Praise for So, You Want to Be a Comic Book Artist? The straightforward text and the structure of the presentation could make So, You Want to Be a Comic Book Artist? the standard for teaching comics in school. —Jon Bogdanove, acclaimed Superman artist So, You Want to Be a Comic Book Artist? is everything the ten-year-old me wanted! Perfect for daydreamers, four-color optimists, and doers of daring deeds, this book will give kids and kids-at- heart the tools to make their imaginations soar. Insightful and accessible, Amara has created more than just a how-to book, it’s a love letter to a truly American art form—comics! —Matthew Cody, author of Powerless So, You Want to Be a Comic Book Artist? is smart, fun, and insightful. I highly recommend it for anyone who has ever dreamed of becoming a comic book artist. —Jim Hardison, comics writer, The Helm Any young cartoonist dreaming of breaking into the field of comics and graphic novels must have this book! It’s a treasure trove of useful information and solid cartooning principles and practices. Understanding and developing story ideas and plot, creating characters, laying out pages, self- publishing, understanding the comics publishing business, and interviews with novice and professional cartoonists—I wish I had this book when I was a kid! Parents will find this a valuable resource to promote their child’s burgeoning interest in this exciting career. And teachers will find this an invaluable resource for their students’ self-directed learning opportunities. —Richard Jenkins, author of Comics in Your Curriculum This is the lively, engrossing guide that I wish I had when I was an isolated country boy writing and drawing my own comics. Now young creators can see that there are more opportunities and outlets than ever to tell and share their stories. This book is a great how-to primer on comics for kids—or an entry-level introduction to the form and the industry for anyone who wonders how comics are put together. —Phil Simon, editor, Dark Horse Comics I love the range of guidance given to kids but also the range of “real” artists who contribute to the book. Their varied styles and degrees of sophistication make room for all sorts of dreamers. It is a rich resource for aspiring comics artists. —Dr. Carol Ann Tomlinson, author of The Differentiated Classroom Phil Amara takes his personal experience in the comics industry, adds his passion for teaching, and cooks up a delicious recipe for creating one’s very own comic book! So, You Want to Be a Comic Book Artist? is a wonderful introduction into the exciting journey of creating and understanding sequential art. —Keith Wood, art director, Oni Press What Phil Amara has accomplished here is a sort of magic act: an illuminating guide to a mysterious career. —Adam Gallardo, comics writer, Star Wars: Infinities, Gear School, 100 Girls CONTENTS INTRODUCTION CHAPTER 1 SO, YOU WANT TO BE A COMIC BOOK ARTIST? CHAPTER 2 STARTING A STUDIO AND THE TOOLS OF THE TRADE CHAPTER 3 DRAW, PARTNER! ILLUSTRATION TIPS AND TRICKS CHAPTER 4 CHARACTER CREATION: FROM SUPERHEROES TO VILLAINS CHAPTER 5 CREATING STELLAR STORIES: COMIC BOOK SCRIPTS CHAPTER 6 LAYOUT: PUTTING IT ALL TOGETHER CHAPTER 7 COPY-SHOP COMICS CHAPTER 8 SELF-PROMOTION: GETTING PUBLICITY FOR YOUR WORK CHAPTER 9 PORTFOLIOS: SUBMITTING YOUR COMICS TO PUBLISHERS CHAPTER 10 BEYOND COMIC BOOKS CHAPTER 11 RESOURCES: RECOMMENDED INDUSTRY INFO CHAPTER 12 N A B N ESSENTIAL COMIC BOOK TERMINOLOGY CONTRIBUTING ARTISTS ACKNOWLEDGMENTS Thanks: Ben Abernathy, Dave Bullock, Alina Chau, Caroline Chatelet, Mark Chiarello, Eddie Choi, Adam Gallardo, Shaenon Garrity, Sarah Gaydos, Tom Hart, Toru Hashizumi, Rich Jenkins, Beth Kawasaki, Lance Krieter, Gary Larson for inventing the word thagomizer, Raymond Leslie, Aki Matsunobu, Pop Mhan, Kaitlin Mischner, Jack Pollock, Phil Simon, Joshua Izzo, Brandon Vietti, Keith Wood, Jim Zubkavich, Lindsay Brown, Jenefer Angell, Jen Weaver-Neist, Emmalisa Sparrow, Sara Blum, Cynthia Black, and Richard Cohn. INTRODUCTION If you’re a lifelong comics fan like me, you already know that one-of-a-kind feeling you get when you walk into a comic book store—if you’re lucky, on a Wednesday: new- release day—and new comics are on the shelves. As a kid, I spent my Saturdays at a store called The Million Year Picnic in Cambridge, near Boston. There, I flipped through back issues and spent my allowance on Daredevil, Thor, Fantastic Four, Teen Titans, and Batman. I’m sure you have your favorites, too. By the time I was in college, I was writing articles about my favorite comics for comics magazines and local newspapers. I even started a comics radio show and interviewed famous comics creators like Stan Lee and Jack Kirby, two true icons of Marvel Comics. Eventually, this hobby led to a decade-long career in comics. Now I’m a schoolteacher in Boston, and I get to pass on my love of comics to my students. We actually have comics class! Many comics fans dream of becoming comic book artists—but how do you do that? In your hands is a guide to creating your own comics right now. It covers a variety of interests and abilities. Each chapter has information to help you become a comic book artist. You’ll read advice from comics pros like Bryan Lee O’Malley, well-known for Scott Pilgrim, and Art Baltazar, artist of Patrick the Wolf Boy. (Some of the other artists interviewed in this book have even used comics to help prepare them for other careers.) Plus, a few young comic book artists will give their advice. In this book, jump around to see what catches your interest and what helps you the most. You’ll also see characters like the one below to spotlight comics info and trivia: “You think I'm a character, wait’ll you meet the rest! Ooop-oop!” Whether you’re starting out or have been drawing comics for years, remember this: Anyone can create comics. You don’t have to wait until you’re older. You don’t need fancy equipment. Use your comics to comment on who you are and what the world around you is like. Comics are pretty powerful. Only you can tell your story your way.