INDEX 79 Note: Page numbers in italics refer Bastien-Lepage, Jules, 155, 173 ( ‘afé Chantant (Ribéra), 161, /64 to illustrations Baudelaire, Charles, 162—163, 164, ( ‘afferty, James Henry, 149, 150 165, 18378 ( ‘aillebotte, Gustave, 160, 163, 167 Bayless, Henry, 40 ( ‘anova, Antonio, 32, 33 Abdy, E. S., 58737 Bay of Naples (Cole), 18-19 ( ‘arter, S. N., 174 Absinthe Drinkers (Degas), 182n65 Beau Vovage (Lachaise) [LF 331}, ‘assatt, Mary, 173, 174, Acker ley, George, 56 101], 102, 105, 107, 109 ‘astagnary, Jules, 162 Alden, Mrs. Bradford, 173 Bench in Union Square, A ‘entral Park, New York, | A/dine, 149 (Reinhart), 151, /53 ‘hase, William Merritt, 178 Alexander the Great, 33 Bennett, William J., 51 ity Park { (Chase), 178, /78 American Academy of Fine Arts, Bernard Palissy School of Applied ‘leaves, William P.. 16 New York, 36 and Industrial Art, Paris, 72, 74 ‘oady, Robert J., 111 {merical Lake Scene (Cole), 42 Bird Charmer in the Tuileries, A ‘ole, James, 17 American Lyceum Society, 57111 (Dagnan-Bouveret), 161, /65 ‘ole, Thomas, 6—61: on Beautiful American Monthly Magazine, 10 American Scenery (Willis), 13, 16 Blacksmith Shop (Weir), 185n104 and Sublime, 12, 2 Blind Flower Seller (Weir), 149 on landscape painting, Ame vei l { I achaise)., 133n45 Boating (Manet), 173-174 55; list of pictures by, 58 Bonnat, Léon, 156 memorandum style of, 2 Angélou, Jean, 68, 70 Borglum, Gutzon, 77 Ohio State House competition Antiquities of Athens, The (Stuart Borra, Giovanni Battista, 37, 39 drawings, 40; perspective system and Revett), 36, 40 Boston Art Club, 72, 74 of, 30, 39-40: tracing-paper Appl ton’s Journal, 151 Archers of Saint Hadrian, The Bourgeois, Stephan: Exhibition drawings by, 2 3—24: trip to top (Hals), 158 of Modern Art, 121; Lachaise of Mount Holyoke, 17—20, 23: exhibitions with, 63, 121, 122. X-patterns of, 43-44 Armory Show, New York (1913), 77, 111, 121 124, 136n78: New York gallery, ‘olossus of Rhodes, 32 Armory Statuette (Lachaise) 63, 66, 85, 121; works titled by, ‘onnecticut River: Hudson River [LF 115], 77, 78 79.99. 105. 66, 105, 122 compared with, 12; oxbow of, 6, 109. 137 n98 Boy with a Sword (Manet), 173 10, 12, 13, 14, 15, 16-17, 16, 20, Arrest of the Night Tramps Brace, Charles Loring, 18378 22-23, 25; scenic views of, 12, (Munkacsy), /55, 158 Braque, Georges, 111 13-14, 17, 20, 30, 56 Artist, The (Marcellin Desboutin) Brasserie de Reichshoffen, La onstable, John, 40 (Manet), 171. 7/72, 173, 174 (Manet), 167, 173 ‘orner of a Cafe -Concert (Manet), Art Journal, 174 Brenner, Michael, 111 167. 1/69 Atlantic Monthly, 145, 153 Breton, Jules, 156 ‘ortissoz, Royal, 124 At the Café (Manet), 167 . 168. 173 Brummer, Joseph, 124 ‘ourbet, Gustave, 156 At the Water Trough (Weir). 163. 166 Brummer Gallery, New York, ourse of Empire, The (Cole), 17 Avery, Samuel P., Jr., 8 74, 119, 124, 125, 125, 127 24, 28, 33, 48, 49, 50, 56: Bryant, William Cullen, 50 canvas for, 24, 25, 26, 28, 30: Budny, Virginia (article by), classical foundations of, 33. 36, Balcony, The (Manet). 184n87 62-143 39-40: The Consummation of Banvard, John, 47, 55—56 Bust: Elevation (Lachaise) Empire, 24, 25-26, 28, 30, 33. Banville, Théodore de, 183770 [LF 173], 120, 124, 142n147 36, 39, 40, 50, 53: Desolation, Bartlett, William Henry, 12—13, 14, Byron, Lord (George Gordon), 26, 49, 50: Destruction, 49, 50: 17. 53 40) The Pastoral or Arcadian State, Index INDEX 79 Note: Page numbers in italics refer Bastien-Lepage, Jules, 155, 173 ( ‘afé Chantant (Ribéra), 161, /64 to illustrations Baudelaire, Charles, 162—163, 164, ( ‘afferty, James Henry, 149, 150 165, 18378 ( ‘aillebotte, Gustave, 160, 163, 167 Bayless, Henry, 40 ( ‘anova, Antonio, 32, 33 Abdy, E. S., 58737 Bay of Naples (Cole), 18-19 ( ‘arter, S. N., 174 Absinthe Drinkers (Degas), 182n65 Beau Vovage (Lachaise) [LF 331}, ‘assatt, Mary, 173, 174, Acker ley, George, 56 101], 102, 105, 107, 109 ‘astagnary, Jules, 162 Alden, Mrs. Bradford, 173 Bench in Union Square, A ‘entral Park, New York, | A/dine, 149 (Reinhart), 151, /53 ‘hase, William Merritt, 178 Alexander the Great, 33 Bennett, William J., 51 ity Park { (Chase), 178, /78 American Academy of Fine Arts, Bernard Palissy School of Applied ‘leaves, William P.. 16 New York, 36 and Industrial Art, Paris, 72, 74 ‘oady, Robert J., 111 {merical Lake Scene (Cole), 42 Bird Charmer in the Tuileries, A ‘ole, James, 17 American Lyceum Society, 57111 (Dagnan-Bouveret), 161, /65 ‘ole, Thomas, 6—61: on Beautiful American Monthly Magazine, 10 American Scenery (Willis), 13, 16 Blacksmith Shop (Weir), 185n104 and Sublime, 12, 2 Blind Flower Seller (Weir), 149 on landscape painting, Ame vei l { I achaise)., 133n45 Boating (Manet), 173-174 55; list of pictures by, 58 Bonnat, Léon, 156 memorandum style of, 2 Angélou, Jean, 68, 70 Borglum, Gutzon, 77 Ohio State House competition Antiquities of Athens, The (Stuart Borra, Giovanni Battista, 37, 39 drawings, 40; perspective system and Revett), 36, 40 Boston Art Club, 72, 74 of, 30, 39-40: tracing-paper Appl ton’s Journal, 151 Archers of Saint Hadrian, The Bourgeois, Stephan: Exhibition drawings by, 2 3—24: trip to top (Hals), 158 of Modern Art, 121; Lachaise of Mount Holyoke, 17—20, 23: exhibitions with, 63, 121, 122. X-patterns of, 43-44 Armory Show, New York (1913), 77, 111, 121 124, 136n78: New York gallery, ‘olossus of Rhodes, 32 Armory Statuette (Lachaise) 63, 66, 85, 121; works titled by, ‘onnecticut River: Hudson River [LF 115], 77, 78 79.99. 105. 66, 105, 122 compared with, 12; oxbow of, 6, 109. 137 n98 Boy with a Sword (Manet), 173 10, 12, 13, 14, 15, 16-17, 16, 20, Arrest of the Night Tramps Brace, Charles Loring, 18378 22-23, 25; scenic views of, 12, (Munkacsy), /55, 158 Braque, Georges, 111 13-14, 17, 20, 30, 56 Artist, The (Marcellin Desboutin) Brasserie de Reichshoffen, La onstable, John, 40 (Manet), 171. 7/72, 173, 174 (Manet), 167, 173 ‘orner of a Cafe -Concert (Manet), Art Journal, 174 Brenner, Michael, 111 167. 1/69 Atlantic Monthly, 145, 153 Breton, Jules, 156 ‘ortissoz, Royal, 124 At the Café (Manet), 167 . 168. 173 Brummer, Joseph, 124 ‘ourbet, Gustave, 156 At the Water Trough (Weir). 163. 166 Brummer Gallery, New York, ourse of Empire, The (Cole), 17 Avery, Samuel P., Jr., 8 74, 119, 124, 125, 125, 127 24, 28, 33, 48, 49, 50, 56: Bryant, William Cullen, 50 canvas for, 24, 25, 26, 28, 30: Budny, Virginia (article by), classical foundations of, 33. 36, Balcony, The (Manet). 184n87 62-143 39-40: The Consummation of Banvard, John, 47, 55—56 Bust: Elevation (Lachaise) Empire, 24, 25-26, 28, 30, 33. Banville, Théodore de, 183770 [LF 173], 120, 124, 142n147 36, 39, 40, 50, 53: Desolation, Bartlett, William Henry, 12—13, 14, Byron, Lord (George Gordon), 26, 49, 50: Destruction, 49, 50: 17. 53 40) The Pastoral or Arcadian State, Index 24, 26, 48, 50, 55: The Savage Effect for Newstead Abbey (Cole), Gouenette, Norbert, 160 State, 24, 48, 50, 55 40, 44 Gould, Jay, 7 ox, Kenyon, 173-174 Ensemble formé par la combinaison Grailly, Victor de, 5826 ‘ox, William, 40, 41 des piéces de cing entr’-axes Grand Moving Panorama of ‘rane, Hart, 132n21 (Normand, after Durand), 34, 39 Pilgrim’s Progress, The, 55 ross and the World, The (Cole). Erie Canal, 11 Gris, Juan, 111 43 “Essay on American Scenery” rucifixion (Bonnat), 157 (Cole), 8, 10, 12, 55 Hall, Basil, 10-11, 23, 24, 25 ‘ummings, E. E., 74, 85, 121, 122 Evening: Place de la Concorde Hall, Margaret Hunter, 11 ‘yr, Mrs. Ysabel (pen name), 71 (Degas), 167 Hals, Frans, 156, 158-159, 174 Evocation, L’ (Lachaise), 7/, 72, Harper’s New Monthly Magazine, 99, 139n119 Dagnan-Bouveret, Pascal-Adolphe- Exhibition Gallery of the Louvre iSi,. 453 Jean, 160-161, 163, 165 (Morse), 59759 Harvard Society of Contemporary Daguerre, Jacques-Louis-Mandé, Art, 127 46 Hassam, Childe, 178 Dancer and Gazelles (Manship), Falconer, John M., 57n6 Henry McBride, Art Critic 104, 109 Faulkner, Barry, 13344, 137n85 (Stettheimer), /23, 124 Dancers in Pink (Degas), 173 Fingal’s Cave, Ireland, 22—23 Hinton, John Howard, 24 Davies, Arthur B., 77 Floating Woman (Lachaise) History and Topography of the Davis, Erwin, 173 [LF 63], 7/9, 124, 130n1, United States (Hinton), 24 De Forest, Robert, 8 137n98, 143n157 Hitchcock, Edward, 11, 12. 15, Degas, Edgar, 160, 163, 167, 170, Flower Seller, The (Weir), 145, 16-18, 20-23, 54, 140n132 173-174 146, 149 Hitchcock, Orra White, 11, 13, 16 Delaunay, Robert, 111 Flying Figure of Woman (Floating Home (Figure) (Lachaise) Desboutin, Marcellin, Manet’s Figure) (Lachaise) {LF 48], //7, [LF 298], 7/78, 124, 142n144 portrait of, 171, 772, 173, 174 118, 124, 141-142n144 Hoosack or Saddle Mountain Dial collection, 127 Foins, Les (Haymakers) (Bastien- (Cole), 19, 19 Dial magazine, 74 Lepage), 173 Hopwood, Avery, 132738 Dos Passos, John, 85 Forty Etchings, from Sketches Horrigan, John, 74 Drinkers, The (Los Borrachos) Made with the Camera Lucida (Velazquez), 1/57, 158 (Hall), 10-11, 70, 24 Duchamp, Marcel, 139111 Fourcaud, Louis de, 173 Impressionist exhibition (1877), Duez, Ernst Ange, 160 Fourdrinier, Pierre, 37, 39 160, 167 Dunlap, William, 24, 45, 46, 5 French Revolution, 40 Incapaco (Long Lake), Durand, Asher B., 26 Adirondacks, 42 Durand, Jean-Nicolas-Louits, 3 In the Loge (Cassatt), 173, 1/75 Duranty, Edmond, 162 Gallatin, A. E., 126, 13118 In the Park (Artist unknown, Dusk (Lachaise) [LF 15], 133739, Gare Saint Lazare (Manet), 167 after J. Alden Weir), /44, 145 1407133 Genthe, Arnold, photographs by, In the Park (Weir), 145-185: Dwight, Theodore, Jr., 8, 10 64. 65. 66. 67. 77. 92. 124 critical reviews of, 145, 149, Géréme, Jean-Léon, 157, 158 153, 165, 174, 176-177; division Gervex, Henri, 160 into separate works, 145, 167: Eaton, Wyatt, Weir's portrait of, Giant’s Causeway, Scotland, 22-23 exhibitions of, 145; The Flower 148, 149, 164 Gleizes, Albert, 132738 Seller, 145, 146, 149: Portrait of Ecole des Beaux-Arts, 72, 74, 99, Good Samaritan (Weir), Wyatt Eaton, 148, 149, 164; 15 181-182n48 social classes depicted in, 149, The American Art Journal/Volumes XXXIV and XXX\ 195 LF 48, //7, 118, 124, Lathrop, Francis, 145, 179n14 141-142n144 Laundry, The (Manet), 173 Intimate Gallery, New York, 74, LF 55, see Woman Laurana, Francesco, 1427147 140n125 (Elevation) Léger, Fernand, 111 lowa Monument (Kitson), 74 LF 63, 719, 124, 130n1, Looking Down Incapaco (Cole), 137n98, 143n157 60n65 2A..€ LF 65, 96, 97, 98, 105, 107 Lorrain, Claude, 30 (MacKenzie), 13450 LF 66, /06, 121 Lowell, Amy, 72, 74 LF 92, 130n1 rskill F LF 115, 77, 78, 79, 99, 105, (Cole 14 MacKenzie, R. Tait, 134750 109, 137n98 Kahnweiler, Daniel-Henri, 111 Malle Babbe (Hals), 158-159 LF 127, 1/0, 122, 142n152 Man at the Stove (Weir), 185n104 Kirstein, Lincoln, 66, 68, 76, LF 159, 133n45, 134n48 127 Manet, Edouard, 145, 160, 162, JF 169, 13345 163, 167, 168-174, 178, 18370 Kitson, Henry Hudson, 7 * 173, 120, 124, 142n147 Knickerbocker Magazine, 5| “Man of the Crowd, The” (Poe), * 179, 134n48, 137n98 183n78 F 186, 130n] Manship, Paul, 74, 90, 92, 104, achaise, Allys, 74, 76, 84, * 206, 134n48 109, 133n44, 136—-137n83, 134—135n57; plaster relief of > 208, 142n152 137n93 [LF 206], 13448 * 226, 13448 Marin, John, 74 achaise, Gaston, 62—143; American , 134n48 Marine (Weir), 174, 176 citizenship of, 74, 111; art studies , 74, 76, 77 Mason, Jonathan, Jr., 17-18 72, 74, 99; autobiography of, , 116, 124 Mazarin, Mariette, 137796 2; birth and early years of, 72 8, 94, 105 McBride, Henry, 63-64, 74, 99, +- ; death of, 127; and Isabel, , 103, 109, 122 124; Stettheimer’s portrait of, Nagle, Isabel Dutaud; patrons , 141n142 123 , 66, 124; photographs of, 64, 8, 112, 113, 122, 124 Men at Work in an Interior (Weir), 69, 72, 80, 126; in Stettheimer’s 283, 1387108 185n104 painting, 13238; as stonecutter’s FF 288, 98, 105 Meninas, Las (Velazquez), 159 assistant, 74; studios of, 74, 298, 1/8, 124, 142n144 Merrymakers at Shrovetide (Hals), 5, 77, 85, 86, 87, 88, * 301, 86, 87, 88, 89 156, 158 89, 93, 105, 111, 126, 140132: * 302, /00, 105, 107, 109 Millet, Jean-Francois, 156 working for Lalique, 72, 105; LF 303, 103, 1387108 Mitchell, Robert, 46 works by, in Lachaise Foundation LF 331, /0/, 1/02, 105, 107 Models of Pont-Aven, The (Wylie), checklist 109 158, 159 LF 3, 9/, 105, 122, 134n48 -LF 334, 1417143: Monet, Claude, 178 LF 6, 105 Lachaise, Isabel Nagle: biographi- Montagne, La (Lachaise) |LF 186], LF 7, 95, 105, 107 cal notes by, 77; early years of, 130n1 > 15, 133n39, 140n133 see Nagle, Isabel Dutaud Montagne, La (Lachaise) [LF 208], 17, 107, 121-122 Lachaise, Jean, 13345 142n152 18, /08, 121 Lachaise, Marie, 74, 75, 76, Moore, Marianne, 74 LF 26, //4, 122, 141n141 133n46, 134—135n57, 137n93; Morris, George Pope, 51 LP 27, £15, 122, 124, bust of [LF 159], 13345, Morse, Samuel F. B., 59n59 141n142 134n48; clay model of, seated in Morse, Verranus, 183—184n78 LF 28, 1387106 chair [LF 227], 13448 Mount Holyoke: carriage road on, LF 42, 96, 97, 98, 105, 107 Lalique, René, 72, 105 12; Cole’s trip to, 17-20, 23; Index summit of, 8, 10-12, 14, 17, Newstead Abbey, Nottinghamshire, Parry, Ellwood C.., III (article by), 21-22, 55, 58n39 England (Cole), 40-41, 43 6-61 Mount Holyoke, Mass. (Cole, New York Daily Graphic, 145 Partie graphique des cours after Hall), 23, 24, 25 New York Daily Tribune, 174 d’architecture (Durand), 34, 39 Mount Merino, near Hudson New-York Evening Post, 50 Patrick Collins Memorial (Kitson), (Cole), 58733 New-York Herald, 50, 151, 174 74 Mount Tom, 20 New-York Mirror, 24, 51 Patterson, Augusta Owen, 124 Moving Panorama of the New York Times, 109, 149, 151, Pawnbroker (Munkacsy), 158 Mississippi River (Banvard), 47, 165, 174 Pharos of Alexandria, 30 47, 50, 55-56 Niagara Falls, 24 Phillips, Duncan, 184794 Mowbray-Clarke, John, 13559 Picasso, Pablo, 72, 111 Munkacsy, Mihaly, 155, 156, Piranesi, Giovanni Battista, 36, 39 157-158 Ohio State House competition, 40 Plans, and Views in Perspective, Museum of Modern Art, Lachaise O’ Keeffe, Georgia, 74 with Descriptions, of Buildings retrospective ( 1935), 66, 74, 124, Oldest Inhabitant, The (Weir), 154, Erected in England and Scotland 127, 136n81 158 (Mitchell), 44, 45, 46 Music in the Tuileries Gardens Oxbow, The (Cole), 6-61, 6, Poe, Edgar Allan, 183778 (Manet), 160, /62 front cover; artist’s self-portrayal Pont-Aven, France, 156-158 Myers, Julia Rowland (article by), in, 7, 12, 52, 53-54, 56; canvas Pont de l'Europe, Le (Caillebotte), 144-185 for, 24, 28, 30; and Course of 160, /63, 167 Empire, 24, 26, 30; critical Portrait of Wyatt Eaton (Weir), reviews of, 50-51; digital 148, 149, 164 Nagle, Edward Pierce, 68, 70, 72, infrared photographs of, 27, Powys, Llewelyn, 72 74, 85, 132n35, 132n36, 133n39, 29, 30. 3/, 32. 32, 35, 36, 38, Pudeur (Draped Figure, Standing 135n63; list of Lachaise’s Woman) (Lachaise) [LF 18], /08, sources, I11, 114 30, 51, 56; purchase of, 51-52, 121 Nagle, George Braybrooke, 70, 74 56; study for, 52, 54, 54; Nagle, Isabel Dutaud: 69-72, umbrella in foreground of, Quartley, Arthur, Weir’s portrait of, 132n38; correspondence with 51-52, 54; X-pattern in, 44, 55; 174, 176 Lach7a2, i74,s 90e, 9,2, 9 9, X-ray photograph of central 117-119; divorce from George Nagle, 74, 92, 13235; Oxbow as Seen from Mount Reclining Figure (Lachaise) Lachaise’s first glimpse of, 72, Holyoke, The (Cleaves), 16, 17 [LF 26], //4, 122, 141n141 137n98; marriage of Lachaise Reed, Luman, 17, 24, 26, 28, 3 and, 74; as model, 77, 82; 44, 56 photographs of, 68, 70, 82, 84; Pach, Walter, 121 Reinhart, Charles Stanley, 151, 152, physical appearance of, 71-72, “Painter of Modern Life, The” 153 77, 105, 109, 122, 124 (Baudelaire), 162-163 Rembrandt van Rijn, 159, 160 Napoleon as Mars the Peacemaker Panoramic View of the Oxbow on Report on the Geology, (Canova), 32- the Connecticut River, as Seen Mineralogy, Botany, and Zoology Napoleon I, Emperor, 36 from Mount Holyoke (Cole), 20, of Massachusetts (Hitchcock), National Academy of Design, 26, 22-23, 23, 24, 30, 56 11-12, 15-18, 20-21 28, 30, 50, 51, 77 Paris Exposition Universelle Repose (Manet), 18370 “Naturalism” (Castagnary), 162 (1878), 153 Revett, Nicholas, 36, 40 “New Painting, The” (Duranty), Paris Street, Rainy Day Ribéra, Ramon, 160-161, 163, 164 162 (Caillebotte), 18265 Ribot, Théodule, 156, 157-158, New Society of Artists, 124 Parker & Clover, 28, 51, ‘ 181-182n48 The American Art Journal/Volumes XXXIV and XXXV Robert W. We r (Weir), 159, Society of Independent Artists, 121, Unfinished Landscape (American 16] 135n63 Lake Scene at Sunset) (Cole), 40, Roche, Juliette (Mme Albert Soil (magazine), 111 41, 41-42; inverted composite of Gleizes) 132n38 Soirée (Studio Party) (Stettheimer), infrared reflectograms, 40, 42 Rocks beside a Stream (Cole). /&, , 74 Unfinished Landscape (Study for 19 Standing Figure (Forward) Newstead Abbey at Sunrise) Rodin, Auguste, 99 (Lachaise) [LF 258]. //2, 1/3, (Cole), 41, 45 Royal Academy, London, 40, 41 22, 124 Union Square (Weir), 145, 147, Ruins of Palmyra, The (Wood). Standing Woman (Lachaise) 179n16 36. 37. 39. 40 {LF 28], 1387106 Union Square, New York, 149, 151, Ruth St. Denis—Veil Dance Standing Woman (Lachaise) 132, 153,435 (Lachaise). 133—134n46 [LF 92], i30n1] Steamboat, The (Seascape with Porpoise s) (Manet), 173 Van Vechten, Carl, 1437162 Saddle Mountain (Mount Stein, Gertrude, 111 Varese. Edgard, 74 Greylock), 18, 19 Stein, Leo, 13238 Vasi, candelabri, cippi (Piranesi), Sage, Margaret Olivia Slocum, Sterne, Maurice, 13238 39 78 Stettheimer, Carrie, 7 Velazquez, Diego, 157, 158, 159, Sage, Russell, 7-8 Stettheimer, Ettie, 74, 132738 174 St. Denis, Ruth, 111, 114; Stettheimer, Florine, 73, 74, 123 Venus de Milo, 66, 122 Lachaise’s sculptures of, Stieglitz, Alfred, 74, 85, 111, 121 Venus of Laussel, 114 4-75, 76, 77 Strand, Paul, photographs by, //9, Venus of Willendorf, 114 Saint Sebastian (Ribot), 158 125-126, 125, 137n98 View from Mount Holyoke Salon (1874), 158, 167 Stuart, James, 36, 40 (Wallis, after Bartlett), 13—14, Salon (1876), 173 Syndics, The (Rembrandt), 159, 14,53 Salon (1899-1904), 72 160 View from Mount Holvoke, Samaritan (Ribot), 181—182n48 Northampton, Massachusetts, Sarkar, Benoy Kumar, 132—133n38 after a Thunderstorm (Cole), Scene in Union Square (Reinhart). Talbot, Charles Nicoll, 7, 5 see Oxbow, The 151, 752 Talbot, George A., 51, : View from Mount Holyoke in Scribner’s Monthly, 174 Thay er, Scofield, 74, Massachusetts (after Hall), Seated Woman with Upraised Arms 127 10 (Lachaise) [LF 232], 1/6, 124 Three Lives (Gertrude Stein), 111 View of Hoosac Mountain and Section of the Rotunda, Leicester Tile Club, 184795 Pontoosuc Lake near Pittsfield, Square in Which Ils Exhibited the Titan’s Goblet, The (Cole), 8, 9. Massachusetts (Cole), 19, 2/ Panorama (Mitchell), 46 21-23 Virtue, George, 16 Shinn, Earl, 157 Tow Girl, The (Weir), 174, 177, Voyage of Life series (Cole). 177 Sidewalks of New York (Cafferty ), 23-24, 43 149, 150 Travels in North America in the Sihler, Henry J., 81 Years 1827 and 1828 (Hall), Skating (Manet), 173 10-11 Wadsworth, Daniel, 17 Sketches of Scenery and Manners in Trip to Niagara, A (Dunlap), Walker, John, III], 127 the United States (Dwight), 8 45-47, 55 Wallis, R., 14 Snake Dance, Ruth St. Denis Trofei di Ottaviano Augusto Warburg, Edward M. M., 127 (Lachaise) [LF 229], 74, 76, (Piranesi), 39 Washington Square Gallery, New Society of American Artists, 145, Turner, J. M. W., 30, 55 York, 111 17723 291 gallery, New York, 111, 121 Watson, Forbes, 124 Index Watson, James Sibley, Jr., 74, Woman (Lachaise) [LF 248], 94, Woman (Hautaine) (Lachaise) 136n78 105 [LF 66], /06, 121 Weir, J. Alden, 144-185; artistic Woman (Lachaise) [LF 288], 98, Woman (Hesitation) (Lachaise) influences on, 145, 155-158, 105 [LF 27], 775, 122, 124, 141n142 159-161, 163, 167, 173-174, Woman (Lachaise) [pencil on Woman (Standing Woman) 178: in Europe, 153, 155-158, paper], 77, 83 (Lachaise) [LF 302], /00, 105, 159, 161, 163; family of, 153; Woman (Biggest Little Woman in 107, 109 pictorial devices used by, the World) (Lachaise) [LF 127], Woman (Statuette) (Lachaise) 158-159, 165, 167: studio of, 149 110, 122, 142n152 [LF 115], 77, 78, 79, 99, 105, Weir, Robert W.. 153; J. Alden Woman (Elevation) (Lachaise) 109, 137n98 Weir's portrait of, 159, /6/ [LF 55], 62-143, 62, 65, 67, Woman Reading in a Café (Manet). Wellington, Duke of, 32 125, 126, 129, back cover; 170, 17] West View from Holyoke (after O. bronze casts of, 62, 124-125, Woman's Back (Lachaise) W. Hitchcock), 11, /3, 16-17 125, 126, 127, 128, 129, 130; {LF 250], /03, 109, 122 Wheelwright, The (Weir), 185ni04 critical responses to, 63-64, 66, Woman Walking (Lachaise) White Mountains, New Hampshire, 124; developmental stages of, [LF 179], 13448, 137n98 17 77. 80-85, 86, 87, 88, 89, 90-92. Woman with a Parrot (Manet), 173 Whitman, Walt, 111 95-97, 99, 103, 109, 117, 124, Women on a Café Terrace Whitney Museum of American Art, 127; exhibitions of, 63, 125, (Boulevard Montmartre) (Degas), New York, 1387105 125, 127, 136n79; purchase of, 160, 167, 170 Willis, Nathaniel Parker, 13-16 124; title of, 66; work begun on, Wood, Robert, 37, 39, 40 Woman (Lachaise) [LF 3], 9/7, 105, 66. 77 Wylie, Robert, 157, 158, 159 122, 134n48 Woman (Eternal Force) (Lachaise) Woman (Lachaise) [LF 7], 95, 105, [LF 17], 107, 121-122 107 Woman (Figure with Background) Woman (Lachaise) [LF 42], 96, 97, (Lachaise) [LF 65], 96, 97, 98, 98, 105, 107 105. 107 The American Art Journal/Volumes XXXIV and XXXV