The Project Gutenberg EBook of The Brown Brethren, by Patrick MacGill This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Brown Brethren Author: Patrick MacGill Release Date: June 27, 2017 [EBook #54990] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE BROWN BRETHREN *** Produced by MWS, Ernest Schaal, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Cover THE BROWN BRETHREN PATRICK MacGILL COPYRIGHT, 1917, BY GEORGE H. DORAN COMPANY PRINTED IN THE UNITED STATES OF AMERICA TO MY FRIEND J. N. D. CONTENTS. CHAPTER I. At the Café Belle Vue PAGE 11 II. The Lone Road III. In Love IV. To the Trenches V. Marching VI. Christmas Eve VII. Christmas Day VIII. Back to His Own IX. Trench Fever X. Lost to the Wide XI. A Scrap XII. The Day's Work XIII. The Trenches XIV. The Sniper XV. Taters and Vaseline XVI. The Rooky XVII. Young Blood XVIII. Bathing XIX. The Somme XX. Back from Battle XXI. Resting XXII. The Married Man THE BROWN BRETHREN THE BROWN BRETHREN CHAPTER I AT THE CAFÉ BELLE VUE Strict on parade! When I'm on it I'm ready To shove blokes about if they do not keep steady! Comin' the acid! Stow it there! or it 27 46 61 74 83 93 107 120 131 148 157 167 182 196 209 222 241 253 271 280 288 [pg 11] Won't do with me and then you'll be for it! Swingin' the lead! Them, the dowsiest rankers That ne'er 'ad C.B. or a dose of the jankers, Swing it on Snoggers! I'd like them to do it And good God Awmighty then, I'll put them froo it! Off it, I'm off. Then I'll brush up my putties, Try and look posh and get off wiv my butties, A drink at the Café, a joke wiv the wenches, Last joke per'aps, for we're due for the trenches. Then stick to wiv pride as our mateys have stuck it When kissin' the wenches or kickin' the bucket. (From "A Service Song.") The night had fallen and the Café Belle Vue was crowded with soldiers in khaki. The day's work was at an end, and the men had left their billets to come out and spend a few hours in the wine-shop of Jean Lacroix. A whole division was quartered in the district; it had come back from the firing-line and was enjoying a brief period of rest prior to its departure for the trenches again. Even here, back near the town of Cassel, the men were not free from the sights and sounds of the fighting. At night they could see the red agony of war painting the distant horizon, and hear the far-off rumbling of the big guns as the thunder and tumult of the conflict smote across the world. The men back from the line of slaughter tried not to think too clearly of what was happening out there. In the Café Belle Vue, where the wine was good, men could forget things. The Café was crowded. Half-a-dozen soldiers stood at the bar and the patronne served out drinks with a speedy hand. Behind her was a number of shelves on which stood bottles of various sizes. Over the shelves were two photographs; one was her own, the other was that of her husband when he was a thinner man and a soldier in the army. In the house there was one child, a dirty, ragged little girl, who sat in a corner and fixed a dull meaningless stare on the soldiers as they entered the café. Jean Lacroix sat beside the long-necked stove stroking his beard, a neat white little beard which stood perkily out from his fat chin. Jean Lacroix was fat, a jelly blob of a man with flesh hanging from his sides, from his cheeks and from his hands. He was a heap of blubber wrapped in cloth. When he changed his locality he shuffled instead of walking, when he laughed he shivered and shook his fat as if he wanted to fling it off. He was seldom serious, when he was, all those near him laughed. A serious Jean was a ridiculous figure. His wife was an aggressive female with a dark moustache, the tongue of a shrew and the eye of a money-lender. She worked like an ant and seldom spoke to her husband. Jean, wise with the wisdom of a well-fed man, rarely said a word to her; he sat by the fire all day and spoke to anyone else who cared to listen. A sergeant and three men entered and going up to the bar called for drinks. These soldiers were billeted at Y—— Farm which stood some three kilometres away from the Café Belle Vue. They belonged to the London Irish Regiment. The battalion had just come down from Hulluch for a rest. Having procured their drinks the four men sat down, lit their cigarettes and entered into a noisy conversation. Before going any further it will be well to say a few words about these men, the principal personages of my story. The sergeant's name was Snogger. He was a well-built man, straight as a ramrod and supple as an eel. He was very strict on parade, a model soldier, a terror to recruits and a rank disciplinarian. "When you're on parade you're on parade," was his pet saying. He had a tendency to use the letter "w" a little too often when speaking. Once he said admonishing a dilatory squad: "You blokes in the wear wank must wipe your wifles wiv woily wags in future!" Sergeant Snogger was a handsome man, proud as Lucifer and very careful about his person. His moustache was always waxed, his finger nails were always clean, and whenever possible he slept with his trousers placed under his bed and neatly folded. Thus a most artistic crease was obtained. Snogger had peculiar ears. Their tops pressed very closely into the head and the lobes stood out. Looking at the ears from the side they had an appearance similar to that of a shovel stretched out to catch something; seen from behind they looked as if crouching against a parapet waiting for an oncoming shell. The men liked Snogger and the sergeant preferred the company of riflemen to that of his brother N.C.O.'s. Bowdy Benners was a different type of man. A young fellow of twenty-four, slightly over medium height, but thick- [pg 12] [pg 13] [pg 14] [pg 15] set and sturdy. He had remarkably long arms, heavy buttocks and broad shoulders. The latter he swung vigorously when marching. This motion imparted a certain defiant swagger to the man which his placid nature utterly belied. He was of a kindly disposition, extremely good-humoured, but very self-conscious and blushed red as a poppy when spoken to. There was something very amiable and kind in his face; something good and comforting in his sleepy eyes, his rather thick lips and full cheeks. His ears perhaps were out of keeping with the repose which found expression on the rest of his features. They stood out from his head alert and ready, as it seemed, to jump from their perch on to the ground. Bowdy could drink like a fish, but French beer never made him drunk and champagne merely made him merry. When merry he swore and his companions laughed at this unaccustomed violence. "Devil blow me blind," he would say, stretching his long arm across the table at which he might be sitting and bringing down his massive fist with a thundering bang. "Devil blow me stone blind for a fool!" And all the soldiers around would laugh and wink at one another, as much as to say: "Is he not a big silly fool; not half as clever as we are." Bowdy was not indeed particularly clever; he lacked excessive sharpness of wit. But his mates loved him, for his spirit of comradeship was very genuine and he had a generous sympathy for all things good and noble. Often when the boys' tongues were loosened in a French tavern one of them might be heard saying: "Old Bowdy's a damned good sort. I'd follow him anywhere, even to hell." Then the others would answer: "None like old Bowdy. One of the best he is. And a good man." Bowdy was indeed a good man; a great fighter. In raids, in bayonet charges and bombing encounters he was a force to be reckoned with and never had an adversary been known to get the better of him. Persistence, staying power and dogged courage were his great assets, and these when taken in conjunction with his good humour and simple nature made him a loved comrade and worthy friend. Bowdy was now seated at the inn table, drinking beer with his mate, an alert youth with a snub nose and bright vivacious eyes. His name was Spudhole. Spudhole was a Londoner, a native of Walworth. His real name was Thomas Bubb, but his mates nicknamed him Spudhole, a slang term for the guard-room. The nickname became him, he liked it and was not a little proud of the fact that no man in the regiment spent as many days in the guard-room as did Rifleman Thomas Bubb. He was eternally guilty of trivial offences against Army regulations. This was in a great measure due to his inability to accommodate himself to a changed environment. He was a coster unchangeable and unchanged; to him an officer was always "Guv'nor," he addressed an officer as such, and the Colonel was the "ole bloke." His tongue was seldom quiet and the cries of his trade were ever on his tongue, even on parade he often gave them expression. He sang well, drank well, fought well, and loved practical jokes. Once at St. Albans he dressed himself up as a corporal, took two of his mates to the railway station and relieved the military police on duty there. Mistaking him for a real N.C.O. they left the station in his hands. Of course he took the first train to London. On his return he was awarded fourteen days' spud-hole. When in the guard-room he decided to escape and at the hour of twelve on the first night when a sentry stood on watch outside his prison Spudhole broke the window with a resounding thump. Then he rushed back and stood behind the door. He was in stocking-soles, his boots were slung round his shoulders by the laces. On hearing the crash the sentry opened the door, sprang into the room and hurried to the window thinking that Spudhole was trying to escape by that quarter—and Spudhole went out by the door. He was very good-natured, in fact quixotic. Once a recruit belonging to Bubb's section was so very slack that the officer brought him out in front of the squad and got him to perform several movements in musketry drill. The remainder of the party had to shout out when the man made any mistakes. As is usual, the onlookers saw many faults and shouted themselves hoarse. But Bubb was silent. When the slack recruit returned to his place in the ranks the officer spoke to Spudhole. "Did you notice any of those mistakes?" he asked. "Yes, sir," Bubb replied. "And why did you not say so?" enquired the officer. "Well, I didn't want to give the bloke away," was Bubb's answer. The youngster had spent four years in a reformatory; afterwards as a coster he presided over a barrow in a turning off Walworth Road. His pitch was one of the best in the locality. He fell in love with a girl who kept a barrow beside him. He often spoke of her to Bowdy Benners. [pg 16] [pg 17] [pg 18] [pg 19] "She's not 'arf a bird," he would say. "Nobody can take a mike out 'er. I'm goin' to get spliced after the war too." Near the stove sat the remaining soldier, an Irishman named Fitzgerald. He was a thin graceful fellow of about five- and-twenty, and could not, to judge by his appearance, boast of very good health. His lips full and red, his straight nose, delicate nostrils, black liquid eyes and long lashes betrayed a passionate and sensitive nature. He was a thoughtful man, grave and dutiful, but at times as petulant and perverse as a child. Even when most perverse he was good company. He was exceedingly superstitious. His thoughts generally wandered with startling suddenness from one subject to another but this was probably due to the use of strong drink. He had had a college education but took to drink early and squandered all his resources. Then he became a rover and wandered through many parts of the world as sailor, tramp and outcast. He had slept in doss-houses, on the pavements, in the fields. Once indeed he was a trombone player in the Salvation Army, and again he fought in a Mexican rebellion. Then he belonged to a regiment, the soldiers of which had to wear great coats on their triumphal march through a certain town because of the bad condition of their trousers. Fitz knew a smattering of most languages but vowed that he was only proficient in one—bad language. At present he was in a gay good humour and as he spoke to young Benners his voice, loud enough but very soft and pleasant, penetrated to the very corners of the inn. "Do you ever feel afraid, Bowdy?" he asked. "Funky, you know." Then, without waiting for an answer, he went on: "God! I do feel afraid, sometimes. Out on listening patrol. It's hell for a man with imagination. Crawling out in the darkness between the lines. You hear the grass whispering, and the darkness ahead of you may hide anything. An awful face covered with blood may rise up in front, a hand may come out and grasp you by the hair. The dead are lying around you, poor quiet creatures, but you know that they're stronger than you are. I often wish I couldn't think, that I lacked imagination, that I was a clod of earth, just something like that plebeian there." Fitzgerald raised his finger and pointed to Bubb who was rapping his idle fingers on the legs of his chair. Bubb gazed at Fitzgerald and laughed. "Fleebian," he exclaimed. "I know wot that is. We 'ad one but the wheel came off." "No imagination there," said Fitzgerald with an air of finality. "He couldn't be afraid, that creature. No soul. I dare ten thousand times as much to overcome my fear as that man would dare to win the V.C. When I go out on listening patrol I am always furthest out. I feel if I'm a yard behind the front man he'll consider me a coward, so I get out a yard ahead of him and I tremble all the time. "God! I had a bad dream last night," Fitzgerald remarked swinging from one topic to another. "I dreamt I saw a woman dressed in black looking into an empty grave." "That's a bad sign," said the sergeant. "You'll be damned unlucky the next time yer go up to the trenches. Ye'll never come back. Ye'll get done in." "Oh, I'll come back safe and sound," Fitzgerald replied in all seriousness. "The dream was a bad one and portended some evil." "And is it not bad enough to get done in?" asked Benners. "There are things worse than death," was Fitzgerald's answer. "Death is not the supreme evil. But women! It's not good to dream of them especially if they're red-haired. Did you ever dream of red-haired women, Bowdy?" Bowdy laughed but did not speak. Women apparently did not attract him much and in their company he was shy and diffident. Wanting to get away as quickly as possible from their presence he would rake up some imaginary appointment from the back of his head, ask to be excused and disappear. Behaviour of this kind though natural to Bowdy Benners was quite inexplicable to his mates. Fitzgerald having had a drop of wine was now in a mood to discuss womanhood. "You're too damned modest, Bowdy," he said. "And you don't shine in the company of the fair, dear women. You know the natural mission of woman is to please man, and man, no matter what he feels, should try and look pleased when in her company. If he looks bored what does that signify, Bowdy Benners? Eh? It means that he has found her ugly. That's an insult to the sex, to feminine charms and womanly qualities. For myself I'd much sooner sin and please a woman than pose as a saint and annoy her. Women don't like saints; what they want most in life is Love." "Love! Love is the only allurement in existence," said Fitzgerald rising to his feet. "It is the essence of life. Love, free and unrestrained, not tied to the pillars of propriety by the manacles of marriage. (That's a damned smart phrase, isn't it, Spudhole?) Love is sacred, marriage is not, marriage is governed by laws, love is not. Nature has given us love. It is an instinct and we shouldn't fight against it too much. Why should we fight against a gift from God? Some sacrilegious fool tried to improve on God's handiwork and made laws to govern love. It's like man to poke his nose in where it's not wanted. He'd give the Lord soda water at the Last Supper." [pg 20] [pg 21] [pg 22] [pg 23] [pg 24] Snoggers laughed boisterously, Bubb chuckled and a lazy smile spread over Bowdy's face. The gestures of the excited Irishman amused them. He sat down, took a deep breath, then went on to speak in a calmer voice. "Love sweetens life," he said. "It is like sugar in children's physic. Here, Spudhole, were you ever in love?" "Blimey, not arf," Spudhole answered and winked. "I'm not arf a beggar wiv the birds. I'm...." "That wench down at the farm, that girl Fifi is a nice snug parcel o' love," Snoggers interrupted, "I 'aven't arf got my 'and in down that quarter. Wot d'ye fink o' 'er, Fitz?" "Who?" asked Fitzgerald. He had become suddenly alert. "'Ear 'im," said Bubb, winking at the Sergeant. "Old Fitz ain't arf a dodger; one o' the nuts that's wot 'e is." "Fifi, the girl at the farm," said Snogger in answer to Fitzgerald's question. "Yer don't say much when you're down there and 'er in the room but your eyes are never off 'er.... I wouldn't say nothin' against rollin' 'er in the straw.... This mornin' ... a funny thing ... she came up to me and told me to put my 'and in 'ers. I obliged 'er. Then she said to me: 'Two sous for your thoughts.' I didn't tell 'er wot I was finkin' of, but I didn't arf fink." Snogger laughed loudly; Fitzgerald was silent. "Bet yer, yer wos finkin' somefing wot wasn't good, sarg," said Bubb. "Aye; and old Fitz is gwine dotty on the wench," said the sergeant. "I see it in his eyes." "Botheration," Fitzgerald remarked. "I know the girl by sight and I know she makes good café-au-lait, but I didn't even know her name until now." "Sing a song, Fitz," Bubb called out. "A good rousin' song wiv 'air on't." "I pay no heed to that creation, his tap-room wit and yokel humour," muttered Fitzgerald, turning to Benners. "But if you desire it...." "Give us a bit o' a song, Fitz," Benners replied. "Give me a cigarette and I'll sing you a song that I love very much," Fitzgerald said. "It was sung in Ireland by the old women in the famine times when they were dying of starvation. You must picture the famine-stricken leaning over their turf fires and singing their songs of desolation. (God! I think it was the turf-fires that kept the race alive.)" CHAPTER II THE LONE ROAD "I want to go 'ome, I want to go 'ome, I don't want to go to the trenches no more, Where the bullets and shrapnel do whistle and roar, I want to go over the sea, Where the Alley man can't get at me; Oh, my! I don't want to die, I want to go 'ome!" (A Trench Song.) A strange glow overspread Fitzgerald's face and he rose from his seat by the stove and sat down again on a bench in a corner and spread out his hands timorously towards an imaginary fire. He bent his head forward until it drooped almost to his knees and his whole attitude took on a semblance of want and woe beset with an overpowering fear. Benners gasped involuntarily as he waited for the song. [pg 25] [pg 26] [pg 27] A long, drawn out, hardly audible note that wavered like a thread of smoke quivered out into the evil atmosphere of the apartment, it was followed by a second and a third. A strange effect was produced on all the listeners by the trembling voice of the singer. Bubb gaped stupidly, his eyes fixed on the roof, as he rubbed his chin with the fingers of his right hand. The sergeant drew himself up and listened, fascinated. Fitzgerald's song was the song of a soul condemned to inevitable sorrow; there was not a relieving touch, not a glow of hope, it was the song of a damned soul. "Oh, the praties they are small Over here. Oh, the praties they are small Over here. The praties they are small And we ate them skins and all, Aye, and long afore the Fall, Over here. No help in hour of need Over here. And God won't pay much heed Over here. Then whisht! Or He'll take heed And He'll rot the pratie seed And send other mouths to feed Over here. I wish I was a duck Over here. To be eating clay and muck Over here. I'd sooner ... sooner ... I'd sooner...." "My God, I've forgotten it, Benners, forgotten the rest of the song," Fitzgerald exclaimed, throwing his unlighted cigarette on the floor and gripping his hair with both hands as if going to pull it out of his head. Then, as if thinking better of it, he brought both his hands to his sides and sat down on his original seat, his whole face betokening extreme self- pity. "My memory!" he exclaimed. "My memory! Why was I brought into being?" A minute's silence followed, then an eager glow lit up Fitzgerald's face. A happy inspiration seemed to have seized hold of him. "Benners!" he exclaimed in an eager voice. "Have you a cigarette to spare, Benners?" "Gorblimey!" laughed Bubb. "Listen to 'im. 'E's always on the 'ear-'ole for fags, an' 'e throws arf of 'em away. 'E's not arf a nib, ole Fitz." "Good Heavens, how can I endure such remarks from a damned Sassenach! (I beg your pardon, Bubb)" Fitzgerald exclaimed, gripping with both fingers the cigarette which Benners had given him and breaking it in two. "You don't understand me, Bubb, you can't. I don't bear you any malice, but, heavens! you are trying at times.... By the way," he added, "can you give us one of your songs?" Bubb looked at Fitzgerald for a moment then lit a cigarette and got to his feet. "Wot about Ole Skiboo?" he asked, addressing the remark to all in the room. The soldiers knew that he was going to oblige and applauded with their hands. Bubb fixed his eyes on the patronne and started: "Madame, 'ave yer any good wine? Skiboo! Skiboo! Madame, 'ave yer any good wine? Skiboo! Madame, 'ave yer any good wine Fit for a rifleman o' the line? Skiboo! Skiboo! Skiboolety bill skiboo! [pg 28] [pg 29] [pg 30] "Madame, 'ave yer a daughter fair? Skiboo! Skiboo! Madame, 'ave yer a daughter fair? Skiboo! Madame, 'ave yer a daughter fair? And I will take her under my care, Skiboo! Skiboo! Skiboolety bill skiboo! "Madame, I've got money to spend, Cinq sous! Cinq sous! Madame, I've got money to spend, Cinq sous! Madame, I've got money to spend, Seldom the case with your daughter's friend, Cinq sous! Cinq sous, cinq slummicky slop! Cinq sous!" The song, an old one probably, but adapted to suit modern circumstances, was lustily chorused by the soldiers in the room. Bubb having finished sat down, but presently rose to his feet again. "'Oo'l whistle the chorus of 'It's a long way to Tipperary'?" he asked. "Everybody do it together and the one that does it froo I'll stand 'im a drink. Nobody to laugh. And the one that's not able to do it will stand me a drink. Is that a bargain? Nobody to laugh, mind." The men agreed to Bubb's terms and started whistling. But they did not get far. They had drunk quite a lot and Bubb's final injunction tickled them. One smiled, then another. Bowdy Benners lay back and roared with laughter. He tried to form his lips round a note but the effort was futile. It was impossible to laugh and whistle at the same time. Fitzgerald was making a sound that reminded the listeners of an angry cat spitting. His cheeks were puffed out and his nose was sinking out of sight. The landlord rolled from side to side choking almost, even the patronne was smiling. The little ragged girl came across the floor and stood in front of Fitz, her hands behind her back. For a moment she stood thus, then she ran away giggling and hid behind the counter. Fitzgerald got to his feet. "Bubb, Spudhole or whatever the devil they call you, you've won," he said. "What a queer creature that child is, boys," he muttered, looking at the youngster which was peeping slyly out from behind the counter. "Is it a boy or a girl?" Bubb approached the counter and drank the glass of vin rouge which Benners had paid for; then he thrust his hands in his trouser pockets and began to sing "Sam Hall." "My name is Samuel Hall, Tiddy fol lol, tiddy fol lol!" "Bowdlerise it, you fool," Fitzgerald exclaimed sitting down again. "Bowdlerise the song or stop singing. Bad taste, Bubb, bad taste. Drink doesn't improve your morals." Bubb ceased singing, not on Fitzgerald's behest, but because the sergeant was standing him a drink. Old Jean Lacroix who was slowly recovering from his fit of laughter turned to Fitzgerald. "The Bosche broke through up by Souchez last night," he said, pointing a fat thumb towards the locality of the firing line. "He broke through in hundreds. He is unable to get back now and he is roving all over the country." "They haven't been captured?" said Fitzgerald. "Some of them," said Jean. "Most of them perhaps, but not all. Last night they were about here." "Here?" enquired Fitzgerald. "Did you see them?" "Have I seen them?" asked Jean, shivering with laughter. "They can't be seen. They disguise themselves as turnips, as bushes, as English soldiers.... Last night two of your countrymen, soldiers, left here at nine o'clock; and got killed." Jean paused. "Where were they killed?" asked Fitzgerald. "You are billeted at Y—— Farm, are you not?" enquired the innkeeper. "You are. Then you came along the road to-night coming here. Did you see a ruined cottage on your right, a little distance back from the road?" [pg 31] [pg 32] [pg 33] "A mile from here?" said Fitzgerald. "Yes, we saw it." "That is where it happened," said Jean Lacroix. "The two soldiers were found there this morning with their throats cut, lying on the floor." Fitzgerald got to his feet and entered an outer room. There he found a copy of an English magazine lying on a chair. He picked it up and presently was deep in an article which tried to prove that war would be a thing of the past if Prussia ceased to exist. When he had finished reading he came back to the man by the stove and found him sitting there all alone, his eyes fixed on the flames. Benners was not there, he had left, accompanied by Spudhole and the sergeant. The farm in which their company was billeted was some two miles off. Fitzgerald looked at his watch and saw that it was nine o'clock. "Nine o'clock," he said aloud, and something familiar in the words struck him. Two soldiers left the wine shop the night previous at nine o'clock and next morning they were discovered lying in a ruined cottage with their throats cut. None of the men now in the inn were billeted at Y—— Farm. Fitzgerald had to go home alone. He swung his bandolier over his shoulder, lifted his rifle from the table and went out into the night. The story which Jean Lacroix had told affected Fitzgerald strongly. A stranger in a new locality he was ready to give credence to any tale. Fitzgerald had seen very little of trench warfare. True, he had come out to France with his regiment in March of 1915 but then he got wounded on his first journey to the trenches and was sent back to England. He came out again in time to take part in the battle of Loos and got gassed in the charge. Followed a few weeks in the hospital at Versailles and then he was sent back to the trenches. He had seen a fortnight's trench warfare, done turns in listening patrol and sentry-go, before coming back with his battalion to Y—— Farm near the town of Cassel. So now, although first battalion man, he was in many ways a "rooky," one who was not as yet versed in the practices of modern warfare. Now, on the way back to his billet he thought of Jean Lacroix's story and a strange fit of nervousness laid hold of him. What might happen in the darkness he could not tell, and he wished that his mates had not gone leaving him to come back alone. They ought to have looked him up. He was annoyed with them. He was angry. The road stretched out in front a dull streak of grey, lined with ghostly poplars, that lost itself in the darkness ahead. The night was gloomy and chilly, a low weird wind crooned in the grass and a belated night-bird shrieked painfully in the sky above. Far out in front the carnage was in full swing, the red fury of war lit the line of battle and darts of flame, ghastly red, pierced the clouds in a hasty succession of short vicious stabs. Round Fitzgerald was the flat dead country, black and limitless, and over it from time to time swift flashes of light would rise and tremble in the gloom like will-o'-the- wisps over a churchyard. The sharp penetrating odour of dung was in the air, the night-breath of the low-lying land of Flanders. The shadows gathered round the man silently. One rushed in from the fields and took on an almost definite form on the roadway in front. He could not help gazing round from time to time and staring back along the road. What might be following! He was all alone, apart from his kind, isolated. One hand gripped tightly on his rifle and the fingers of the other fumbled at his bandolier. He ran his hand over the cartridges, counting them aloud. Fifty rounds. But he had none in the magazine of his rifle. He should have five there. But he would not put them in now. He would make too much noise. He walked at a good steady pace; and hummed a tune under his breath, trying thus to keep down any disposition to shiver. His eyes becoming accustomed to the darkness could now take stock of the roadway, the grassy verge and the ditch on either side. The poplars rose high and became one with the sombre darkness of the sky. Shadows lurked in the ditches, bundled together and plotting some mischief towards him. His imagination conceived ghastly pictures of men lying flat in the shadows staring at the heavens with glazed, unseeing eyes, their throats cut across from ear to ear.... What a row his footsteps created! The noise he kicked up must have echoed across the world. He hummed a tune viciously and stared intensely into the remoter darkness of the unknown. The breeze whimpered amidst the poplar leaves and its sigh was carried ever so far away. Again a shadow swept up from the fields and took shape on the road in front. Fitzgerald advanced towards it quickly and collided with a solid mass, a living form. "I am sorry," he muttered. "Good evening," said a voice with a queer strange note in it. "You are out late." "I am going back to my billet now," Fitzgerald said, and asked: "Where are you going?" There was a moment's hesitation before the stranger replied, saying: "I'm going to the next village." Fitzgerald could now see that the man was dressed as an English soldier in a khaki uniform, a rifle over his shoulder and a bandolier round his chest. Germans often disguise themselves as British soldiers, Jean Lacroix said.... [pg 34] [pg 35] [pg 36] [pg 37] [pg 38] "What do you belong to?" Fitzgerald asked, stepping off after the momentary halt. The man accompanied him. "The Army Service Corps," he answered readily enough, but his accent struck Fitzgerald as being strangely unfamiliar; in his low guttural tones there was something foreign. English could not have been his mother tongue. For a while there was silence, but suddenly as if overcome by a sense of embarrassment due to the silence, the man spoke. "Have you been long in France?" he asked. "I have been here for some time," Fitzgerald answered. "What is your regiment?" Being warned against giving any information to strangers, Fitzgerald gave an evasive reply. "Oh, a line regiment," he said. The man chuckled. "Looks like it," he said. "Are you billeted here?" "I'm billeted at...." Fitzgerald stopped and asked "Where are you billeted?" "Oh, at the next village," said the man. "A number of the A.S.C. are billeted there." Again a long silence. Their boots crunched angrily on the roadway and ahead the lights of war lit up the horizon. "They're fighting like hell up there," said the man. "There's a big battle on now. Has your regiment been called up?" As he spoke he pulled his rifle forward across his chest and fumbled with the bolt. Fitzgerald stared at him fascinated, his nerves strained to an acute pitch. "What are you doing with your rifle?" he asked. "Oh, nothing," the stranger answered and slung the weapon over his left shoulder. Had the man a round in the breech? Fitzgerald wondered. For himself he had not even a cartridge in the magazine. What a fool he had been not to take the precaution of being prepared for emergencies.... The stranger came close to his side and his shoulder almost touched Fitzgerald's. The Rifleman moved to the left, close to the verge of the road and his hand slipped towards his bandolier. "It's very dark to-night," he said as his fingers closed on a cartridge. "Very dark," said the man. "There's no moon," Fitzgerald remarked as he slipped the bolt of his rifle back. Then with due caution he pressed the cartridge into the mouth of the magazine. As far as he could judge the stranger had not noticed the action. "No, there's no moon," he said in answer to Fitzgerald's remark. "How far is it to the next village?" asked Fitzgerald and shoved the rounds into the magazine. The cartridge-clip clattered on to the cobbles. "You've dropped something," said the stranger. "What was it?" "I've dropped nothing," the Irishman replied. "I must have hit my boot against something." He glanced at the stranger's face. White and ghostly it looked, with a protruding jowl and a dark moustache that drooped over the lips. As Fitzgerald spoke he pressed the bolt home and now felt a certain confidence enter his being. There was the round snug in the breech of his rifle. One touch of the trigger.... "Did you think I dropped a shilling?" he laughed. "Wish I had one to throw away." "Many a one would wish the same," said the man gruffly. Then he whistled a tune through his teeth, a contemplative whistle as if he were considering something. "You're at Y—— Farm, of course," he suddenly remarked. "There are a number of soldiers billeted there. You [pg 39] [pg 40] [pg 41] know the way to it?" "I know the way," Fitzgerald answered. "You leave the road at a ruined cottage along here and cross the fields," said the man. "I'm going that way myself." "I leave the road further along," the Irishman said hastily. "Nonsense," said the man. "Past the ruined cottage is the best way." "I'm not going that way," Fitzgerald said. "Not going that way," repeated his companion. "Why not?" "I don't know the road through the fields there." "But I know the way." "I prefer to go further along," said Fitzgerald. "Two of my mates are just ahead." "Where are they?" asked the stranger in a tone of surprise. "I thought you were all alone." "They are just a few hundred yards on in front," was the answer. "Not so far away." "Oh!" said the man. "Then that is why you're in such a hurry." "I'm in no particular hurry," said Fitzgerald. "But it is wise to be back before 'Lights out.'" He could see the ruined cottage in front now, a black blur against the night. The limitless levels stretched out on either side, frogs croaked in the ponds, now and then a light shot up from the fields, trembled in air for a moment and died away. The breezes of the night, the "unseen multitude," as the ancients called them, capered by, crooning wearily. In front, far ahead, the artillery fire redoubled in intensity and the sky was lit by the brilliance of day. "Hell's loose out there," said the stranger. "It's not good to be there; it's not good to die." The stranger turned off the road and walked a few yards down a lane in the direction of the cottage. "I'm not going that way," said Fitzgerald coming to a halt. His companion stopped. "Afraid?" he said. "Afraid! H'm! I'm not afraid," the Irishman answered, nettled at the word. "All right, you go ahead. I'll follow." The man did not move. He fumbled in his pocket and brought something out, something dark, small and tipped at the points as if with silver. Fitzgerald imagined it to be a revolver and he slid his rifle forward so that its muzzle pointed at the man's body. "Hold your weapon up, you fool," said the stranger, and a note of concern was in his voice. "I've a pocket lamp here. We'll get off into the fields now and I'll light the way with this. The place is full of ponds and drains. Last night I fell into a hole somewhere about this place ... you get off in front." "I'll follow," said Fitzgerald. "You lead the way." "All right," the man meekly responded. "Now we get off the road." He slipped into the field and the Irishman followed. Both were now near the cottage and they could see its bare rafters and ruined walls clearly. It looked gloomy and forbidding.... As Fitzgerald gazed at the cottage he saw a light close to the dark ground; a tremulous flame gleamed for a moment and was gone. "Did you see that?" asked the Irishman. "A light near the cottage?" "I saw nothing," said his companion. "You didn't see the flame. There's somebody in front. Friends of yours maybe." [pg 42] [pg 43] "I've no friends here.... You saw a light?... Nonsense!" "There, what is that?" asked the Irishman as he heard a thud as of somebody falling over a hurdle. "Did you not hear it?" "Yes, what is it?" asked the stranger extinguishing his torch. "I heard something. Shall I shout?" "Why?" "Why?" exclaimed the man. "Only to find out who's there. Hallo!" he yelled. Somebody answered with a loud "hallo!" and again a light gleamed in the darkness. "Who's there?" shouted the stranger. "It's us," came the answer. "Blurry well lost in this blurry 'ole. 'Oo are yer?" "Spudhole!" Fitzgerald shouted in a glad voice for he recognised the voice of his mate. "Is Bowdy and the sergeant with you?" "Oh! It's old Fitz," Spudhole exclaimed. "We're lost, the three o' us, and we don't know where we are. D'you know the way to the farm?" "We'll soon get there," Fitzgerald replied. "I've somebody with me who knows the way." "Bring 'im along 'ere then," said Bubb. Fitzgerald turned to his companion who had just moved to one side, but now he could not see him. On his right a dark form became one with the night and lost itself. "Hi!" Fitzgerald shouted. But there was no reply. "Hi there!" he cried in a louder voice, but no answer came back. "There was somebody with me but he's gone now," he said to Bubb when he reached him where he stood along with Benners and the sergeant beside a dark pond near the ruined cottage. "Well, we had better try and get back to our billet," the sergeant remarked. "Damn these beastly fields! We'll be damned unlucky if we don't get out o' 'em." They got into the farmhouse at eleven o'clock. All their mates were in bed and the watch-dog at the gate bit Bubb in the upper part of the thigh as he came in. CHAPTER III IN LOVE As I was going up the road Ma'selle said, "Voulez vous Come in and have some pain et beurre And café au lait for two." So now I hope the war won't end; I'll never go away And leave my little Madamoiselle Who sells good café au lait. I hope the war will never end,— A curse upon the day [pg 44] [pg 45] [pg 46] That takes me away from Madamoiselle, Who sells good café au lait. (From "The Love of an Hour.") Fitzgerald made his way to the barn, which was above the byre, sat down in the straw but did not unloosen his puttees or boots. A lamp swinging from a beam lit up the apartment, showing the straw heaped in the corners, the sickles and spades hanging from the rafters, the sleepers lying in all conceivable positions, the bundles of equipment, the soldiers' rifles which stood piled in the corners out of the way. Now and again a rat glided across the straw, stood for a moment in the light, peered cautiously round, and disappeared. The air was full of the smell of musty wood, of straw, and of the byre underneath. All was very quiet, little could be heard save the breathing of the men, the noise of the restless cattle as they lay down or got up again. Snoggers and Benners laid themselves on the straw, Bowdy curled up like a dog, Snoggers stretched out as stiffly as a statue. Bubb undressed and Fitzgerald, getting to his feet, applied sticking plaster to the dog's bite. "You'll go mad, you know," said Fitzgerald. "The only thing that can save you is to get three hairs of the dog that bit you and put them on here." Having performed his job Fitzgerald sat down and Bubb dressed again. Then he lay on the straw, both hands in his overcoat pockets, one leg across the other and a cigarette in his mouth. "Get down to it, Fitz," Snogger shouted. "Ye're damned slow o' showin' a leg in the mornin', you woman." "It's all right, Sergeant," the Irishman replied. "I'm just goin' to look at a paper. I'll be in bed in a twinkling." "Douse the glim 'fore you kip, then," said the sergeant. "Night!" Fitzgerald fumbled in his pocket, brought out a newspaper and looked at it. His thoughts seemed to be elsewhere, for his eye, scanning the printed columns of an advertisement page, turned from time to time and rested on the face of Sergeant Snogger. "I think it's safe now," said Fitzgerald, when five minutes had passed. "Old Snogger is snoring." The sergeant was indeed asleep, but had not lost his military pose. He might have been frozen stiff while standing to attention on the parade ground and carried from there into the barn and placed down just as he had been standing. Bowdy was fighting Germans in his dreams. Bubb's cigarette had fallen on his clothes and the smell of burning pervaded the barn. Fitzgerald got to his feet, dropped the newspaper, lifted the fag-end from Bubb's overcoat and turned out the lamp. Then, stepping across the sleepers, he made his way cautiously to the door and descended the steps leading to the farmyard. The night was very quiet; and very dark. The lights were out in the farmhouse; no doubt the occupants were all in bed. "What am I doing out here?" Fitz asked himself. "I'm drunk, that's why." He stood still and he could feel his heart beating. Something was moving in the midden and grunting. "It's a pig, I suppose," said the Irishman. "They're all over the place." Then he thought of the dog that had bit Bubb. "Will it bite me?" he questioned and moved hurriedly across the farmyard towards the gable end of the building. He stood there for a second to draw breath, then he went round to the back of the house. All were not yet in bed, a light burned behind a small four-paned window and the shadow of a girl showed on the blind. Standing a little distance from the window, Fitzgerald stared at the shadow, watching its movements. For a moment he had a view of a face in profile, then of a head bent down and an arm stretching out as if pulling a needle from a piece of cloth. The girl no doubt was mending some clothes. "That's Fifi," said Fitzgerald in a whisper. His voice was husky and a lump rose in his throat. "She's very graceful bending over her work.... Damn it! I'm in love with her.... If not that, I have a great respect for her ever since I saw her for the first time.... I suppose I have been a gay Don Juan, but Fifi.... Well, I've never felt like this before.... Probably I'm drunk and to-morrow.... But all to-day and yesterday I felt the same.... I don't think I am drunk for I put the bandage on with a firm hand.... If she would open the window and look out only for a moment.... I want to see her; I must see her.... Suppose she spoke to me and then told Snogger in the morning, told him that I was hanging about her bedroom window all night, what would he say?... Oh! damn Snogger, he's a fool.... I'll tap on the pane, anyway." [pg 47] [pg 48] [pg 49] [pg 50]