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Rama's Last Act (Clay Sanskrit Library) PDF

458 Pages·2007·1.38 MB·English
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THECLAYSANSKRITLIBRARY FOUNDEDBYJOHN﹠JENNIFERCLAY GENERALEDITOR RICHARDGOMBRICH SHELDONPOLLOCK EDITEDBY ISABELLEONIANS SOMADEVAVASUDEVA WWW.CLAYSANSKRITLIBRARY.COM WWW.NYUPRESS.ORG uttararamacaritaQQQ 1 (1, 0)  Copyright c bytheCSL. ∞ Allrightsreserved. FirstEdition TheClaySanskritLibraryisco-publishedby NewYorkUniversityPress andtheJJCFoundation. Furtherinformationaboutthisvolume isavailableonthefollowingwebsites: www.claysanskritlibrary.com www.nyupress.org ISBN:----(cloth:alk.paper) ArtworkbyRobertBeer. TypesetinAdobeGaramondProat.:.+pt. XML-developmentbyStuartBrown. EditorialinputfromDánielBalogh&GuyLeavitt. PrintedinGreatBritainbyStEdmundsburyPressLtd, BuryStEdmunds,Suffolk,onacid-freepaper. BoundbyHunter&FoulisLtd,Edinburgh,Scotland. uttararamacaritaR 2 (2, 0)  RĀMA’S LAST ACT BY BHAVABHŪTI TRANSLATEDBY SHELDON POLLOCK NEW YORK UNIVERSITY PRESS JJC FOUNDATION  uttararamacaritaQQQ 3 (3, 0)  LibraryofCongressCataloging-in-PublicationData Bhavabhūti,thcent. [Uttararāmacarita.English&Sanskrit] Rama’slastact/byBhavabhuti; editedandtranslatedbySheldonPollock. p.cm.—(TheClaySanskritlibrary) InEnglishandSanskrit(romanized)onfacingpages; includestranslationfromSanskrit. Includesbibliographicalreferencesandindex. ISBN:----(cloth:alk.paper) .Rama(Hindudeity)—Drama. I.Pollock,SheldonI.II.Title. PK.BU '.–dc  uttararamacaritaR 4 (4, 0)  Cɴɴ Sanskritalphabeticalorder  CSLconventions  Preface  ForewordbyGirishKʀɴ  RAMA’SLASTACT Introduction  Prologue  ActI:AʜPɪɴɪɴɢEʜɪʙɪɪɴ  PreludetoActII  ActII:TʜEɴʀɴɪɴPɴʜ·ɪ  PreludetoActIII  ActIII:TʜSʜ  PreludetoActIV  ActIV:TʜMɪɴɢKʟʏɴJɴ  ActV:TʜYɴɢMɴ’Vʟʀ  PreludetoActVI  ActVI:TʜRɢɴɪɪɴʜYɴɢMɴ  ActVII:Rɴɪɴ  ParaphraseofPrakrit(chāyā)  Notes  Index  Sandhigrid  uttararamacaritaR 5 (5, 0)  uttararamacaritaR 6 (6, 0) ʟɴɴɪɴ ɴʀɪʟʜʙɪʟʀʀ Vowels: aāiīuūr.¯r..l¯.leaioaum. h. Gutturals: kkhgghn˙ Palatals: cchjjhñ Retroflex: t.t.hd. d.hn. Dentals: tthddhn Labials: pphbbhm Semivowels: yrlv Spirants: śs.sh ɢɪɴʀɪʀɴɴɪɪɴ a but vowelsothattaih. ispro- ā,â father nouncedtaihi i sit k luck ī,î fee kh blockhead u put g go ū,û boo gh bighead r. vocalicr,Americanpur- n˙ anger dyorEnglishpretty c chill ¯r. lengthenedr. ch matchhead .l vocalicl,able j jog e,ê,ē made,esp.inWelshpro- jh aspiratedj,hedgehog nunciation ñ canyon ai bite t. retroflex t, try (with the o,ô,ōrope,esp.Welshpronun- tip of tongue turned up ciation;Italiansolo totouchthehardpalate) au sound t.h sameastheprecedingbut m. anusvāranasalizesthepre- aspirated cedingvowel d. retroflex d (with the tip h. visarga,avoicelessaspira- of tongue turned up to tion(resemblingtheEn- touchthehardpalate) glish h), or like Scottish d.h sameastheprecedingbut loch,oranaspirationwith aspirated afaintechoingofthelast n. retroflex n (with the tip elementofthepreceding of tongue turned up to  uttararamacaritaR 7 (8, 0) ʀ’ʟ touchthehardpalate) y yes t Frenchtout r trilled,resemblingtheIta- th tenthook lianpronunciationofr d dinner l linger dh guildhall v word n now ś shore p pill s. retroflexsh(withthetip ph upheaval ofthetongueturnedup b before totouchthehardpalate) bh abhorrent s hiss m mind h hood ʟɴɪɴɴɢʟɪʜ TheacuteaccentonSanskritwordswhentheyoccuroutsideofthe Sanskrittextitself,marksstress,e.g.Ramáyana.Itisnotpartoftra- ditionalSanskritorthography,transliterationortranscription,butwe supplyitheretoguidereadersinthepronunciationoftheseunfamiliar words.SincenoSanskritwordisaccentedonthelastsyllableitisnot necessarytoaccentdisyllables,e.g.Rama. ThesecondCSLinnovationdesignedtoassistthereaderinthepro- nunciationoflengthyunfamiliarwordsistoinsertanunobtrusivemid- dledotbetweensemanticwordbreaksincompoundnames(provided thewordbreakdoesnotfallonavowelresultingfromthefusionof twovowels),e.g.Maha·bhárata,butRamáyana(notRama·áyana).Our dotechoesthepunctuatingmiddledot(·)foundintheoldestsurviving samplesofwrittenIndic,theAshokaninscriptionsofthethirdcentury ʙ. ThedeeplayeringofSanskritnarrativehasalsodictatedthatweuse quotationmarksonlytoannouncethebeginningandendofeverydi- rectspeech,andnotatthebeginningofeveryparagraph. ʟɴɪɴɴʀɪ TheSanskrittextisalsopunctuated,inaccordancewiththepunc- tuationoftheEnglishtranslation.Inmid-verse,thepunctuationwill notalterthesandhiorthescansion.Propernamesarecapitalized.Most  uttararamacaritaR 8 (9, 0) ʟɴɴɪɴ Sanskrit metres have four “feet” (pāda): where possible we print the commonślokametreontwolines.Thecapitalizationofversebegin- ningsmakesiteasyforthereadertorecognizelongermetreswhereitis necessarytoprintthefourmetricalfeetoverfouroreightlines.Inthe Sanskrittext,weuseFrenchGuillemets(e.g.«kvasam.cicīrs.uh.?»)instead ofEnglishquotationmarks(e.g.“Whereareyouoffto?”)toavoidcon- fusionwiththeapostrophesusedforvowelelisioninsandhi. Sanskrit presents the learner with a challenge: sandhi (“euphonic combination”).Sandhimeansthatwhentwowordsarejoinedincon- nectedspeechorwriting(whichinSanskritreflectsspeech),thelastlet- ter(orevenletters)ofthefirstwordoftenchanges;comparethewaywe pronounce“the”in“thebeginning”and“theend.” InSanskritthefirstletterofthesecondwordmayalsochange;andif boththelastletterofthefirstwordandthefirstletterofthesecondare vowels,theymayfuse.ThishasaparallelinEnglish:anasalconsonant isinsertedbetweentwovowelsthatwouldotherwisecoalesce:“apear” and“anapple.”Sanskritvowelfusionmayproduceambiguity.Thechart atthebackofeachbookgivesthefullsandhisystem. Fortunatelyitisnotnecessarytoknowthesechangesinordertostart readingSanskrit.Forthat,whatisimportantistoknowtheformofthe secondwordwithoutsandhi(pre-sandhi),sothatitcanberecognized orlookedupinadictionary.ThereforeweareprintingSanskritwitha systemofpunctuationthatwillindicate,unambiguously,theoriginal formofthesecondword,i.e.,theformwithoutsandhi.Suchsandhi mostlyconcernsthefusionoftwovowels. InSanskrit,vowelsmaybeshortorlongandarewrittendifferently accordingly. We follow the general convention that a vowel with no markaboveitisshort.Otherbooksmarkalongvoweleitherwitha barcalledamacron(ā)orwithacircumflex(â).Oursystemusesthe macron, except that for initial vowels in sandhi we use a circumflex toindicatethatoriginallythevowelwasshort,ortheshorteroftwo possibilities(eratherthanai,oratherthanau). Whenweprintinitialâ,beforesandhithatvowelwasa îorê, i ûorô, u âi, e  uttararamacaritaR 9 (10, 0)

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“Rama's Last Act” by Bhava·bhuti is counted among the greatest Sanskrit dramas. The work at once dramatizes the “Ram?yana”—it is one of the earliest theatrical adaptations of Valm?ki’s epic masterpiece—and revises its most intractable episode, the hero's rejection of his beloved wife.
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