FOR THE VIOLIN WITH PIANOFORTE ACCOMPANIMENT HUB AR.-iY C. SET i. No. i. IDYLL. AJDE. ROMANCE. \CE. 2. CAPRICCIO. MIC 3. LULLABY. 4. ..AMBLE. 2. i<.OM^-N^i^. CAPRICCIO. 3. ENVOI. 4. PRICE TWO SHILLINGS AND SIXPENCE EACH SET. LONDON & NEW YORK: NOVELLO, EWER AND CO. TROIS MORCEAUX DE SALON POUR VIOLON ET PIANO No. i. NADDIA. No. 2. ETHELIA. No. 3. MAZOURKA. PAR EMILE SAURET. (Op. 49.) PRICE THREE SHILLINGS AND SIXPENCE NET. PENSEES INTIMES SIX ^ iAUX DE SALON V: UR \VEC PIANO Ol No. i. ARIA. No. 4. CAPRICIETTO. GONDOL TRISTESSE. 2. 5. MELODI VALSE GRACIEUSE. 3. 6. 'OSES PAR SAURET. i (Op. 39.) PRICE TWO SHILLINGS EACH NET. ELEGIE ET RONDO POUR VIOLON ET PIANO PAR EMILE SAURET. (OP. 48.) PRICE FOUR SHILLINGS NET. LONDON & NEW YORK: NOVELLO, EWER AND CO NOVELLO, EWER AND CO.'S ALBUMS FOR PIANOFORTE AND STRINGED INSTRUMENTS (TWO VIOLINS, VIOLA, AND VIOLONCELLO). No. I. SUITE OF FOUR PIECES BY ARNOLD DOLMETSCH. PRICE TWO SHILLINGS AND SIXPENCE. No. 2. BY THE PIANOFORTE ACCOMPANIMENT, MARKS OF EXPRESSION, BOWING, AND FINGERING, BY ARNOLD DOLMETSCH. PRICE TWO SHILLINGS AND SIXPENCE. No. 3. THREE DANCES FROM THE MUSIC TO "HENRY VIII." BY EDWARD GERMAN. PRICE FIVE SHILLINGS NET. Separate String Parts, is. each. No. 4. % GAVOTTE D IN BY RAMEAU. ARRANGED BY BERTHOLD TOURS. PRICE TWO SHILLINGS AND SIXPENCE. Separate String Parts, 6d. each. IN THE PRESS. SIX PIECES FROM THE "WATER MUSIC" BY HANDEL. ARRANGED BY BERTHOLD TOURS. LONDON & NEW YORK NOVELLO, EWER AND CO. : NOVELLO, EWER AND CO.'S 'IKUSIC PRIMERS AND EDUCATIONAL SERIES. EDITED BY SIR JOHN STAINER AND DR. C. HUBERT H. PARRY. SCALES AND ARPEGGIOS FOR THE PIANOFORTE WITH PREPARATORY EXERCISES DESIGNED TO FACILITATE THEIR EXECUTION BY FRANKLIN TAYLOR. TWO PRICE SHILLINGS. In Paper Boards, Two Shillings and Sixpence. LONDON NEW YORK EWER AND NOVELLO, CO. T3S3 II. In ascending1 with the right hand,at the moment of striking: a key with any one of the fing-ers eng-ag-ed, the thumb passes underneath and a little beyond it,so as to arrive above its own key in time to fall upon it vertically. In descending-,the thumb first rises vertically from its key, as the one immediately below it is struck, and then passes freely outwards at the moment of striking- the next after this. Consequently, the thumb arrives above its own key before it is wanted, when playing- descending- groups of four notes. The movements for the left hand correspond to those for the right, but in the opposite di- rection, theascending- movements of one hand being- the same as the descending-movements of the other. Left Hand. 3 * 10209 III. To be practised with strong accent. Hand. Right I 4 i 4 Q 4 1 4 8 i 3 i i 3 i 4 . Left Hand. 1 ill 1 i i 1 il ill i 1 i 10209 CO MAJOR, MINOR,AND CHROMATIC SCALES. vements are the same as those studied in the Preparatory Exercises. The Compass les should be extended to three, afterwards four,octaves. MAJOR SCALES. C major. 5 1 8 G major. D major. A major. 10209