forward in his seat; but the danger was averted. As the week passed, he found that these men grew more distinct and individual. The stout man with the heavy mustache was called Comber; he had once been a famous football player, and was now engaged on a book concerning the athletes of Greece. The clergyman, the Rev. Stuart, was very quiet except on questions of ritual and ceremony, and these things stirred him into a passion. The little Frenchman, Monsieur Pons, spent his time in hating England and preparing to leave it—an escape that he never achieved. The little man with the mustache, Birkland by name, seemed to Traill the most “interesting” of them. He was fierce and caustic in his manner to everybody and was feared by the whole staff. White, the nervous man, never, so far as Traill could see, opened his mouth; and if he did say anything, no one paid the slightest attention. None of these men, Traill discovered, concerned him very closely, as his work was for the most part at the Lower School. He was pleasant to all of them, and, if he had thought about it at all, would have said that they liked him; but he did not think about it. His relations with Dormer, Perrin, and Clinton were quite agreeable. Dormer was kind and helpful in a fatherly way; Clinton admired his football and liked to compare Oxford (at which he had, several years before, been a shining light) with Traill's own university; Perrin asked him into his sitting-room for coffee and talked School Education to him at infinite length. Everyone, during this first week, was quite pleasant and agreeable. III. The ladies of the establishment came to Traill's notice more slowly; and they came to him, of course, considering his temperament, quite indefinitely and without his own immediate realization of anything. He could point, of course, to the moment of his meeting Isabel, because, from that moment, his life was changed; but it was the meeting rather than any keen and tangible idea of her that he realized. It is essential, however, that Mrs. Comber should appear on the scene a good deal more clearly than he would ever probably see her. She had so much to do with everything that occurred—quite unconsciously, poor lady, as indeed she was always unconscious of anything until it was over—that she demands a close attempt at accurate presentation. The immediate impressions that she left on any observer, however casual, were of size and color, and of all the things that go with those qualities. She was large, immense, and seemed, from her movements and her air of rather tentatively and timidly embracing the world, to be even larger. Her hair was of a blackness and her cheeks of a redness that hinted at foreign blood, but was derived in reality from nothing more than Cornish descent—and that indeed may, if you please, be taken as foreign enough. There was a great deal of hair piled on her head, and in her continual smiles and anxiety to be pleasant there seemed, too, to be a great deal of her red cheeks. In those earlier days, the daughter of a country clergyman, and the youngest of six sisters, she had been, when so permitted, jolly, noisy, with a tremendous sense of life. The key that was going, she believed, to unlock life for her was Romance, and she looked eagerly and enthusiastically down the dusty road to watch for the coming of some knight. When he came in the person of Freddie Comber, young, handsome, athletic, and the most devout of lovers, she felt that, now that her lamp was lighted, she had only got to keep the flame burning and she would be happy for ever. That—the keeping of it alight—seemed, as she looked at the handsome and ardent Freddie, an easy enough thing to do. She did not know that Fate very often, having given a tempting glimpse and even a positive handling of its burnished brass and intricate tracing, removes it altogether—merely, as it may seem to some cynical observers of life, for the fun of the thing. In any case, from the moment of her marriage, Mrs. Comber's eager hands found nothing to hold on to at all, and she passed, in the ensuing years from a plucky determination to make the “second best” do, to the final blind acquiescence in anything at all that might have the faintest resemblance to that earlier glorious radiance. Freddie Comber's transition from the handsome, enthusiastic young lover into the stout, lethargic and querulous Mr. Comber, master of the Middle Fourth and anticipatory author of a work on the athletes of Greece, would need an exhaustive treatise on “Public School Education as applied to our Masters” for its reasonable analysis. Perhaps this faithful account of the relations of Perrin and Traill may offer some solution to that and other more complex riddles. It says, however, everything for Mrs. Comber's pluck and determined stupidity that she lived, even now, after fifteen years' married life, at the threshold of expectation. Things that were apparent to the complete stranger in his first five minutes' interview with Comber were hidden, wilfully and proudly hidden, from her. She yielded to facts, however, in this one particular, that she extended her attempts at Romance to wider fields. It always might return as far as Freddie was concerned—she was continually hoping and expecting that it would; but meanwhile she dug diligently in other grounds. Her three boys—fat, stolid, stupid, pugnacious—cared, they showed her quite plainly, nothing for her at all; but she put that down to their age, to their school, even to their appetites, their clothes, anything that pointed to a probable change in the future. In their holidays she spent her days in eagerly loving them and being repulsed, and then in hiding her love under a troubled indifference and being entirely disregarded.... They were unpleasant boys. Another place for digging was the ground of “things,” of property. Having had nothing at all when she was a girl, and having almost nothing—they were very poor, and she “managed” badly—now, she had always had an intense feeling for possession. She was generous to an amazing degree, and would give anything, in her tangled, impetuous kind of way, to anybody without a moment's thought. But she loved her valuables. They were very few. Potatoes and cabbages, clothing and school-bills for the boys, consumed any money that there might happen to be, and consumed it in a muddled, helpless kind of way that she was never able to prevent or correct. But things had come to her—been given, left, or eagerly seized in a wild moment's extravagance,—and these she cherished with all her eyes and hands. The peacock-blue Liberty screen, the ormolu clock, some few pieces of dainty Dresden china, some brass Indian pots, a small but musically charming piano, some sketches and two good prints, and edition de luxe of Walter Pater (a wedding- present, and she had never opened one of these beautiful volumes), some silver, a teapot, a tray, some cups that Freddie had won in an earlier, more glorious period, some small pieces of jewelry—over these things she passed every morning with a delicate, lingering touch. Clumsy and awkward as she generally was, when she approached her valuables she became another person: she would lie awake thinking about them.... They seemed—dumb things as they were—to give her something of the affection for which, from more eloquent persons, she was always so continually searching. She was as clumsy in her relations to all her neighbors and acquaintances as she was in her movements and her finances. She was famous for her want of tact; famous, too, for a certain coarseness and bluntness of speech; famous for a childlike and transparent attempt to make people like her—an attempt that, from its transparency, always with wiser and more cynical persons failed. She generally thought of three things at once and tried to talk about them all; she was quite aware that most of the ladies connected with the town and the neighborhood disliked her, and she never, although she wondered in a kind of muddled dismay why it was, could discover a satisfactory reason. She spent her years in cheerfully rushing into people's lives and being hurriedly bundled out again —which “bundling,” at every reiteration of it, left her as confused and dismayed as before. But against all this rejection and muddled confusion there was, of course, to be set Isabel Desart. What Miss Desart was to Mrs. Comber no simple succession of printed words can possibly say. She was, in her free, spontaneous fashion, a great many things to a great many people; but to none of them was she quite the special and wonderful gift that she was to Mrs. Comber. Perhaps it was some feeling of this kind that brought her so often, and for so long a period, down to Moffatt's—a proceeding that her London friends could never even vaguely understand. That she—having, as she might, such a glorious “time” in London behind her —should care to go and stay for so long a period at that dullest of places, a school, with those dullest and most arid of people, scholastic authorities (this term to include wives as well as husbands), was indeed to them all a total mystery. Mrs. Comber, with all her faults and insufficiencies, would have seemed a poor enough answer to the riddle as an answer; it was, in fact, only partial. In addition to Mrs. Comber, there was Cornwall; and Cornwall, as it was at Moffatt's, was quite enough to draw Isabel unerringly, irresistibly. Of the place—the surroundings, the look of it all, the “sense” of it—there is more to be said in a moment—being seen, more completely perhaps, with Traill's new and unaccustomed eyes; it is enough here that, on every separate occasion of her coming, it meant to Isabel deeper and more vital experiences. She was beginning even to be afraid that it was not going to let her go again: its sea, its hard, black rocks, its golden gorge, its deep green lanes, its gray-roofed cottages that nestled in bowls and cups of color as no cottages nestle anywhere else in the world—these were all things that she dreamed of afterwards, when she had left them, to the extent, it began to seem to her, of danger and confusion. She herself “fitted in” as only a few people out of the many that go there could ever do. With her rather short brown hair that curled about her head, her straight eyes, her firm mouth, her vigorous, unerring movements, the swing of her arms as she walked, she seemed as though her strength and honesty might forbid her softer graces. To most people she was a delightful boy—splendidly healthy, direct, uncompromising, sometimes startling in her hatred of things and people, sometimes arrogant in her assured enthusiasms; Mrs. Comber, who, in her muddled eager way, had told her so much, knew of the other side of her, of her tenderness, her understanding. The boys loved her, and she had been their envoy on many occasions of peril and disaster; they always trusted her to carry things through, and she generally did. It was only, perhaps, with the other ladies of the establishment that she did not altogether find favor. The other ladies consisted of Mrs. Moy-Thompson, Mrs. Dormer, and the lady matrons—Miss Bonhurst, the two Misses Madder, and Miss Tremans. Mrs. Moy-Thompson, a thin, faded lady in perpetual black, had long ago been crushed into a miserable negligibility by her masterful husband. She very seldom spoke at all and, when she did, hurriedly corrected what she had just said in a sudden fear lest she should be misunderstood. She allowed her husband to bully her to his heart's content. Mrs. Dormer, stern, with the manner of one who never says what she means, had never got over the disappointment of her husband having, fifteen years before, missed the head-mastership. She was continually finding new reasons for this omission and venting her dislike on people who had had nothing whatever to do with it. She was neat and puritanical, and hated Mrs. Comber because she was neither of these things. Of the matrons, it may be enough to say that they all disliked each other, but were perfectly ready to combine in their mutual dislike of the other ladies; they felt that their position demanded that they should assert their birth and breeding; they also felt that Mrs. Comber and Mrs. Dormer looked down on them. The best of them was the matron of the Lower School, the elder Miss Madder—stout and kind-hearted and extremely capable. She made up for the undeniable fact that no one had ever asked her to change her name for a pleasanter one by loving the small boys of the Lower School with a warmth and good-humor that they none of them, in after life, forgot. And so there they all were—most of them—a background, and simply, as individuals, witnesses to the whole case and, perhaps, by reason of their very existence, factors in assisting the result. They were, most of them, never in young Traill's consciousness at all—Miss Madder, perhaps because she was at the Lower School; Mrs. Comber, because Isabel was staying with her... and Isabel. IV. A word, finally, about the surrounding country. It becomes, perhaps, at once most definitely presented if you take the Brown Hill as the center, and Pendragon to the right along the coast, and Truro inland to the left—both at an equal distance—as the farthest boundaries. Between Truro and Moffatt's there is a ridge of hill—undulating, gently, vaguely shaped, with its cool brown colors melting into the blue or gray of the sky as dim clouds melt into one another. The Brown Hill itself rises sharply, steeply, straight from the sea, with the little village—Chattock—at its feet, curling with its steep, cobbled street up the incline. Halfway down the hill there is a wood—the Brown Wood—and it hangs with all its feathery trees in friendly, eager fashion over the little white-stoned and yellow-sanded cove (so tiny and so perfect in its shape and color that it almost audibly cries out not to be touched). There is a little part of the wood where the trees part and you may sit, in a kind of magical wonder, right over the gray carpet of the sea, hearing what the wood, with its creaking and bending and rustling, is saying to the water and what the water, with its slipping and hissing and singing, is saying to the wood. Of the two towns Pendragon has become, from the invasion of the Vandals, modern and monotonous. It had, not so long ago, a cove on its outskirts—that was the whole of Cornwall in a tiny space; now there is a row of modern villas, red-roofed and wooden-paled. Traill, in his visits there, was concerned with the chief house there—The Flutes, owned by a certain Sir Henry Trojan, whose son, Robin Trojan, had been, although senior, a friend at Cambridge. The house was beautiful both in its position and in the spirit of its owner, and Traill snatched what moments he could to visit it and to snatch a respite there. Had he known, it became in the back of his mind a contrast with the “lobster red” and the stone corridors of Moffatt's, so that he took its wide, high rooms and its shining, ordered garden with an added sense of richness. Had he realized how soon its dignity and peace stood to him for an “escape,” he would have realized also his growing protest against his voluntary imprisonment. He went over also on occasions to Truro—because he liked the walk over the hill, because he liked certain quaintnesses in the market, in the sharp cobbles of Lemon Street, in the higher breezes of Kenwyn, because, above all, he liked the dark quiet and solemnity of the Cathedral. The point about both Pendragon and Truro is that it was the kind of life that he was leading at Moffatt's—the sides of it that are soon to be given you in detail—that led him to notice these places. Contrast drove him to a sudden opening of his eyes—contrast and W Isabel Desart. He was growing so very quickly. In letters to his mother he spoke of a splendid little wood where one could sit and watch the sea for hours if there was only time; of the funny old hill, all brown, with the white road curling up it; of calling at The Flutes, and “Sir Henry Trojan and Lady Trojan being most awfully kind,” and the house being quite beautiful, but very little about the people of the school, and during those first few weeks nothing at all about Isabel Desart. It was not until Mrs. Comber gave her dinner-party that the preliminaries could be said to be over. CHAPTER III—CONCERNS ALL THE WONDERFUL THINGS THAT MAY HAPPEN BETWEEN SOUP AND DESSERT I. HEN Mrs. Comber asked Vincent Perrin to her dinner-party he was delighted, although he assumed as great an indifference as possible. This was at the end of the first week of term, and he had not spoken to Miss Desart—he had merely bowed to her across the grass and gone indoors to teach the Lower Third algebra with a beating heart. He was also fortunately prevented from seeing that Mrs. Comber was giving the dinner for Traill. If he had seen that, things might have been very different; as it was, he thought that that kind, good-natured woman (he did not always like her) had noticed his attachment—as he thought most carefully concealed—to Miss Desart and wanted to help him. He himself had not noticed the attachment until the holidays. She had stayed at Moffatt's during part of the summer term, and he had played tennis with her and talked to her and even walked with her. But it was not until he had returned to the seclusion of his aged mother and Buckinghamshire that he realized that for the first time for twenty years he was in love. The discovery affected him in many ways. In the first place it swept away in the most curious manner all the years that had intervened since the last affair. He was suddenly young again. He began to regret the way that he had spent his days. He played tennis (badly but with enthusiasm). He talked to the men of his Club about “the absurdity of considering forty-five any age,” and quoted juvenile athletes of eighty. He gave his mustache a terrible time, wearing things to hold it straight at night, looking at it often in the glass. He told his aged mother (a very old lady with a brown, shriveled face, a white lace cap, and mittens) vaguely but magnificently about there being somebody. He hinted that she cared for him and was eager to marry him as soon as he felt ready to ask her. He talked about “getting a house,” even about wallpapers and stair-carpets and a nice sunny room for the old lady. She was delighted at first, and then agitated. Who might this new young person be? Perhaps she would not like her—in any case, it meant taking a second place. But she idolized and worshiped her son: she knew sides of him that no one else knew—she saw him as a little, thin, serious hoy in knickerbockers. But this new spirit revived things in Vincent Perrin that he had long thought dead. He knew, he savagely knew, in his heart of hearts, that he was a failure; he was determined that the world should never know it; he covered his knowledge with a multitude of disguises; but now perhaps, if she cared for him, there might yet be a chance. But most of all he was afraid of something—he could never give it a name—that always crept slowly, increasingly over him as term advanced. He could not give it a name: that thing made up of a myriad details, of a myriad vexations; that evil spirit that they all, the masters and the rest, seemed to feel as the weeks gathered in numbers—the end-of-termy feelings: strained nerves, irritated tempers, almost, the last week or two when examinations came, seeing red. No—this term it shall be all right. He felt, as he said good-by to his mother and kissed her, almost an eagerness to get back and prove that it was all right. After all, Searle had left, and there was Miss Desart. Supposing she cared for him? He twisted his thin fingers together. Oh! what things he could do! And so he was glad of Mrs. Comber's dinner-party. II. Giving a dinner-party was no light, easy thing for Mrs. Comber. So many wide issues were involved. Not very many dinner-parties were given during the term, and Mrs. Comber was perfectly aware of all the conversation that it would give rise to, of all the people that would in all probability be angry with all the other people because they had been asked or because they had not. There was, generally, a reason for a dinner. Some important person had to be asked, some unimportant people had to be worked off, someone was conscious that there had not been a dinner-party for a very long time. But on this occasion there was no reason except that Mrs. Comber had liked the look of young Traill, had at once thought of Isabel, and had conceived a plan. Then, of course, it followed that other people must be asked: Vincent Perrin, because she didn't like him, but felt that she ought to; the Dormers, because it was time they were asked; and the elder Miss Madder, because she was the nicest of the matrons and wouldn't talk quite so much and quite so spitefully as the others would. All this involved danger and destruction as far as the people invited were concerned. One chance word at dinner—some errant, tiny omission or commission—and anything might happen: the time might be made miserable for everybody. But there was more immediate peril in it than that. There was in the first place “ways and means.” How this harassed poor Mrs. Comber no words can say. She was forced to drive her frail cockle-shell of a boat between the Scylla of increased bills and the Charybdis of not-being-smart-enough. Were things not right—if there were no meringues, no mushroom savories (there were rules and regulations about these things), no kummel—well, the party had better not be given at all. And then, on the other hand, there was the end of the month, nothing in hand to pay, and Freddie scowling over his Greek Athletes to such an extent that it wouldn't do to speak to him. All this was dreadfully difficult, but it revolved in reality almost entirely around Freddie's stout figure. Every dinner-party, every party of any kind, was an attempt to win Freddie back. Mrs. Comber never confessed this even to herself, and she was, poor woman, only too completely aware that its usual result was to drive Freddie only more completely “in.” Something was sure to happen, before the evening was over, to annoy him—she would have “such a time afterwards.” But it always, of course, might be the other way. He might suddenly see, by some little word or act, how fond, how terribly fond, she was of him. She had learnt Bridge to please him—he used to like a game; but the result, although she would not admit it, had simply been disastrous. She was much too muddled a person to be good at cards—she was very, very bad; she lost sixpences and shillings with the sinking feeling in her heart that they ought to be going to pay for their boys' clothes. She plunged desperately to win it all back again—she was known throughout the neighborhood as the worst player in the world. It was indeed this conclusion to the evening that she dreaded most of all. There were eight of them, so, of course, they would have to play. Her heart sank because of all the things that might happen. But Isabel was, of course, the greatest use in the world. She saved all kinds of needless extravagances; she always got things where they were cheap and not bad, instead of getting them expensive and rotten. She thought of a thousand little things, and she managed the servants—only two of them, and both ill-tempered. Mrs. Comber said nothing to Isabel about young Traill—she did not even think that she had as yet noticed him. They neither of them said a word about Mr. Perrin. III. Gathered all together in the drawing-room, it was everybody's chief object to avoid knocking things over. This may be taken metaphorically as well as literally, but in that ten minutes' prelude everyone had the hard task of being socially agreeable to people whom they met, as they met their tables and their chairs, their beds and their hair-brushes, every day of their lives. The curtains; had been closely drawn, but outside the winds were up and were beating with wild fingers at the panes. They gathered in clusters about the house, screamed in derision at the dinner-party, chattered wildly round the buttresses and chimneys of the sedate and solemn buildings, and then rushed furiously down the gravel paths and away to the sea. The tall lamp had been so placed that its light fell on the peacock-blue screen and the ormolu clock; it also fell on the enormous shoulders, in black silk, of Miss Madder, on the thin, bony neck of Mrs. Dormer, and on the deep red of Mrs. Comber's dress (open at one place at the back, where it should have been closed, and cut, Mrs. Dormer considered, a great deal lower than it need have been). They were all waiting for Mr. Comber, and Mrs. Comber was trying to explain to Traill why Freddie was always late, why people at Moffatt's always liked meringues, and why with a magnificent “heart” hand she had, only two nights ago, gone hearts with most disastrous results. “They like them best with jam in them—you shall see to-night if they aren't good; and there was really no reason at all why they shouldn't have come off, but we had such bad luck, and I oughtn't to have played my King when I did; I'm always telling him that he ought to go and dress a little earlier—but he stays working.” Poor Mrs. Comber! She was talking with her eyes all about the room, with a sickening consciousness that something was wrong with her dress at the back, with a sure and a certain knowledge that it would be related in the common room the next morning that dinner was kept half an hour too long, with a keen misgiving that Mrs. Dormer and Miss Madder had quarreled furiously only the day before and that she had known nothing about it. Every now and again she glanced at Isabel to gather comfort from her, and Isabel's eyes were always ready to give it her. Isabel was standing in a dark corner by the window, talking to Vincent Perrin. Her dress was of dark brown silk, very simply cut, and falling in one straight piece, save for a golden girdle that bound her waist. She was standing with that perfect repose that came to her so naturally; when she moved it was as though that was the only movement possible—her limbs did not seem to he...