Sal? or The Hundred and Twenty Days of Sodom (Sal? o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An adaptation of Sade's vicious masterpiece, but relocated to Fascist-ruled Italy, Sal? is an unflinching, violent portrayal of sexual cruelty which many find too disturbing to watch.But insightful artworks are often disturbing. Beneath the extreme, taboo-breaking surface of Sal?, Gary Indiana argues, is a deeply penetrating account of human behavior that resonates not only as an account of fascism but as a picture of the corporate, morally compromised world we live in today.