Author Index Volume 118 Abley, Mark. Anonymous, Fulford, Robert. Undated (verse), 520 How It All Comes Out: Abley, Mark. In Girona The Obit Writer Reluctantly Cathedral, (verse), 522 Thinks of Death, 70-79 Bowling, Tim. Fulford, Robert. Childhood (verse), 154-155 H.G. Wells and the Bowling, Tim. Teaching First- Wages of Adultery, 166-175 Year University (verse), 528 Fulford, Robert. Clausen, Christopher. Emperor Julian and the Gods Slovakian Dreams and the of Homer, 326-335 New Europe, 90-101 Fulford, Robert. The Artist Clausen, Christopher. as Scoundrel, 486-496 Universities Today and Gerry, Tom. Tomorrow, 570-583 “I Sing My Sorrow and I Paint Cullis-Suzuki, Sarika (with My Joy”: Joni Mitchell, 208-221 David Hall). Beneath Cold Grady, Wayne. Cannibal or Seas (photography), 528-545 The Role of Non-Fiction in Davies, Joe. The Leaf Blower Fiction, 336-347 (fiction), 454-463 Graham, Neile. 3 St Ronan’s Day, David. The Genesis Drive (verse), 290-291 of the Hobbit, 114-129 Guthrie, Hamish. Delpech, Thérése. Mysterious Bottles (verse), 292-293 and Powerful Forces, 64-69 Guthrie, Hamish. One Summer Diamond, A.J. Morning (verse), 294-295 Satisfaction in the Mark Hall, David (with Sarika Cullis- (painting), 102-113 Suzuki). Beneath Cold Seas Dickenson, Victoria. (photography), 528-545 Ivan Eyre at the McMichael Harrison, Peter. Sculpture Garden, 430-443 It Rained in Iqaluit, 32-43 Eatock, Colin. Karasik, Daniel. Six Canadian Composers Blind Tongue (verse), 524 You Should Know, 266-279 Karasik, Daniel. Friesen, Eric. On not knowing the grandfa- A Pair of Aces, 130-139 ther who might've been most Friesen, Eric. like me (verse), 526-527 Carmina Burana: The Big Mac Kingwell, Mark. of Classical Music?, 280-289 What Are Intellectuaflosr ? Friesen, Eric. Zen and the Art of A Modest Proposal in Classical Recording, 444-453 Dialogue Form, 44-63 Friesen, Eric. Knelman, Joshua. A Brief Vivaldi in Winter, 517-527 History of Art Theft, 222-233 630 | Queen's Quarterly Author Index Volume 118 Abley, Mark. Anonymous, Fulford, Robert. Undated (verse), 520 How It All Comes Out: Abley, Mark. In Girona The Obit Writer Reluctantly Cathedral, (verse), 522 Thinks of Death, 70-79 Bowling, Tim. Fulford, Robert. Childhood (verse), 154-155 H.G. Wells and the Bowling, Tim. Teaching First- Wages of Adultery, 166-175 Year University (verse), 528 Fulford, Robert. Clausen, Christopher. Emperor Julian and the Gods Slovakian Dreams and the of Homer, 326-335 New Europe, 90-101 Fulford, Robert. The Artist Clausen, Christopher. as Scoundrel, 486-496 Universities Today and Gerry, Tom. Tomorrow, 570-583 “I Sing My Sorrow and I Paint Cullis-Suzuki, Sarika (with My Joy”: Joni Mitchell, 208-221 David Hall). Beneath Cold Grady, Wayne. Cannibal or Seas (photography), 528-545 The Role of Non-Fiction in Davies, Joe. The Leaf Blower Fiction, 336-347 (fiction), 454-463 Graham, Neile. 3 St Ronan’s Day, David. The Genesis Drive (verse), 290-291 of the Hobbit, 114-129 Guthrie, Hamish. Delpech, Thérése. Mysterious Bottles (verse), 292-293 and Powerful Forces, 64-69 Guthrie, Hamish. One Summer Diamond, A.J. Morning (verse), 294-295 Satisfaction in the Mark Hall, David (with Sarika Cullis- (painting), 102-113 Suzuki). Beneath Cold Seas Dickenson, Victoria. (photography), 528-545 Ivan Eyre at the McMichael Harrison, Peter. Sculpture Garden, 430-443 It Rained in Iqaluit, 32-43 Eatock, Colin. Karasik, Daniel. Six Canadian Composers Blind Tongue (verse), 524 You Should Know, 266-279 Karasik, Daniel. Friesen, Eric. On not knowing the grandfa- A Pair of Aces, 130-139 ther who might've been most Friesen, Eric. like me (verse), 526-527 Carmina Burana: The Big Mac Kingwell, Mark. of Classical Music?, 280-289 What Are Intellectuaflosr ? Friesen, Eric. Zen and the Art of A Modest Proposal in Classical Recording, 444-453 Dialogue Form, 44-63 Friesen, Eric. Knelman, Joshua. A Brief Vivaldi in Winter, 517-527 History of Art Theft, 222-233 630 | Queen's Quarterly Lalonde, Danny. Porter, Anna. Harvest (fiction), 140-149 Imre Kertész: Writing the Lampe, Angela. Impossible Novel, 360-371 Chagall and the Russian Rabinovitch, Victor. The North Avant-Garde (painting), in Canadian Identity, 16-31 598-609 Richler, Noah. Leroux, Georges. What We Talk about When We Wanderer: An Essay on Talk about War, 188-207 Franz Schubert's Winterreise, Schiffman, Richard. 498-515 Running Against the Clock Lewis, Laurie. (verse), 298-299 Herald Square, 176-187 Schoemperlen, Diane. A Body Manos, Kenna Creer. Like a Little Nut, 404-417 Coda (verse), 156 Shorb, Michael. Facebook McMaster, Gerald. Passes Me By (verse), 296-297 Inuit Modern: Sculpture Sileika, Antanas. from theA rctic, 6-15 Where I’m Coming from, Michaela, Deborah. A Rock Where I’m Going to, 80-89 from Jordan (verse), 466-467 Silverman, Robert. Milroy, Sarah. Last Train for Chester Fred Herzog: Words and (photography), 302-311 Pictures (photography), Simpson, Jeffrey. 244-256 Sweden’s Health-Care Murray, Joan. Revolution, 386-395 A Treasury of Tom Thomson Simpson, Jeffrey. (painting), 234-243 Taxpayers and Public Neufeldt, Leonard. Institutions: Who’s the Boss?, Trotsky Explains Lenin to 558-569 Frida Kahlo (verse), 150-151 Smith, J. Mark. Norman, Robert O. Laboratory of the Air, 546-557 Haiti Child (with his home- Teleky, Richard. Introducing made guitar, 2010) (verse), Emma Bovary, 348-359 465 Unwin, Peter. The World in the Opp, James. Evening (fiction), 510-519 Picturing Communism: Van Loon, Jean. Yousuf Karsh, Canadair, Chipwagon (verse), 300-301 and Cold War Advertising, Ventura, Paolo. The Automaton 584-597 of Venice, 372-385 Padhi, Bibhu. Wayman, Tom. A Time, a Place, a Name No End (verse), 468-469 (verse), 470-471 Young, Patricia. Sixties Pepper, Kaija. Secretaries (verse), 152-153 My Mother, My Dance, Zentner, Alexi. 396-403 Touch (fiction), 257-265 Annual Index | 631 Title Index Volume 118 Anonymous, Undated (verse), Fred Herzog: Words and Pictures Mark Abley, 520 (photography), Sarah Milroy, The Artist as Scoundrel, 244-256 Robert Fulford, 486-496 The Genesis of the Hobbit, The Automaton of Venice, David Day, 114-129 Paolo Ventura, 372-385 H.G. Wells and the Wages of Adultery, Beneath Cold Seas (photography), Robert Fulford, 166-175 Sarika Cullis-Suzuki and Haiti Child (with his David Hall, 528-545 homemade guitar, 2010) Blind Tongue (verse), (verse), Robert O. Norman, 465 Daniel Karasik, 524 Harvest (fiction), A Body Like a Little Nut, Danny Lalonde, 140-149 Diane Schoemperlen, 404-417 Herald Square, Bonnard Finally Has a Home Laurie Lewis, 176-187 (painting), Musée Bonnard, How It All Comes Out: The Obit 418-429 Writer Reluctantly Thinks of Bottles (verse), Death, Robert Fulford, 70-79 Hamish Guthrie, 292-293 “I Sing My Sorrow and A Brief History of Art Theft, I Paint My Joy”: Joni Mitchell, Joshua Knelman, 222-233 Tom Gerry, 208-221 Cannibal or The Role of Imre Kertész: Writing the Non-Fiction in Fiction, Impossible Novel, Anna Porter, Wayne Grady, 336-347 360-371 Carmina Burana: In Girona Cathedral (verse), The Big Mac of Classical Music?, Mark Abley, 522 Eric Friesen, 280-289 Introducing Emma Bovary, Chagall and the Russian Richard Teleky, 348-359 Avant-Garde (painting), Inuit Modern: Sculpture from Angela Lampe, 598-609 the Arctic, Gerald McMaster, 6-15 Childhood (verse), It Rained in Iqaluit, Tim Bowling, 154-155 Peter Harrison, 32-43 Chipwagon (verse), Ivan Eyre at the McMichael Jean Van Loon, 300-301 Sculpture Garden, Coda (verse), Victoria Dickenson, 430-443 Kenna Creer Manos, 156 Laboratory of the Air, Emperor Julian and the Gods of J. Mark Smith, 546-557 Homer, Robert Fulford, 326-335 Last Train for Chester Facebook Passes Me By (verse), (photography), Robert Silverman, Michael Shorb, 296-297 302-311 632 Queen’s Quarterly The Leaf Blower (fiction), Taxpayers and Public Joe Davies, 454-463 Institutions: Who’s the Boss?, My Mother, My Dance, Jeffrey Simpson, 558-569 Kaija Pepper, 396-403 Teaching First-Year University Mysterious and Powerful Forces, (verse), Tim Bowling, 528 Thérése Delpech, 64-69 3 St Ronan’s Drive (verse), No End (verse), Neile Graham, 290-291 Tom Wayman, 468-469 A Time, a Place, a Name (verse), The North in Canadian Identity, Bibhu Padhi, 470-471 Victor Rabinovitch, 16-31 Touch (fiction), On not knowing the grandfather Alexi Zentner, 257-265 who might've been most like me A Treasury of Tom Thomson (verse), Daniel Karasik, (painting), Joan Murray, 234-243 526-527 Trotsky Explains Lenin to Frida One Summer Morning (verse), Kahlo (verse), Leonard Neufeldt, Hamish Guthrie, 294-295 150-151 A Pair oAfc es, Universities Today and Tomorrow, Eric Friesen, 130-139 Christopher Clausen, 570-583 Picturing Communism: Vivaldi in Winter, Yousuf Karsh, Canadair, Eric Friesen, 517-527 and Cold War Advertising, Wanderer: An Essay on James Opp, 584-597 Franz Schubert’s Winterreise, Rock from Jordan (verse), Georges Leroux, 498-515 Deborah Michaela, 466-467 What Are Intellectuals for? Running Against the Clock (verse), A Modest Proposal in Richard Schiffman, 298-299 Dialogue Form, Satisfaction in the Mark (painting), Mark Kingwell, 44-63 A.J. Diamond, 102-113 What We Talk about Six Canadian Composers When We Talk about War, You Should Know, Noah Richler, 188-207 Colin Eatock, 266-279 Where I’m Coming from, Sixties Secretaries (verse), Where I’m Going to, Patricia Young, 152-153 Antanas Sileika, 80-89 Slovakian Dreams and the New The World in the Evening (fiction), Europe, Christopher Clausen, Peter Unwin, 510-519 90-101 Zen and the Art Sweden’s Health-Care Revolution, of Classical Recording, Jeffrey Simpson, 386-395 Eric Friesen, 444-453 Annual Index