INDEX TO VOLUME LXXXVII 743 SIRY, JOSEPH M.,“Wright’s Baghdad Opera SAND, ALEXA, “Vision, Devotion, and _ Diffi- FORGIONE, NANCY. “Everyday Life in Mo- House and Gammage Auditorium: In Search of culty in the Psalter Hours ‘of Yolande of Sois- tion: The Art of Walking in Late-Nineteenth- Regional Modernity,” 265-311 sons,” 6-23 Century Paris,” 664-87 rOPP, LESLIE, “Otto Wagner and the Steinhof HELMREICH, ANNE, review of Tim Barringer, Psychiatric Hospital: Architecture as Misunder- Early Medieval/Romanesque/Gothic Art Men at Work: Art and Labour in Victorian Britain, standing,” 130-56 728-31 FLOOD, FINBARR BARRY, review of Janine Sourdel-Thomine, Le Minaret Ghouride de Jam: Un HERBERT, JAMES D.,review of Nina Maria Art of the Middle East/North Africa chef doeuvre du XIle siecle, 536-43 Athanassoglou-Kallmyer, Cézanne and Provence: FLOOD, FINBARR BARRY, review of Janine GERSTEL, SHARON E. J.,review of The Aes- The Painter in His Culture, Margaret Werth, The Sourdel-Thomine, Le Minaret Ghouride de Jam: Un thetics of Orthodox Faith (Byzantium: Faith and Joy of Life: The Idyllic in French Art, circa 1900, chef doeuvre du XIIe siecle, 536-43 Power [1261-1557]. The Metropolitan Museum 543-46 PITTMAN, HOLLY, review of Zainab Bahrani, of Art, New York), 331-41 LARSON, BARBARA, review, The Artist as Eth- The Graven Image: Representations in Babylonia and PERKINSON, STEPHEN,“From ‘Curious’ to nographer: Charles Cordier and Race in Mid- Assyria, 342-43 Canonical: Jehan Roy de France and the Origins of Nineteenth-Century France (Facing the Other: the French School,” 507-32 Charles Cordier, Ethnographic Sculptor. Dahesh Mu- seum of Art, New York), 714-22 Art of the United States BROWN, PETER SCOTT, “As Excrement to NEMEROV, ALEXANDER, review of Michael Sacrament: The Dissimulated Pagan Idol of Ste- Pre-Columbian Art Leja, Looking Askance: Skepticism and American Art Marie d’Oloron,” 571-88 HERRING, ADAM, “A Borderland Colloquy: Al- from Eakins to Duchamp, 731-34 KAVALER, ETHAN MATT,“Nature and the tar Q, Copan, Honduras,” 194-229 Chapel Vaults at Ingolstadt: Structuralist and Chinese Art Other Perspectives,” 230-48 Renaissance /Baroque Art MCCAUSLAND, SHANE, “Nihonga Meets Gu ARMSTRONG, CHRISTOPHER DREW, “Myth Kaizhi: A Japanese Copy of a Chinese Painting in Eighteenth-Century Art and the New Science: Vico, Tiepolo, and the the British Museum,” 688-713 MASSEY, LYLE, “Pregnancy and Pathology: Pic- Language of the Optimates,” 643-63 turing Childbirth in Eighteenth-Century Obstet- CHAPMAN, H. PERRY, review of Amy Golahny, Contemporary Art ric Atlases,” 73-91 Rembrandt’s Reading: The Artist’s Bookshelf of An- POTTS, ALEX, review of Branden Joseph, Ran- NAGINSKI, ERIKA, review of Mary D. Sheriff, cient Poetry and History; Michael Zell, Reframing dom Order: Robert Rauschenberg and the Neo-Avant- Moved by Love: Inspired Artists and Deviant Women Rembrandt: Jews and the Christian Image in Seven- Garde, 167-70 in Eighteenth-Century France, 724-28 teenth-Century Amsterdam, 346-52 COLE, MICHAEL,“Response: Nihil sub Sale Novum,” 421-24 Critical Theory /Gender Studies/Visual Studies Greek/Roman Art DEMPSEY, CHARLES, “Response: Historia and CARRIER, DAVID, review of Stephen Bann, HALLETT, CHRISTOPHER H.,review of Paul Anachronism in Renaissance Art,” 416-21 ed., The Reception of Walter Pater in Europe, 533-34 Zanker and Bjorn Christian Ewald, Mit Mythen Leben: Die Bielderwelt der rimischen Sarkophage, FARAGO, CLAIRE,“Response: Time Out of COLE, MICHAEL,“Response: Nihil sub Sale 157-61 Joint,” 424-29 Novum,” 421-24 YASIN, ANN MARIE,“Funerary Monuments HOLLY, MICHAEL ANN,review of Adrian DEMPSEY, CHARLES, “Response: Historia and and Collective Identity: From Roman Family to Stokes, The Quattro Cento, and Stones of Rimini; Anachronism in Renaissance Art,” 416-21 Christian Community,” 433-57 Richard Read, Art and Its Discontents: The Early FARAGO, CLAIRE, “Response: Time Out of Life of Adrian Stokes, 534-36 Joint,” 424-29 Japanese/Korean Art MERBACK, MITCHELL B., “Fount of Mercy, HALLETT, CHRISTOPHER H.,review of Paul City of Blood: Cultic Anti-judaism and the KANDA, FUSAE,“Behind the Sensationalism: Zanker and Bjorn Christian Ewald, Mit Mythen Pulkau Passion Altarpiece,” 589-642 Images of a Decaying Corpse in Japanese Bud- Leben: Die Bilderwelt der riémischen Sarkophage, dhist Art,” 24-49 NAGEL, ALEXANDER, and CHRISTOPHER S. 157-61 woop, “Toward a New Model of Renaissance MCCAUSLAND, SHANE, “Nihonga Meets Gu HOLLY, MICHAEL ANN,review of Adrian Anachronism,” 403-15; “Nagel and Wood Re- Kaizhi: A Japanese Copy of a Chinese Painting in Stokes, The Quattro Cento, and Stones of Rimini; ply,” 429-32 the British Museum,” 688-713 Richard Read, Art and Its Discontents: The Early SCHOLTEN, FRITS, review of Nigel Llewellyn, Life of Adrian Stokes, 534-36 SCREECH, TIMON,“‘Pictures (the Most Part Funeral Monuments in Post-Reformation England, Bawdy)’: The Anglo-Japanese Painting Trade in MASSEY, LYLE, “Pregnancy and Pathology: Pic- 161-63 the Early 1600s,” 50-72 turing Childbirth in Eighteenth-Century Obstet- SCREECH, TIMON, “Pictures (the Most Part ric Atlases,” 73-91 TREDE, MELANIE, review of Andrew M. Bawdy)’: The Anglo-Japanese Painting Trade in Watsky, Chikubushima: Deploying the Sacred Arts in NAGEL, ALEXANDER, and CHRISTOPHER S. the Early 1600s,” 50-72 Momoyama Japan, 343-46 woop, “Toward a New Model of Renaissance SMITH, DAVID R., “Portrait and Counter-Por- Anachronism,” 403-15; “Nagel and Wood Re- trait in Holbein’s The Family of Sir Thomas More,” ply.” 429-32 Latin American/Caribbean Art 484-506 NAGINSKI, ERIKA, review of Mary D. Sheriff, BETTELHEIM, JUDITH,“Caribbean Espirit- VANHAELEN, ANGELA, “Iconoclasm and the Moved by Love: Inspired Artists and Deviant Women ismo (Spiritist) Altars: The Indian and the Creation of Images in Emanuel de Witte’s Old in Eighteenth-Century France, 724-28 Congo,” 312-30 Church in Amsterdam,” 249-64 NEMEROV, ALEXANDER, review of Michael Leja, Looking Askance: Skepticism and American Art Nineteenth-Century Art Twentieth-Century Art from Eakins to Duchamp, 731-34 \THANASSOGLOU-KALLMYER, NINA, “Cé- CARRIER, DAVID,review of Stephen Bann, zanne and Delacroix’s Posthumous Reputation,” ed., The Reception of Walter Pater in Europe, 533-34 Early Christian/Byzantine Art 111-29 STIMILLI, DAVIDE, review of Dorothea Mc- HILSDALE, CECILY J., “Constructing a Byzan- EISENMAN, STEPHEN F.,“Communism in Ewan, “Wanderstrassen der Kultur”: Die Aby War- tine Augusta: A Greek Book for a French Bride,” Furs: A Dream of Prehistory in William Morris's burg—Fritz Saxl Korrespondenz 1920 bis 1929, 458-83 John Ball,” 92-110 723-24