This catalogue offers a selection of first editions and a few books on economy and modern science. There are sections of works by Arthur Machen, Gunnar Myrdal, Olaf Stapledon and Tomas Tranströmer, many of them inscribed by the author, and there are single items worthy of attention, such as a manuscript of Lars Gustafsson’s novel Bernard Foys tredje rockad (no. 19), Le Corbusier’s second collection of wallpapers for Salubra (no. 34), Mellerio’s La Lithographie originale en couleurs (no. 47), a fine copy of August Strindberg’s breakthrough novel Röda rummet (no. 84), and Norbert Wiener’s Cybernetics (no. 95). Item no. 48 forms a collection of 30 books and a playbill, all of them inscribed by Vilhelm Moberg (1898-1973, author of The Emigrant Novels) to Kristina Odelberg/Hedenblad, a woman unknown in the literature on Moberg. Their love affair became known through this collection of presentation copies, some of which are of an intimate nature, and where Moberg clearly states that he chose to use her name for the main character Kristina in The Emigrant Novels. Patrik Andersson Ordering and payment: All prices are in SEK. Current rates will be applied. The approximate rates are: 100 SEK = 15 USD = 12 EUR = 9,5 GBP. Prices contain VAT 6%, deductable in non-EU orders. Payment with Visa, MC/Eurocard or bank transfer. Postage is extra. Patrik Andersson Antikvariat St. Gråbrödersgatan 13 se-22222 Lund SWEDEN VAT SE720522241201 www.patrikandersson.net the catalogue: [email protected] Patrik Andersson, text Frida Rundberg, layout & photo Tel +46 46 121912 www.frdesign.se Mobile +46 707 130763 (preferable) the cover: ” Member of SVAF & ILAB-LILA Wallpaper 4321 B, Wall”, by Le Corbusier. Ostrovsky at the Moscow Literary Gazette. New York, 1967. Typed and signed letter on the author’s stationery, dated 17 Jan. 1967. 13 lines on an A4 sheet, folded twice. With envelope. Berlin says in a rather formal tone that he will be glad to send the requested information and his photo, if Ostrovsky tells him about his plans, for what we assume was an article in the Literary Gazette, and he gives Ostrovsky his telephone number. 1. Algren, Nelson: A Walk on the Wild Side. 600 SEK New York; Farrar, Straus and Cudahy, 1956. First edition, stated first printing. Sten Broman (1902-1983), Swedish 21,5x14,5 cm. (5, 1 blank), 346 pp. composer, musician, music critic, and an Publisher’s green and yellow cloth with active member from the start of ISCM (the printed dustjacket, with original price of International Society for Contemporary $4.50. The jacket is a bit chipped at spine Music). He managed to make classical music ends and corners, and the rear panel is popular through radio and TV shows, but slightly darkened. Spine ends and corners did unfortunately fail in his earlier academic are a bit bumped, and the spine is slightly career. Presented here are his two attempts at out of square. There is a 2 cm long crack reaching the doctor’s degree. at lower front joint, and some small specks along the rear joint. Edges are a trifle 3. Broman, Sten: Den svenska spotted. Pp. 240-245 have a speck in lower musikforskningen 1750-1900. margin. In this novel, famously adapted Lund, 1927. 20,5x13,5 cm. 191, (1 blank) by Lou Reed, Algren depicts the lives of pp. + 4 pages of errata on 2 leaves + the the urban underclass of 1930s America. loose leaf intended for announcement Bruccoli A6.1.a. of the dissertation in Swedish academic 2000 SEK tradition (spikblad). Original printed wrappers. Spine has a small loss at head 2. Berlin, Irving: Letter sent to Valentin and two dampstains, and is slightly 3 bumped at foot. There is a short tear in each joint. Spine and wrappers are a bit toned, and there are a few small white stains on front wrapper. Pp. 135/136 has a small chip in top margin. Broman’s The Swedish Music Research 1750- 3 1900 is a legendary failed dissertation, surrounded by anecdotes. According to one of them, he included a cookbook 3 in the bibliography, La Composition de la cuisine. The work may have been carried through with some negligence, but there are no cookbooks to be found in the bibliography. Inscribed: “Till Johan Johansson XVIII.V.XXVII. / från 4 4 tillgifne förf.” Presentation copies of Broman’s failed dissertation are scarce, as title on spine. Spine ends and corners he probably didn’t distribute them after insignificantly worn. A fine copy. Less the disputation. Johan Johansson (1879- known than the previous book, this one 1951), Swedish painter based in Lund, and is written in German and deals with the one of Broman’s friends. They were both instrumental music of Swedish composer members of the Swedish section of ISCM, Franz Berwald (1796-1868). According to which was introduced in the mid 20s, and a letter from Broman to the Humanistic both of them were members of the CC Faculty at Lund University, dated 21 April Society, an academic fellowship of parodic 1947, this work was intended to be his character. second attempt at reaching the doctor’s 2500 SEK degree. In the letter he expresses the wish to hold his doctoral disputation on 4. Broman, Sten: Berwalds the 27th of May 1947, but for reasons Instrumentalmusik. unknown it never came to that. A few [Lund], 1947. 24,5x17,5 cm. (2), 17-304 advance reading copies were however pp. Plain red cloth-binding with gilt printed and sent out to leading music 4 experts, and to his wished-for opponent losses on the jacket, which still has a fresh Carl-Allan Moberg. The omission of the appearance. Spine ends and corners are first and last pages was apparently on slightly bumped and moderately worn, and account of time shortage, since Broman there is a 1 cm long tear in the front top had to deliver the main text for assessment joint. The cloth on spine is slightly uneven. in due time before the disputation. A proof copy at the University Library in Lund has the omitted pages, which are consisting of an introduction (2 pp.), a Stilhistorische Übersicht (pp. 11-16), and analysis of minor compositions (pp. 305-333). This copy was handed to the musicologist Bo Wallner (1923-2004), who received the book in the mid 50s, while the two were organizing the ISCM World Music Festival in Stockholm. It is inscribed on the flyleaf by Broman: “Käre Bo Wallner! Denna Minor spotting on the edges. Owner’s torso, som måhända kan nyttjas som signature on front free endpaper (G P uppslagsbok, giver jag till dig! / Sten”. On Wakefield). Cornerfold on p. 7/8, 67/68 the verso he has written: “Denna torso, and 153/154. A 5 mm long tear in lower icke utgiven, icke föreliggande på KB eller margin on pp. 39-56. A light stain in outer något UB, har tryckts i 10 numrerade ex. margin of pp. 64. A minimal chip in lower av vilka detta är N:o 6 / Sten Broman”. margin of pp. 117/118. The author’s most No. 6 of 10 numbered copies. well-known work and a milestone in 20th 4500 SEK century fiction. 9000 SEK 5. Burgess, Anthony: A Clockwork Orange. London; Heinemann, 1962. First edition, 6. Burri, René: Les Allemands. first printing. 20,5x13,5 cm. Publisher’s Photographies de René Burri. Textes black cloth with first issue dustjacket, with réunis et présentés par Jean Baudrillard. the original price of 16s. There are several Paris; Robert Delpire, 1963. (Série Histoire professionally closed tears and restored n:o 8). 19x21,5 cm. 166 pp. Publisher’s 5 7. Camus, Albert: Discours de Suède. Paris; Gallimard, 1958. First edition on ordinary paper. 19x12 cm. 69, (4, 3 blanks) pp. Original printed wrappers. Publisher’s “S.P.” perforation on rear cover. A fine copy. A small bookplate on verso of front wrapper, with the initials B. O. J. Printed here are Camus’ Nobel Prize award laminated printed boards. Spine slightly speech and the Nobel Lecture. Inscribed by out of square. Head of spine a bit bumped. Camus to his physician Michel Albeaux- Spine ends and boards’ edges are a little Fernet: “au docteur Albeaux Fernet avec worn. Contents are bright and clean. The beaucoup d’amicales pensées / Albert Swiss photographer Burri (1933-) became a Camus”. member of Magnum Photographic Society 16000 SEK in 1959, the year when he started to work on this book, which contains mainly scenes from everyday life in postwar Germany. It was first published in a German edition in Zürich in 1962, with texts by Max Frisch, Bertolt Brecht, and others. This is the first French edition, with text by Baudrillard. 3000 SEK 8. (Cobra) Jorn, Asger (Ed.): Artistes Libres. Première serie du bibliotheque de Cobra. Quinze monographies: première serie de l’encyclopédie de l’art expérimental. Copenhagen; Ejnar Munksgaard, 1950. First edition. 17x13 cm. Complete set 6 of 15 fascicules on 16 pages each with a separate 4-page introduction, housed in a lithographed paper-case. The case is slightly worn at extremities and lacks a small flap at bottom. The fascicules are very fine, with just a hint of wear to some of the spines. Rear wrapper of No. 11 (Gudnason) has a small cornerloss. 15 Cobra artists are presented here with a short text in French followed by reproductions of their works. Each front wrapper is an original 9. Cravan, Arthur: Poeten med världens lithography by the artist in question. The kortaste hår, nevö till Oscar Wilde, artists represented are Pierre Alechinsky, och som boxades mot Jack Johnson i Else Alfelt, Karel Appel, Atlan, Ejler Bille, Barcelona 1916. Dikter tolkade och Constant, Corneille, Jacques Douzet, Sonja presenterade av Stina och Olle Orrje. Ferlov, Stephen Gilbert, Svavar Gudnason, Stockholm, 1970. 31x22 cm. (2), 12, (27) Henry Heerup, Egill Jacobsen, Asger Jorn, stenciled text leaves in various colours and Carl-Henning Pedersen. The avant- + 13 leaves with a mounted illustration garde movement Cobra was short-lived each. Original stapled cardboard covers (1948-51) but extremely influential. with a spine strip in tape and mounted 8000 SEK illustrations on the boards. The staples have come loose from rear board. A very fine copy of the first book by and on Cravan in Swedish, privately published in a presumed very limited edition by the translators. A printed version was published in 1972. Inscribed by the translators to their friend, the poet and artist Åke Hodell, with thanks for “good vibrations” from his text-sound- composition 220 Volt Buddha (1971). 1800 SEK 7 Stockholm; Norstedts, 1947. First edition. 20x13 cm. 312, (2) pp. Original printed wrappers. Unopened. Foot of spine is slightly bumped and there are a few light creases on the wrappers. A fine copy of Dagerman’s first book of short stories, inscribed to Gösta Sjöberg, author and journalist, brother of the poet Birger Sjöberg, and director of the publisher Steinsvik the years 1944-47. Steinsvik 10. Dagerman, Stig: Dramer om dömda. published Dagerman’s debut novel Ormen Den dödsdömde / Skuggan av Mart. in 1945. “Direktör Gösta Sjöberg med Stockholm; Norstedts, 1948. First edition. hjärtlig tillägnan från Stig Dagerman / på 20x13 cm. 255, (1 blank) pp. Original väg till Frankrike. P.S. Tack för riksdags- printed wrappers. Partly unopened. Spine namnen[?]” and wrappers are a bit toned and have a 4000 SEK few stains. Spine ends are slightly chipped and there is a 1 cm long tear at rear lower folding. There are a few creases on front wrapper. Contents are fine. Dagerman’s first two plays, The Man Condemned to Death and The Shadow of Mart, are generally accepted as his best ones. They were premiered in 1947 and 1948, respectively, and published here for the first time. This copy is inscribed to the actress Tora Teje, who played a leading role in The Shadow of Mart: “Fru Tora Teje – ett enkelt 12. D’Annunzio, Gabriele: Francesca da tack för fru Angelica från Stig Dagerman”. Rimini. Tragedia di Gabriele D’Annunzio. 4500 SEK Milano; Treves, 1902. First edition. 24x19 cm. (9, 3 blanks), 289, (2, 1 blank) pp. 11. Dagerman, Stig: Nattens lekar. Noveller. Publisher’s grey, decorated linen with 8 original purple ribbon ties. Printed on printed wrappers. The spine is partly thick, handmade paper with uncut edges. loose, creased, darkened and has a tear Printed in red and black throughout, and at each end. Spine and wrappers are containing a few whole-page designs in Art slightly soiled. Front wrapper has light Nouveau-style by Adolfo De Carolis. A cornerfolds. Contents are, as usual with short tear in outer margin of pp. 235/236. this title, toned and brittle. There is a loss Around 40 leaves have a minimal speck in outer margin of front free endpaper and or two in outer margin, and there is also the half-title, a small cornerloss on pp. a needle-sized hole in margin of some of 49-56 & 103/104. There are short tears in these leaves. Bookplate on inside of front outer margin of approx. 10 leaves. Thora board. A fine copy. Dardel (1899-1995), Swedish artist and 4000 SEK author. She went to Paris in 1919 to study sculpture, married the Swedish artist Nils Dardel in 1920, lived in the Montparnasse for 13 years and befriended many of the great artists of the time, such as Cocteau, Braque, and Modigliani, the latter of whom painted her portrait. She describes the time in Paris in the autobiographical work Jag for till Paris (I Went to Paris, 1941), where she also tells the story behind this book. Oberlé suggested that her short stories, one of them previously published in Swedish, should be translated into French and assisted her in doing this. 13. Dardel, Thora: Mon amant se marie, Cocteau, who was ill at the time, sent suivi de Les fils du pasteur – Lucia. Préface a letter containing the preface. The title de Jean Cocteau. Illustrations de Jean Oberlé. of the first story, The Trip to Berlin and Paris; Éditions M.-P. Trémois, 1930. Paris, was changed into My Married Lover Ninth printing of the first edition. The in order to amuse Cocteau. Inscribed: first printing was also made in 1930. “à André Pieyre de Mandiargues / en 19x14 cm. 148, (1, 1 blank) pp. Original souvenir de Thora Dardel.” André Pieyre de 9 Mandiargues (1909-1991), French author, the swine in me”. The booklet is signed by who wrote for instance La Motocyclette and Durrell as no. 21 of 99 copies. La Marge. 3000 SEK 1500 SEK 16 15. Englund, Carl Emil (Ed.): Kontakt nr 1. 14. Durrell, Lawrence: Ulysses Come Back. Stockholm; Bokförlaget Brand, 1931. Sketch for a Musical & Outline-sketch for 30,5x23 cm. 15, (1) pp. Stapled. A short a musical based upon the last three love- tear at foot of spine, and a few insignificant affairs of Ulysses the Greek adventurer of creases on the wrappers, both of which mythology, adapted rather light heartedly have a few minimal tears. Printed on thin from Homer. paper, which is a bit darkened. A well- London; Turret Books, 1970. First edition. preserved copy. The contributors to Kontakt LP vinyl record in white sleeve and printed were mainly young Swedish and Finnish- blue card sleeve. Comes with a 20-page Swedish working-class writers, inspired booklet containing the lyrics of the 6 by and seeking to link to the European recorded songs, performed by Durrell with avant-garde. Artur Lundkvist starts with Belle Gonzalez, Pat Smythe (piano) and the text “Manifest i symboler” [Manifest Jeff Clyne (bass). Both record and booklet in Symbols], and Eyvind Johnson, living in very fine condition. This is all that was in Paris at the time, gives an early Swedish recorded of the never realized musical, presentation of Surrealism. Among the containing for instance the duet between other contributors were Elmer Diktonius, Ulysses and Circe: “You’re bringing out Stina Aronson, Gunnar Björling, and Josef 10