TDR Volume 54 Index T205: vol. 54, no. 1 (Spring 2010) T206: vol. 54, no. 2 (Summer 2010) T207: vol. 54, no. 3 (Fall 2010) T208: vol. 54, no. 4 (Winter 2010) By Author Abrams, Joshua, “Stages of Emergency: Cold War Nuclear Civil Defense by Tracy C. Davis” (Book Review) 2:188-90 Adrover, Lauren, David A. Donkor, and Christina S. McMahon, “The Ethics and Pragmatics of Making Heritage a Commodity: Ghana’s PANAFEST 2009” (Critical Act) 2:155-63 Afzal-Khan, Fawzia, “Performative Interventions in the Body Politic of Pakistan” (Performing Pakistani Politics Section) 2:18-28 Afzal-Khan, Fawzia, and Annie Rachele Lanzillotto, “Sext of Saudade” (Performing Pakistani Politics Section) 2:51-59 Afzal-Khan, Fawzia, and Bina Sharif, “Jihad Against Violence: A One-Act Play” (Performing Pakistani Politics Section) 2:60-69 Alker, Gwendolyn, “Stretching the Truth Way into the Future: Cynthia Hopkins’s The Success of Failure (Or, The Failure ofS uccess)” (Critical Act) 1:167-71 Anderson-Rabern, Rachel, “The Nature Theater of Oklahoma’s Aesthetics of Fun” (New Theatre Ensembles Issue) 4:81-98 Barton, Melissa, “‘Speaking a Mutual Language’: The Negro People’s Theatre in Chicago” (Student Essay Contest Winner) 3:54-70 Bell, Gelsey, “Driving Deeper into That Thing: The Humanity of Heiner Goebbel’s Stifters Dinge” (Critical Act) 3:150-58 Blair, Rhonda, and John Wesley Hill, “Stanislavsky and Cognitive Science” (Letters, Etc.) 3:10-11 Callens, Johan, “Anne-Marie Boisvert, Manon Oligny, and Thomas Israél: Three Artists in Search of Cindy Sherman” 1:39-58 Camp, Pannill, “Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater by David J. Buch” (Book Review) 4:229-31 Carroll, Amy Sara, “Muerte Sin Fin: Teresa Margolles’s Gendered States of Exception” . 2:103-25 Ceballos Obaya, Sandra, “Pretending to Say” (Provocation) 3:2-3 Cesare, T. Nikki, “‘Comedy, Truth, and, like, Real Shit’: Derek Ahonen and the Amoralists” (New Theatre Ensembles Issue) 4:175-87 Cesare, T. Nikki, “Tebching Hsieh: One Year Performance: Art Documents 1978-1999 by Tehching Hsieh, with accompanying text by Steven Shaviro” (Book Review) 3:176-78 Cesare, T. Nikki, and Mariellen R. Sandford, “To Avant or Not to Avant: Questioning the Experimental, the New, and the Potential to Shock in the New Garde” (New Theatre Ensembles Issue) 4:7-10 Chavkin, Rachel, “Five Years and Change with the TEAM: Moving Fast Past the Apocalypse” (New Theatre Ensembles Issue) 4:108-17 Cortifias, Jorge Ignacio, with introduction by Coco Fusco “Blind Mouth Singing” (Piece) 3:12-53 Cuppola Bobber, “The Dictionary of Endurative Actions” (Provocation) 1:2-3 Daddario, William, “Skifolr lActsors : Body Language Skills produced by First Light Video; A Moving Presence: Ruth Zaporah and Action Theater directed by Kent De Spain” (Book Review) 1:178-80 Daniel, Rachel Jessica, “Art in the Age of Political Correctness: Race in the TEAM’s Architecting” (New Theatre Ensembles Issue) 4:136-54 Del Vecchio, Jessica, “The Most American Thing in New York City: The Historiography of the National Theater of the United States of America” (New Theatre Ensembles Issue) Donkor, David A., Lauren Adrover, and Christina $. McMahon, “The Ethics and Pragmatics of Making Heritage a Commodity: Ghana’s PANAFEST 2009” (Critical Act) Dunkelberg, Kermit, “Jerzy Grotowski by James Slowiak and Jairo Cuesta” (Book Review) 1:185-87 Foster, Susan Leigh, “Merce Cunningham 1919-2009” (In Memory) 1:7-9 Gallagher-Ross, Jacob, “Image Eaters: Big Art Group Brings the Noise” (New Theatre Ensembles Issue) 4:54-80 Gamliel, Tova, “Performed Weeping: Drama and Emotional Management in Women’s Wailing” 2:70-90 Hill, John Wesley, “Stanislavsky and Cognitive Science” (Letters, Etc.) 3:9-10 Jakovljevic, Branislav, “Wooster Baroque” 3:87-122 Johansson, Ola, “The Limits of Community-Based Theatre: Performance and HIV Prevention in Tanzania” 1:59-75 Joice, Candace M., “Meeting to Find a Way to Let Me Down Easy” (Critical Act) 3:163-69 Kelleher, Joe, “Theatre, Intimacy & Engagement: The Last Human Venue by Alan Read” (Book Review) 2:181-83 Kozinn, Sarah, “Discovering What We Don’t Know: An Interview with Steve Cosson of the Civilians” (New Theatre Ensembles Issue) 4:188-205 Lanzillotto, Annie Rachele, and Fawzia Afzal-Khan “Sext of Saudade” (Performing Pakistani Politics Section) 2:51-59 Larlham, Daniel, “Dancing Pina Bausch” (Critical Act) 1:150-60 Manning, Susan, “Pina Bausch 1940-2009” (In Memory) 1:10-13 Martin, Carol, “What Did They Do to My Country?: An Interview with Rachel Chavkin” (New Theatre Ensembles Issue) 4:99-117 Mazer, Sharon, “The World ofL ucha Libre: Secrets, Revelations, and Mexican National Identity by Heather Levi; Ringside: A History of Professional Wrestling in America by Scott M. Beekman; Slaphappy: Pride, Prejudice, and Professional Wrestling by Thomas Hackett” (Book Review) 2:184-88 McConachie, Bruce, “The Actor, Image, and Action: Acting and Cognitive Neuroscience by Rhonda Blair” (Book Review) 2:183-84 McGillivray, Glen, “King/Cate: Stardom, Aura, and the Stage Figure in the Sydney Theatre Company’s Production of Richard II” (Critical Act) 3:158-63 McGinley, Paige, “Next Up Downtown: A New Generation of Ensemble Performance” (New Theatre Ensembles Issue) 4:11-38 McMahon, Christina S., Lauren Adrover, and David A. Donkor, “The Ethics and Pragmatics of Making Heritage a Commodity: Ghana’s PANAFEST 2009” (Critical Act) Miles, Stephen, “Seeing Cage, Hearing Beuys” Mullin, Brian, “‘We Need More Lumumbas’: Castillo and Youth Onstage! Organize A Season in the Congo” (Critical Act) 2:174-80 Nascimento, Claudia Tatinge, “Of Tent Shows and Liturgies: One breath left: Dies Ire” 3:136-49 Nature Theater of Oklahoma, “PENTAMETER [excerpt]” (Provocation) 2:2-3 Nyong’o, Tavia, “Brown Punk: Kalup Linzy’s Musical Anticipations” 3:71-86 Pamment, Claire, “Hijraism: Jostling for a Third Space in Pakistani Politics” (Performing Pakistani Politics Section) 2:29-50 Piekut, Benjamin, and Jason Stanyek, “Deadness: Technologies of the Intermundane” _1:14-38 Rae, Paul, “Performance Histories by Bonnie Marranca” (Book Review) 3:178-80 Rayner, Alice, “Heart ofP ractice: Within the Workcenter ofJ erzy Grotowski and Thomas Richards by Thomas Richards” (Book Review) 1:180-83 Richman, Paula, “‘We Don’t Change It, We Make It Applicable’: Ramlila in Trinidad” (Performing the Ramayana in Trinidad Section) 1:76-105 Riggio, Milla Cozart, “Performing in the Lap and at the Feet of God: Ramleela in Trinidad, 2006-2008” (Performing the Ramayana in Trinidad Section) 1:106-49 Rokem, Freddie, “A Politics of the Scene by Paul A. Kottman and The Necessity of Theater: The Art of Watching and Being Watched by Paul Woodruff” (Book Review) Ruyter, Nancy Lee, “Festival Iberoamericano de Teatro de Cadiz” (Critical Act) Salata, Kris, “Guslarz i eremita [The Guslar and the Hermit] by Grzegorz Zidtkowski” (Book Review) Salvato, Nick, ““Ta daaaa’: Presenting Pig Iron Theatre Company” (New Theatre Ensembles Issue) 4:206-23 Sandford, Mariellen R., and T. Nikki Cesare, “To Avant or Not to Avant: Questioning the Experimental, the New, and the Potential to Shock in the New Garde” (New Theatre Ensembles Issue) 4:7-10 Savran, David, “Liberté, Fraternité, Corbusier: An Interview with Alex Timbers” (New Theatre Ensembles Issue) 4:39-53 Schechner, Richard, “Broadening the Broad Spectrum” (TDR Comment) 3:7-8 Schechner, Richard, ““There’s Something Happenin’ Here...’” (TDR Comment) 2:12-17 Schneider, Rebecca, “Protest Now and Again” (TDR Comment) 2:7-11 Shalson, Lara, “Out of Now: The Lifeworks ofT ehching Hsieh by Adrian Heathfield and Tehching Hsieh” (Book Review) 3:174-76 Sharif, Bina, and Fawzia Afzal-Khan, “Jihad Against Violence: A One-Act Play” (Performing Pakistani Politics Section) 2:60-69 Shevtsova, Maria, “My Life In Art by Konstantin Stanislavski, translated and edited by Jean Benedetti; An Actor’s Work by Konstantin Stanislavski, translated and edited by Jean Benedetti” (Book Review) 1:172-74 Smalec, Theresa, “Spalding Gray’s America by William W. Demastes” (Book Review) —2:190-92 Solga, Kim, “Artifacting an Intercultural Nation: Theatre Replacement’s BIOBOXES” (Critical Act) 1:161-66 Speer, Annika C., “Feminist Theatrical Revisions of Classic Works edited by Sharon Friedman” (Book Review) 4:232-34 Stanyek, Jason, and Benjamin Piekut, “Deadness: Technologies of the Intermundane” _1:14-38 Syssoyeva, Kathryn Mederos, “VE. Meyerhold. Nasledie. 1. Avtobiograficheskie materialy. Dokumenty 1896-1903. [V.E. Meyerhold—Research, Vol. 1 Autobiographical Materials: Documents 1896-1903] edited by O.M. Feldman; VE. Meyerbold. Lektsii: 1918-1919. [V.E. Meyerhold—Lectures: 1918-1920] edited by O.M. Feldman; VE. Meyervold. Nasledie. 2. Tovarischestvo novoi dramy. Sozdanie Studii na Povarskoi. Leto 1903—vesna 1905. (Research, Vol. 2: The Fellowship of the New Drama and the Founding of the Studio on Povarskaia Street, Summer 1903-Spring 1905] by V.E. Meyerhold, edited by O.M. Feldman” (Book Review) 3:170-74 Thompson, MJ, “Being Watched: Yvonne Rainer and the 1960s by Carrie Lambert-Beatty” (Book Review) 4:227-29 Tiatco, Sir Anril P., “Libad nang Apung Iru and Pamamaku king Krus: Performance of Ambivalence in Kapampangan Cultural Spectacles” 2:91-102 Turner, Robert, “Steve Paxton’s ‘Interior Techniques’: Contact Improvisation and Political Power” 3:123-35 Weinstein, John, “Voices Carry: Behind Bars and Backstage During China’s Revolution and Reform by Ying Ruocheng and Claire Conceison” (Book Review) 4:231-32 Wickstrom, Maurya, “The Labor of Architecting” (New Theatre Ensembles Issue) Zaretsky, Adam, “G®FRP: The GloFish® Freedom and Reconciliation Project” (Provocation) Zarrilli, Phillip, “Physical Theatres: A Critical Introduction by John Keefe and Simon Murray; Physical Theatres: A Critical Reader edited by John Keefe and Simon Murray” (Book Review) By Title “The Actor, Image, and Action: Acting and Cognitive Neuroscience by Rhonda Blair” (Book Review), Bruce McConachie 2:183-84 “Anne-Marie Boisvert, Manon Oligny, and Thomas Israél: Three Artists in Search of Cindy Sherman,” Johan Callens 1:39-58 “Art in the Age of Political Correctness: Race in the TEAM’s Architecting” (New Theatre Ensembles Issue), Rachel Jessica Daniel 4:136-54 “Artifacting an Intercultural Nation: Theatre Replacement’s BIOBOXES” (Critical Act), Kim Solga 1:161-66 “Being Watched: Yvonne Rainer and the 1960s by Carrie Lambert-Beatty” (Book Review), MJ Thompson 4:227-29 “Blind Mouth Singing” (Piece), Jorge Ignacio Cortifias, with introduction by Coco Fusco 3:12-53 “Broadening the Broad Spectrum” (TDR Comment), Richard Schechner 3:7-8 “Brown Punk: Kalup Linzy’s Musical Anticipations,” Tavia Nyong’o 3:71-86 “Comedy, Truth, and, like, Real Shit’: Derek Ahonen and the Amoralists” (New Theatre Ensembles Issue), T. Nikki Cesare 4:175-87 “Dancing Pina Bausch” (Critical Act), Daniel Larlham 1:150-60 “Deadness: Technologies of the IntermundaneJ,as”o n Stanyek and Benjamin Piekut 1:14-38 “The Dictionary of Endurative Actions” (Provocation), Cuppola Bobber 1:2-3 “Discovering What We Don’t Know: An Interview with Steve Cosson of the Civilians” (New Theatre Ensembles Issue), Sarah Kozinn 4:188-205 “Driving Deeper into That Thing: The Humanity of Heiner Goebbel’s Stifters Dinge” (Critical Act), Gelsey Bell 3:150-58 “The Ethics and Pragmatics of Making Heritage a Commodity: Ghana’s PANAFEST 2009” (Critical Act), Lauren Adrover, David A. Donkor, and Christina S$. McMahon 2:155-63 “Feminist Theatrical Revisions of Classic Works edited by Sharon Friedman” (Book Review), Annika C. Speer 4:232-34 “Festival Iberoamericano de Teatro de Cadiz” (Critical Act), Nancy Lee Ruyter 2:163-73 “Five Years and Change with the TEAM: Moving Fast Past the Apocalypse” (New Theatre Ensembles Issue), Rachel Chavkin 4:108-17 “G®FRP: The GloFish® Freedom and Reconciliation Project: GMO, Let ’em go” (Provocation), Adam Zaretsky 4:2-3 “Guslarz i eremita [The Guslar and the Hermit] by Grzegorz Zidtkowski” (Book Review), Kris Salata 1:183-85 “Heart ofP ractice: Within the Workcenter ofJ erzy Grotowski and Thomas Richards by Thomas Richards” (Book Review), Alice Rayner 1:180-83 “Hijraism: Jostling for a Third Space in Pakistani Politics” (Performing Pakistani Politics Section), Claire Pamment 2:29-50 “Image Eaters: Big Art Group Brings the Noise” (New Theatre Ensembles Issue), Jacob Gallagher-Ross 4:54-80 “Jerzy Grotowski by James Slowiak and Jairo Cuesta” (Book Review), Kermit Dunkelberg 1:185-87 “Jihad Against Violence: A One-Act Play” (Performing Pakistani Politics Section), Fawzia Afzal-Khan and Bina Sharif 2:60-69 “King/Cate: Stardom, Aura, and the Stage Figure in the Sydney Theatre Company’s Production of Richard II” (Critical Act), Glen McGillivray 3:158-63 “The Labor of Architecting” (New Theatre Ensembles Issue), Maurya Wickstrom 4:118-35 “Libad nang Apung Iru and Pamamaku king Krus: Performance of Ambivalence in Kapampangan Cultural Spectacles,” Sir Anril P. Tiatco 2:91-102 “Liberté, Fraternité, Corbusier: An Interview with Alex Timbers” (New Theatre Ensembles Issue), David Savran 4:39-53 “The Limits of Community-Based Theatre: Performance and HIV Prevention in Tanzania,” Ola Johansson 1:59-75 “Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater by DavidJ .B uch” (Book Review), Pannill Camp 4:229-31 “Meeting to Find a Way to Let Me Down Easy” (Critical Act), Candace M. Joice 3:163-69 “Merce Cunningham 1919-2009” (In Memory), Susan Leigh Foster 1:7-9 “The Most American Thing in New York City: The Historiography of the National Theater of the United States of America” (New Theatre Ensembles Issue), Jessica Del Vecchio “Muerte Sin Fin: Teresa Margolles’s Gendered States of Exception,” Amy Sara Carroll “My Life In Art by Konstantin Stanislavski, translated and edited by Jean Benedetti; An Actor’s Work by Konstantin Stanislavski, translated and edited by Jean Benedetti” (Book Review), Maria Shevtsova 1:172-74 “The Nature Theater of Oklahoma’s Aesthetics of Fun” (New Theatre Ensembles Issue), Rachel Anderson-Rabern 4:81-98 “Next Up Downtown: A New Generation of Ensemble Performance” (New Theatre Ensembles Issue), Paige McGinley 4:11-38 “Of Tent Shows and Liturgies: One breath left: Dies Ire,” Claudia Tatinge Nascimento 3:136-49 “Out of Now: The Lifeworks ofT ehching Hsieh by Adrian Heathfield and Tehching Hsieh” (Book Review), Lara Shalson 3:174-76 “PENTAMETER [excerpt]” (Provocation), Nature Theater of Oklahoma 2:2-3 “Performance Histories by Bonnie Marranca” (Book Review), Paul Rae 3:178-80 “Performative Interventions in the Body Politic of Pakistan” (Performing Pakistani Politics Section), Fawzia Afzal-Khan 2:18-28 “Performed Weeping: Drama and Emotional Management in Women’s Wailing,” Tova Gamliel 2:70-90 “Performing in the Lap and at the Feet of God: Ramleela in Trinidad, 2006-2008” (Performing the Ramayana in Trinidad Section), Milla Cozart Riggio 1:106-49 “Physical Theatres: A Critical Introduction by John Keefe and Simon Murray; Physical Theatres: A Critical Reader edited by John Keefe and Simon Murray” (Book Review), Phillip Zarrilli “Pina Bausch 1940-2009” (In Memory), Susan Manning “A Politics oft he Scene by Paul A. Kottman and The Necessity of Theater: The Art of Watching and Being Watched by Paul Woodruff” (Book Review), Freddie Rokem “Pretending to Say” (Provocation), Sandra Ceballos Obaya “Protest Now and Again” (TDR Comment), Rebecca Schneider “Seeing Cage, Hearing Beuys,” Stephen Miles “Sext of Saudade” (Performing Pakistani Politics Section), Fawzia Afzal-Khan and Annie Rachele Lanzillotto “Skills for Actors: Body Language Skills produced by First Light Video; A Moving Presence: Ruth Zaporah and Action Theater directed by Kent De Spain” (Book Review), William Daddario 1:178-80 “Spalding Gray’s America by William W. Demastes” (Book Review), Theresa Smalec —_2:190-92 “Speaking a Mutual Language’: The Negro People’s Theatre in Chicago” (Student Essay Contest Winner), Melissa Barton 3:54-70 “Stages of Emergency: Cold War Nuclear Civil Defense by Tracy C. Davis” (Book Review), Joshua Abrams 2:188-90 “Stanislavsky and Cognitive Science” (Letters, Etc.), Rhonda Blair responds to John Wesley Hill 3:10-11 “Stanislavsky and Cognitive Science” (Letters, Etc.), John Wesley Hill 3:9-10 “Steve Paxton’s ‘Interior Techniques’: Contact Improvisation and Political Power,” Robert Turner 3:123-35 “Stretching the Truth Way into the Future: Cynthia Hopkins’s The Success of Failure (Or, The Failure ofS uccess)” (Critical Act), Gwendolyn Alker 1:167-71 “*Ta daaaa’: Presenting Pig Iron Theatre Company” (New Theatre Ensembles Issue), Nick Salvato 4:206-23 “Tehching Hsieh: One Year Performance: Art Documents 1978-1999 by Tehching Hsieh, with accompanying text by Steven Shaviro” (Book Review), T. Nikki Cesare 3:176-78 “Theatre, Intimacy & Engagement: The Last Human Venue by Alan Read” (Book Review)J,o e Kelleher 2:181--83 “*There’s Something Happenin’ Here...” (TDR Comment), Richard Schechner 2:12-17 “To Avant or Not to Avant: Questioning the Experimental, the New, and the Potential to Shock in the New Garde” (New Theatre Ensembles Issue), T. Nikki Cesare and Mariellen Sandford “VE. Meyerhold. Nasledie. 1. Avtobiograficheskie materialy. Dokumenty 1896-1903. [V.E. Meyerhold—Research, Vol. 1 Autobiographical Materials: Documents 1896-1903] edited by O.M. Feldman; VE. Meyerhold. Lektsii: 1918-1919. [V.E. Meyerhold—Lectures: 1918-1920] edited by O.M. Feldman; VE. Meyerhold. Nasledie. 2. Tovarischestvo novoi dramy. Sozdanie Studii na Povarskoi. Leto 1903-vesna 1905. (Research, Vol. 2: The Fellowship of the New Drama and the Founding of the Studio on Povarskaia Street, Summer 1903-Spring 1905] by V.E. Meyerhold, edited by O.M. Feldman” (Book Review), Kathryn Mederos Syssoyeva 3:170-74 “Voices Carry: Behind Bars and Backstage During China’s Revolution and Reform by Ying Ruocheng and Claire Conceison” (Book Review), John W>instein 4:231-32 “We Don’t Change It, We Make It Applicable’: Ramlila in Trinidad” (Performing the Ramayana in Trinidad Section), Paula Richman 1:76-105 “‘We Need More Lumumbas’: Castillo and Youth Onstage! Organize A Season in the Congo” (Critical Act), Brian Mullin 2:174-80 “What Did They Do to My Country?: An Interview with Rachel Chavkin” (New Theatre Ensembles Issue), Carol Martin 4:99-117 “Wooster Baroque,” Branislav Jakovljevic 3:87-122 “The World of Lucha Libre: Secrets, Revelations, and Mexican National Identity by Heather Levi; Ringside: A History of Professional Wrestling in America by Scott M. Beekman; Slaphappy: Pride, Prejudice, and Professional Wrestling by Thomas Hackett” (Book Review), Sharon Mazer 2:184-88