THE ARTIST'S MAGAZINE 1996 INDEX Gallery Insights. Erin Lahey. July. COMPOSITION/DESIGN FEATURE ARTICLES Drawing on Faith. Michael Fleishman. August. Create Deep, Spacious Pastels. Rick Parachini (by subject and media; listed by month) A License to Create: Special Section. Marty with Jean Baczuk. March. Munson. October. Six Keys to Building Successful Paintings. John Selling Your Art Face-to-Face. Jennifer Gilbert. Pototschnik. April. ALCiRgYhLtICiSn g Your Way to Stronger Landscapes. October. Think Big, Start Small. Marshall Joyce with Bill Fletcher. May. Joseph Orr. January. Taking Acrylics to the Landscape. Carol COLOR/LIGHTNALUE DRAWING/SKETCHING/&PE INN K Lopatin. July. Lighting Your Way to Stronger Landscapes. Draw Like Seurat. Deborah Dorsey. February. Joseph Orr. January. Fashioning Freedom From Acrylics. Brother ILLUSTRATION James. October. Create Deep, Spacious Pastels. Rick Parachini Illustrating Books—Inside and Out: Special Expanding the Acrylic Still Life. Sherry Loehr. with Jean Baczuk. March. Section. William Fletcher. February. December. Creating a Garden of Hues. Katherine Bleser. Working the Stock Market. Linda St. Clair. May. April. AIRBRUSH Think Big, Start Small. Marshall Joyce with Bill Prospecting for New Clients. Maria Piscopo. Paint Florals With a Breath of Fresh Air. Penny Fletcher. May June. Soto. January. Laying on the Value. Ken Requard with Norman Drawing on Faith. Michael Fleishman. August. Out-of-This-World Airbrush. Linda St. Clair on Ray Kelley. June. A License to Create: Special Section. Marty Ray Wilson. June. Putting Your Colors to Work. Alex Kedzierski. Munson. October. Airbrush Made Easy: Special Section. Dennis October. Goncher. July. LANDSCAPE Moving Beyond the “Airbrushed Look.” Dean COLORED PENCIL Lighting Your Way to Stronger Landscapes. St. Clair. November. Closing the Circle on Realism. Maggie Toole. Joseph Orr. January. April. Capture a Winter Hush. Marty Munson on BUSINESS/MARKETING Capturing the Perfect Color. Janie Gildow. Florian K. Lawton. March. Strategies to Multiply Your Sales. Britta Waller November. Creating a Garden of Hues. Katherine Bleser. on Bob and Carole Shoemaker. February. Penciling the Perfect Pet. Susan Y. West. July. May. Working the Stock Market. Linda St. Clair. Reliving the Mood of the Moment. Jack Jones. April. COMPETITION WINNERS May. Fine Art and Crafts: A Money-Making Mar- 1996 Dream Studio Winners. Jenny Pfalzgraf. Taking Acrylics to the Landscape. Carol riage. Fran Stake. May. August. Lopatin. July. Prospecting for New Clients. Maria Piscopo. The Artist’s Magazine’s 1996 Art Competition. Traveling Around a Landscape. John Bickford June. Jenny Pfalzgraf. December. on Christine Knight Coombs. August. is seen on et Television's "Peggy Harris’ Paintable hingdom!" Panny ainting Baby |A nimals Batya 30 DAY MONEY-BACK GUARANTEE! i| YES! I want to paint baby animals with Peggy Harris. 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Send to: N1o5r0t7h DaLingah tA vBeonoukes ¢ Cincinnati, Ohio 45207 aaeleiapeeieet ieaiiestteaeiiee edir edel Leeemeeeeeooeooweeoesooeesceensoececee 76 THE ARTIST'S MAGAZINE Build Natural Color in Oils. Carole Katchen on Creating a Garden of Hues. Katherine Bleser. A New Dimension on Still Lifes. David Grayson Richard Rackus. September. May. on Gail Eisner. December. Three Views of the Landscape: Special Section. Oil Painting Basics: Special Section. Ed S. VARIOUS SUBJECTS Madlyn-Ann C. Woolwich and Peggy Arenz. Brickler. May. Paint Florals with a Breath of Fresh Air. Penny September. Glazing a Mood. Elizabeth Exler on Zhang Hong Soto. January. Capture the Colors of the Atmosphere. Victor Nian. July. Putting Polish on Petals. Barbara K. Buer. Stevens. October. Following the Trail of RemingtonJa.c k Hines. March. MISCELLANEOUS MEDIA August. Out-of-This-World Airbrush. Linda St. Clair on Developing an Eye for Collage. Carole Katchen. Build Natural Color in Oils. Carole Katchen on Ray Wilson. June. February. Richard Rackus. September. Penciling the Perfect Pet. Susan Y. West. July. Maximizing Pastel and Watercolor. Rich Hilker. 40 Minutes to Better Oils. Eve Stone. Novem- Taking Flight in Watercolor. Juan Luis Vela. February. ber. November. Lithography Made Easy. Stephen L. Pugsley. PASTELS Expanding the Acrylic Still Life. Sherry Loehr. March. Create Deep, Spacious Pastels. Rick Parachini December. Discover Liquid Acrylic Ink. Linda Gunn. April. with Jean Baczuk. March. WATERCOLORS Erase the Mysteries of Portraits. Margaret Getting a Head Start in Pastel. Ned Mueller. Five Takes on Provence. Maureen Bloomfield Carter Baumgaertner. May. June. on Finis F. Collins, KuoYen Ng, Clay The Alkyd Advantage. Patrick Seslar. June. Capture the Colors of the Atmosphere. Victor McGaughy, Ivan McDougal and E. Gordon Scratching Out an Image. (Claybord.) Charles Stevens. October. West. January. Ewing. August. PORTRAITURE Capture a Winter Hush. Marty Munson on Sculpting Made Simple. Norman Holen. Sep- Erase the Mysteries of Portraiture. Margaret Florian K. Lawton. March. tember. Carter Baumgaertner. May. Take Control of Watercolor. Patrick Seslar. A Cut Above the Rest. (Chalk.) Shana Nys Getting a Head Start in Pastel. Ned Mueller. April. Dambrot on Reu’ven Gayle. October. June. Reliving the Mood of the Moment. Jack Jones. Scratch Your Way to Realism. (Scratchboard.) Scratching Out an Image. Charles Ewing. May. Rudy Droguett. November. August. Laying on the Value. Ken Requard with Norman Tempt Yourself With Tempera. Mark Thomp- Putting the Best Face on Portraits. Walter Ray Kelley. June. son. December. Garver on George Palmer. September. Making Your Points. Patrick Seslar on Patrick OILS SPOTLIGHT White. July. Turning Up the Glow in Oils. Walter Garver on A Brush with Success. Erin Lahey on Robert Traveling Around a Landscape. John Bickford Sui Kui Cheung. January. Simmons. June. on Christine Knight Coombs. August. Capturing Realism in a Single Layer. Jean- A Cut Above the Rest. Shana Nys Dambrot on Reaching Creative Breakthroughs. Rachel Wolf. Jacques Gaudel. February. Reu’ven Gayle. October. September. Putting Polish on Petals. Barbara K. Buer. Shades of Success. Richard Engling on John Three Views of the Landscape: Special Section. March. Hersey. November. Madlyn-Ann C. Woolwich and Peggy Arenz. Wholesale Source eta atinee geibiilas Metal and wood picture frames in standard sizes or custom made (on f] @t- aha) 74 - O]g e (ame Color:h aeL ule] Crafted with a genuine leather band and a superior quartz move- frame your artwork tomorrow. ment, this watch was made just for artists. It carries a full-year guarantee, and is sure to stand out in a crowd. Order now and Free Catalog shipping is FREE. Plus, any additional watches will only cost $19.50 each -- making it the perfect gift for your artist friends! 800-221-0262 Graphik Dimensions Ltd. ; YES! Please send me the ome oe artist’s palette watch. 4 Enclosed, is a check or money order f or $29.50 cu.S .), or $19.50 more for each extra watch (Ohio residents please add 5.5% tax, 1 aD | foreign orders add $3 s/h). IName _ 1 Address eke g Cy tate Zap _ 7 ! ArtVision 4145 State Route 741 South, Suite 103, Mason, OH 45040} DECEMBER 1996 77 September. August: Matting and framing for exhibitions. March: Exploring egg tempera techniques. Taking Flight in Watercolor. Juan Luis Vela. November: Choosing the right frame. April: Keeping paper mold-free, using fixatives November. IN YOUR CORNER (by Joshua J. on mixed-media works. Holly Krueger. Energize Your Art—Quick. James Drake Iams. January: Copying and manipulating images. May: Fixing puckered canvases, cleaning with December. March: How to avoid giving away your designs. safe products, making pastel supports. WORKSHOPS April: Print disclosure laws. July: Reducing brush drag, handling casein, 1996 Workshop Directory. Debora Garvey and June: Artists’ copyright retention. making “short” oils. Kelly Seiter. March. July: Artists’ resale rights. September: Salvaging dried-up paint, under- Planning on Painting Abroad. Carolyn Miller. August: Collaboration agreements. standing color, removing unwanted oil paint March. September: Using sources in the public buildup, loosening pastel edges. domain. October: Using lights and darks like the Old October: Complying with obscure laws. Masters, preventing cracking in oils, devel- COLUMNS, DEPARTMENTS, November: Copyrighting painting designs. oping variations in areas of your drawing. SPECIAL SECTIONS December: Collecting sales and use tax. November: Enlarging small studies, preserving collage materials, choosing white oils. ART CLINIC SPEAKING OF ART (by W. Joe Innis) December: Varnishing over water-soluble oils, June: Tips for getting depth. Paige Williams on January: The Quiet Revolution. keeping paint and modeling paste mixes Jack Baxley. February: The Romantic Myth. from cracking, avoiding contact adhesives, July: Creating harmonious color. Claire Darley March: The Face in the Mirror. the hazards of permanent ink on canvas. Jay on Anna Mae Lindsey. April: Drawing on Experience. Krueger. August: Probe the subtleties of convincing flo- May: The Day I Met Renoir. rals. Carol Oldfield on Marieanna Oakley. June: An Outsider’s Opinion. SPECIAL SECTIONREPORTS January: Getting an Edge on Paper. John K. September: Two keys for stronger designs. July: No Easy Answers. Flynn. Melissa May Dobbins on Cynthia Colby. August: Student of the World. February: Illustrating Books—Inside and Out. October: Build depth with color temperature. September: Art From the Blackboard. William Fletcher. Claire Darley on John Chamberlin. October: Who Buyers Are. March: 1996 Annual Art Workshop Directory. November: Sharpen your grasp of perspective November: Things Better Left Unsaid. Debora Garvey and Kelly Seiter. and color. Tina Tammaro on Barbara Pryor. December: The Art of Making Do. April: Creative Pathways to the Figure. Mary December: Lesson in value. Tina Tammaro on STATE OF THE ART Magnus. George Romney. February: The second Global Art Project, pro- May: Oil Painting Basics. Ed S. Brickler. ARTIST'S MARKET moting artwork on the Artist’s Bulletin June: Entering National Competitions, Greg January: Preparing art samples your clients Board Service, and the Art and Creative Schaber; Hedging Your Bets, E. Gordon want to see. Ann Emmert Abbott. Materials Institute’s brochure on art safety West; Photographing Your Artwork, Amy BRUSHIUNP G(b y Cathy Johnson) tips. Erin Lahey. Leibrock; Building Greater Rewards, Greg January: Creating special effects with a sponge. June: Workshop Update. Kelly Seiter. Schaber. February: Eight tricks for capturing winter August: An art gallery on the internet, the Con- July: Airbrush Made Easy. Dennis Goncher. images. necticut Impressionist Ait Trail, and the August: Painting Wide Open Spaces. David Pyle. March: Discovering the finer points of spatter. establishment of an Araecrican division of the September: Three Views of the Landscape. April: Exploring the creative possibilities of National Acrylics Pairters Association. Madlyn-Ann C. Woolwich and Peggy Arenz. graphite pencils. November: Explore the history of art with October: A License to Create. Marty Munson. May: Creating convincing weathered wood. Electronic Multimedia Enterprises’ interac- November: Lessons of the Impressionists. Tim June: Exploring nature’s textures through var- tive CD-ROM, “Eureka, I Can Draw” CD- Iverson. iegated washes. ROM, Wes Production’s Web site, and December: Seeing Your Art in the Right Light. July: Mastering the many faces of foliage. ArtMall, a “virtual gallery.” Erin Lahey. David Pyle. August: Seven techniques for preserving or STRICTLY BUSINESS ARTISTS—FEATURED, PROFILED, INTERVIEWED recovering the white of your paper. January: Forming creative partnerships with Leslie Adams. Dream Studio. August. September: Rediscovering the round brush. art directors. Ned Shaw. Marlin Adams. 1996 Art Competition. October: Exploring watercolor resists. February: Simple guide to filing tax forms. Jen- Marshall Arisman. Creative Pathways to the November: Exploring the fan brush. nifer Gilbert. Figure: Special Section. April. December: Creating realistic tree bark. March: Ten must-have art-business books. Susan Avishai. Illustrating Books—Inside and THE DRAWING BOARD Linda St. Clair. Out: Special Section. February. January: Capturing the subtleties of forms April: Pricing your artwork to sell. Jennifer Anne Bagby. 1996 Art Competition. using reflected light. Bill Tilton. Gilbert. Margaret Carter Baumgaertner. Erase the Mys- February: Re-creating the right clouds for the May: Complying with print disclosure statutes. teries of Portraiture. May. right scene. John Bickford. David Rosenthal. Jack Baxley. Art Clinic. June. March: Drawing men’s clothes. Bob Bride. June: Creating a winning artist’s résumé. Jen- Paula Becker. Drawing on Faith. August. April: Creating women’s clothing. Bob Bride. nifer Gilbert. Katherine Bleser. Creating a Garden of Hues, May: Uncovering substitute life-drawing mod- July: Recognizing the line between artistic May; Building Greater Rewards: Special Sec- els. John Bickford. license and trademark infringement. Joshua tion, June. June: Identifying and creating the illusion of J. Kaufman. Brian Blood. Dream Studio. August. mass. Bob Bride August: Exploring art through the internet. Phil Boatwright. Drawing on Faith. August. July: Creating cartoons. Mark Heath. Christopher Long. Barbara K. Buer. Putting Polish on Petals. August: Creating realistic fabric. Bob Bride. September: Protecting your copyright in cyber- March. September: Drawing convincing grass, rocks space. Joshua J. Kaufman. Robert Calrow. Three Views of the Landscape: and water. Stanley Maltzman. October: Strategies for planning and negotiat- Special Section. September. October: Three building blocks of rock-solid ing successful commissions. Debbie Hagan. June Carey. Dream Studio. August. drawings. Bettie Johnson. November: Writing successful artist’s state- Mario Castro. 1996 Art Competition. November: Expanding your command of color ments. Christopher Long. John Chamberlin. Art Clinic. October. with a restricted palette. Bill Tilton. December: Five steps to creating a secure eco- Sui Kui Cheung. Turning Up the Glow in Oils. December: Five tips for making quick nomic future. Christopher Long. January. sketches. Butch Krieger. TECHNICAL ANSWERS (by John KevinF lynn, unless noted) Cynthia Colby. Art Clinic. September. FRAMEWORKS rome me January: Painting on metal, using a fitch brush, Finis F. Collins. Five Takes on Provence. February: Measuring mats for a successful exploring acrylic gesso substitutes. January. frame job. February: Mixing oil glazes, procuring feather Christine Knight Coombs. Traveling Around a April: Fitting together artwork and picture quills, finding lightfast inks, determining Landscape. August. frames of different proportions. varnish constituents. Carlo Cosentio. 1996 Art Competition. 78 THE ARTIST'S MAGAZINE Carl Dalio. Reaching Creative Breakthroughs. Carol Lopatin. Taking Acrylics to the Land- Pamela Sweet. 1996 Art Competition. September. scape. July. Mark Thompson. Tempt Yourself With Tem- Deborah Deichler. Make Your Pictures Tell a Fred Lynch. Illustrating Books—Inside and pera. December. Story. September. Out: Special Section. February. Maggie Toole. Closing the Circle on Realism. Robert C. DeVoe. Airbrush Made Easy: Special Kevin Macpherson. Dream Studio. August. April. Section. July. Joseph Manning. Building Greater Rewards: Juan Luis Vela. Taking Flight in Watercolor. Sheri Bierl Dickhaut. Creative Pathways to the Special Section. June. November. Figure: Special Section. April. Ronald Marvin. Dream Studio. August. Judi Wagner. Reaching Creative Break- Rudy Droguett. Scratch Your Way to Realism. Dan McCaw. Make Your Pictures Tell a Story. throughs. September. November. September. E. Gordon West. Five Takes on Provence, Janu- Anatoly Dverin. 1996 Art Competition. Jody dePew McLeane. Make Your Pictures Tell a ary; Building Greater Rewards: Special Sec- Gail Eisner. A New Dimension on Still Lifes: Story. September. tion, June. Spotlight. December. Ivan McDougal. Five Takes on Provence. Susan Y. West. Penciling the Perfect Pet. July Sy Ellens. 1996 Art Competition. January. William Whitaker. Dream Studio. August. Virgil Elliot. 1996 Art Competition. Clay McGaughy. Five Takes on Provence. Patrick White. Making Your Points. July. Mary Engelbreit. A License to Create: Special January. Ray Wilson. Out-of-this-World Airbrush. June. Section. October. Joseph Mendez. 1996 Art Competition. Jody Winger. A License to Create: Special Sec- Charles Ewing. Scratching Out an Image. Frances Miller. Reaching Creative Break- tion. October. August. throughs. September. Lora Yakimow. Dream Studio. August. @ Michael Fleishman. Drawing on Faith. August. Dean Mitchell. Airbrush Made Easy. July. Joseph Fretz. 1996 Art Competition. Doug Montross. 1996 Art Competition. Michael Gallarda. 1996 Art Competition. Mark Moulton. 1996 Art Competition. STATEMENT OF OWNERSHIP, MANAGE- Jean-Jacques Gaudel. Capturing Realism in a Ned Mueller. Getting a Head Start in Pastel. MENT AND CIRCULATION (required by Act Single Layer. February. June. of August 12, 1970: Section 3685, Title 39, Reu’ven Gayle. A Cut Above the Rest: Spotlight. Bruce Nelson. Dream Studio. August. United States Code). THE ARTIST’S MAGA- October. Kuo Yen Ng. Five Takes on Provence. January. ZINE is published monthly at 1507 Dana Janie Gildow. Capturing the Perfect Color. Zhang Hong Nian. Glazing a Mood. July. Avenue, Cincinnati, Ohio 45207. The general business offices of the publisher and the edi- November. Marieanna Oakley. Art Clinic. August. tor are: Publisher, Jeffry M. Lapin, 1507 Dana Lawrence Goldsmith. Three Views of the Land- Joseph Orr. Lighting Your Way to Stronger Avenue, Cincinnati, Ohio 45207; Editor, San- scape: Special Section. September. Landscapes. January. dra Carpenter, 1507 Dana Avenue, Cincinnati, Dennis Goncher. Airbrush Made Easy. July. Paul Oxborough. 1996 Art Competition. Ohio 45207. The owner is F&W Publications, Russ Gordon. 1996 Art Competition. George Palmer. Putting the Best Face on Por- Inc.: Richard Rosenthal, President. Address: Sherman Groenke. Take Control of Watercolor. traits. September. 1507 Dana Avenue, Cincinnati, Ohio 45207 April. Rick Parachini. Create Deep, Spacious Pastels. The extent and nature of circulation is: A Linda Gunn. Discover Liquid Acrylic Ink. April. March. Total number of copies printed (Net press Jiaxian Hao. 1996 Art Competition. John Pototschnik. Six Keys to Building Success- run). Average number of copies each issue John Harrell. 1996 Art Competition. ful Paintings, April; Building Greater during preceding 12 months 284,784. Actual Elaine Harvey. Reaching Creative Break- Rewards: Special Section, June. number of copies of single issue published nearest to filing date 299,674. B. Paid circula- throughs. September. Barbara Pryor. Art Clinic. November. tion. 1. Sales through dealers and carriers, John Hersey. Shades of Success: Spotlight. Chris Pugliese. 1996 Art Competition. street vendors and counter sales. Average November. Stephen L. Pugsley. Lithography Made Easy. number of copies each issue during the pre- Rich Hilker. Maximizing Pastel and Watercolor. March. ceding 12 months 21,948. Actual number of February. Richard Rackus. Build Natural Color in Oils. copies of single issue published nearest to fil- Norman Holen. Sculpting Made Simple. Sep- September. ing date 22,157. 2. Mail subscriptions. Average tember. Frederic Remington. Following the Trail of number of copies each issue during preceding Serge Hollerbach. Creative Pathways to the Fig- Remington. August. 12 months 218,157. Actual number of copies of ure: Special Section. April. Ken Requard. Laying on the Value. June. single issue published nearest to filing date James Drake Iams. Energize Your Art—Quick. Robert Reynolds. 1996 Art Competition. 225,276. C. Total paid circulation. Average number of copies each issue during preceding December. George Romney. Art Clinic. December. 12 months 240,105. Actual number of copies of Robert Ihrig. 1996 Art Competition. Joan Rothel. Building Greater Rewards: Special single issue published nearest to filing date Paul Jackson. Building Greater Rewards: Spe- Section. June. 247,433. D. Free distribution by mail, carrier cial Section, June; Dream Studio, August. Joan Ashley Rothermel. Airbrush Made Easy: or other means. Sampies, complimentaries Brother James. Fashioning Freedom From Special Section. July. and other free copies. Average number of Acrylics. October. Ed S. Brickler. Oil Painting Basics: Special Sec- copies each issue during preceding 12 months Brian Jekel. Dream Studio. August. tion. May. 971. Actual number of copies of single issue Jack Jones. Reliving the Mood of the Moment. Charles Schulz. A License to Create: Special published nearest to filing date 650. E. Total May. Section. October. distribution (Sum of C and D). Average num- Marshall Joyce. Think Big, Start Small. May. Patrick Seslar. The Alkyd Advantage. June. ber of copies each issue during preceding 12 Florian K. Lawton. Capture a Winter Hush. George Seurat. Draw Like Seurat. February. months 241,076. Actual number of copies of single issue published nearest to filing date March. Robert Simmons. A Brush with Success: Spot- 248, 083. F. 1. Office use, leftover, unac- Tania Karpowitz. Dream Studio. August. light. June. counted, spoiled after printing. Average num- Carole Katchen. Make Your Pictures Tell a Leo Smith. Reaching Creative Breakthroughs. ber of copies each issue during preceding 12 Story, September. September. months 5,513. Actual number of copies of sin- Alex Kedzierski. Putting Your Colors to Work. Leonore Rae Smith. Dream Studio. August. gle issue published nearest to filing date October. Penny Soto. Paint Florals With a Breath of 13,194. 2. Returns from news agents. Average Norman Ray Kelley. Laying on the Value. June. Fresh Air. January. number of copies each issue during preceding George Kountoupis. Three Views of the Land- Ben Stahl. Wustrating Books—Inside and Out: 12 months 38,195. Actual number of copies of scape: Special Section. September. Special Section. February. single issue published nearest to filing date Kari Kroll. Drawing on Faith. August. Dean St. Clair. Moving Beyond the “Air- 38,397. G. Total (Sum of E and F should equal Chris Krupinski. 1996 Art Competition. brushed Look. November. net press run shown in A). Average number of copies of each issue during preceding 12 Thomas Lehnert. Creative Pathways to the Fig- Betty Stephan. 1996 Art Competition. months 284,784. Actual number of copies of ure: Special Section. April. Victor Stevens. Capture the Colors of the single issue published nearest to filing date Steven Levin. 1996 Art Competition. Atmosphere. October. 299,674. I certify that the statements made by Anna Mae Lindsey. Art Clinic. July. Eve Stone. 40 Minutes to Better Oils. Novem- me above are correct and complete. Jeffry M. Sherry Loehr. Expanding the Acrylic Still Life. ber. Lapin, Publisher. December. Don Sullivan. 1996 Art Competition. DECEMBER 1996 79