THE BVRLINGTON MAGAZINE Volume CX XXIII Numbers 1054— 1065 January to December 1991 LONDON THE BURLINGTON MAGAZINE PUBLICATIONS LTD 6, BLOOMSBURY SQUARE, LONDON WC! NTENTS May Editorials Works by Stefano Maderno, Bernini and Rusconi from the Farsetti collection in the Manners and murals, 3 Ca’d’Oro and the Hermitage The Badminton Cabinet, 163 by Sergey O. Androssov, 292 {Sir David Wilson and The British Museum], 227 Sixteenth-century pottery in Castile: a documentary study The art historian and the paint sample, 291 by Anthony Ray, 298 Looking East, 355 The decoration and decorators of late eighteenth-century Sévres porcelain in the Up to Raphael [The Sainsbury Wing at the National Gallery], 427 Bowes Museum Frankfurt’s new cultural skyline, 587 by David Peters, 306 Samsons and Philistines: the University Museums, 675 Waverley wavers, 747 Florentine sculpture under cover, 811 June The Mahabodhi temple: pilgrim souvenirs of Buddhist India Articles and Shorter Notices by John Guy, 356 The art of social climbing in sixteenth-century China January by Craig Clunas, 368 A manuscript for the Safavid prince Bahram Mirza Some observations on the Brancacci Chapel frescoes after their cleaning by Marianna Shreve Simpson, 376 by Keith Christiansen, 5 (cf. Correction, 224 Contemporary Japanese art: some recent exhibitions in the United States New evidence for Hans Holbein the Younger’s wall paintings in Basel Town Hall by Lynne Cooke, 385 by Christian Miiller, 21 A romanesque ‘Visitatio Sepulchri’ at Kempley by Stephen Rickerby and David Park, 27 Patronage and Franciscan iconography in the Magdalen Chapel at Assisi July by Lorraine Schwartz, 32 Agucchi, Lodovico Carracci and the monument to Cardinal Sega at Piacenza lhe dedication of the St Elizabeth altar at Assisi by Carolyn H. Wood, 429 by Adrian Hoch, 36 Borromini and the Marchese di Castel Rodrigo by Joseph Connors, 434 Guido Reni: new documents for the Pieta dei Mendicanti February by D.S. Pepper, 14] The patron and date of Ribera’s ‘Crucifixion’ at Osuna Ribera’s early years in Italy: the ‘Martyrdom of St Lawrence’ and the ‘Five Senses’ by Gabriele Finaldi, 445 by Craig Felton, 71 (cf. Correction, 224 Guido Reni, Guercino, Matteo Rosselli and an altar-piece for SS. Annunziata in The landscape as legal document: Jan de Hervy’s ‘View of the Zwin’ Arezzo by Ann Roberts, 82 by David Franklin, 446 The Master of the ‘Modena Hours’, ‘Tomasino da Vimercate, and the ‘Ambrosianae’ A head of Christ by Guercino at Budapest of Milan Cathedral by Nicholas Turner, 449 by kay Sutton, 87 Two early documented works by Francesco Baratta the Younger by Marilyn Dunn, 91 (cf. Correction, 352 August Documents for the History of Collecting: 11 Salai and Leonardo’s legacy Reynolds’osi l sketches by Janice Shell and Grazioso Sironi, 95 by David Mannings, 491 New documents for Velazquez in the 1620s ‘Urgent private affairs’: Millais’s ‘Peace concluded, 1856’ by Peter Cherry, 108 by Michael Hancher, 499 Leonardo and Mantegna in the Buccleuch Collection General Wade’s altar-piece for Bath Abbey: a reconstruction by Burton B. Fredericksen, 116 by Susan Legouix Sloman, 507 Guy Head’s ‘Venus and Juno’ by Ann Gunn, 510 March Documents for the History of Collecting: 12 G.F.Reber: Collector of Cubism Paolo Uccello’s ‘Hunt in the Forest’ by Dorothy kosinski, 519 by Martin Kemp and Ann Massing, 164 (cf. Letter, 452 Aert Teggers, a seventeenth-century Dordrecht collector Some problems in the reconstruction of Uccello’s ‘Rout of San Romano’ cycle by John Loughman, 552 by Volker Gebhardt, 179 Gilbert Coventry and his sporting and other paintings Sano di Pietro’s Bernardino altar-piece for the Compagnia della Vergine in Siena by Oliver Millar, 537 (cf. Correction, 672 by Michael Mallory and Gaudenz Freuler, 186 (cf. Letter, 451 Richard Payne Knight and Alexander, future 10th Duke of Hamilton: a rediscovered An unrecorded commission for Piero della Francesca in Arezzo correspondence, 1812-15 by David Franklin, 193 by John Frew and John Lowrey, 541 The ‘Concert champétre’ and gilding the lily A pair of pendant pictures by Claude Lorrain and Salvator Rosa from the Chigi by Patricia Emison, 195 Collection by Burton B. Fredericksen, 543 April September Manet, Rossetti, London and Derby Day by Robin Spencer, ‘ ; A coloured flower study by Martin Schongauer and the development of the depiction Max Ernst’s ‘La toilette de la mariée’ of nature from van der Weyden to Diirer by David Hopkins, 237 by Fritz Koreny, 588 A Nivelle watermark on Poussin’s Marino drawings Additions to Jacob van Ruisdael by Martin Clayton, 245 by Seymour Slive, 598 New documentary information on Manet’s ‘Portrait of the artist’s parents’ New dated works from Aelbert Cuyp’s early career by Nancy Locke, 249 by Alan Chong, 606 CONTENTS The portrait of Alexander Mornauet The cleaning of Michelangelo’s Taddei tondo by Susan Foister, 613 by John Larson, 844 A new acquisition by the Hermitage Museum: Joachim Wtewael’s ‘Lot and his ‘The world, the book, and Anselm Kiefer daughters’ by Charles W. Haxthausen, 846 by Irina Sokolova, 619 October William Coningham and his collection of Old Masters by Francis Haskell, 676 (cf. Correction [1992], 64 Letters ‘The meaning of leaf 5 of Fitzwilliam MS 330 by George Henderson, 682 Illuminations by Matteo da Milano in the Fitzwilliam Museum | The fresco of Guido Riccio in the Palazzo Publico, Siena by Jonathan Alexander, 686 by Michael Mallory and Gordon Moran, 37 Three panels by the Master of the View of Ste-Gudule in the Chapel of Queen’s Sano di Pietro’s S. Bernardino panels College, Cambridge by keith Christiansen, 451 by Jean Michel Massing, 690 An Urbino Provenance for the Toulouse ‘Boar hunt’ A drawing by Callisto Piazza by Michael Bury and Martin kemp, 452 by Francis Russell, 694 [Jonas Hoffmann] A ‘Last Supper’ by the young Jacopo Bassano and the sequence of his early work by RobertJ . Malin, 517 by Paul Joannides and Marianne Sachs, 695 [A lost painting by Pieter Lastman ‘Not even a fly’: Rubens and the mad emperors by James Byam Shaw, 712 by Elizabeth McGrath, 699 An unpublished composition by Georges de La ‘Tour by Pierre Rosenberg, 703 Pietro Testa’s drawing of “The inspiration of St Jerome’ Obituaries by Elizabeth Cropper, 705 Mattia Preti in S. Andrea della Valle: an unfulfilled contract by Jennifer Montagu, 708 André Chastel, 1913-1990 ‘Two tables by Willibald Sauerlinder, 38 Sir David Piper, 1918-1990 by Simon Jervis, 710 by Richard Walker, 196 Philip Pouncey, 1910-1990 by J.A. Gere, 312 November John Beckwith, 1919-1991 by Steven Runciman, 314 Lorenzo Monaco, Lorenzo Ghiberti and Orsanmichele: Part I Denys Sutton, 1917-1991 by Diane Finiello Zervas, 748 by John Pope-Hennessy, ‘ Michelangelo in 1505 Michelangelo Muraro, | by Michael Hirst, 760 by David Rosand, 517 A predella panel from Cecco di Pietro’s Agnano altar-piece Gert Schiff, 1926-90 by Katharine Ault, 766 by Martin Butlin, 518 Simone Martini’s altar-piece for S. Agostino, San Gimignano W.W. Winkworth, 1897-1991 by Dillian Gordon, 771 by J.V.G. Mallet, 622 Decorated initials by Beccafumi in the Uffizi by Alessandro Cecchi, 772 ; A drawing by Francesco Menzocchi acquired by the Fitzwilliam Museum Supplements by David Scrase, 773 A postscript to Inigo Jones ‘Puritanissimo fiero’ by Helen S. Ettlinger, 776 Recent acquisitions at the Cleveland Museum of Art I: Departments of Western Art, 63 Selected acquisitions of European and American Paintings at The Nelson-Atkins Museum of Art, Kansas City, 1980-1990, 153 December Recent acquisitions at the Cleveland Museum of Art II: Departments of Asian Art, Lorenzo Monaco, Lorenzo Ghiberti and Orsanmichele: Part I $17 by Diane Finiello Zervas, 812 Guercino in Britain. Paintings from British Collections, following 488‘2 The first Papal medal: sources and meanings Recent acquisitions by East Anglian Museums: Norwich, Sudbury, Ipswich, 579 by Nathan T. Whitman, 820 Samuel Amsler’s Portrait Album in the Ashmolean Museum, Oxford (by Colin Grimani patronage in S. Giuseppe di Castello: Veronese, Vittoria and Smeraldi J. Bailey), 647 by Thomas Martin, 825 Recent acquisitions of European Paintings at the Metropolitan Museum of Art, Paul V, Alexander VII, and a fountain by Nicolo Cordier rediscovered 1987-19918,01 by Jack Freiberg,g 833 Acquisitionosf sculpture at the Victoria and Albert Museum, 1986-1991, 876 CONTRIBUTORS Apams, Henry: Exhibition Review: Winslow Homer exhibitions, 407. Carrier, Davin: Exhibition Review: Robert Rauschenberg: The Silkscreen Paint- ALEXANDER, J.J.G.: Illuminations by Matteo da Milano in the Fitzwilliam Museum, ings, 1962-64, 218. 686. Crccui, ALEssANDRO: Decorated initials by Beccafumi in the Uffizi, 772. Book Reviews: Illuminated and Decorated Medieval Manuscripts in the Cuampers, D.S.: Book Review: Artists and Warfare in the Renaissance (Joha University Library Utrecht. An illustrated catalogue (Koert van der Horst), Hale), 320. 389. Miniature Parigine del Duecento. I] Salterio di Albenga e altri manoscritti Cuerry, Perer: New documents for Velazquez in the 1620s, 109. Anna Floriani), 272. Exhibition Review: Valdés Leal, 567. ALLEN, Brian: Book Reviews: Irish Art Loan Exhibitions 1765-1927. Index of Book Reviews: Murillo in Focus (Xanthe Brooke , 558. The Golden Age of Artists (Ed. S.B. Kennedy and Ann M. Stewart), 558. The Answer to the Painting in Spain (Jonathan Brown), 459. Lyre: Richard Bentley’s Illustrations for Thomas Gray’s Poems (Loftus Jestin), Cuonc, ALAN: New dated works from Aelbert Cuyp’s early career, 606. 557. The Georgians: Eighteenth-Century Portraiture and Society (Desmond CuRISTIANSEN, Keiru C.: Some observations on the Brancacci Chapel frescoes after Shawe-Taylor), 552. their recent cleaning, 5 (cf. Correction, 224). ALLEy, RonaLp: Exhibition Review: Emile Bernard, 214. Letter: Sano di Pietro’s S. Bernardino panels, 451 (cf.FREULER and MALLORY, ANDERSSON, CHRISTIANE: Book Review: The Isenheim Altarpiece: God’s Medicine 186). and the Painter’s Vision (Andrée Hayum), 625. Curistiz, NicoLa, see Kemp, MARTIN. Anprossov, SERGEY O: Works by Stefano Maderno, Bernini and Rusconi from the Criayton, Martin: A Nivelle watermark on Poussin’s Marino drawings, 245. Farsetti Collection in the Ca’d’Oro and the Hermitage, 292. Ciunas, Craic: The art of social climbing in sixteenth-century China, 368. Anram, Davin: Exhibition Reviews: Ad Reinhardt, 641. Art of the Forties, 344. Co.pstrrReAM, NicoLa: Book Reviews: Les Batisseurs des Cathédrales Gothiques Clyfford Still and Stella, Gottlieb, Francis and Olitski, 57. Connections: Brice Ed. Roland Recht), 272. The Architecture of Medieval Britain. A Social Marden, 569. Motherwell, Francis, Noland, Truitt and Marden, 569. History (Colin Platt), 317. ARNOULD, ALaAin: Book Review: Der sogenannte ‘Holbein Tisch’. Gesichte und Compton, Susan: Exhibition Review: Chagall en Russie, 403. Inhalt der bemalten Tischplatte des Basler Malers Hans Herbst von 1515. Ein Connors, JosepH: Borromini and the Marchese di Castel Rodrigo, 434. friihes Geschenk an die Burger-Bibliothek, Ziirich, 1633 (Lucas Wiithrich), Cooke, Lynne: Exhibition Reviews: Contemporary Japanese art: some recent 395. exhibitions in the United States, 385. Places with a Past, 573. Autt, Karuarine: A predella panel from Cecco di Pietro’s Agnano altar-piece, Cork, Ricuarp: Exhibition Review: Alison Wilding, 636. 766. Cormack, Rosin: Book Reviews: The Frescoes of the Dura Synagogue and Christian Art (K. Weitzmann and H.L. Kessler), 315. The Medieval Church and Baney, ¢ OLIN J.: Samuel Amsler’s Portrait Album, 647. Canonry of S. Clemente in Rome (Joan Barclay Lloyd), 856. Book Review: Disegni di Maestri Danesi nel Museo Nazionale di San Cortincron, Davin: Book Review: Esprit de Corps: the Art of the Parisian Avant- Martino a Napoli (Minna Heimbirger), 631. Garde and the First World War, 1914-1925 (Kenneth E. Silver), 268. 3AKER, Mautcocm: Exhibition Review: Virtue and Vision. Sculpture and Scotland, Cropper, EvizasBetu: Pietro Testa’s drawing of “The inspiration of St Jerome’, 1540-1990, 859. 705. Baton, HiLary: Book Review: Les Chateaux de France au siécle de la Renaissance CrossLey, PAuL: Book Reviews: Das Jahrhundert der Grossen Kathedralen |1 40- Jean-Pierre Babelon), 390. 1260 (Willibald Sauerlander), 316. Sumptuous Arts at the Royal Abbeys in Barker, Nico.as: Book Review: The Elements of Life: Biography and Portraii- Reims and Braine. Ornatus Elegantiae. Varietate Stupendes (Madeline Painting in Stuart and Georgian England (Richard Wendorf), 551. Caviness), 715. ‘The Gothic Cathedral. The Architecture of the Great Church BENINGTON, JONATHAN: Book Review: Une Vie de Bohéme. Lettres du_peintre 1130-1530 (Christopher Wilson), 547. Armand Seguin a Roderic O’Conor, 1895-1903 (Ed. Denys Sutton and Cuzin, JEAN-PreRRE: Book Review: Valentin de Boulogne (Marina Mojana), 455. Catherine Puget), 266. BERGDOLL, Barry: Book Reviews: 1889. La ‘Tour Eiffel et Exposition Universelle Davies, Mavrice: Book Review: Turner's Human Lands« ape (Eric Shanes), Ed. Caroline Mathieu); When the Eiffel Tower was new. French visions of 555. progress at the Centennial of the Revolution (Miriam R. Levin), 265. Archi- Dawson, AILEEN: Exhibition Review: European Ceramics at Burghley House, 565. tectures de la vie privée. Maisonse t Mentalités, XVI le — XI Xe siécles (Monique Book Review: Weisses Gold aus Fiirstenberg, Kulturgeschichte im Spiegel Eleb-Vidal and Anne Debarre-Blanchard), 261. des Porzellans 1747-1830 (Joanna Lessmann and others), 325. BertTeLut, Caro: Book Review: Agostino Busti detto il Bambaia, 1483-1548. Il Dorra, Henri: Book Review: Voir, revoir Fourviére (Elisabeth Hardouin-Fugier), monumento di Gaston de Foix, duca di Nemours (Maria Teresa Fiorio); 274. Bambaia (Giovanni Agosti); I] Bambaia. Catalogo completo delle opere (Maria Dunn, Mariyn: Two early documented works by Francesco Baratta the Younger, Teresa Fiorio), 854. 91 (cf. Correction, 352). BinpMAN, Davin: Exhibition Review: Kar! Friedrich Schinkel: A Universal Man, 6. Ecerron, Jupy: Exhibition Review: William Hoare of Bath, 47. BREJON DE LAVERGNEE, ARNAULD: Exhibition Review: Vouet, 134. Errner, Lorenz: Book Review: ‘Théodore Géricault. Etude critique, documents, et BricsrockEe, HuGu: Book Review: Pinacoteca di Brera. Scuole lombarda ligure e catalogue raisonné (Germain Bazin), 253. piemontese (Ed. Federico Zeri), 457. EkseRDJIAN, Davin: Exhibition Review: Capolavori europei dalla Romania. Sessanta Brown, CurisropuHer: Exhibition Review: Great Dutch Paintings from America, dipinti dal Museo Nazionale d’ Arte di Bucharest, 281. 282. Book Review: I dipinti del Guercino (Luigi Salerno), 462. Book Review: Corpus Rubenianum Ludwig Burchard Part III. The Old Exam, CaRo.inE, and STREHLKE, Carv: Exhibition Review: Le Muse e il Principe, ‘Testament (R.-A. D’Hulst and M. Vandenven), 716. 860 (cf. Correction [1992], 64]). Brown, Davin BLayney: Book Review: French Images from the Greek War of ELsNneR, JOHN: Book Review: Building God’s House in the Roman World. Archi- Independence, 1821-1830. Art and Politics under the Restoration (Nina M. tectural Adaptation Among Pagans, Jews and Christians (L.M. White), 713. Athenassoglou-Kallymer), 262. Emison, Parricia: The ‘Concert champétre’ and gilding the lily, 195. Buii, MAtco.: Book Review: The Power of Images (David Freedberg), 125. ETTrLinGER, HELEN S.: A postscript to Inigo Jones — ‘Puritanissimo fiero’, 776. Bury, J.B.: Book Reviews: The architecture of conquest: building in the viceroyalty of Peru 1535-1635 (Valerie Fraser), 322. Architettura militare nell’ Europa del Fevron, Crate: Ribera’s early years in Italy: the ‘Martyrdom of St Lawrence’ and XVI secolo (Ed. Carlo Cresti, Amelio Fara and Daniela Lamberini), 273. the ‘Five Senses’, 7! (cf. Correction, 224). Bury, Micuaet and Kemp, Martin: Letter: An Urbino Provenance for the Toulouse FInALpI, GABRIELE: The patron and date of Ribera’s ‘Crucifixion’ at Osuna, 445 ‘Boar Hunt’, 452 (cf.Kemp and Massino, 164). cf. Correction, 672). Buriin, Martin: Obituary: Gert Schiff (1926-90), 518. FLETCHER, JENNIFER: Book Review: Giovanni Bellini (Rona Goffen), Byam Suaw, James: Letter: [A lost painting by Pieter Lastman], 712. ForsTER, Susan: The portrait of Alexander Mornauer, 613. Forp, Cuar es: Book Reviews: Diamante Gedenkzuilen en Leerzaeme Voorbeelden. Casmtre, Micuaex: Book Review: Artistes, Artisans et Production Artistique au Een bespreking van Johan van Gools Nieuwe Schouburg (Lyckle de Vries), Moyen Age. Vol.II, Commande et Travail. Vol.III, Fabrication et Consom- 625. Rembrandt (Otto Benesch); Rembrandt's Landscapes (Cynthia P. Schneider); mation de l’oeuvre Xavier Barral I Altet seer. Rembrandt’s Self-Portraits, a Study in Seventeenth-Century Identity /AMPBELL, CHRISTOPHER B.: Book Review: Pissarro and Pontoise: The Painter in a H. Perry Chapman), 630. Landscape (Richard Bretell), 264. Francis, Mark: Exhibition Review: Francesco Clemente. ‘Three Worlds, 148. CampBELL, Lorne: Exhibition Review: Joos van Cleve au Louvre, 476. FRANKLIN, Davin: An unrecorded commission for Piero della Francesca in Arezzo, Book Review: Gerard David (HansJ . Van Miegroet), 624. 193. Guido Reni, Guercino, Matteo Rosselli and an altar-piece for SS. Annunziata !AMPBELL, STEPHEN J.: Book Review: Atlante di Schifanoia (Ed. Ranieri Varese), in Arezzo, 446. 777. FRANKLIN, JiLL A.: Book Review: Canterbury Cathedral and its Romanesque ARDINAL, RoGer: Exhibition Review: Max Ernst. A Retrospective, 332. Sculpture (Deborah Kahn), 547. CONTRIBUTORS FREDERICKSEN, BurtON B.: Leonardo and Mantegna in the Buccleuch Collection, Herrorp, WeNpy: Book Review: Eighteenth Century Textiles: the Anders Berch 116. A pair of pendant pictures by Claude Lorrain and Salvator Rosa from the Collection at the Nordiska Museet (Ed. Elisabet Stavenow-Hidemark), 324. Chigi Collection, 543. Hevp, Jurra: Book Review: Francisco Goya: The Tapestry Cartoons and Early FREIBERG, JACK: Paul V, Alexander VII, and a fountain by Nicolo Cordier redis- Career at the Court of Madrid (Janis A. Tomlinson), 124. covered, 833. Hemsoii, Davin: Book Review: The Ancient Roman City (John E. Stambaugh), FREULER, GAUDENZ, see MALLORY, MICHAEL. 629. Frew, JoHN and Lowrey, JoHn: Richard Payne Knight and Alexander, future Henperson, G.D.S.: The meaning of leaf 5 of Fitzwilliam MS 330, 682 10th Duke of Hamilton: a rediscovered correspondence, 1812-15, 541. Book Review: Anglo-Saxon Crucifixion Iconography and the Art of the FuHRING, PeTer: Exhibition Review: Valadier. Three Generations of Roman Gold- Monastic Revival (BarbarCa . Raw). 389. smiths, 470. Henry, Tom: Exhibition Review: Guercino Drawings from Dutch Collections, 475. HERDING, Kaus: Book Review: Courbet’s Realism (Michael Fried), 722. Garpbner, JULIAN: Book Reviews: A Critical and Historical Corpus of Florentine Hestop, ‘T.A.: Book Review: Early Medieval Wall Painting and Painted Sculpture Painting: The Fourteenth Century. The Works of Bernardo Daddi, Section Ed. Sharon Cather, David Park and Paul Williamson), 44. III, Volume III (Richard Offer), 200. Arte medievale. II serie, Nos.1-4 HETHERINGTON, Pau: Book Review: Early Christian Art and Architecture Robert Ed. Angiola Maria Romanini), 206. Milburn), 44. GARDNER VON TEUFFEL, CuRIstA, see TEUFFEL. Hew .inGs, Ricuarp: Book Review: James Paine (Peter Leach), 552 Gas, Joun: Book Review: Le Storie di Romolo e Remo di Ludovico, Agostino e Hicerrr, Joun: Book Review: Early Gothic Manuscripts [11] 1250-1285 Nige! Annibale Carracci in Palazzo Magnani a Bologna (Andrea Emiliani and Morgan), 549. others), 39. Hirst, MicHaket: Michelangelo in 1505, 760. GasKELL, Ivan: Book Review: Catalogus van de Nederlandse ‘Tekeningen in het Hocu, Aprian S.: The dedication of the St Elizabeth altar at Assisi, 36 Rijksprentenkabinet, Rijksmuseum, Amsterdam, Volume V: Drawings from Horricuter, Frima Fox: Exhibition Review: Jan Davidsz. de Heem en zijn kring, the Ter Borch Studio Estate (Alison McNeil Kettering), 122. 404. GrBHARDT, VOLKER: Some problems in the reconstruction of Uccello’s ‘Rout of Hopkins, Davin: Max Ernst’s ‘La toilette de la Mariée’, 237. San Romano’ cycle, 179. Exhibition Reviews: André Breton: ‘La Beauté sera Convulsive’, 479. Max Geropts, WittiaM H.: Book Review: American Art at the Nineteenth Century Paris Ernst Centenary Exhibitions, 731. Salons (Lois Marie Fink), 720. House, Joun: Book Reviews: Paul Guigou, 1834-187 Claude-Jeanne Bonnici), Gere, CuHar.orre: Exhibition Review: Elizabeth | and Mary, Queen of Scots: 264. The Art of Exclusion: Representing Blacks in the Nineteenth Century History and Myth, 130. Albert Boime); The artist as anthropologist: The representation of type and Book Review: Pariser Schmuck. Von zweiten Kaiserreich zur Belle Epoque character in Victorian art (Mary Cowling); The Image of the Black in Western Michael Koch and others), 41. Art 4, From the American Revolution to World War I. Part I: Slaves and Gere, J.A.: Obituary: Philip Pouncey, 312. Liberators, Part Il: Black Models and White Myths (Hugh Honour), 721. Gises, Rosert: Book Review: Arte del Quattrocento a Chieri: per i restauri nel Howarp, Mavrice: Exhibition Review: Henry VIII: a European court in England, Battistero (Michela di Macco and Giovanni Romano), 44. 562. GinssurG, Henry D.: Exhibition Review: Court Arts of Indonesia; The Sculpture Howartn, Davin: Book Reviews: Inigo Jones. Complete Architectural Drawings of Indonesia, 480 John Harris and Gordon Higgott ; John Webb. Architectural Theory and Girovarpb, Mark: Book Review: Loudon and the Landscape: from Country Seat Practice in the Seventeenth Century (John Bold), 550 to Metropolis (Melanie Louise Simo), 263. GLANVILLE, Potuippa: Exhibition Review: English Silver Treasures from the Kremlin, J AFFE, Davin: Exhibition Review: Old master paintings and drawings, 468 278. Jarré, Micuaec: Exhibition Reviews: Anthony van Dyck, 142. Jan Boeckhorst Book Review: London Goldsmiths 1679-1837: Their Marks and Lives Arthur 1604-1668. Maler der Rubenszeit, 216 The Drawings of Anthony van Dyck, G. Grimwade), 325.> 341 (cf. Correction, 488 Goprrey, RicHarp: Book Review: The Mezzotint: History and Technique (Carol James, Merun ING: Exhibition Reviews: Camille Claudel, 400. David Bomberg, Wax), 328. 208. Jack B. Yeats: The Late Paintings, 334. Richard Diebenkorn, 857 Goprrey, Tony: Exhibition Review: Joseph Beuys, 209. Book Review: Ivon Hitchens ( Peter Khoroche), 394. GoGuEL, CATHERINE Monseic: Book Review: Fra Bartolommeo. Master of the Jerrerr, Witttam: Book Review: Pop Art: A Continuing History Marco Living- High Renaissance. A selection from the Rotterdam Albums and Landscape stone), 326. Drawings from various collections (Chris Fischer), 453. Jenkins, Lan: Book Review: Greek Se ulpture. An Exploration (Andrew Stewart Go p1nG, JoHN: Book Review: A Life of Picasso. Vol.1, 1881-1906 (John Richardson), 852. 783. Jervis, Simon: ‘Two tables, 710 Gorpon, Dicuian: Simone Martini’s altar-piece for S. Agostino, San Gimignano, Book Reviews: Herculaneum paa Sjaelland. Klassicism og nyantik i dansk 771. mobeltradition (Ed. Mirjam Gelfer-Jorgensen), 329. Le Mobilier en Picardie Gow, IAn: Exhibition Review: Irish Eighteenth-Century Stuccowork and its European 1200-1700 ( Laurence Fligny), 327. Sources, 335. Joannives, Pau and Sacus, MARIANNE \ ‘Last Supper’ by the young Jacopo Book Review: The Craces: Royal Decorators 1768-1899 (Ed. Megan Aldrich), Bassano and the sequence of his early work, 695 Jouns, Curisropuer M.S.: Book Review: Rome in the Age of Enlightenment: The 554. Grauam, CLare: Book Review: English Gothic Choir-stalls 1400-1540 (Charles post- Tridentine Syndrome and the Ancien Régime (Hanns Gross), 204. ‘Tracy ees Jornaes, Bjarne: Exhibition Review: Fissli and Sergel, 52 Griswo_p, WILLIAM: Exhibition Review: Guercino. Master Draftsman. Works from North American Collections, 643 K auinsky, Nicota: Exhibition Review: Elizabeth Siddal, Pr -Raphaelite Artist, Book Review: ! disegni di figura nell’Archivio Storico dell’ Accademia di 278. ‘The Artist’s model. Its R6le in British Art from Lely to Etty, 563 San Luca (Ed. Angela Cipriani and Enrico Valeriani); Prize winning drawings Kemp, Martin and Massinc, ANN (with Nicola Christie and Karin Groen Paolo from the Roman Academy (1682-1754 Ed. Angela Cipriani), 204. Uccello’s ‘Hunt in the forest’, 164 (cf suryY and Kemp, 452 GROEN, Karin, see Kemp, MARTIN. Kipp, Darypp: Book Review | Longobardi Ed. G.C Menis), 197 Gunn, Ann: Guy Head’s ‘Venus and Juno’, 510 Krrson, Micuaec: Exhibition Review Constable, 559 Guy, Joun: The Mahabodhi temple: pilgrim souvenirso f Buddhist India, 356 Koreny, Frrrz: A coloured flower study by Martin Schongauer and the develop- ment of the depiction of nature from Van der Weyden to Diirer, 588 Haxt, James: Exhibition Review: Jannis Kounellis. La Stanza Ved Elements Kostnsk1, Dororuy: G.F. Reber: collector of Cubism, 519 from Drawing 1970-1990, 280 Exhibition Review: ‘Degenerate Art’: The Fate of the Avant-Garde in Nazi HANCHER, MICHAEL: ‘Urgent private affairs’: Millais’s “Peace concluded, 1856’, Germany, 346 199. Kstazek, Saran: Book Review: The Art Museums of Louis I. Kahn (Patricia Harris, Enriqueta: Book Review: A Corpus of Spanish Drawings, Vol.1V. Valencia, Cummings Loud), 331 1600-1700 (D. Angulo Iniguez and A.E. Pérez Sanchéz), 122 Harriey, Craic: Exhibition Review: The Stylish Image, Printmakers to the Court Lac Lorre, Micuec: Obituary: Charles Sterling, 252 ) of Rudolf 11, 793. Larson, Joun: The cleaning of Michelangelo's Taddei tondo, 844 Book Reviews: Hans Schaufelein, Das Druckgraphische Werk (Karl Heinz LAVERGNEE, sce BREJON DE LAVERGNEF Schreyl); Hans Schaufelein, Vortrage, gchalten anlasslich des Nordlinger Levey, Micuarc: Book Review: The Wallace Collection Catalogue of Picture Symposiums in Rahmen der 7. Riesner Kulturtage in der Zeit vom 14. Mai bis Vol. French Nineteenth Century; Vol. Il French before 1815 (John 15 Mai 1988 (Ed. Karl Heinz Schreyl), 629. Mannerist Prints: International Ingamells), 39 Style in the Sixteenth Century (Bruce Davis), 206. Sadeler Catalogue (R.M. Lewison, JEREMY Exhibition Review Willem ae Kooning: Jean Dubuffet The Edquist), 530. Women, 146 HaskeELL, Francis: William Coningham and his collection of Old Masters, 676 (cf Book Reviews Abstract Expressionism David Anfam), 270 Abstract Correction [1992], 64). Expressionism. A Critical Record (David and Cecile Shapiro) ,2 70 HasKELL, Larissa, sce SALMINA-HASKELI Linpsay, Kennetu C.: Book Review: Kandinsky and Sweden (Vivian Endicott HAXTHAUSEN, CHARLES W.: The world, the book, and Anselm Kiefer, 846. Barnett); Nya Perspektiv Pa Kandinsky: New Perspectives on Kandinsky Ed Exhibition Review: Sigmar Polke, 482. Anders Rosdahl , 266 CONTRIBUTORS Links, J.G.: Exhibition Review: Schilders van Venetie: Oorsprong en bloei van di Paricoris, ALEXANDRA: Book Review: Picasso’s Guernica. History, ‘Transformations, Venetiaanse vedute, 213. Meanings (Herschel B. Chipp), 396. Book Review: An Atlas of Venice (Edoardo Salzano), 205. Park, Davin, see RICKERBY, STEPHEN. Livincstone, Marco: Exhibition Review: Richard Hamilton, 635. Pepper, D.S.: Guido Reni: new documents for the Pieta dei Mendicant, 441. LLEWELLYN, Briony: Exhibition Review: W.J. Miiller, 1812-1845, 791 (cf. Cor- Perini, Giovanna: Exhibition Review: Settecento lombardo, 339. rection, 875). Book Reviews: After Vasari — History, Art and Patronage in Late Medici Locke, Nancy: New documentary information on Manet’s ‘Portrait of the artist’s Florence (E.L. Goldberg), 460. Power and Display in the Seventeenth Century parents’, 249. The Arts and ‘Their Patrons in Modena and Ferrara (Janet Southorn), 782. Lopper, Curistina: Book Review: Russian Paintings and Drawings in the Ashmolean Visual Fact over Verbal Fiction: A Study of the Carracci and the Criticism, Museum (Larissa Salmina-Haskell) , 396. Theory and Practice of Art in Renaissance and Baroque Italy (Carl Goldstein), Loire, SrEPHANE: Book Review: Seicento. La Peinture italienne du XVIIéme 203. siécle et la France (Ed. Jean-Claude Boyer), 461. Perers, Davin: The decoration and decorators of late-eighteenth-century Sévres LouGuMAN, Joun: Aert Teggers, a seventeenth-century Dordrecht collector, 532. porcelain in the Bowes Museum, 306. LowbeEN, JouNn: Book Reviews: Der Akathistos-Hymnos. Die Bilderzyklen in der PissARRO, JOACHIM: Exhibition Reviews: High and Low: Modern Art and Popular byzantinischen Wandmalerei des 14,Jahrhunderts (Alexandra Patzold), 725. Culture, 55 (cf. Correction, 224). The Fauve Landscape, 144 (cf. Correction, The Monastery of Saint Catherine at Mount Sinai: the Illuminated Greek 288). Manuscripts, Vol.I, From the Ninth to the Twelfth Century (Kurt Weitzmann Popro, Micuarv: Book Review: Cassirer, Panofsky and Warburg: Symbol, Art and George Galavaris), 714. and History (Sylvia Ferretti), 725. Lowrey, JOHN, see FREw, JOHN. Porre-HEnNNEssy, JOHN: Obituary: Denys Sutton 1917-1991, 388. Lytes, ANNE: Book Reviews: Thomas Hearne and his Landscape (David Morris), Porrerton, Homan: Book Review: L’Or et ’ombre. Catalogue critique et raisonné 553. Turner Prints: the Engraved Work of J.M.W. Turner (Luke Herrmann), des peintures hollandaises du dix-septieme et du dix-huitiéme siécles conservées 719. au Musée des Beaux-Arts de Bordeaux (Olivier Le Bihan); Northern European Paintings in the Philadelphia Museum of Art. From the Sixteenth through the Mater, J.V.G.: Obituary: W.W. Winkworth (1897-1991), 622 Nineteenth Century (Peter C. Sutton), 628. Book Review: Studien Zur Mediceischen Glaskunst, Archivalien, Entwurf- Ports, ALEx: Exhibition Review: Like the Face of the Moon, 473. zeichnungen, Glaser und Scherben (Detlef Heikamp), 321. Book Reviews: A Fine Disregard. What makes Modern Art Modern (Kirk Ma tory, MICHAEL and FREuLER, GAUDENz: Sano di Pietro’s Bernardino altar- Varnedoe), 395. James Pradier: Correspondance, Vol.II1 (Ed. Douglas Siler), piece for the Compagnia della Vergine in Siena, 186 (cf. CHRISTIANSEN, 451 9 732: MaA.tory, MicHaAEt and Moran, Gorpon: Letter: [The fresco of Guido Riccio in Preston, Stuart: Exhibition Reviews: Ignacio Zuloaga 1870-1945; Louis Anquetin. the Palazzo Publico, Siena], 37 (cf. Torriri, Prero [1985], 485; MALLory La Passion d’étre Peintre, 402. Henri Hayden. Peintureest oeuvres sur papier, and Moran [1987], 187). 1911-1970; Au temps des Impressionnistes: La peinture roumaine, 1865-1920; Ma ttory, Nina Ayata: Book Review: Selected Baroque Paintings from Italian Proust et les Peintres, 639. Banks (Pier Giovanni Castagnoli), 786. Mawnninos, Davin: Reynolds’s oil sketches, 491. R ainsirp, SEAN: Book Reviews: Franz Marc (Mark Rosenthal); Lyonel Feininger Marsu, JAN: Book Review: Vision and Difference; Femininity, feminism and histories Ulrich Luckhardt ; The Apocalyptic Landscapes of Ludwig Meidner (Carol of art (Griselda Pollock), 274. S. Eliel and Eberhard Roters); The Blue Rider in the Lenbachhaus, Munich Martin, THomas: Grimani patronage in S. Giuseppe di Castello: Veronese, Vittoria Armin Zweite and Annegret Hoberg , 206. Max Beckmann. Catalogue raisonné and Smeraldi, 825. of his Prints (James Hofmaier); ‘The Divided Heritage: ‘Themes and Problems MassinG, ANN, see Kemp, MARTIN. in German Modernism (Irit Rogoff), 628. MassinG, JEAN MicHEL: Three panels by the Master of the View of Ste-Gudule in Ramsay, NiGEL: Book Review: A Directory of London Stationers and Book Artisans, the Chapel of Queens’ College, Cambridge, 690. 1300-1500 (C. Paul Christianson), 330. Book Review: The Verbal and the Visual. Essays in Honour of Sebastian Ranp, RicHArp: ‘I'wo landscapes by Fragonard from Saint-Non’s collection, 246. Heckscher (Ed. Karl-Ludwig Selig and Elizabeth Sears), 631. Ray, AnrHony: Sixteenth-century pottery in Castile: a documentary study, 298. McCrory, Marrtua: Book Review: Splendori di Pietre Dure: L’Arte di Corte nella RrEYNOLDs, CATHERINE: Book Review: L’univers des formes. Le monde gothique. Firenze dei Granduchi (Ed. Annamaria Giusti), 202. Automnee t Renouveau 1380-1500 (Albert Chatelet and Roland Recht), 272. McGrath, EvizaBetu: ‘Not even a fly’: Rubens and the mad emperors, 699. RicHARDs, SARAH: Book Review: Biographische Daten der Meissner Manufakturisten Book Reviews: Peter Paul Rubens. Altare fiir Bayern (Konrad Renger), des 18. Jahrhunderts (Rainer Riickert); Early Meissen Porcelain in Dresden 717. The Moralizing Prints of Cornelis Antonisz. (Christine Megan Armstrong), Ingelore Menzhausen), 323. 630. Rickarps, JAcK: Book Review: Klimt (Frank Whitford); ‘The Munich Secession. McWiu1ay, Nett: Book Review: Esthétiques du X VII le siecle. Le modeéle frangais Art and Artists in Turn-of-the-Century Munich (Maria Makela), 274. Baldine Saint Girons), 719. RICKERBY, STEPHEN and Park, Davin: A romanesque ‘Visitatio Sepulchri’ at Meutn, J.Roserr: Letter: [Jonas Hoffman], 517. Kempley, 27. Mippteron, Rosin: Book Reviews: Histoire de Parchitecture francaise. De la RiopeLLe, Curisropuer: Exhibition Review: Claude to Corot: The Development Renaissance a la Révolution (J.-M. Perouse de Montclos), 782. J.B. Kleber of Landscape Painting in France, 54. Architecte 1784-92 (Etienne Martin 5 Feds Roserts, ANN: The Landscape as legal document: Jan de Hervy’s ‘View of the Mitxar, Ouiver: Gilbert Coventry and his sporting and other paintings, 537 Zwin’, 82. cf. Correction, 672). Rocers, J.M.: Book Reviews: A Mirror of Princes. ‘The Mughals and the Medicis Exhibition Review: A.-J. Dubois Drahonet, Portraits for a King, 208. ed. Dali Jones); La Citta del Sole e delle acque. Fathpur Sikri (Attilio MILneR, JouN: Exhibition Review: El Lissitzky, 1890-1941, 640. Petruccioli), 391. Humanists and Bookbinders. The origins and diffusion of the Mirrer, Parrua: Exhibition Review: Arts of India 1550-1900. ‘The Nehru Gallery Humanistic book-binding, 1459-1559, with a census of historiated plaquette of Indian Art, 397. and medallion bindings of the Renaissance (Anthony Hobson), 201. Monrtacu, JENNIFER: Mattia Preti in S. Andrea della Valle: an unfulfilled contract, Rosanpb, Davin: Obituary: Michelangelo Muraro 1913-1991, 517. 709. RosENBERG, PieRRE: An unpublished composition by Georges de La ‘Tour, 703. Book Review: Michel Anguier’s Pluto: The Marble of 1669. New Light on Exhibition Reviews: A Loan Exhibition of Drawings by Nicolas Poussin the French Sculptor’s Career (Bernard Black and Hugues-W. Nadeau), 330. from British Collections, 210. Simon Vouet. 100 neuentdeckte Zeichnungen Moran, Gorpon, see MALLORY, MICHAEL. aus den Bestanden der Bayerischen Staatsbibliothek, 728. MorscHeEk, CHARLES R.: Book Review: Giovanni Antonio Amadeo: Documents Rowan, Auistair: Book Review: Wilton House and English Palladianism: Some Ed. R.V. Schofield, Janice Shell and Grazioso Sironi), 853. Wiltshire Houses (John Bold and John Reeves), 558. Mt ter, Cristian: New evidence for Hans Holbein the Younger in Basel ‘Town RoyaLton-KiscH, MArtTIN: Exhibition Review: Seventeenth-Century Dutch Hall, 21. Drawings. A Selection from the Maida and George Abrams Collection, 794. Munpy, JENNIFER: Exhibition Review: Sculptures by Arturo Martini, 1889-1947, Runciman, STEVEN: Obituary: John Beckwith, 314. 398. RussEu, Francis: A drawing by Callisto Piazza, 694. Exhibition Review: La Rome baroque de Maratti a Piranése, 140. Newcomer, Mary: Book Review: II Palazzo dell’Universita di Genova (F. Lamera RussELL, JOHN: Exhibition Review: Seurat, 477. and G. Pigafetta), 786. RussELL, MARGARITA: Book Reviews: Eloge de la navigation hollandaise au XVI le Norman, A.V.B.: Book Review: Essays in honoof uHelrmu t Nickel. Vol.24, Journal siecle. ‘Tableaux, dessins et gravures de la mer et de ses rivages dans la of the Metropolitan Museum of Art, New York (David Alexander and others), collection Frits Lugt Carlos van Hasselt and Maria van Berge-Gerbaud); 396. Sillages néerlandais: La vie maritime dans l'art des Pays-Bas/Kunst in het Nutrati, Pauta: Book Review: I] Quattrocento nell’Europa Settentrionale (Jan kielzog: Het maritiemeleven in de Nederlandse kunst (F. Bellac, Ph. Bosscher Biatostocki), 121. and A. Erftemeijer), 260. The Paintings of the Willem van de Veldes (Michael NyGREN, Epwarp J.: Exhibition Review: Albert Bierstadt: Art & Enterprise, 734. S. Robinson), 392. O'Doynet, Roverick: Book Reviews: Muscular Churches: Ecclesiastical Archi- Sacus, MARIANNE, see JOANNIDES, PAUL. tecture of the High Victorian Period (C.M. Smart Jr), 558. The Blue Guide to SALMINA-HASKELL, LArissA: Book Review: Kartini Italianskih Masterov XIV- Victorian Architecture (Julian Orbach), 275. XVIII Vekov is Museev SSSR (Viktoria Markova), 630. CONTRIBUTORS SaLmon, FRANK: Guy Head’s ‘Oedipus’ in the Academy at Parma, 514. ‘TREUHERZ, JULIAN: Exhibition Review: Sunshine and Shadow, The David Scott Sattron, Mark M.: Book Review: German Renaissance medals. A catalogue of the Collection of Victorian Paintings, 399. Collections in the Victoria and Albert Museum (Marjorie Trusted), 321. Book Review: Victoria and Albert Museum. Catalogue of British Oil Paint- SanpstrOM, Bircirra: Book Review: De ar i Rom, Abildgaard, Sergel Fiissli ings 1820-1860 (Ronald Parkinson), 556. Jorgen Andersen), 44. ‘Turner, Nicuovas: A head of Christ by Guercino at Budapest, 449. SAUERLANDER, WILLIBALD: Obituary: André Chastel, 38. ‘TUYLL VAN SEROOSKERKEN, CaREL VAN: Exhibition Review: I] Guercino: Dipinti e SAvILL, Rosauinp: Exhibition Review: Eighteenth-century gold boxes, 46. disegni; Il Guercino e la bottega, 864. ScuuBEeRT, Karsten: Book Review: Picasso im Zweiten Weltkrieg (Ed. Siegfried Gohr), 275. VaucHan, Wit: Book Review: Caspar David Friedrich and the Subject of ScHWARtz, LoRRAINE: Patronage and Franciscan iconography in the Magdalen Landscape (Joseph Leo Koerner); Caspar David Friedrich in seiner Zeit: Chapel at Assisi, 32. Zeichnungen des Romantik und des Biedermeier (Hans Dickel); The Romantic Scorr, Katie: Book Review: Fragonard. Art and eroticism (Mary D. Sheriff), 325. Vision of Caspar David Friedrich — Paintings and Drawings from the USSR Scrase, Davin: A drawing by Francesco Menzocchi acquired by the Fitzwilliam Ed. Sabine Rewald, with Robert Rosenblum and Boris |. Asvarishch), 626. Museum, 773. Veropt, RicuHarp: Book Review: Ideal Landscape. Annibale Carracci, Nicolas Poussin Screecu, T.B.M.: Book Review: Hokusai: One Hundred Poets Peter Morse), 393. and Claude Lorrain (Margaretha Rossholm Lagerlof), 458. SEROOSKERKEN, see ‘TUYLL VAN SEROOSKERKEN. VerGo, Perer: Exhibition Review: Egon Schiele and his Contemporaries, 129. SHELL, JANICE and Siront, GRaAzioso: Salai and Leonardo’s legacy, 95. Book Review: Egon Schiele. The Complete Works (Jane Kallir) , 267. SHonE, RicHarp: Exhibition Reviews: André Derain, 134. Charles Keene: The Vertova, Luisa: Exhibition Review: XVII Biennale Internazionale dell’ Antiquariato Artist’s Artist, 1823-1891, 207. Corot, 463. Pop Art, 856. Stanley Spencer. The and other exhibitions in Florence, 868. Apotheosis of Love, 276. Upholding the Bricks, 331. William Coldstream, 45. Vitters, Carouine: Book Review: The beginnings of Netherlandish Canvas painting SILBERMAN, Rosert: Exhibition Review: Paul Strand: An American Vision, 571. Diane Wolfthal) , 258. SILLEvis, JOHN: Exhibition Review: Vincent van Gogh en de moderne Kunst 1890- Vries, LyckLe ve: Book Review: Pieter Saenredam. The Painter and his Time 1914, 49. Gary Schwartz and Marten Jan Bok), 456. Stmpson, MARIANNA SHREVE: A manuscript made for the Safavid prince Bahram Mirza, 376. W appincuam, Matcotm: Book Review: Caravaggism in Europe (Benedict Nicol- Srront, GRAz1080, see SHELL, JANICE. son, revised by Luisa Vertova), 462. Stive, Seymour: Additions to Jacob van Ruisdael, 598. Wa ker, Ricuarp: Obituary: Sir David Piper 1918-1990, 196. SLomaAN, Susan Lecourx: General Wade’s altar-piece for Bath Abbey: a reconstruction, Watsu, Joun: Exhibition Review: Mirror of Empire: Dutch Marine Art of the 507. Seventeenth Century, 645. SoKOLova, IRINA: A new acquisition by the Hermitage Museum: Joachim Wtewael’s Watanabe, Tosuio: Book Review: Japonisme comes to America: the Japanese ‘Lot and his daughters’, 619. impact on the graphic arts 1876-1925 (Julia Meech and Gabriel P. Weisberg), SPENCER, Rosin: Manet, Rossetti, London and Derby Day, 228 396. SPIKE, JOHN 'T.: Exhibition Review: Artemisia Gentileschi, 732. Warkins, NicHotas: Exhibition Review: Pierre Bonnard, and Bonnard Drawings, Book Reviews: La natura morta in Italia (Federico Zeri, Francesco Porzio 787. and others), 124. Nuovi studi su la natura morta italiana Luigi Salerno), 715. Book Review: Matisse in Morocco, The Paintings and Drawings, 1912-1913 Sprinc, Perer: Book Review: Roma, centro ideale della cultura dell’ Antico nei Jack Cowart and others), 42. secoli XV ¢ XVI. Da Martino V al Sacco di Roma: 1417-1527 Silvia Danesi Wuistcer, CarHerine: Book Review: Bernardo Keilhau detto Monsu Bernardo Squarzina), 725. Minna Heimbiirger), 206. STALLABRASS, JULIAN: Book Reviews: Carson-Pirie-Scott. Louis Sullivan and the Wuire, Joun: Book Review: The Science of Art. Optical themes in Western art Chicago Department Store (Joseph Siry , 330. The Photography of Gustave from Brunelleschi to Seurat (Martin Kemp), 271. Le Gray Eugenia Parry Janis), 273. Wuirrie._p, Roperick: Exhibition Reviews: Master of the Lotus Garden: The Life Srein, Susan Atyson: Book Review: Vincent van Gogh. Paintings (Evert van and Art of Bada Shanren, 405. Chinese Art and Design: the T.T. Tsui Gallery Uitert, Louis van ‘Tilborgh and Sjraar van Heugten); Vincent van Gogh. of Chinese Art, 788. Drawings (Johannes van der Wolk, Ronald Pickvance and E.B.F. Pey), 119. Wurman, NatHan T.: The first Papal medal: sources and meaning, 820 STEVENSON, CHRISTINE: Book Reviews: Hversdagbilleder. Dansk Guldalder Kunst- Wituiamson, Pau: Book Review: La sculpture romane de la route de Saint- nere og deres Vilkat Pictures of Everyday Life. The Golden Age of Danish Jacques: de Conques 4 Compostelles (Marcel Durliat), 272. Painting and Sculpture: ‘The Artists and their Circumstances) (Kaspar Monrad), Wixus, Perer: Book Review: China and Gardens of Europe of the Eighteenth 39. Mellem Guder og Helte: Historiemaleriet i Rom, Paris og Kobenhavn Century (Osvald Sirén and Hugh Honour), 631 1770-1820 (Kaspar Monrad and Peter Norgaard Larsen), 273. Wison, Timorny: Book Reviews: [Recent publications on Italian maiolica}, 319. Srone, Davip M.: Exhibition Review: Drawings by Guercino from British Collections, he Late King’s Goods ( Arthur MacGregor), 259. 632. Witson-Bareau, Jutiet: Exhibition Review: Art in the Making. Impressionism, STRATFORD, Nett: Exhibition Review: Le Trésor de Saint-Denis, 337. 127 STREHLKE, CARL BRANDON: Exhibition Reviews: Francesco da Rimini e gli esordi Wizron, Anprew: Book Reviews: Samuel F.B. Morse (Paul J. Staiti), 556. The Art del gotico medievale, 51. Manifesters of Miraculous Events: Early Italian Art of Thomas Cole: Ambition and Imagination EllwoodC . Parry), 40 from Collections in Switzerland and Liechtenstein, 464. Wine, Humpurey: Exhibition Review: Charles Le Brun 1619-1690: le décor de 300k Reviews: Renaissance Portraits. European Portrait-Painting in the Vescalier des Ambassadeurs a Versailles; Courage and Cruelty. Le Brun’s 14th, 15th and 16th Centuries (Lorne Campbell), 780. The early Sienese *Horatius Cocles’ and “The Massacre of the Innocents’, 133 (cf. Correction, paintings in Holland Ed. H.W. van Os and others), 199. See also ELam, £20 oQ O. CAROLINE. Wixom, Wiiutam D.: Book Review: Northern Gothic Sculpture, 1200-1450 (Paul SuLLIVAN, Epwarp J.: Book Review: El Arte De La Plateria Mexicana. 500 Anos, Williamson and Peta Evelyn), 853 327. Woop, Carotyn H.: Agucchi, Lodovico Carracci and the monument to Cardinal Sutrron, Kay: The Master of the “Modena Hours’, Tomasino da Vimercate and Sega at Piacenza, 429. the ‘Ambrosianae’ of Milan Cathedral, 87. z ARNECKI, GEORGE: Book Reviews: Messages in Mosaic, The Royal Programmes ‘Tarrant, Naomi: Book Review: Silk Designs of the Eighteenth Century in the of Norman Sicily 1130-1187 Eve Borsook), 198. Dai maestri senza nom«e Collection of the Victoria and Albert Museum, London, with a complete all’impresa di Guidi. Contribuito per lo studio della scultura medievale a catalogue (Nathalie Rothstein), 324. Lucca, 329. Romanik in Osterreich Gottfried Biedermann and Wim van TEUFFEL, CuristA GARDNER VON: Book Review: Sienese Altar-pieces I]: 1344-1460 Kallen), 330. H. van Os and G. Aronow sore, Zeicer, Lisa: Exhibition Review: Ernst Wilhelm Nay, 637 ‘THOMSON, BELINDA: Exhibition Reviews: Vuillard, 140. Maurice Prendergast, Zervas, Diane Fintetto: Lorenzo Monaco, Lorenzo Ghiberti and Orsanmichele: 219. Part I, 748; Part I1, 812. SUBJECT INDEX The aim of this index is to be as specific and as brief as possible, using general headings only as a last resort. Thus articles concerning Guercino will be listed under his name only, and not under period, national, stylistic or thematic headings. ER signifies an exhibition review, BR a book review, and PR a ‘publications received’ notice. Asitpocaarp, Nico.at ABRAHAM: De ar i Rom, Abildgaard, Sergel, Fiissli (PR: BonNaARD, PrERRE: Bonnard Paintings and Drawings (ER: Nicholas Watkins), 787. Birgitta Sandstrom), 44. BooxsinpinG: A Directory of London Stationers and Book Artisans, 1300-1500 Apstract Expressionism: Abstract Expressionism; Abstract Expressionism. A Critical PR: Nigel Ramsay), 330. Humanists and Bookbinders. The origins and Record (BR: Jeremy Lewison), 270. diffusion of Humanistic book-binding, 1459-1559, with a census of historiated Arstuetics: Esthétiqueds u XVIII" siécle. Le modeéle frangais (BR: Neil McWilliam), plaquettes and medallion bindionfg tsh e Renaissance (BR: J.M. Rogers), 201. 719. Borromini, FrANcEsco: Borromini and the Marchese di Castel Rodrigo (Joseph Acuccut, Giovanni Battista, see CARRACCI, LODOVICO. Connors), 134, ALEXANDER VII Cuic1, see Corpier, NIcoLo. Bossan, PizrRE: Voir, revoir Fourviere PR: Henri Dorra), 274. Amapeo, G1ovaAnni Antonto: Giovanni Antonio Amadeo: Documents (BR: Charles BoULOUGNE, see VALENTIN. R. Morschek), 853. BraiLes, WILLIAM DE: The meaning of leaf 5 of Fitzwilliam MS 330 George AMERICAN Art: American Art at the Nineteenth Century Paris Salons (BR: William Henderson), 682. H. Gerdts), 720. American Arts & Crafts, Virtue in Design (PR), 329. Japonisme BRAINE, see STAINED GLASs. comes to America: the Japanese impact on the graphic arts 1876-1925 (PR: Breton, ANpRE: André Breton: ‘La Beauté sera Convulsive’ ER: David Hopkins), Toshio Watanabe), 396. 479. AMSLER, SAMUEL: Samuel Amsler’s Portrait Album (Colin J. Bailey), 647. British ArcHITECTURE: The Faber Guide to Victorian Churches (PR), 558. AnprE, Car-: Upholding the Bricks (Film Review: Richard Shone), 331. Muscular Churches: Ecclesiastical Architecture of the High Victorian Period ANGLO-SAXON ART AND IconoGRAPHY: Anglo-Saxon Crucifixion Iconography and PR: Roderick O’Donnell), 558. The Architecture of Medieval Britain. A the Art of the Monastic Revival (BR: G.D.S. Henderson), 389. Social History BR: Nicola Coldstream), 317. ‘The Blue Guide to Victorian AnouterR, MicHEL: Michel Anguier’s Pluto: The Marble of 1669. New Light on the Architecture (PR: RoderO’i Docnnekll) , 275. See also PALLADIANISM, ENGLISH. French Sculptor’s Career (PR: Jennifer Montagu), 330. British Art: A romanesque ‘Visitatio Sepulchri’ at Kempley (David Rickerby and Anguetin, Louis: Louis Anquetin. La Passion d’étre Peintre (ER: Stuart Preston), Stephen Park), 27. Sunshine and Shadow, The David Scott Collection of 402. Victorian Paintings (ER: Julian Treuherz), 399. The Artist’s Model. Its Role ANTHROPOLOGY, see VICTORIAN ART. in British Art from Lely to Etty (ER: Nicola Kalinsky), 563. Victoria and AnTONISZ., CoRNELIS: The Moralizing Prints of Cornelis Antonisz. PR: Elizabeth Albert Museum. Catalogue of British Oil Paintings 1820-1860 (BR: Julian McGrath), 630. Treuherz), 556. The Elements of Life: Biography and Portrait-Painting in Antony, see COVENTRY, GILBERT. Stuart and Georgian England (BR: Nicolas Barker), 551. ‘The Georgians: Arezzo, SS. ANNUNZzIATA, see RENI, Gumbo. Eighteenth-Century Portraiture and Society (BR: Brian Allen), 552. Recent Arms AND Armour: Essays in honour of Helmut Nickel. Vol.24, Journal of the acquisitions by East Anglian Museums: Norwich, Sudbury, Ipswich (Sup- Metropolitan Museum of Art, New York (PR: A.V.B.Norman), 396. plement), 579. See also Coventry, GILBERT. Arts AND Crarts: American Arts & Crafts, Virtue in Design (PR), 329. Busti, AGostiNno, see BAMBAIA. Assist, Basttica oF S. Francesco: Patronage and Franciscan iconography in the ByzantINE ParntinG: Der Akathistos-Hymnos. Die Bilderzyklen in der byzantinischen Magdalen Chapel at Assisi (Lorraine Schwartz), 32. The dedication of the St Wandmalerei des 14. Jahrhunderts (PR: John Lowden), 725. See also Dura Elizabeth altar at Assisi Adrian S. Hoch), 36. SYNAGOGUE; MANUSCRIPTS. Bapuinron Casinet, THe: The Badminton Cabinet (Editorial), 163. Ca’ nversury CaTHepRat: Canterbury Cathedral and .i ts Romanesque S. culpture BaHRAM MirzA: A manuscript made for the Safavid prince Bahram Mirza BR: Jill A. Franklin), 547. Marianna Shreve Simpson), 376. Caravacois: Caravaggism in Europe (BR: Malcolm Waddingham), 462. BamBal<, IL: Agostino Busti detto il Bambaia, 1483-1548. I] monumento di Gaston Carracci Famity: Le Storie di Romolo e Remo di Ludovico, Agostino e Annibale de Foix, duca di Nemours; I] Bambaia. Catalogo completo delle opere; Bambaia Carracci in Palazzo Magnani a Bologna (BR: John Gash), 39. Visual Fact BR: Carlo Bertelli), 854. over Verbal Fiction: A Study of the Carracci and the Criticisr, ‘Theory and BARATTA THE YOUNGER, FRANCESCO: ‘Two early documented works by Francesco Practice of Art in Renaissance and Baroque Italy (BR: Giovanna Perini), 203. Baratta the Younger (Marilyn Dunn), 91 (cf. Correction, 352). Carracci, ANNIBALE, sce LANDSCAPE PAINTING. BARTOLOMMEO, FRA: Fra Bartolommeo. Master of the High Renaissance. A selection Carracci, Lopovico: Agucchi, Lodovico Carracci and the monument to Cardinai from the Rotterdam Albums and Landscape Drawings from various collections Sega at Piacenza (Carolyn H. Wood), 429. BR: Catherine Monbeig Goguel), 453. Carson-Pirie-Scorr: Carson-Pirie-Scott. Louis Sullivan and the Chicago Depart- Base. Town HALL, see HoLBEIN, HANS THE YOUNGER. ment Store (PR: Julian Stallabrass), 330. Bassano, Jacopo: A ‘Last Supper’ by the young Jacopo Bassano and the sequence CasirER, Ernst, see THEORY. of his early work (Paul Joannides and Marianne Sachs), 695. CastEL Roprico, 2ND MARQUES DE, see BORROMINI. Batu Apsey: General Wade’s altar-piece for Bath Abbey: a reconstruction (Susan CastiLeE: Sixteenth-century pottery in Castile: a documentary study Anthony Legouix Sloman), 507. Ray), 298. Beccaruml, Domenico: Decorated initials by Beccafumi in the Uffizi (Alessandro CarHEDRALS: Das Jahrhundert der Grossen Kathedralen 1140-1260 (BR: Paul Cecchi), 772. Crossley , 316. Les Batisseurs des Cathédrales Gothiques (PR: Nicola Cold- BECKMANN, Max: Max Beckmann. Catalogue raisonné of his Prints (BR: Sean stream), 272. The Gothic Cathedral. ‘The Architecture of the Great Church Rainbird), 269. 1130-1530 (BR: Paul Crossley), 547. See also CANTERBURY CATHEDRAL, MONET. BeckwiTH, JOHN: John Beckwith (Obituary: Steven Runciman), 314. Crcco pi Pierro: A predella panel from Cecco di Pietro’s Agnano altar-piece Bevutni, Giovannt: Giovanni Bellini (BR: Jennifer Fletcher), 777. Katharine Ault), 766. 3ENTLEY, RicHARD: The Answer to the Lyre: Richard Bentley’s Illustrations for Ceramics: European Ceramics at Burghley House (ER: Aileen Dawson), 565. See Thomas Gray’s Poems (PR: Brian Allen), 557. also SEvREs PorcELAIN, MEIssEN PORCELAIN, FURSTENBURG PORCELAIN, BERNARD, EmiLe: Emile Bernard (ER: Ronald Alley , 214. CasTiLe. BERNARDO, Monst, see KEILHAU, BERNARDO. CuaGaALL, Marc: Chagall en Russie (ER: Susan Compton), 403. BERNINI: see FARSETTI COLLECTION. Cuar-es | or ENGLAND: The Late King’s Goods (BR: Timothy Wilson), 259. Bevys, JOsEPH: Joseph Beuys (ER: Tony Godfrey), 209. Cuastec, AnprE: André Chastel (Obituary: Willibald Sauerlander), 38. Brerstapt, ALBert: Albert Bierstadt: Art & Enterprise (ER: EdwardJ . Nygren), CuHIcaGo, see SULLIVAN, Louis; CARSON-PiR1E-Scorr. 734. Cutert: Arte del Quattrocento a Chieri: per i restauri nel Battistero (PR: Robert Biacks: The Art of Exclusion: Representing Blacks in the Nineteenth Century; The Gibbs), 44. Image of the Black in Western Art 4, From the American Revolution to World Cuici Couvection: A pair of pendant pictures by Claude Lorrain and Salvator War I. Part I: Slaves and Liberators, Part II: Black Models and White Myths Rosa from the Chigi Collection (Burton B. Fredericksen), 543. BR: John House), 721. CurnesE Art: The art of social climbing in sixteenth-century China (Craig Clunas), 3LAUE Rerrer: The Blue Rider in the Lenbachhaus, Munich (BR: Sean Rainbird), 368. Chinese Art and Design: the ‘T.T. Tsui Gallery of Chinese Art (ER: 206. Roderick Whitfield) , 788. See also GARDENS. BoeckuorstJ,A? an Boeckhorst 1604-1668. Maler der Rubenszeit (ER: Michael Ciser1, ANronio: XVII Biennale Internazionale dell’ Antiquariato, and other exhi- Jaffe), 216. bitions (ER: Luisa Vertova), 868. BoLoGna, PALAzzo MAGNANI, see CARRACCI FAMILY. CLauDEL, CAMILLE: Camille Claudel (ER: Merlin Ingli James), 400. 30LTRAFFIO, GIOVANNI ANTONIO: A postscript to Inigo Jones ‘Puritanissimo fiero’ CLEMENTE, FRANCEsCO: Francesco Clemente. Three Worlds (ER: Mark Francis), Helen S. Ettlinger), 776. 148. BomBerG, Davin: David Bomberg (ER: Merlin Ingli James), 208. CLEVE, Joos VAN: Joos van Cleve au Louvre (ER: Lorne Campbell), 476. SUBJECT INDEX Co.pstREAM, WILLIAM: William Coldstream (ER: Richard Shone), 45. Corpier, Nicoio: Paul V, Alexander VII, and a fountain by Nicolé Cordier Cote, Tuomas: The Art of Thomas Cole: Ambition and Imagination (BR: Andrew rediscovered (Jack Freiberg) , 833. Wilton), 40. Corot, JEAN Baptiste: Corot (ER: Richard Shone), 463. COoLLecTIoNs, PRIVATE Costume: XVII Biennale Internazionale dell’ Antiquariato, and other exhibitions Duke or BuccLeucu: Leonardo and Mantegna in the Buccleuch Collection ER: Luisa Vertova), 868. Burton B. Fredericksen), 116. Courset, Gustave: Courbet’s Realism (BR: Klaus Herding), 722. Fritz Gross: Impressionists and Moderns. The Art and Collection of Fritz Coventry, GiLsert: Gilbert Coventry and his sporting and other paintings (Oliver Gross (PR), 275. Millar), 537 (cf. Correction, 672). Queens’ CoLLeGe CAMBRIDGE, see MASTER OF THE ViEW OF STE-GUDULE. Crace Famity: The Craces: Royal Decorators 1768-1899 (BR: lan Gow), 554. St CATHERINE’s Monastery, Mount SInaAl, see MANUSCRIPTS. Cusism, see REBER. Co.Lections, PuBLic. Cuyp, AELBERT: New dated works from Aelbert Cuyp’s early career (Alan Chong), AMSTERDAM, RijKsMusEUM, see TER BorcH 606. BARNARD CastLe, Bowes Museum, see SEVRES PORCELAIN. 3ORDEAUX, MuskeE pes Beaux-Arts: L’Or et lombre. Catalogue critique et Davo, BeRNARDO: A Critical and Historical Corpus of Florentine Painting: The raisonné des peintures hollandaises du dix-septiéme et du dix-huitiéme Fourteenth Century. The Works of Bernardo Daddi, Section II1, Volume III siécles, conservées au Musée des Beaux-Arts de Bordeaux (BR: Homan BR: Julian Gardner), 200. Potterton), 628. Danisu Art: Hversdagbilleder. Dansk Guldalder Kunstnere og deres Vilkar (Pic- BucHarest, Muzeut Nationa DE Arta: Capolavori europei dalla Romania. tures of Everyday Life. The Golden Age of Danish Painting and Sculpture: Sessanta dipinti dal Museo Nazionale d’Arte di Bucharest (ER: David The Artists and their Circumstances) (BR: Christine Stevenson), 39. Disegni Ekserdjian), 281. di Maestri Danesi nel Museo Nazionale di San Martino a Napoli (PR: ColiJn. CAMBRIDGE, FrrzwiLLiAM Museum, see BRAILES, WILLIAM DE; MILANO, MATTEO Bailey), 631. See also Hisrory ParintING. DA; Menzoccut; Universitry Museums. DanisH Furnirure: Herculaneum paa Sjaelland. Klassicism og nyantik i dansk CLEVELAND Musevo oF Art: Recent acquisitions of Western Art (Supplement), mobeltradition (PR: Simon Jervis), 329. 63. Recent acquisitoifo Asnisan Art (Supplement), 417 Davin, Geraro: Gerard David (BR: Lorne Campbell), 624. DresdEN, ZWINGER PoRZELLANSAMMLUNG: Early Meissen Porcelain in Dresden Decorative Arts: Historismus, Angewandte Kunst im 19. Jahrhundert (PR), BR: Sarah Richards), 324. 329. Le Trésor de Saint-Denis (ER: Neil Stratford) , 337. FAENZA, Museo INTERNAZIONALE DELLE CERAMICHE: La donazione Angiolo Deratn, AnprE: André Derain (ER: Richard Shone), 134. Fanfani: ceramiche dal medioevo al XX secolo (PR: Timothy Wilson), Desicn: American Arts & Crafts, Virtue in Design (PR), 329. Neoclassicism in the 320. North, Swedish Furniture and Interiors 1770-1850 (PR), 329. FLORENCE, Museo pit SAN Marco: II centro di Firenze restituito. Affreschi e DieBeNnkorn, Ricuarp: Richard Diebenkorn (ER: Merlin Ingli James), frammenti lapidei nel Museo di San Marco (PR), 856. DorpbreEcut, see TEGGERS. Kansas Crry, NeELtson-ATKINS Museum OF Art: Selected Acquisitions of European Drauonet, A.-J. Dusors: Portraits for a King (ER: Oliver Millar), 208. and American Paintings (Supplement), 153 Drawincs, see CoLtections, Pusiic. Rome, ACCADEMIA DI SAN Luca. Lonpbon, British Museum, see WILSON, Sir Davin. Dusurret, JEAN: Willem de Kooning. Jean Dubuffet. The Women ER: Jeremy Lonpon, NATIONAL GALLERY: Up to Raphael (Editorial) , 427. See also Contnc- Lewison), 146. HAM. Dura SynacoGue: The Frescoes of the Dura Synagogue and Christian Art (BR: Lonpon, VicroriA AND ALBERT Museum: Chinese Art and Design: the T.T. Robin Cormack), 315. Tsui Gallery of Chinese Art (ER: Roderick Whitfield), 788. Arts of India Dutcu Art: Mirror of Empire: Dutch Marine Art of the Seventeenth Century 1550-1900. The Nehru Gallery of Indian Art (ER: Partha Mitter), 397. ER: John Walsh), 645. Sillages néerlandais: La vie maritime dans l'art des German Renaissance medals. A catalogue of the Collections in the Victoria Pays-Bas/Kunst in het kielzog: Het maritiemeleven in de Nederlandse kunst and Albert Museum (BR: Mark M. Salton), 321. Silk Designs of the BR: Margarita Russell), 260. Great Dutch Paintings from America (ER: Eighteenth Century in the Collection of the Victoria and Albert Museum, Christopher Brown), 282. Seventeenth-Century Dutch Drawings. A Selection London, with a complete catalogue (BR: Naomi Tarrant), 324. Victoria from the Maida and George Abrams Collection (ER: Martin Royalton-Kisch), and Albert Museum. Catalogue of British Oil Paintings 1820-1860 (BR: 794. See also CoLt.ections, Pus.ic. Paris, FonpATION Custop1A; COLLECTIONS, Julian Treuherz), 556. Acquisitions of sculpture (Supplement), 876. Pusuic. BorpEAux, Mus£e pes BEAux-Arts; NETHERLANDISH ART. Lonpon, WALLACE CoLLection: The Wallace Collection, Catalogue of Pictures. Dyck, ANTHONY VAN: Anthony van Dyck (ER: Michael Jaffé), 142. The Drawings Vol.II: French Nineteenth Century, Vol. I1I: French before 1815 (BR: of Anthony van Dyck (ER: Michael Jaffe), 341 (cf. Correction, 488 Michael Levey), 39. Mautu,J . PAut Gerry Museum: Italian Maiolica: Cataloguoef the Collections Eiart y CuristiANn Art AND Arcurrecture: Early Christian Art and Architecture PR: Timothy Wilson), 319. PR: Paul Hetherington), 44. MELBourRNE, Universiry Liprary: Sadeler Catalogue PR: Craig Hartley ENGLISH ART AND ARCHITECTURE, see BririsH ArT; BririsH ARCHITECTURE. 330. ENGLISH FURNITURE AND Woopwork: Two tables (Simon Jervis), 710. English MILAN, Prinacoreca D1 BRERA: Pinacoteca di Brera. Scuole lombarda ligure e Gothic Choir-stalls 1400-1540 (PR: Clare Graham), 557. The English Regional piemontese (BR: Hugh Brigstocke), 457. Chair (PR), 329. Municu, LENBACHHAUS, sce BLAUE REITER. Ernst, Max: Max Ernst’s ‘La toilette de la Mariée’ David Hopkins ’ 237. Max Nap.es, Museo pt SAN Martino: Disegni di Maestri Danesi nel Museo Nazionale Ernst. A Retrospective (ER: Roger Cardinal), 332 Max Ernst centenary di San Martino a Napoli (PR: ColinJ . Bailey), 631. exhibitions (ER: David Hopkins), 731. NETHERLANDs: The early Sienese paintings in Holland BR: Carl Brandon Export or Works or Art: The Badminton Cabinet Editorial), 163. Waverley Strehlke), 199. wavers (Editorial , 747. New York, METROPOLITAN Museum OF Art: Recent acquisitions of European Paintings (Supplement), 801. I ARSETTI CoLLectIon: Works by Stefano Maderno, Bernini and Rusconi from the Oxrorp, ASHMOLEAN Museum: Russian Paintings and Drawings in the Ash- Farsetti Collection in the Ca’d’Oro and the Hermitage (Sergey O. Androssov molean Museum PR: Christina Lodder), 396. See also AMSLER. 292. Paris, Fonpation Cusropia: Eloge de la navigation hollandaise au XVIle FAUVISM: The Fauve Landscape ER: Joachim Pissarro), 144 (cf. Correction, siécle. Tableaux, dessins et gravures de la mer et de ses rivages dans la 288). collection Frits Lugt (BR: Margarita Russell), 260. FEININGER, LYONEL: Lyonel Feininger (PR: Sean Rainbird ), 206. PHILADELPHIA Museum oF Art: Northern European Paintings in the Phila- Feminism: Vision and Difference; Femininity, feminism and histories of art (PR: Jan delphia Museum of Art. From the Sixteenth through the Nineteenth Marsh), 274. Century (BR: Homan Potterton), 628. FERRARA: Power and Display in the Seventeenth Century The Arts and Their Rome, AccaApDEeMIA bi SAN Luca: I disegni di figura nell’Archivio Storico Patrons in Modena and Ferrara (BR: Giovanna Perini), 782. Le Muse e il dell’ Accademia di San Luca; Prize winning drawings from the Roman Principe (ER: Caroline Elam and Carl Brandon Strehlke) , 860 (cf. Correction Academy (1682-1754) (BR: William Griswold), 204. [1992], 64). Atlantdei Schifanoia (BR: StephenJ . Campbell), 777 Soviet Union: Kartini Italianskih Masterov XIV-XVIII Vekov is Museev FLorence: After Vasari — History, Art and Patronage in Late Medici Florence SSSR (PR: Larissa Salmina-Haskell) , 630. BR: Giovanna Perini), 460. Sr PererspurG, HERMITAGE, see FARSETTI COLLECTION; WTEWAEL. FLORENCE, ORSANMICHELE: Lorenzo Monaco, Lorenzo Ghiberti, and Orsanmichele: SrockHoLm, NorpiskA Museet: Eighteenth Century Textiles: the Anders Parts I and II (Diane Finiello Zervas), 748 and 812. Berch Collection at the Nordiska Museet (BR: Wendy Hefford), 324. FLORENCE, S. MARIA DEL Carmine, BRANcCACCI CHAPEL: Some observations on the VENICE, Ca’p’Oro, see FARSETTI COLLECTION. Brancacci Chapel frescoes after their recent cleaning (Keith C. Christiansen), ConincHam, WILLIAM: William Coningham and his collection of Old Masters 5 (cf. Correction, 224 Francis Haskell), 676 (cf. Correction, [1992], 64). FLORENTINE SCULPTURE: Florentine sculpture under cover (Editorial), 811 ConseRVATION: Manners and murals Editorial), 3. Florentine sculpture under Fortirication: Architettura militare nell’ Europa del XVI secolo (PR: John Bury cover (Editorial), 811. The art historian and the paint sample (Editorial), 291. 273. See also WARFARE. See also MASTER OF THE MORNAUER PorTRAIT; MICHELANGELO; UCCELLO. FRAGONARD, JEAN-Honoreé: Two landscapes by Fragonard trom Saint-Non’s col- ConstaB.e, J.: Constable (ER: Michael Kitson), 559. Constable and his drawings lection (Richard Rand), 246. Fragonard. Art and croticism (BR: Katie Scott PR), 325. SUBJECT INDEX FrancEsco DA Rimini: Francesco da Rimini e gli esordi del gotico medievale (ER: Heap, Guy: Guy Head’s ‘Venus and Juno’ (Ann Gunn), 510. Guy Head’s ‘Oedipus’ Carl Strehlke), 51. in the Academy at Parma (Frank Salmon), 514. Francis, Sam: Clyfford Still and Stella, Gottlieb, Francis and Olitski (ER: David Hearne, THomas: Thomas Hearne and his Landscape (BR: Anne Lyles Anfam), 57. Motherwell, Francis, Noland, Truitt and Marden (ER: David HECKSCHER, SEBASTIAN: The Verbal and the Visual. Essays in Honour of Sebastian Anfam), 569. Heckscher (PR: Jean Michel Massing), 631. FRANCISCAN ICONOGRAPHY, see AssisI, BASILICA OF St FRANCIS. Heem, JAN Davinsz. DE: Jan Davidsz. de Heem en zijn kring ER: Frima Fox FRANKFURT: Frankfurt’s new cultural skyline (Editorial), 587. Hofrichter), 404. FRENCH ARCHITECTURE: Les Chateaux de France au siécle de la Renaissance (BR: Henry VIII: Henry VIII: a European court in England (ER: Maurice Howard), Hilary Ballon), 390. Architectures de la vie privée. Maisons et Mentalités, 562. XVIlIe — XIXe siécles (BR: Barry Bergdoll), 261. Histoire de larchitecture Hersst, Hans: Der sogenannte ‘Holbein Tisch’. Gesichte und Inhalt der bemalten francaise. De la Renaissance a la Révolution (BR: Robin Middleton), 782. Tischplatte des Basler Malers Hans Herbst von 1515. Ein fritihes Geschenk an FRENCH Art: Esprit de Corps: the Art of the Parisian Avant-Garde and the First die Burger-Bibliothek Ziirich, 1633 (PR: Alain Arnould), 395. World War, 1914-1925 (BR: David Cottington), 268. French Images from the Hervy, JAN DE: The Landscape as legal document: Jan de Hervy’s “View of the Greek War of Independence, 1821-1830. Art and Politics under the Restoration Zwin’ (Ann Roberts), 82. BR: David Blayney Brown), 262. Claude to Corot: The Development of Hisrory Parntinc: Mellem Guder og Helte: Historiemaleriet i Rom, Paris og Landscape Painting in France (ER: Christopher Riopelle), 54. See also CoL- Kobenhavn 1770-1820 (PR: Christine Stevenson), 273. LECTIONS, PuBLic. Lonpon, THE WALLACE COLLECTION. HircuHens, Ivon: Ivon Hitchens (BR: Merlin Ingli James), 394. FrencH Furnirure: Le Mobilier en Picardie 1200-1700 (BR: Simon Jervis), ‘ Hoare, WiLu1aM oF Batu: William Hoare of Bath (ER: Judy Egerton), 47. Le meuble liégeois a son age d’or (le X VII le siécle) (PR), 329. HoFFMANN, Jonas: [Jonas Hoffman] (Letter: J.Robert Melin), 517. FriepricH, Caspar Davin: Caspar David Friedrich in seiner Zeit: Zeichnungen Hokusar: Hokusai: One Hundred poets (BR: T.B.M. Screech), 393. des Romantik und des Biedermeier BR: William Vaughan); ‘The Romantic Hosein, HANs THE YOUNGER: New evidence for Hans Holbein the Younger in Vision of Caspar David Friedrich — Paintings and Drawings from the USSR Basel ‘Town Hall (Christian Miller), 21. BR: William Vaughan); Caspar David Friedrich and the Subject of Landscape Homer, Winstow: Winslow Homer exhibitions (ER: Henry Adams), 407. BR: William Vaughan), 626. Frira, WILLIAM PowELL: Manet, Rossetti, London and Derby Day (Robin Spencer), Impressionism: Art in the Making. Impressionism (ER: Juliet Wilson-Bareau), 228. 127. Impressionist Dreams. The Artists and the World They Painted (PR), FURSTENBURG PoRCELAIN: Weisses Gold aus Fiirstenberg, Kulturgeschichte im . Impressionist Gardens (PR), 275. Thames & Hudson Encyclopaedia of Spiegel des Porzellans 1747-1830 (BR: Aileen Dawson), 325. See also Marouica. Impressionism (PR), 275. A Guide to the Impressionist Landscape (PR), 275. Fuseut, Henry: Fiissli (ER: Bjarne Jornaes), 52. See also ABILDGAARD. See also Gross, Fritz. INDIAN ArT AND ARCHITECTURE: The Mahabodhi temple: pilgrim souvenirs of Garpens: China and Gardens of Europe of the Eighteenth Century (PR: Peter Buddhist India (John Guy), 356. Arts of India 1550-1900. The Nehru Gallery Willis), 631. Impressionist Gardens (PR), 275. of Indian Art (ER: Partha Mitter), 397. See also MuGHAL ART AND ARCHI- Genoa: I] Paldeall’z Unziveorsi ta di Genova (BR: Mary Newcome), 786. TECTURE. GENTILESCHI, ARTEMISIA: Artemisia (ER: John T. Spike), 732. InpoNESIAN Art: The Sculpture of Indonesia; Court Arts of Indonesia (ER: Henry GericauLt, THEopoRE: Théodore Géricault. Etude critique, documents, et catalogue D. Ginsburg), 480. raisonné (BR: Lorenz Eitner), 253. INSTALLATION Art: Places with a Past (ER: Lynne Cooke), 573 GERMAN Art: “Degenerate Art: The Fate of the Avant-Garde in Nazi Germany Irish Art: Irish Art Loan Exhibitions 1765-1927. Index of Artists PR: Brian ER: Dorothy Kosinski), 346. Caspar David Friedrich in seiner Zeit: Zeich- Allen), 558. nungen des Romantik und des Biedermeier (BR: William Vaughan), 626. The Irauian Art: Il Microcosmo delle pittura (PR), 856. Nuovi studi su la natura Divided Heritage: Themes and Problems in German Modernism (BR: Sean morta italiana (BR: John T. Spike), 715.: Manifesters of Miraculous Events: Rainbird), 628. Early Italian Art from Collections in Switzerland and Liechtenstein (ER: Carl GHERARDO DiI GiovaNNi: ‘The Medici Aesop. Spencer MS 50. From The Spencer Brandon Strehlke), 464. Selected Baroque Paintings from Italian Banks (PR: Collection of the New York Public Library (PR), 126. Nina Ayala Mallory), 786. Seicento. La Peinture italienne du XVI léme siécle GuiBertTI, LORENZO, see FLORENCE, ORSANMICHELE. et la France (BR: Stéphane Loire), 461. See also CoLLections PuBiic, Soviet GiorGioneE: The ‘Concert champétre’ and gilding the lily (Patricia Emison), 195. Union. Giutio Romano: I Modi. The sixteen Pleasures, An Erotic Album of the Italian Renaissance (PR), 127. Jarre, MIcHAEL: Samsons and Philistines (Editorial), 675. Giass: Studien zur Mediceischen Glaskunst, Archivalien, Entwurfzeichnungen, JAPANESE ART: Contemporary Japanese art: some recent exhibitions in the United Glaser und Scherben (BR: J.V.G. Mallett), 321. States (Lynne Cooke 5 385. GoGu, VINCENT VAN: Vincent van Gogh en de moderne Kunst 1890-1914 (ER: JAPONISME: Japonisme comes to America: the Japanese impact on the graphic arts John Sillevis), 49. Vincent van Gogh. Paintings. Vincent van Gogh. Drawings 1876-1925 (PR: Toshio Watanabe), 396. BR: Susan Alyson Stein), 119. JEWELLERY: Elizabeth I and Mary, Queen of Scots: History and Myth (ER: GooL, JOHAN van: Diamante Gedenkzuilen en Leerzaeme Voorbeelden. Een bes- Charlotte Gere), 130. Pariser Schmuck. Von zweiten Kaiserreich zur Belle preking van Johan van Gools Nieuwe Schouburg (BR: Charles Ford), 625. Epoque (BR: Charlotte Gere), 41. Goruic ARCHITECTURE, see CATHEDRALS. Jones, In1Go: Inigo Jones. Complete Architectural Drawings (BR: David Howarth), Goruic Art: L’univers des formes. Le monde gothique. Automne et Renouveau 550. See also BoLTRAFFIO; WILTON House. 1380-1500 (PR: Catherine Reynolds), 272. Gorruies, Apo.pu: Clyfford Sull and Stella, Gottlieb, Francis and Olitski (ER: Kaun, Lovts: The Art Museumso f Louis I. Kahn (PR: Sarah Ksiazek), 331. David Anfam), 57. KANDINSKY, VASSILY: Kandinsky and Sweden; Nya Perspektiv Pa Kandinsky: New Goya, Francisco: Francisco Goya: The ‘Tapestry Cartoons and Early Career at Perspectives on Kandinsky (BR: Kenneth C. Lindsay), 266. the Court of Madrid (BR: Jutta Held), 124. KEENE, CHARLEs: Charles Keene: The Artist’s Artist, 1823-1891 ER: Richard Gray, THomas, see BENTLEY, RICHARD. Shone), 207. Greek Anrtigutties: Greek Sculpture. An Exploration (BR: Ian Jenkins), 852. KeILHAU, BERNARDO: Bernardo Keilhau detto Monst Bernardo PR: Catherine GREEK WaR OF INDEPENDANCE, see FRENCH ART. Whistler), 206. Grimanl, MARINO, see VENICE, S. GIUSEPPE DI CASTELLO. Kemp ey, Gios., Sr Mary’s Cuurcu: A romanesque ‘Visitatio Sepulchri’ at Kempley Gross, Frirz: Impressionists and Moderns. ‘The Art and Collection of Fritz Gross David Rickerby and Stephen Park), 27. PR), 275. KueFerR, ANSELM: The world, the book, and Anselm Kiefer Charles W. Haxthausen), GrtNEwALD, Marruias: The Isenheim Altarpiece: God’s Medicine and the Painter’s 846. Vision (BR: Christiane Andersson), 625. Keser, |.B.:,J.B. Kléber Architecte 1784-92 (PR: Robin Middleton), 725. GuaciaLoti, ANDREA: The first Papal medal: sources and meaning Nathan T. Kurmr, Gustav: Klimt (PR: Jack Rickards), 274. Whitman), 820. Knicut, Dame Laura: Dame Laura Knight (PR), 275. Guercino: A head of Christ by Guercino at Budapest (Nicholas Turner), 449. KooninG, WILLEM DE: Willem de Kooning. Jean Dubuffet. The Women (ER: Drawings by Guercino from British Collections (ER: David M. Stone), 632. Jeremy Lewison), 146 Guercino Drawings from Dutch Collections (ER: Tom Henry), 475 Guercino. KowuneE.tis, JANNis: Jannis Kounellis. La Stanza Vede Elements from Drawing Master Draftsman. Works from North American Collections (ER: William 1970-1990 (ER: James Hall), 280. Griswold), 643. I dipinti del Guercino (PR: David Ekserdjian), 462. 11 Guercino: Dipinti e disegni; I] Guercinoe la bottega (ER: Carel van Tuyll van Serooskerken), 864. See also REN; see also the Supplement following p.488. - Tour, GeorGes bE: An unpublished composition by Georges de La Tour Guicou, Pau: Paul Guigiou, 1834-1871 (BR: John House), 264. Pierre Rosenberg), 703. LANDSCAPE PaintinG: Ideal Landscape. Annibale Carracci, Nicolas Poussin and Claude Lorrain (BR: Richard Verdi), 458. Claude to Corot: The Development H AMILTON, OTH Duke or, see PAYNE KNIGHT, RICHARD. of Landscape Painting in France (ER: Christopher Riopelle), 54. Frilufismaleri Hami.ron, Ricuarp: Richard Hamilton (ER: Marco Livingstone), 635. fore friluftsmaleriet. Oljestudien i nordiskt landskapmaleri 1800-1850 (PR), Haypen, Henri: Henri Hayden. Peintures et oeuvres sur papier, 1911-1970 (ER: 127. The Fauve Landscape (ER: Joachim Pissarro), 144 (cf. Correction, 288). Stuart Preston), 639. See also Hervy, JAN DE.