The Project Gutenberg EBook of Salomy Jane, by Bret Harte This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Salomy Jane Author: Bret Harte Release Date: February 27, 2005 [EBook #15192] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SALOMY JANE *** Produced by Audrey Longhurst, William Flis, and the PG Online Distributed Proofreading Team. SALOMY JANE BY BRET HARTE WITH ILLUSTRATIONS BY HARRISON FISHER AND ARTHUR I. KELLER BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY THE RIVERSIDE PRESS CAMBRIDGE 1910 COPYRIGHT, 1898, BY BRET HARTE COPYRIGHT, 1900, BY HOUGHTON, MIFFLIN & CO. COPYRIGHT, 1910, BY HOUGHTON MIFFLIN COMPANY ALL RIGHTS RESERVED Published October 1910 CONTENTS I A KISS AND AN ESCAPE 1 II THE LADY'S REFLECTIONS 19 III THE KISS REPEATED 35 IV ANOTHER ESCAPE 59 A Kiss and an Escape [pg 1] I Only one shot had been fired. It had gone wide of its mark,—the ringleader of the Vigilantes,—and had left Red Pete, who had fired it, covered by their rifles and at their mercy. For his hand had been cramped by hard riding, and his eye distracted by their sudden onset, and so the inevitable end had come. He submitted sullenly to his captors; his companion fugitive and horse-thief gave up the protracted struggle with a feeling not unlike relief. Even the hot and revengeful victors were content. They had taken their men alive. At any time during the long chase they could have brought them down by a rifle-shot, but it would have been unsportsmanlike, and have ended in a free fight, instead of an example. And, for the matter of that, their doom was already sealed. Their end, by a rope and a tree, although not sanctified by law, would have at least the deliberation of justice. It was the tribute paid by the Vigilantes to that order which they had themselves disregarded in the pursuit and capture. Yet this strange logic of the frontier sufficed them, and gave a certain dignity to the climax. "Ef you've got anything to say to your folks, say it now, and say it quick," said the ringleader. Red Pete glanced around him. He had been run to earth at his own cabin in the clearing, whence a few relations and friends, mostly women and children, non-combatants, had outflowed, gazing vacantly at the twenty Vigilantes who surrounded them. All were accustomed to scenes of violence, blood-feud, chase, and hardship; it was only the suddenness of the onset and its quick result that had surprised them. They looked on with dazed curiosity and some disappointment; there had been no fight to speak of—no spectacle! A boy, nephew of Red Pete, got upon the rain- barrel to view the proceedings more comfortably; a tall, handsome, lazy Kentucky girl, a visiting neighbor, leaned against the doorpost, chewing gum. Only a yellow hound was actively perplexed. He could not make out if a hunt were just over or beginning, and ran eagerly backwards and forwards, leaping alternately upon the captives and the captors. [pg 3] [pg 4] [pg 5] [pg 6] The ringleader repeated his challenge. Red Pete gave a reckless laugh and looked at his wife. At which Mrs. Red Pete came forward. It seemed that she had much to say, incoherently, furiously, vindictively, to the ringleader. His soul would roast in hell for that day's work! He called himself a man, skunkin' in the open and afraid to show himself except with a crowd of, other "Kiyi's" around a house of women and children. Heaping insult upon insult, inveighing against his low blood, his ancestors, his dubious origin, she at last flung out a wild taunt of his invalid wife, the insult of a woman to a woman, until his white face grew rigid, and only that Western-American fetich of the sanctity of sex kept his twitching fingers from the lock of his rifle. Even her husband noticed it, and with a half-authoritative "Let up on that, old gal," and a pat of his freed left hand on her back, took his last parting. The ringleader, still white under the lash of the woman's tongue, turned abruptly to the second captive. "And if you've got anybody to say 'good-by' to, now's your chance." The man looked up. Nobody stirred or spoke. He was a stranger there, being a chance confederate picked up by Red Pete, and known to no one. Still young, but an outlaw from his abandoned boyhood, of which father and mother were only a forgotten dream, he loved horses and stole them, fully accepting the frontier penalty of life for the interference with that animal on which a man's life so often depended. But he understood the good points of a horse, as was shown by the one he bestrode—until a few days before the property of Judge Boompointer. This was his sole distinction. The unexpected question stirred him for a moment out of the attitude of reckless indifference, for attitude it was, and a part of his profession. But it may have touched him that at that moment he was less than his companion and his virago wife. However, he only shook his head. As he did so his eye casually fell on the handsome girl by the doorpost, who was looking at him. The ringleader, too, may have been touched by his complete loneliness, for he hesitated. At the same moment he saw that the girl was looking at his friendless captive. A grotesque idea struck him. "Salomy Jane, ye might do worse than come yere and say 'good-by' to a dying man, and him a stranger," he said. There seemed to be a subtle stroke of poetry and irony in this that equally struck the apathetic crowd. It was well known that Salomy Jane Clay thought no small potatoes of herself, and always held off the local swain with a lazy nymph-like scorn. Nevertheless, she slowly disengaged herself from the doorpost, and, to everybody's astonishment, lounged with languid grace and outstretched hand towards the prisoner. The color came into the gray reckless mask which the doomed man wore as her right hand grasped his left, just loosed by his captors. Then she paused; her shy, fawn-like eyes grew bold, and fixed themselves upon him. She took the chewing-gum from her mouth, wiped her red lips with the back of her hand, by a sudden lithe spring placed her foot on his stirrup, and, bounding to the saddle, threw her arms about his neck and pressed a kiss upon his lips. [pg 7] [pg 8] [pg 9] [pg 10] [pg 11] They remained thus for a hushed moment—the man on the threshold of death, the young woman in the fullness of youth and beauty—linked together. Then the crowd laughed; in the audacious effrontery of the girl's act the ultimate fate of the two men was forgotten. She slipped languidly to the ground; she was the focus of all eyes,—she only! The ringleader saw it and his opportunity. He shouted: "Time's up—Forward!" urged his horse beside his captives, and the next moment the whole cavalcade was sweeping over the clearing into the darkening woods. Their destination was Sawyer's Crossing, the headquarters of the committee, where the council was still sitting, and where both culprits were to expiate the offense of which that council had already found them guilty. They rode in great and breathless haste,—a haste in which, strangely enough, even the captives seemed to join. That haste possibly prevented them from noticing the singular change which had taken place in the second captive since the episode of the kiss. His high color remained, as if it had burned through his mask of indifference; his eyes were quick, alert, and keen, his mouth half open as if the girl's kiss still lingered there. And that haste had made them careless, for the horse of the man who led him slipped in a gopher-hole, rolled over, unseated his rider, and even dragged the bound and helpless second captive from Judge Boompointer's favorite mare. In an instant they were all on their feet again, but in that supreme moment the second captive felt the cords which bound his arms had slipped to his wrists. By keeping his elbows to his sides, and obliging the others to help him mount, it escaped their notice. By riding close to his captors, and keeping in the crush of the throng, he further concealed the accident, slowly working his hands downwards out of his bonds. Their way lay through a sylvan wilderness, mid-leg deep in ferns, whose tall fronds brushed their horses' sides in their furious gallop and concealed the flapping of the captive's loosened cords. The peaceful vista, more suggestive of the offerings of nymph and shepherd than of human sacrifice, was in a strange contrast to this whirlwind rush of stern, armed men. The westering sun pierced the subdued light and the tremor of leaves with yellow lances; birds started into song on blue and dove-like wings, and on either side of the trail of this vengeful storm could be heard the murmur of hidden and tranquil waters. In a few moments they would be on the open ridge, whence sloped the common turnpike to "Sawyer's," a mile away. It was the custom of returning cavalcades to take this hill at headlong speed, with shouts and cries that heralded their coming. They withheld the latter that day, as inconsistent with their dignity; but, emerging from the wood, swept silently like an avalanche down the slope. They were well under way, looking only to their horses, when the second captive slipped his right arm from the bonds and succeeded in grasping the reins that lay trailing on the [pg 12] [pg 13] [pg 14] [pg 15] [pg 16] horse's neck. A sudden vaquero jerk, which the well-trained animal understood, threw him on his haunches with his forelegs firmly planted on the slope. The rest of the cavalcade swept on; the man who was leading the captive's horse by the riata, thinking only of another accident, dropped the line to save himself from being dragged backwards from his horse. The captive wheeled, and the next moment was galloping furiously up the slope. It was the work of a moment; a trained horse and an experienced hand. The cavalcade had covered nearly fifty yards before they could pull up; the freed captive had covered half that distance uphill. The road was so narrow that only two shots could be fired, and these broke dust two yards ahead of the fugitive. They had not dared to fire low; the horse was the more valuable animal. The fugitive knew this in his extremity also, and would have gladly taken a shot in his own leg to spare that of his horse. Five men were detached to recapture or kill him. The latter seemed inevitable. But he had calculated his chances; before they could reload he had reached the woods again; winding in and out between the pillared tree trunks, he offered no mark. They knew his horse was superior to their own; at the end of two hours they returned, for he had disappeared without track or trail. The end was briefly told in the "Sierra Record:"— "Red Pete, the notorious horse-thief, who had so long eluded justice, was captured and hung by the Sawyer's Crossing Vigilantes last week; his confederate, unfortunately, escaped on a valuable horse belonging to Judge Boompointer. The judge had refused one thousand dollars for the horse only a week before. As the thief, who is still at large, would find it difficult to dispose of so valuable an animal without detection, the chances are against either of them turning up again." The Lady's Reflections II Salomy Jane watched the cavalcade until it had disappeared. Then she became aware that her brief popularity had [pg 17] [pg 18] [pg 19] [pg 21] passed. Mrs. Red Pete, in stormy hysterics, had included her in a sweeping denunciation of the whole universe, possibly for simulating an emotion in which she herself was deficient. The other women hated her for her momentary exaltation above them; only the children still admired her as one who had undoubtedly "canoodled" with a man "a-going to be hung"—a daring flight beyond their wildest ambition. Salomy Jane accepted the change with charming unconcern. She put on her yellow nankeen sunbonnet,—a hideous affair that would have ruined any other woman, but which only enhanced the piquancy of her fresh brunette skin,—tied the strings, letting the blue-black braids escape below its frilled curtain behind, jumped on her mustang with a casual display of agile ankles in shapely white stockings, whistled to the hound, and waving her hand with a "So long, sonny!" to the lately bereft but admiring nephew, flapped and fluttered away in her short brown holland gown. Her father's house was four miles distant. Contrasted with the cabin she had just quitted, it was a superior dwelling, with a long "lean-to" at the rear, which brought the eaves almost to the ground and made it look like a low triangle. It had a long barn and cattle sheds, for Madison Clay was a "great" stockraiser and the owner of a "quarter section." It had a sitting-room and a parlor organ, whose transportation thither had been a marvel of "packing." These things were supposed to give Salomy Jane an undue importance, but the girl's reserve and inaccessibility to local advances were rather the result of a cool, lazy temperament and the preoccupation of a large, protecting admiration for her father, for some years a widower. For Mr. Madison Clay's life had been threatened in one or two feuds,—it was said, not without cause,—and it is possible that the pathetic spectacle of her father doing his visiting with a shotgun may have touched her closely and somewhat prejudiced her against the neighboring masculinity. The thought that cattle, horses, and "quarter section" would one day be hers did not disturb her calm. As for Mr. Clay, he accepted her as housewifely, though somewhat "interfering," and, being one of "his own womankind," therefore not without some degree of merit. "Wot's this yer I'm hearin' of your doin's over at Red Pete's? Honey-foglin' with a horse-thief, eh?" said Mr. Clay two days later at breakfast. "I reckon you heard about the straight thing, then," said Salomy Jane unconcernedly, without looking round. "What do you kalkilate Rube will say to it? What are you goin' to tell him?" said Mr. Clay sarcastically. "Rube," or Reuben Waters, was a swain supposed to be favored particularly by Mr. Clay. Salomy Jane looked up. "I'll tell him that when he's on his way to be hung, I'll kiss him,—not till then," said the young lady brightly. This delightful witticism suited the paternal humor, and Mr. Clay smiled; but, nevertheless, he frowned a moment afterwards. "But this yer hoss-thief got away arter all, and that's a hoss of a different color," he said grimly. Salomy Jane put down her knife and fork. This was certainly a new and different phase of the situation. She had never thought of it before, and, strangely enough, for the first time she became interested in the man. "Got away?" she repeated. "Did they let him off?" "Not much," said her father briefly. "Slipped his cords, and going down the grade pulled up short, just like a vaquero agin a lassoed bull, almost draggin' the man leadin' him off his hoss, and then skyuted up the grade. For that matter, on that hoss o' Judge Boompointer's he mout have dragged the whole posse of 'em down on their knees ef he liked! Sarved 'em right, too. Instead of stringin' him up afore the door, or shootin' him on sight, they must allow to take him down afore the hull committee 'for an example.' 'Example' be blowed! Ther' 's example enough when some stranger comes unbeknownst slap onter a man hanged to a tree and plugged full of holes. That's an example, and he knows what it means. Wot more do ye want? But then those Vigilantes is allus clingin' and hangin' onter some mere scrap o'the law they're pretendin' to despise. It makes me sick! Why, when Jake Myers shot your ole Aunt Viney's second husband, and I laid in wait for Jake afterwards in the Butternut Hollow, did I tie him to his hoss and fetch him down to your Aunt Viney's cabin 'for an example' before I plugged him? No!" in deep disgust. "No! Why, I just meandered through the wood, careless-like, till he comes out, and I just rode up to him, and I said"— But Salomy Jane had heard her father's story before. Even one's dearest relatives are apt to become tiresome in narration. "I know, dad," she interrupted; "but this yer man,—this hoss-thief,—did he get clean away without gettin' hurt at all?" "He did, and unless he's fool enough to sell the hoss he kin keep away, too. So ye see, ye can't ladle out purp stuff about a 'dyin' stranger' to Rube. He won't swaller it." "All the same, dad," returned the girl cheerfully, "I reckon to say it, and say more; I'll tell him that ef he manages to get away too, I'll marry him—there! But ye don't ketch Rube takin' any such risks in gettin' ketched, or in gettin' away arter!" Madison Clay smiled grimly, pushed back his chair, rose, dropped a perfunctory kiss on his daughter's hair, and, taking his shotgun from the corner, departed on a peaceful Samaritan mission to a cow who had dropped a calf in the far pasture. Inclined as he was to Reuben's wooing from his eligibility as to property, he was conscious that he was sadly [pg 22] [pg 23] [pg 24] [pg 25] [pg 26] [pg 27] [pg 28] [pg 29] [pg 30] deficient in certain qualities inherent in the Clay family. It certainly would be a kind of mésalliance. Left to herself, Salomy Jane stared a long while at the coffee-pot, and then called the two squaws who assisted her in her household duties, to clear away the things while she went up to her own room to make her bed. Here she was confronted with a possible prospect of that proverbial bed she might be making in her willfulness, and on which she must lie, in the photograph of a somewhat serious young man of refined features—Reuben Waters—stuck in her window-frame. Salomy Jane smiled over her last witticism regarding him and enjoyed it, like your true humorist, and then, catching sight of her own handsome face in the little mirror, smiled again. But wasn't it funny about that horse-thief getting off after all? Good Lordy! Fancy Reuben hearing he was alive and going round with that kiss of hers set on his lips! She laughed again, a little more abstractedly. And he had returned it like a man, holding her tight and almost breathless, and he going to be hung the next minute! Salomy Jane had been kissed at other times, by force, chance, or stratagem. In a certain ingenuous forfeit game of the locality known as "I'm a-pinin'," many had "pined" for a "sweet kiss" from Salomy Jane, which she had yielded in a sense of honor and fair play. She had never been kissed like this before—she would never again; and yet the man was alive! And behold, she could see in the mirror that she was blushing! She should hardly know him again. A young man with very bright eyes, a flushed and sunburnt cheek, a kind of fixed look in the face, and no beard; no, none that she could feel. Yet he was not at all like Reuben, not a bit. She took Reuben's picture from the window, and laid it on her work-box. And to think she did not even know this young man's name! That was queer. To be kissed by a man whom she might never know! Of course he knew hers. She wondered if he remembered it and her. But of course he was so glad to get off with his life that he never thought of anything else. Yet she did not give more than four or five minutes to these speculations, and, like a sensible girl, thought of something else. Once again, however, in opening the closet, she found the brown holland gown she had worn on the day before; thought it very unbecoming, and regretted that she had not worn her best gown on her visit to Red Pete's cottage. On such an occasion she really might have been more impressive. The Kiss Repeated [pg 31] [pg 32] [pg 33] [pg 35] III When her father came home that night she asked him the news. No, they had not captured the second horse-thief, who was still at large. Judge Boompointer talked of invoking the aid of the despised law. It remained, then, to see whether the horse-thief was fool enough to try to get rid of the animal. Red Pete's body had been delivered to his widow. Perhaps it would only be neighborly for Salomy Jane to ride over to the funeral. But Salomy Jane did not take to the suggestion kindly, nor yet did she explain to her father that, as the other man was still living, she did not care to undergo a second disciplining at the widow's hands. Nevertheless, she contrasted her situation with that of the widow with a new and singular satisfaction. It might have been Red Pete who had escaped. But he had not the grit of the nameless one. She had already settled his heroic quality. "Ye ain't harkenin' to me, Salomy." Salomy Jane started. "Here I'm askin' ye if ye've see that hound Phil Larrabee sneaking by yer to-day?" Salomy Jane had not. But she became interested and self-reproachful for she knew that Phil Larrabee was one of her father's enemies. "He wouldn't dare to go by here unless he knew you were out," she said quickly. "That's what gets me," he said, scratching his grizzled head. "I've been kind o' thinkin' o' him all day, and one of them Chinamen said he saw him at Sawyer's Crossing. He was a kind of friend o' Pete's wife. That's why I thought yer might find out ef he'd been there." Salomy Jane grew more self-reproachful at her father's self-interest in her "neighborliness." "But that ain't all," continued Mr. Clay. "Thar was tracks over the far pasture that warn't mine. I followed them, and they went round and round the house two or three times, ez ef they mout hev bin prowlin', and then I lost 'em in the woods [pg 37] [pg 38] [pg 39] [pg 40] again. It's just like that sneakin' hound Larrabee to hev bin lyin' in wait for me and afraid to meet a man fair and square in the open." "You just lie low, dad, for a day or two more, and let me do a little prowlin'," said the girl, with sympathetic indignation in her dark eyes. "Ef it's that skunk, I'll spot him soon enough and let you know whar he's hiding." "You'll just stay where ye are, Salomy," said her father decisively. "This ain't no woman's work—though I ain't sayin' you haven't got more head for it than some men I know." Nevertheless, that night, after her father had gone to bed, Salomy Jane sat by the open window of the sitting-room in an apparent attitude of languid contemplation, but alert and intent of eye and ear. It was a fine moonlit night. Two pines near the door, solitary pickets of the serried ranks of distant forest, cast long shadows like paths to the cottage, and sighed their spiced breath in the windows. For there was no frivolity of vine or flower round Salomy Jane's bower. The clearing was too recent, the life too practical for vanities like these. But the moon added a vague elusiveness to everything, softened the rigid outlines of the sheds, gave shadows to the lidless windows, and touched with merciful indirectness the hideous débris of refuse gravel and the gaunt scars of burnt vegetation before the door. Even Salomy Jane was affected by it, and exhaled something between a sigh and a yawn with the breath of the pines. Then she suddenly sat upright. Her quick ear had caught a faint "click, click," in the direction of the wood; her quicker instinct and rustic training enabled her to determine that it was the ring of a horse's shoe on flinty ground; her knowledge of the locality told her it came from the spot where the trail passed over an outcrop of flint scarcely a quarter of a mile from where she sat, and within the clearing. It was no errant "stock," for the foot was shod with iron; it was a mounted trespasser by night, and boded no good to a man like Clay. She rose, threw her shawl over her head, more for disguise than shelter, and passed out of the door. A sudden impulse made her seize her father's shotgun from the corner where it stood,—not that she feared any danger to herself, but that it was an excuse. She made directly for the wood, keeping in the shadow of the pines as long as she could. At the fringe she halted; whoever was there must pass her before reaching the house. Then there seemed to be a suspense of all nature. Everything was deadly still—even the moonbeams appeared no longer tremulous; soon there was a rustle as of some stealthy animal among the ferns, and then a dismounted man stepped into the moonlight. It was the horse-thief—the man she had kissed! For a wild moment a strange fancy seized her usually sane intellect and stirred her temperate blood. The news they had told her was not true; he had been hung, and this was his ghost! He looked as white and spirit-like in the moonlight, dressed in the same clothes, as when she saw him last. He had evidently seen her approaching, and moved quickly to meet her. But in his haste he stumbled slightly; she reflected suddenly that ghosts did not stumble, and a feeling of relief came over her. And it was no assassin of her father that had been prowling around—only this unhappy fugitive. A momentary color came into her cheek; her coolness and hardihood returned; it was with a tinge of sauciness in her voice that she said:— "I reckoned you were a ghost." "I mout have been," he said, looking at her fixedly; "but I reckon I'd have come back here all the same." "It's a little riskier comin' back alive," she said, with a levity that died on her lips, for a singular nervousness, half fear and half expectation, was beginning to take the place of her relief of a moment ago. "Then it was you who was prowlin' round and makin' tracks in the far pasture?" "Yes; I came straight here when I got away." She felt his eyes were burning her, but did not dare to raise her own. "Why," she began, hesitated, and ended vaguely. "How did you get here?" "You helped me!" "I?" "Yes. That kiss you gave me put life into me—gave me strength to get away. I swore to myself I'd come back and thank you, alive or dead." Every word he said she could have anticipated, so plain the situation seemed to her now. And every word he said she knew was the truth. Yet her cool common sense struggled against it. "What's the use of your escaping, ef you're comin' back here to be ketched again?" she said pertly. He drew a little nearer to her, but seemed to her the more awkward as she resumed her self-possession. His voice, too, was broken, as if by exhaustion, as he said, catching his breath at intervals:— "I'll tell you. You did more for me than you think. You made another man o' me. I never had a man, woman, or child do [pg 41] [pg 42] [pg 43] [pg 44] [pg 45] [pg 46] [pg 47] to me what you did. I never had a friend—only a pal like Red Pete, who picked me up 'on shares.' I want to quit this yer—what I'm doin'. I want to begin by doin' the square thing to you"—He stopped, breathed hard, and then said brokenly, "My hoss is over thar, staked out. I want to give him to you. Judge Boompointer will give you a thousand dollars for him. I ain't lyin'; it's God's truth! I saw it on the handbill agin a tree. Take him, and I'll get away afoot. Take him. It's the only thing I can do for you, and I know it don't half pay for what you did. Take it; your father can get a reward for you, if you can't." Such were the ethics of this strange locality that neither the man who made the offer nor the girl to whom it was made was struck by anything that seemed illogical or indelicate, or at all inconsistent with justice or the horse-thief's real conversion. Salomy Jane nevertheless dissented, from another and weaker reason. "I don't want your hoss, though I reckon dad might; but you're just starvin'. I'll get suthin'." She turned towards the house. "Say you'll take the hoss first," he said, grasping her hand. At the touch she felt herself coloring and struggled, expecting perhaps another kiss. But he dropped her hand. She turned again with a saucy gesture, said, "Hol' on; I'll come right back," and slipped away, the mere shadow of a coy and flying nymph in the moonlight, until she reached the house. Here she not only procured food and whiskey, but added a long dust-coat and hat of her father's to her burden. They would serve as a disguise for him and hide that heroic figure, which she thought everybody must now know as she did. Then she rejoined him breathlessly. But he put the food and whiskey aside. "Listen," he said; "I've turned the hoss into your corral. You'll find him there in the morning, and no one will know but that he got lost and joined the other hosses." Then she burst out. "But you—you—what will become of you? You'll be ketched!" "I'll manage to get away," he said in a low voice, "ef—ef"— "Ef what?" she said tremblingly. "Ef you'll put the heart in me again,—as you did!" he gasped. She tried to laugh—to move away. She could do neither. Suddenly he caught her in his arms, with a long kiss, which she returned again and again. Then they stood embraced as they had embraced two days before, but no longer the same. For the cool, lazy Salomy Jane had been transformed into another woman—a passionate, clinging savage. Perhaps something of her father's blood had surged within her at that supreme moment. The man stood erect and determined. "Wot's your name?" she whispered quickly. It was a woman's quickest way of defining her feelings. "Dart." "Yer first name?" "Jack." "Let me go now, Jack. Lie low in the woods till to-morrow sunup. I'll come again." He released her. Yet she lingered a moment. "Put on those things," she said, with a sudden happy flash of eyes and teeth, "and lie close till I come." And then she sped away home. But midway up the distance she felt her feet going slower, and something at her heartstrings seemed to be pulling her back. She stopped, turned, and glanced to where he had been standing. Had she seen him then, she might have returned. But he had disappeared. She gave her first sigh, and then ran quickly again. It must be nearly ten o'clock! It was not very long to morning! She was within a few steps of her own door, when the sleeping woods and silent air appeared to suddenly awake with a sharp "crack!" She stopped, paralyzed. Another "crack!" followed, that echoed over to the far corral. She recalled herself instantly and dashed off wildly to the woods again. As she ran she thought of one thing only. He had been "dogged" by one of his old pursuers and attacked. But there were two shots, and he was unarmed. Suddenly she remembered that she had left her father's gun standing against the tree where they were talking. Thank God! she may again have saved him. She ran to the tree; the gun was gone. She ran hither and thither, dreading at every step to fall upon his lifeless body. A new thought struck her; she ran to the corral. The horse was not there! He must have been able to regain it, and escaped, after the shots had been fired. She drew a long breath of relief, but it was caught up in an apprehension of alarm. Her father, awakened from his sleep by [pg 48] [pg 49] [pg 50] [pg 51] [pg 52] [pg 53] [pg 54] [pg 55] the shots, was hurriedly approaching her. "What's up now, Salomy Jane?" he demanded excitedly. "Nothin'," said the girl with an effort. "Nothin', at least, that I can find." She was usually truthful because fearless, and a lie stuck in her throat; but she was no longer fearless, thinking of him. "I wasn't abed; so I ran out as soon as I heard the shots fired," she answered in return to his curious gaze. "And you've hid my gun somewhere where it can't be found," he said reproachfully. "Ef it was that sneak Larrabee, and he fired them shots to lure me out, he might have potted me, without a show, a dozen times in the last five minutes." She had not thought since of her father's enemy! It might indeed have been he who had attacked Jack. But she made a quick point of the suggestion. "Run in, dad, run in and find the gun; you've got no show out here without it." She seized him by the shoulders from behind, shielding him from the woods, and hurried him, half expostulating, half struggling, to the house. But there no gun was to be found. It was strange; it must have been mislaid in some corner! Was he sure he had not left it in the barn? But no matter now. The danger was over; the Larrabee trick had failed; he must go to bed now, and in the morning they would make a search together. At the same time she had inwardly resolved to rise before him and make another search of the wood, and perhaps—fearful joy as she recalled her promise!—find Jack alive and well, awaiting her! Another Escape IV [pg 56] [pg 57] [pg 59] [pg 61] Salomy Jane slept little that night, nor did her father. But towards morning he fell into a tired man's slumber until the sun was well up the horizon. Far different was it with his daughter: she lay with her face to the window, her head half lifted to catch every sound, from the creaking of the sun-warped shingles above her head to the far-off moan of the rising wind in the pine trees. Sometimes she fell into a breathless, half-ecstatic trance, living over every moment of the stolen interview; feeling the fugitive's arm still around her, his kisses on her lips; hearing his whispered voice in her ears—the birth of her new life! This was followed again by a period of agonizing dread—that he might even then be lying, his life ebbing away, in the woods, with her name on his lips, and she resting here inactive, until she half started from her bed to go to his succor. And this went on until a pale opal glow came into the sky, followed by a still paler pink on the summit of the white Sierras, when she rose and hurriedly began to dress. Still so sanguine was her hope of meeting him, that she lingered yet a moment to select the brown holland skirt and yellow sunbonnet she had worn when she first saw him. And she had only seen him twice! Only twice! It would be cruel, too cruel, not to see him again! She crept softly down the stairs, listening to the long-drawn breathing of her father in his bedroom, and then, by the light of a guttering candle, scrawled a note to him, begging him not to trust himself out of the house until she returned from her search, and leaving the note open on the table, swiftly ran out into the growing day. Three hours afterwards Mr. Madison Clay awoke to the sound of loud knocking. At first this forced itself upon his consciousness as his daughter's regular morning summons, and was responded to by a grunt of recognition and a nestling closer in the blankets. Then he awoke with a start and a muttered oath, remembering the events of last night, and his intention to get up early, and rolled out of bed. Becoming aware by this time that the knocking was at the outer door, and hearing the shout of a familiar voice, he hastily pulled on his boots, his jean trousers, and fastening a single suspender over his shoulder as he clattered downstairs, stood in the lower room. The door was open, and waiting upon the threshold was his kinsman, an old ally in many a blood-feud—Breckenridge Clay! "You are a cool one, Mad!" said the latter in half-admiring indignation. "What's up?" said the bewildered Madison. "You ought to be, and scootin' out o' this," said Breckenridge grimly. "It's all very well to 'know nothin';' but here Phil Larrabee's friends hev just picked him up, drilled through with slugs and deader nor a crow, and now they're lettin' loose Larrabee's two half-brothers on you. And you must go like a derned fool and leave these yer things behind you in the bresh," he went on querulously, lifting Madison Clay's dust-coat, hat, and shotgun from his horse, which stood saddled at the door. "Luckily I picked them up in the woods comin' here. Ye ain't got more than time to get over the state line and among your folks thar afore they'll be down on you. Hustle, old man! What are you gawkin' and starin' at?" Madison Clay had stared amazed and bewildered—horror-stricken. The incidents of the past night for the first time flashed upon him clearly—hopelessly! The shot; his finding Salomy Jane alone in the woods; her confusion and anxiety to rid herself of him; the disappearance of the shotgun; and now this new discovery of the taking of his hat and coat for a disguise! She had killed Phil Larrabee in that disguise, after provoking his first harmless shot! She, his own child, Salomy Jane, had disgraced herself by a man's crime; had disgraced him by usurping his right, and taking a mean advantage, by deceit, of a foe! "Gimme that gun," he said hoarsely. Breckenridge handed him the gun in wonder and slowly gathering suspicion. Madison examined nipple and muzzle; one barrel had been discharged. It was true! The gun dropped from his hand. "Look here, old man," said Breckenridge, with a darkening face, "there's bin no foul play here. Thar's bin no hiring of men, no deputy to do this job. You did it fair and square—yourself?" "Yes, by God!" burst out Madison Clay in a hoarse voice. "Who says I didn't?" Reassured, yet believing that Madison Clay had nerved himself for the act by an over-draught of whiskey, which had affected his memory, Breckenridge said curtly, "Then wake up and 'lite' out, ef ye want me to stand by you." "Go to the corral and pick me out a hoss," said Madison slowly, yet not without a certain dignity of manner. "I've suthin' to say to Salomy Jane afore I go." He was holding her scribbled note, which he had just discovered, in his shaking hand. Struck by his kinsman's manner, and knowing the dependent relations of father and daughter, Breckenridge nodded and hurried away. Left to himself, Madison Clay ran his fingers through his hair, and straightened out the paper on which Salomy Jane had scrawled her note, turned it over, and wrote on the back:— You might have told me you did it, and not leave your ole father to find it out how you disgraced yourself and him, too, by a low-down, underhanded, woman's trick! I've said I done it, and took the blame myself, and all the sneakiness of it that folks suspect. If I get away alive—and I don't care much which—you needn't foller. The house and stock are yours; but you ain't any longer the daughter of your disgraced [pg 62] [pg 63] [pg 64] [pg 65] [pg 66] [pg 67] [pg 68] [pg 69] father, Madison Clay. He had scarcely finished the note when, with a clatter of hoofs and a led horse, Breckenridge reappeared at the door elate and triumphant. "You're in nigger luck, Mad! I found that stole hoss of Judge Boompointer's had got away and strayed among your stock in the corral. Take him and you're safe; he can't be outrun this side of the state line." "I ain't no hoss-thief," said Madison grimly. "Nobody sez ye are, but you'd be wuss—a fool—ef you didn't take him. I'm testimony that you found him among your hosses; I'll tell Judge Boompointer you've got him, and ye kin send him back when you're safe. The judge will be mighty glad to get him back, and call it quits. So ef you've writ to Salomy Jane, come." Madison Clay no longer hesitated. Salomy Jane might return at any moment,—it would be part of her "fool womanishness,"—and he was in no mood to see her before a third party. He laid the note on the table, gave a hurried glance around the house, which he grimly believed he was leaving forever, and, striding to the door, leaped on the stolen horse, and swept away with his kinsman. But that note lay for a week undisturbed on the table in full view of the open door. The house was invaded by leaves, pine cones, birds, and squirrels during the hot, silent, empty days, and at night by shy, stealthy creatures, but never again, day or night, by any of the Clay family. It was known in the district that Clay had flown across the state line, his daughter was believed to have joined him the next day, and the house was supposed to be locked up. It lay off the main road, and few passed that way. The starving cattle in the corral at last broke bounds and spread over the woods. And one night a stronger blast than usual swept through the house, carried the note from the table to the floor, where, whirled into a crack in the flooring, it slowly rotted. But though the sting of her father's reproach was spared her, Salomy Jane had no need of the letter to know what had happened. For as she entered the woods in the dim light of that morning she saw the figure of Dart gliding from the shadow of a pine towards her. The unaffected cry of joy that rose from her lips died there as she caught sight of his face in the open light. "You are hurt," she said, clutching his arm passionately. "No," he said. "But I wouldn't mind that if"— "You're thinkin' I was afeard to come back last night when I heard the shootin', but I did come," she went on feverishly. "I ran back here when I heard the two shots, but you were gone. I went to the corral, but your hoss wasn't there, and I thought you'd got away." "I did get away," said Dart gloomily. "I killed the man, thinkin' he was huntin' me, and forgettin' I was disguised. He thought I was your father." "Yes," said the girl joyfully, "he was after dad, and you—you killed him." She again caught his hand admiringly. But he did not respond. Possibly there were points of honor which this horse-thief felt vaguely with her father. "Listen," he said grimly. "Others think it was your father killed him. When I did it—for he fired at me first—I ran to the corral again and took my hoss, thinkin' I might be follered. I made a clear circuit of the house, and when I found he was the only one, and no one was follerin', I come back here and took off my disguise. Then I heard his friends find him in the wood, and I know they suspected your father. And then another man come through the woods while I was hidin' and found the clothes and took them away." He stopped and stared at her gloomily. But all this was unintelligible to the girl. "Dad would have got the better of him ef you hadn't," she said eagerly, "so what's the difference?" "All the same," he said gloomily, "I must take his place." She did not understand, but turned her head to her master. "Then you'll go back with me and tell him all?" she said obediently. "Yes," he said. She put her hand in his, and they crept out of the wood together. She foresaw a thousand difficulties, but, chiefest of all, that he did not love as she did. She would not have taken these risks against their happiness. But alas for ethics and heroism. As they were issuing from the wood they heard the sound of galloping hoofs, and had barely time to hide themselves before Madison Clay, on the stolen horse of Judge Boompointer, swept past them with his kinsman. [pg 70] [pg 71] [pg 72] [pg 73] [pg 74] [pg 75] [pg 76] [pg 77] Salomy Jane turned to her lover. And here I might, as a moral romancer, pause, leaving the guilty, passionate girl eloped with her disreputable lover, destined to lifelong shame and misery, misunderstood to the last by a criminal, fastidious parent. But I am confronted by certain facts, on which this romance is based. A month later a handbill was posted on one of the sentinel pines, announcing that the property would be sold by auction to the highest bidder by Mrs. John Dart, daughter of Madison Clay, Esq., and it was sold accordingly. Still later—by ten years—the chronicler of these pages visited a certain "stock" or "breeding farm," in the "Blue Grass Country," famous for the popular racers it has produced. He was told that the owner was the "best judge of horse-flesh in the country." "Small wonder," added his informant, "for they say as a young man out in California he was a horse-thief, and only saved himself by eloping with some rich farmer's daughter. But he's a straight-out and respectable man now, whose word about horses can't be bought; and as for his wife, she's a beauty! To see her at the 'Springs,' rigged out in the latest fashion, you'd never think she had ever lived out of New York or wasn't the wife of one of its millionaires." The Riverside Press CAMBRIDGE. MASSACHUSETTS U.S.A End of the Project Gutenberg EBook of Salomy Jane, by Bret Harte *** END OF THIS PROJECT GUTENBERG EBOOK SALOMY JANE *** ***** This file should be named 15192-h.htm or 15192-h.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/1/5/1/9/15192/ Produced by Audrey Longhurst, William Flis, and the PG Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the [pg 77] [pg 78]