The Project Gutenberg EBook of Poems, by Adam Lindsay Gordon This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Poems Author: Adam Lindsay Gordon Release Date: June 29, 2008 [EBook #258] Last Updated: February 4, 2013 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK POEMS *** Produced by A. Light, Linda Bowser and David Widger POEMS By Adam Lindsay Gordon [British-born Australian Steeple-Chase Rider and Poet—1833-1870.] 1893 Edition Sea Spray and Smoke Drift Bush Ballads & Galloping Rhymes Miscellaneous Poems Ashtaroth: A Dramatic Lyric CONTENTS IN MEMORIAM. PREFACE. SEA SPRAY AND SMOKE DRIFT Podas Okus Gone Unshriven Ye Wearie Wayfarer, hys Ballad In Eight Fyttes. Borrow'd Plumes A Legend of Madrid Fauconshawe Rippling Water Cui Bono Bellona The Song of the Surf Whisperings in Wattle-Boughs Confiteor Sunlight on the Sea Delilah From Lightning and Tempest Wormwood and Nightshade Ars Longa The Last Leap Quare Fatigasti HIPPODROMANIA; OR, WHIFFS FROM THE PIPE The Roll of the Kettledrum; or, The Lay of the Last Charger BUSH BALLADS & GALLOPING RHYMES The Sick Stockrider The Swimmer From the Wreck No Name Wolf and Hound De Te How we Beat the Favourite Fragmentary Scenes from the Road to Avernus Doubtful Dreams The Rhyme of Joyous Garde Thora's Song The Three Friends A Song of Autumn The Romance of Britomarte Laudamus A Basket of Flowers A Fragment MISCELLANEOUS POEMS "The Old Leaven" An Exile's Farewell "Early Adieux" A Hunting Song To a Proud Beauty Thick-headed Thoughts ASHTAROTH: A Dramatic Lyric FOOTNOTES: IN MEMORIAM. (A. L. Gordon.) At rest! Hard by the margin of that sea Whose sounds are mingled with his noble verse, Now lies the shell that never more will house The fine, strong spirit of my gifted friend. Yea, he who flashed upon us suddenly, A shining soul with syllables of fire, Who sang the first great songs these lands can claim To be their own; the one who did not seem To know what royal place awaited him Within the Temple of the Beautiful, Has passed away; and we who knew him, sit Aghast in darkness, dumb with that great grief, Whose stature yet we cannot comprehend; While over yonder churchyard, hearsed with pines, The night-wind sings its immemorial hymn, And sobs above a newly-covered grave. The bard, the scholar, and the man who lived That frank, that open-hearted life which keeps The splendid fire of English chivalry From dying out; the one who never wronged A fellow-man; the faithful friend who judged The many, anxious to be loved of him, By what he saw, and not by what he heard, As lesser spirits do; the brave great soul That never told a lie, or turned aside To fly from danger; he, I say, was one Of that bright company this sin-stained world Can ill afford to lose. They did not know, The hundreds who had read his sturdy verse, And revelled over ringing major notes, The mournful meaning of the undersong Which runs through all he wrote, and often takes The deep autumnal, half-prophetic tone Of forest winds in March; nor did they think That on that healthy-hearted man there lay The wild specific curse which seems to cling For ever to the Poet's twofold life! To Adam Lindsay Gordon, I who laid Two years ago on Lionel Michael's grave A tender leaf of my regard; yea I, Who culled a garland from the flowers of song To place where Harpur sleeps; I, left alone, The sad disciple of a shining band Now gone! to Adam Lindsay Gordon's name I dedicate these lines; and if 'tis true That, past the darkness of the grave, the soul Becomes omniscient, then the bard may stoop From his high seat to take the offering, And read it with a sigh for human friends, In human bonds, and gray with human griefs. And having wove and proffered this poor wreath, I stand to-day as lone as he who saw At nightfall through the glimmering moony mists, The last of Arthur on the wailing mere, And strained in vain to hear the going voice. Henry Kendall. PREFACE. The poems of Gordon have an interest beyond the mere personal one which his friends attach to his name. Written, as they were, at odd times and leisure moments of a stirring and adventurous life, it is not to be wondered at if they are unequal or unfinished. The astonishment of those who knew the man, and can gauge the capacity of this city to foster poetic instinct, is that such work was ever produced here at all. Intensely nervous, and feeling much of that shame at the exercise of the higher intelligence which besets those who are known to be renowned in field sports, Gordon produced his poems shyly, scribbled them on scraps of paper, and sent them anonymously to magazines. It was not until he discovered one morning that everybody knew a couplet or two of "How we Beat the Favourite" that he consented to forego his anonymity and appear in the unsuspected character of a versemaker. The success of his republished "collected" poems gave him courage, and the unreserved praise which greeted "Bush Ballads" should have urged him to forget or to conquer those evil promptings which, unhappily, brought about his untimely death. Adam Lindsay Gordon was the son of an officer in the English army, and was educated at Woolwich, in order that he might follow the profession of his family. At the time when he was a cadet there was no sign of either of the two great wars which were about to call forth the strength of English arms, and, like many other men of his day, he quitted his prospects of service and emigrated. He went to South Australia and started as a sheep farmer. His efforts were attended with failure. He lost his capital, and, owning nothing but a love for horsemanship and a head full of Browning and Shelley, plunged into the varied life which gold-mining, "overlanding", and cattle- driving affords. From this experience he emerged to light in Melbourne as the best amateur steeplechase rider in the colonies. The victory he won for Major Baker in 1868, when he rode Babbler for the Cup Steeplechase, made him popular, and the almost simultaneous publication of his last volume of poems gave him welcome entrance to the houses of all who had pretensions to literary taste. The reputation of the book spread to England, and Major Whyte Melville did not disdain to place the lines of the dashing Australian author at the head of his own dashing descriptions of sporting scenery. Unhappily, the melancholy which Gordon's friends had with pain observed increased daily, and in the full flood of his success, with congratulations pouring upon him from every side, he was found dead in the heather near his home with a bullet from his own rifle in his brain. I do not propose to criticise the volumes which these few lines of preface introduce to the reader. The influence of Browning and of Swinburne upon the writer's taste is plain. There is plainly visible also, however, a keen sense for natural beauty and a manly admiration for healthy living. If in "Ashtaroth" and "Bellona" we recognise the swing of a familiar metre, in such poems as "The Sick Stockrider" we perceive the genuine poetic instinct united to a very clear perception of the loveliness of duty and of labour. "'Twas merry in the glowing morn, among the gleaming grass, To wander as we've wandered many a mile, And blow the cool tobacco cloud, and watch the white wreaths pass, Sitting loosely in the saddle all the while; 'Twas merry 'mid the blackwoods, when we spied the station roofs, To wheel the wild scrub cattle at the yard, With a running fire of stockwhips and a fiery run of hoofs, Oh! the hardest day was never then too hard! "Aye! we had a glorious gallop after 'Starlight' and his gang, When they bolted from Sylvester's on the flat; How the sun-dried reed-beds crackled, how the flint-strewn ranges rang To the strokes of 'Mountaineer' and 'Acrobat'; Hard behind them in the timber, harder still across the heath, Close behind them through the tea-tree scrub we dashed; And the golden-tinted fern leaves, how they rustled underneath! And the honeysuckle osiers, how they crash'd!" This is genuine. There is no "poetic evolution from the depths of internal consciousness" here. The writer has ridden his ride as well as written it. The student of these unpretending volumes will be repaid for his labour. He will find in them something very like the beginnings of a national school of Australian poetry. In historic Europe, where every rood of ground is hallowed in legend and in song, the least imaginative can find food for sad and sweet reflection. When strolling at noon down an English country lane, lounging at sunset by some ruined chapel on the margin of an Irish lake, or watching the mists of morning unveil Ben Lomond, we feel all the charm which springs from association with the past. Soothed, saddened, and cheered by turns, we partake of the varied moods which belong not so much to ourselves as to the dead men who, in old days, sung, suffered, or conquered in the scenes which we survey. But this our native or adopted land has no past, no story. No poet speaks to us. Do we need a poet to interpret Nature's teachings, we must look into our own hearts, if perchance we may find a poet there. What is the dominant note of Australian scenery? That which is the dominant note of Edgar Allan Poe's poetry—Weird Melancholy. A poem like "L'Allegro" could never be written by an Australian. It is too airy, too sweet, too freshly happy. The Australian mountain forests are funereal, secret, stern. Their solitude is desolation. They seem to stifle, in their black gorges, a story of sullen despair. No tender sentiment is nourished in their shade. In other lands the dying year is mourned, the falling leaves drop lightly on his bier. In the Australian forests no leaves fall. The savage winds shout among the rock clefts. From the melancholy gums strips of white bark hang and rustle. The very animal life of these frowning hills is either grotesque or ghostly. Great grey kangaroos hop noiselessly over the coarse grass. Flights of white cockatoos stream out, shrieking like evil souls. The sun suddenly sinks, and the mopokes burst out into horrible peals of semi-human laughter. The natives aver that, when night comes, from out the bottomless depth of some lagoon the Bunyip rises, and, in form like monstrous sea-calf, drags his loathsome length from out the ooze. From a corner of the silent forest rises a dismal chant, and around a fire dance natives painted like skeletons. All is fear-inspiring and gloomy. No bright fancies are linked with the memories of the mountains. Hopeless explorers have named them out of their sufferings—Mount Misery, Mount Dreadful, Mount Despair. As when among sylvan scenes in places "Made green with the running of rivers, And gracious with temperate air," the soul is soothed and satisfied, so, placed before the frightful grandeur of these barren hills, it drinks in their sentiment of defiant ferocity, and is steeped in bitterness. Australia has rightly been named the Land of the Dawning. Wrapped in the midst of early morning, her history looms vague and gigantic. The lonely horseman riding between the moonlight and the day sees vast shadows creeping across the shelterless and silent plains, hears strange noises in the primeval forest, where flourishes a vegetation long dead in other lands, and feels, despite his fortune, that the trim utilitarian civilisation which bred him shrinks into insignificance beside the contemptuous grandeur of forest and ranges coeval with an age in which European scientists have cradled his own race. There is a poem in every form of tree or flower, but the poetry which lives in the trees and flowers of Australia differs from those of other countries. Europe is the home of knightly song, of bright deeds and clear morning thought. Asia sinks beneath the weighty recollections of her past magnificence, as the Suttee sinks, jewel burdened, upon the corpse of dread grandeur, destructive even in its death. America swiftly hurries on her way, rapid, glittering, insatiable even as one of her own giant waterfalls. From the jungles of Africa, and the creeper-tangled groves of the Islands of the South, arise, from the glowing hearts of a thousand flowers, heavy and intoxicating odours—the Upas-poison which dwells in barbaric sensuality. In Australia alone is to be found the Grotesque, the Weird, the strange scribblings of Nature learning how to write. Some see no beauty in our trees without shade, our flowers without perfume, our birds who cannot fly, and our beasts who have not yet learned to walk on all fours. But the dweller in the wilderness acknowledges the subtle charm of this fantastic land of monstrosities. He becomes familiar with the beauty of loneliness. Whispered to by the myriad tongues of the wilderness, he learns the language of the barren and the uncouth, and can read the hieroglyphics of haggard gum-trees, blown into odd shapes, distorted with fierce hot winds, or cramped with cold nights, when the Southern Cross freezes in a cloudless sky of icy blue. The phantasmagoria of that wild dreamland termed the Bush interprets itself, and the Poet of our desolation begins to comprehend why free Esau loved his heritage of desert sand better than all the bountiful richness of Egypt. Marcus Clarke. GENERAL CONTENTS. [The poems are listed by alphabetical order.] In Memoriam. By Henry Kendall. Preface. By Marcus Clarke. A Basket of Flowers A Dedication A Fragment "After the Quarrel" A Hunting Song A Legend of Madrid An Exile's Farewell Ars Longa Ashtaroth: A Dramatic Lyric A Song of Autumn Banker's Dream Bellona Borrow'd Plumes By Flood and Field By Wood and Wold Cito Pede Preterit Aetas Confiteor Credat Judaeus Apella Cui Bono Delilah De Te "Discontent" Doubtful Dreams "Early Adieux" "Exeunt" Ex Fumo Dare Lucem Fauconshawe Finis Exoptatus Fragmentary Scenes from the Road to Avernus From Lightning and Tempest From the Wreck Gone Hippodromania; or, Whiffs from the Pipe How we Beat the Favourite "In the Garden" In Utrumque Paratus Laudamus Lex Talionis No Name Pastor Cum Podas Okus Potters' Clay Quare Fatigasti Rippling Water Sunlight on the Sea "Ten Paces Off" The Fields of Coleraine The Last Leap "The Old Leaven" The Rhyme of Joyous Garde The Roll of the Kettledrum; or, The Lay of the Last Charger The Romance of Britomarte The Sick Stockrider The Song of the Surf The Swimmer The Three Friends Thick-headed Thoughts Thora's Song To a Proud Beauty To My Sister "Two Exhortations" Unshriven Visions in the Smoke Whisperings in Wattle-Boughs Wolf and Hound Wormwood and Nightshade Ye Wearie Wayfarer, hys Ballad Zu der edlen Yagd SEA SPRAY AND SMOKE DRIFT Podas Okus Am I waking? Was I sleeping? Dearest, are you watching yet? Traces on your cheeks of weeping Glitter, 'tis in vain you fret; Drifting ever! drifting onward! In the glass the bright sand runs Steadily and slowly downward; Hushed are all the Myrmidons. Has Automedon been banish'd From his post beside my bed? Where has Agamemnon vanished? Where is warlike Diomed? Where is Nestor? where Ulysses? Menelaus, where is he? Call them not, more dear your kisses Than their prosings are to me. Daylight fades and night must follow, Low, where sea and sky combine, Droops the orb of great Apollo, Hostile god to me and mine. Through the tent's wide entrance streaming, In a flood of glory rare, Glides the golden sunset, gleaming On your golden, gleaming hair. Chide him not, the leech who tarries, Surest aid were all too late; Surer far the shaft of Paris, Winged by Phoebus and by fate; When he crouch'd behind the gable, Had I once his features scann'd, Phoebus' self had scarce been able To have nerved his trembling hand. Blue-eyed maiden! dear Athena! Goddess chaste, and wise and brave, From the snares of Polyxena Thou would'st fain thy favourite save. Tell me, is it not far better That it should be as it is? Jove's behest we cannot fetter, Fate's decrees are always his. Many seek for peace and riches, Length of days and life of ease; I have sought for one thing, which is Fairer unto me than these. Often, too, I've heard the story, In my boyhood, of the doom Which the fates assigned me—Glory, Coupled with an early tomb. Swift assault and sudden sally Underneath the Trojan wall; Charge, and countercharge, and rally, War-cry loud, and trumpet call; Doubtful strain of desp'rate battle, Cut and thrust and grapple fierce, Swords that ring on shields that rattle, Blades that gash and darts that pierce;— I have done with these for ever; By the loud resounding sea, Where the reedy jav'lins quiver, There is now no place for me. Day by day our ranks diminish, We are falling day by day; But our sons the strife will finish, Where man tarries man must slay. Life, 'tis said, to all men sweet is, Death to all must bitter be; Wherefore thus, oh, mother Thetis! None can baffle Jove's decree? I am ready, I am willing, To resign my stormy life; Weary of this long blood-spilling, Sated with this ceaseless strife. Shorter doom I've pictured dimly, On a bed of crimson sand; Fighting hard and dying grimly, Silent lips, and striking hand. But the toughest lives are brittle, And the bravest and the best Lightly fall—it matters little; Now I only long for rest. I have seen enough of slaughter, Seen Scamander's torrent red, Seen hot blood poured out like water, Seen the champaign heaped with dead. Men will call me unrelenting, Pitiless, vindictive, stern; Few will raise a voice dissenting, Few will better things discern. Speak! the fires of life are reeling, Like the wildfires on the marsh, Was I to a friend unfeeling? Was I to a mistress harsh? Was there nought save bloodshed throbbing In this heart and on this brow? Whisper! girl, in silence sobbing! Dead Patroclus! answer thou! Dry those violet orbs that glisten, Darling, I have had my day; Place your hand in mine and listen, Ere the strong soul cleaves its way Through the death mist hovering o'er me, As the stout ship cleaves the wave, To my fathers gone before me, To the gods who love the brave! Courage, we must part for certain; Shades that sink and shades that rise, Blending in a shroud-like curtain, Gather o'er these weary eyes. O'er the fields we used to roam, in Brighter days and lighter cheer, Gathers thus the quiet gloaming— Now, I ween, the end is near. For the hand that clasps your fingers, Closing in the death-grip tight, Scarcely feels the warmth that lingers, Scarcely heeds the pressure light; While the failing pulse that alters, Changing 'neath a death chill damp, Flickers, flutters, flags, and falters, Feebly like a waning lamp. Think'st thou, love, 'twill chafe my ghost in Hades' realm, where heroes shine, Should I hear the shepherd boasting To his Argive concubine? Let him boast, the girlish victor, Let him brag; not thus, I trow, Were the laurels torn from Hector, Not so very long ago. Does my voice sound thick and husky? Is my hand no longer warm? Round that neck where pearls look dusky Let me once more wind my arm; Rest my head upon that shoulder, Where it rested oft of yore; Warm and white, yet seeming colder Now than e'er it seem'd before. 'Twas the fraud of Priam's daughter, Not the force of Priam's son, Slew me—ask not why I sought her, 'Twas my doom—her work is done! Fairer far than she, and dearer, By a thousandfold thou art; Come, my own one, nestle nearer, Cheating death of half his smart. Slowly, while your amber tresses Shower down their golden rain, Let me drink those last caresses, Never to be felt again; Yet th' Elysian halls are spacious, Somewhere near me I may keep Room—who knows?—The gods are gracious; Lay me lower—let me sleep! Lower yet, my senses wander, And my spirit seems to roll With the tide of swift Scamander Rushing to a viewless goal. In my ears, like distant washing Of the surf upon the shore, Drones a murmur, faintly splashing, 'Tis the splash of Charon's oar. Lower yet, my own Briseis, Denser shadows veil the light; Hush, what is to be, to be is, Close my eyes, and say good-night. Lightly lay your red lips, kissing, On this cold mouth, while your thumbs Lie on these cold eyelids pressing— Pallas! thus thy soldier comes! Gone In Collins-street standeth a statue tall—1 A statue tall on a pillar of stone, Telling its story, to great and small, Of the dust reclaimed from the sand waste lone. Weary and wasted, and worn and wan, Feeble and faint, and languid and low, He lay on the desert a dying man, Who has gone, my friends, where we all must go. There are perils by land, and perils by water, Short, I ween, are the obsequies Of the landsman lost, but they may be shorter With the mariner lost in the trackless seas; And well for him when the timbers start, And the stout ship reels and settles below, Who goes to his doom with as bold a heart As that dead man gone where we all must go. Man is stubborn his rights to yield, And redder than dews at eventide Are the dews of battle, shed on the field, By a nation's wrath or a despot's pride; But few who have heard their death-knell roll, From the cannon's lips where they faced the foe, Have fallen as stout and steady of soul As that dead man gone where we all must go. Traverse yon spacious burial-ground, Many are sleeping soundly there, Who pass'd with mourners standing around, Kindred and friends, and children fair; Did he envy such ending? 'twere hard to say; Had he cause to envy such ending? no; Can the spirit feel for the senseless clay When it once has gone where we all must go? What matters the sand or the whitening chalk, The blighted herbage, the black'ning log, The crooked beak of the eagle-hawk, Or the hot red tongue of the native dog? That couch was rugged, those sextons rude, Yet, in spite of a leaden shroud, we know That the bravest and fairest are earth-worms' food, When once they've gone where we all must go. With the pistol clenched in his failing hand, With the death mist spread o'er his fading eyes, He saw the sun go down on the sand, And he slept, and never saw it rise; 'Twas well; he toil'd till his task was done, Constant and calm in his latest throe; The storm was weathered, the battle was won, When he went, my friends, where we all must go. God grant that whenever, soon or late, Our course is run and our goal is reach'd, We may meet our fate as steady and straight As he whose bones in yon desert bleach'd; No tears are needed—our cheeks are dry, We have none to waste upon living woe; Shall we sigh for one who has ceased to sigh, Having gone, my friends, where we all must go? We tarry yet, we are toiling still, He is gone and he fares the best, He fought against odds, he struggled up hill, He has fairly earned his season of rest; No tears are needed—fill out the wine, Let the goblets clash, and the grape juice flow; Ho! pledge me a death-drink, comrade mine, To a brave man gone where we all must go. Unshriven Oh! the sun rose on the lea, and the bird sang merrilie, And the steed stood ready harness'd in the hall, And he left his lady's bower, and he sought the eastern tower, And he lifted cloak and weapon from the wall. "We were wed but yester-noon, must we separate so soon? Must you travel unassoiled and, aye, unshriven, With the blood stain on your hand, and the red streak on your brand, And your guilt all unconfessed and unforgiven?" "Tho' it were but yester-even we were wedded, still unshriven, Across the moor this morning I must ride; I must gallop fast and straight, for my errand will not wait; Fear naught, I shall return at eventide." "If I fear, it is for thee, thy weal is dear to me, Yon moor with retribution seemeth rife; As we've sown so must we reap, and I've started in my sleep At the voice of the avenger, 'Life for life'." "My arm is strong, I ween, and my trusty blade is keen, And the courser that I ride is swift and sure, And I cannot break my oath, though to leave thee I am loth, There is one that I must meet upon the moor." Oh! the sun shone on the lea, and the bird sang merrilie, Down the avenue and through the iron gate, Spurr'd and belted, so he rode, steel to draw and steel to goad, And across the moor he galloped fast and straight. Oh! the sun shone on the lea, and the bird sang full of glee, Ere the mists of evening gather'd chill and grey; But the wild bird's merry note on the deaf ear never smote, And the sunshine never warmed the lifeless clay. Ere the sun began to droop, or the mist began to stoop, The youthful bride lay swooning in the hall; Empty saddle on his back, broken bridle hanging slack, The steed returned full gallop to the stall. Oh! the sun sank in the sea, and the wind wailed drearilie; Let the bells in yonder monastery toll, For the night rack nestles dark round the body stiff and stark, And unshriven to its Maker flies the soul. Ye Wearie Wayfarer, hys Ballad In Eight Fyttes. Fytte I By Wood and Wold [A Preamble] "Beneath the greenwood bough."—W. Scott. Lightly the breath of the spring wind blows, Though laden with faint perfume, 'Tis the fragrance rare that the bushman knows, The scent of the wattle bloom. Two-thirds of our journey at least are done, Old horse! let us take a spell In the shade from the glare of the noonday sun, Thus far we have travell'd well; Your bridle I'll slip, your saddle ungirth, And lay them beside this log, For you'll roll in that track of reddish earth, And shake like a water-dog. Upon yonder rise there's a clump of trees— Their shadows look cool and broad— You can crop the grass as fast as you please, While I stretch my limbs on the sward; 'Tis pleasant, I ween, with a leafy screen O'er the weary head, to lie On the mossy carpet of emerald green, 'Neath the vault of the azure sky; Thus all alone by the wood and wold, I yield myself once again To the memories old that, like tales fresh told, Come flitting across the brain. Fytte II By Flood and Field [A Legend of the Cottiswold] "They have saddled a hundred milk-white steeds, They have bridled a hundred black."—Old Ballad. "He turned in his saddle, now follow who dare. I ride for my country, quoth ——." —Lawrence. I remember the lowering wintry morn, And the mist on the Cotswold hills, Where I once heard the blast of the huntsman's horn, Not far from the seven rills. Jack Esdale was there, and Hugh St. Clair, Bob Chapman and Andrew Kerr, And big George Griffiths on Devil-May-Care, And—black Tom Oliver. And one who rode on a dark-brown steed, Clean jointed, sinewy, spare, With the lean game head of the Blacklock breed, And the resolute eye that loves the lead, And the quarters massive and square— A tower of strength, with a promise of speed (There was Celtic blood in the pair). I remember how merry a start we got, When the red fox broke from the gorse, In a country so deep, with a scent so hot, That the hound could outpace the horse; I remember how few in the front rank shew'd, How endless appeared the tail, On the brown hill-side, where we cross'd the road, And headed towards the vale. The dark-brown steed on the left was there, On the right was a dappled grey, And between the pair, on a chestnut mare, The duffer who writes this lay. What business had "this child" there to ride? But little or none at all; Yet I held my own for a while in "the pride That goeth before a fall." Though rashness can hope for but one result, We are heedless when fate draws nigh us, And the maxim holds good, "Quem perdere vult Deus, dementat prius." The right hand man to the left hand said, As down in the vale we went, "Harden your heart like a millstone, Ned, And set your face as flint; Solid and tall is the rasping wall That stretches before us yonder; You must have it at speed or not at all, 'Twere better to halt than to ponder, For the stream runs wide on the take-off side, And washes the clay bank under; Here goes for a pull, 'tis a madman's ride, And a broken neck if you blunder." No word in reply his comrade spoke, Nor waver'd nor once look'd round, But I saw him shorten his horse's stroke As we splash'd through the marshy ground; I remember the laugh that all the while On his quiet features play'd:— So he rode to his death, with that careless smile, In the van of the "Light Brigade"; So stricken by Russian grape, the cheer Rang out, while he toppled back, From the shattered lungs as merry and clear As it did when it roused the pack. Let never a tear his memory stain, Give his ashes never a sigh, One of many who perished, NOT IN VAIN, AS A TYPE OF OUR CHIVALRY— I remember one thrust he gave to his hat, And two to the flanks of the brown, And still as a statue of old he sat, And he shot to the front, hands down; I remember the snort and the stag-like bound Of the steed six lengths to the fore, And the laugh of the rider while, landing sound, He turned in his saddle and glanced around; I remember—but little more, Save a bird's-eye gleam of the dashing stream, A jarring thud on the wall, A shock and the blank of a nightmare's dream— I was down with a stunning fall. Fytte III Zu der edlen Yagd [A Treatise on Trees—Vine-tree v. Saddle-tree] "Now, welcome, welcome, masters mine, Thrice welcome to the noble chase, Nor earthly sport, nor sport divine, Can take such honourable place."—Ballad of the Wild Huntsman. (Free Translation.) I remember some words my father said, When I was an urchin vain;— God rest his soul, in his narrow bed These ten long years he hath lain. When I think one drop of the blood he bore This faint heart surely must hold, It may be my fancy and nothing more, But the faint heart seemeth bold. He said that as from the blood of grape, Or from juice distilled from the grain, False vigour, soon to evaporate, Is lent to nerve and brain, So the coward will dare on the gallant horse What he never would dare alone, Because he exults in a borrowed force, And a hardihood not his own. And it may be so, yet this difference lies 'Twixt the vine and the saddle-tree, The spurious courage that drink supplies Sets our baser passions free; But the stimulant which the horseman feels When he gallops fast and straight, To his better nature most appeals, And charity conquers hate. As the kindly sunshine thaws the snow, E'en malice and spite will yield, We could almost welcome our mortal foe In the saddle by flood and field; And chivalry dawns in the merry tale That "Market Harborough" writes, And the yarns of "Nimrod" and "Martingale" Seem legends of loyal knights. Now tell me for once, old horse of mine, Grazing round me loose and free, Does your ancient equine heart repine For a burst in such companie, Where "the POWERS that be" in the front rank ride, To hold your own with the throng, Or to plunge at "Faugh-a-Ballagh's" side In the rapids of Dandenong. Don't tread on my toes, you're no foolish weight, So I found to my cost, as under Your carcase I lay, when you rose too late, Yet I blame you not for the blunder. What! sulky old man, your under-lip falls! You think I, too, ready to rail am At your kinship remote to that duffer at walls, The talkative roadster of Balaam. Fytte IV In Utrumque Paratus [A Logical Discussion] "Then hey for boot and horse, lad! And round the world away! Young blood will have its course, lad! And every dog his day!"—C. Kingsley. There's a formula which the west country clowns Once used, ere their blows fell thick, At the fairs on the Devon and Cornwall downs, In their bouts with the single-stick. You may read a moral, not far amiss, If you care to moralise, In the crossing-guard, where the ash-plants kiss, To the words "God spare our eyes". No game was ever yet worth a rap For a rational man to play, Into which no accident, no mishap, Could possibly find its way. If you hold the willow, a shooter from Wills May transform you into a hopper, And the football meadow is rife with spills, If you feel disposed for a cropper; In a rattling gallop with hound and horse You may chance to reverse the medal On the sward, with the saddle your loins across, And your hunter's loins on the saddle; In the stubbles you'll find it hard to frame A remonstrance firm, yet civil, When oft as "our mutual friend" takes aim, Long odds may be laid on the rising game, And against your gaiters level; There's danger even where fish are caught, To those who a wetting fear; For what's worth having must aye be bought, And sport's like life and life's like sport, "It ain't all skittles and beer." The honey bag lies close to the sting, The rose is fenced by the thorn, Shall we leave to others their gathering, And turn from clustering fruits that cling To the garden wall in scorn? Albeit those purple grapes hang high, Like the fox in the ancient tale, Let us pause and try, ere we pass them by, Though we, like the fox, may fail. All hurry is worse than useless; think On the adage, "'Tis pace that kills"; Shun bad tobacco, avoid strong drink, Abstain from Holloway's pills, Wear woollen socks, they're the best you'll find, Beware how you leave off flannel; And whatever you do, don't change your mind When once you have picked your panel; With a bank of cloud in the south south-east, Stand ready to shorten sail; Fight shy of a corporation feast; Don't trust to a martingale; Keep your powder dry, and shut one eye, Not both, when you touch your trigger; Don't stop with your head too frequently (This advice ain't meant for a nigger); Look before you leap, if you like, but if You mean leaping, don't look long, Or the weakest place will soon grow stiff, And the strongest doubly strong; As far as you can, to every man, Let your aid be freely given, And hit out straight, 'tis your shortest plan, When against the ropes you're driven. Mere pluck, though not in the least sublime, Is wiser than blank dismay, Since "No sparrow can fall before its time", And we're valued higher than they; So hope for the best and leave the rest In charge of a stronger hand, Like the honest boors in the far-off west, With the formula terse and grand. They were men for the most part rough and rude, Dull and illiterate, But they nursed no quarrel, they cherished no feud, They were strangers to spite and hate; In a kindly spirit they took their stand, That brothers and sons might learn How a man should uphold the sports of his land, And strike his best with a strong right hand, And take his strokes in return. "'Twas a barbarous practice," the Quaker cries, "'Tis a thing of the past, thank heaven"— Keep your thanks till the combative instinct dies With the taint of the olden leaven; Yes, the times are changed, for better or worse, The prayer that no harm befall Has given its place to a drunken curse, And the manly game to a brawl. Our burdens are heavy, our natures weak, Some pastime devoid of harm May we look for? "Puritan elder, speak!" "Yea, friend, peradventure thou mayest seek Recreation singing a psalm." If I did, your visage so grim and stern Would relax in a ghastly smile, For of music I never one note could learn, And my feeble minstrelsy would turn Your chant to discord vile. Tho' the Philistine's mail could not avail, Nor the spear like a weaver's beam, There are episodes yet in the Psalmist's tale, To obliterate which his poems fail, Which his exploits fail to redeem. Can the Hittite's wrongs forgotten be? Does HE warble "Non nobis Domine", With his monarch in blissful concert, free From all malice to flesh inherent; Zeruiah's offspring, who served so well, Yet between the horns of the altar fell— Does HIS voice the "Quid gloriaris" swell, Or the "Quare fremuerunt"? It may well be thus where DAVID sings, And Uriah joins in the chorus, But while earth to earthy matter clings, Neither you nor the bravest of Judah's kings As a pattern can stand before us. Fytte V Lex Talionis [A Moral Discourse] "And if there's blood upon his hand, 'Tis but the blood of deer."—W. Scott. To beasts of the field, and fowls of the air, And fish of the sea alike, Man's hand is ever slow to spare, And ever ready to strike; With a license to kill, and to work our will, In season by land or by water, To our heart's content we may take our fill Of the joys we derive from slaughter. And few, I reckon, our rights gainsay In this world of rapine and wrong, Where the weak and the timid seem lawful prey For the resolute and the strong; Fins, furs, and feathers, they are and were For our use and pleasure created, We can shoot, and hunt, and angle, and snare, Unquestioned, if not unsated. I have neither the will nor the right to blame, Yet to many (though not to all) The sweets of destruction are somewhat tame When no personal risks befall; Our victims suffer but little, we trust (Mere guess-work and blank enigma), If they suffer at all, our field sports must Of cruelty bear the stigma. Shall we, hard-hearted to their fates, thus Soft-hearted shrink from our own, When the measure we mete is meted to us, When we reap as we've always sown? Shall we who for pastime have squander'd life, Who are styled "the Lords of Creation", Recoil from our chance of more equal strife, And our risk of retaliation? Though short is the dying pheasant's pain, Scant pity you well may spare, And the partridge slain is a triumph vain, And a risk that a child may dare; You feel, when you lower the smoking gun, Some ruth for yon slaughtered hare, And hit or miss, in your selfish fun The widgeon has little share. But you've no remorseful qualms or pangs When you kneel by the grizzly's lair, On that conical bullet your sole chance hangs, 'Tis the weak one's advantage fair, And the shaggy giant's terrific fangs Are ready to crush and tear; Should you miss, one vision of home and friends, Five words of unfinished prayer, Three savage knife stabs, so your sport ends In the worrying grapple that chokes and rends;— Rare sport, at least, for the bear. Short shrift! sharp fate! dark doom to dree! Hard struggle, though quickly ending! At home or abroad, by land or sea, In peace or war, sore trials must be, And worse may happen to you or to me, For none are secure, and none can flee From a destiny impending. Ah! friend, did you think when the LONDON sank, Timber by timber, plank by plank, In a cauldron of boiling surf, How alone at least, with never a flinch, In a rally contested inch by inch, You could fall on the trampled turf? When a livid wall of the sea leaps high, In the lurid light of a leaden sky, And bursts on the quarter railing; While the howling storm-gust seems to vie With the crash of splintered beams that fly, Yet fails too oft to smother the cry Of women and children wailing? Then those who listen in sinking ships To despairing sobs from their lov'd one's lips, Where the green wave thus slowly shatters, May long for the crescent-claw that rips The bison into ribbons and strips, And tears the strong elk to tatters. Oh! sunderings short of body and breath! Oh! "battle and murder and sudden death!" Against which the Liturgy preaches; By the will of a just, yet a merciful Power, Less bitter, perchance, in the mystic hour, When the wings of the shadowy angel lower, Than man in his blindness teaches! Fytte VI