Project Gutenberg's Old and New Paris, v. 1, by Henry Sutherland Edwards This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Old and New Paris, v. 1 Its History, its People, and its Places Author: Henry Sutherland Edwards Release Date: February 28, 2013 [EBook #42231] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK OLD AND NEW PARIS, V. 1 *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) Bookcover BOULEVARD DES ITALIENS. BOULEVARD DES ITALIENS. OLD AND NEW PARIS Its History, its People, and its Places BY H. SUTHERLAND EDWARDS AUTHOR OF “IDOLS OF THE FRENCH STAGE” “THE GERMANS IN FRANCE” “THE RUSSIANS AT HOME” ETC. ETC. VOL. I WITH NUMEROUS ILLUSTRATIONS C A S S E L L AND C O M P A N Y LIMITED LONDON PARIS & MELBOURNE 1893 ALL RIGHTS RESERVED CONTENTS. CHAPTER I. PAGE PARIS: A GENERAL GLANCE. 1 CHAPTER II. THE EXPANSION OF PARIS Lutetia—La Cité—Lutetia taken by Labienus—The Visit of Julian the Apostate—Besieged by the Franks— The Norman Invasion—Gradual Expansion from the Île de la Cité to the Outer Boulevards—M. Thiers’s Line of Outworks 6 CHAPTER III. THE LEFT BANK AND THE RIGHT. Paris and London—The Rive Gauche—The Quartier Latin—The Pantheon—The Luxemburg—The School of Medicine—The School of Fine Arts—The Bohemia of Paris—The Rive Droite—Paris Proper—The “West End” 9 CHAPTER IV. NOTRE DAME. The Cathedral of Notre Dame, a Temple to Jupiter—Cæsar and Napoleon—Relics in Notre Dame—Its History—Curious Legends—The “New Church”—Remarkable Religious Ceremonies—The Place de Grève—The Days of Sorcery—“Monsieur de Paris”—Dramatic Entertainments—Coronation of Napoleon 12 CHAPTER V. SAINT-GERMAIN-L’AUXERROIS The Massacre of St. Bartholomew—The Events that preceded it—Catherine de Medicis—Admiral Coligny —“The King-Slayer”—The Signal for the Massacre—Marriage of the Duc de Joyeuse and Marguerite of Lorraine 22 CHAPTER VI. THE PONT-NEUF AND THE STATUE OF HENRI IV. The Oldest Bridge in Paris—Henri IV.—His Assassination by Ravaillac—Marguerite of Valois—The Statue of Henri IV.—The Institute—The Place de Grève 30 CHAPTER VII. THE BOULEVARDS. From the Bastille to the Madeleine—Boulevard Beaumarchais—Beaumarchais—The Marriage of Figaro—The Bastille—The Drama in Paris—Adrienne Lecouvreur—Vincennes—The Duc d’Enghien— Duelling—Louis XVI 43 CHAPTER VIII. THE BOULEVARDS (continued). Hôtel Carnavalet—Hôtel Lamoignon—Place Royale—Boulevard du Temple—The Temple—Louis XVII— The Theatres—Astley’s Circus—Attempted Assassination of Louis Philippe—Trial of Fieschi—The Café Turc—The Cafés—The Folies Dramatiques—Louis XVI. and the Opera—Murder of the Duke of Berri 67 CHAPTER IX. THE BOULEVARDS (continued). The Porte Saint-Martin—Porte Saint-Denis—The Burial Place of the French Kings—Funeral of Louis XV. —Funeral of the Count de Chambord—Boulevard Bonne-Nouvelle—Boulevard Poissonnière— Boulevard Montmartre—Frascati 95 CHAPTER X. BOULEVARD AND OTHER CAFÉS. The Café Littéraire—Café Procope—Café Foy—Bohemian Cafés—Café Momus—Death of Molière— New Year’s Gifts 107 CHAPTER XI. THE BOULEVARDS (continued). The Opéra Comique of Paris—I Gelosi—The Don Juan of Molière—Madame Favart—The Saint- Simonians 115 CHAPTER XII. THE BOULEVARDS (continued). La Maison Dorée—Librairie Nouvelle—Catherine II. and the Encyclopædia—The House of Madeleine Guimard 122 CHAPTER XIII. PLACE DE LA CONCORDE. Its History—Louis XV.—Fireworks—The Catastrophe in 1770—Place de la Révolution—Louis XVI.— The Directory 143 CHAPTER XIV. THE PLACE VENDÔME. The Column of Austerlitz—The Various Statues of Napoleon Taken Down—The Church of Saint-Roch— Mlle. Raucourt—Joan of Arc 155 CHAPTER XV. THE JACOBIN CLUB. The Jacobins—Chateaubriand’s Opinion of Them—Arthur Young’s Descriptions—The New Club 161 CHAPTER XVI. THE PALAIS ROYAL. Richelieu’s Palace—The Regent of Orleans—The Duke of Orleans—Dissipation in the Palais Royal—The Palais National—The Birthplace of Revolutions 166 CHAPTER XVII. THE COMÉDIE FRANÇAISE. Its History—The Roman Comique—Under Louis XV.—During the Revolution—Hernani 172 CHAPTER XVIII. THE NATIONAL LIBRARY AND THE BOURSE. The “King’s Library”—Francis I. and the Censorship—The Imperial Library—The Bourse 187 CHAPTER XIX. THE LOUVRE AND THE TUILERIES. The Louvre—Origin of the Name—The Castle—Francis I.—Catherine de Medicis—The Queen’s Apartments—Louis XIV. and the Louvre—The Museum of the Louvre—The Picture Galleries—The Tuileries—The National Assembly—Marie Antoinette—The Palace of Napoleon III.—“Petite Provence” 193 CHAPTER XX. THE CHAMPS ÉLYSÉES AND THE BOIS DE BOULOGNE. The Champs Élysées—The Élysée Palace—Longchamps—The Bois de Boulogne—The Château de Madrid—The Château de la Muette—The Place de l’Étoile 218 CHAPTER XXI. THE CHAMP DE MARS AND PARIS EXHIBITIONS. The Royal Military School of Louis XV.—The National Assembly—The Patriotic Altar—The Festival of the Supreme Being—Other Festivals—Industrial Exhibitions—The Eiffel Tower—The Trocadéro 229 CHAPTER XXII. THE HÔTEL DE VILLE AND CENTRAL PARIS. The Hôtel de Ville—Its History—In 1848—The Communards 242 CHAPTER XXIII. THE PALAIS DE JUSTICE. The Palais de Justice—Its Historical Associations—Disturbances in Paris—Successive Fires—During the Revolution—The Administration of Justice—The Sainte-Chapelle 250 CHAPTER XXIV. THE FIRE BRIGADE AND THE POLICE. The Sapeurs-pompiers—The Prefect of Police—The Garde Républicaine—The Spy System 270 CHAPTER XXV. THE PARIS HOSPITALS. The Place du Parvis—The Parvis of Notre Dame—The Hôtel-Dieu—Mercier’s Criticisms 276 CHAPTER XXVI. CENTRAL PARIS. The Hôtel de Ville—Saint-Jacques-la-Boucherie—Rue Saint-Antoine—The Reformation 281 CHAPTER XXVII. CENTRAL PARIS (continued). Rue de Venise—Rachel—St.-Nicholas-in-the-Fields—The Conservatoire des Arts et Métiers—The Gaieté —Rue des Archives—The Mont de Piété—The National Printing Office—The Hôtel Lamoignon 298 CHAPTER XXVIII. CENTRAL PARIS (continued). The Rue Saint-Denis—Saint-Leu-Saint-Gilles—George Cadoudal—Saint-Eustache—The Central Markets —The General Post Office 311 CHAPTER XXIX. THE “NATIONAL RAZOR.” The Rue de l’Arbre Sec—Dr. Guillotin—Dr. Louis—The Guillotine—The First Political Execution 327 CHAPTER XXX. THE EXECUTIONER. The Executioner—His Taxes and Privileges—Monsieur de Paris—Victor of Nîmes 330 CHAPTER XXXI. PÈRE-LACHAISE. The Cemeteries of Clamart and Picpus—Père-Lachaise—La Villette and Chaumont—The Conservatoire— Rue Laffitte—The Rothschilds—Montmartre—Clichy 333 CHAPTER XXXII. PARIS DUELS. The Legal Institution of the Duel—The Congé de la Bataille—In the Sixteenth Century—Jarnac—Famous Duels 345 CHAPTER XXXIII. THE STUDENTS OF PARIS. Paris Students—Their Character—In the Middle Ages—At the Revolution—Under the Directory—In 1814 —In 1819—Lallemand—In the Revolution of 1830 355 CHAPTER XXXIV. THE RAG-PICKER OF PARIS. The Chiffonier or Rag-picker—His Methods and Hours of Work—His Character—A Diogenes—The Chiffonier de Paris 360 CHAPTER XXXV. THE BOHEMIAN OF PARIS. Béranger’s Bohemians—Balzac’s Definition—Two Generations—Henri Mürger 365 CHAPTER XXXVI. THE PARIS WAITER. The Garçon—The Development of the Type—The Garçon’s Daily Routine—His Ambitions and Reverses 369 CHAPTER XXXVII. THE PARIS COOK. Brillat Savarin on the Art of Cooking—The Cook and the Roaster—Cooking in the Seventeenth Century— Louis XV.—Mme. de Maintenon 372 LIST OF ILLUSTRATIONS. [Illustrations have been moved from within paragraphs for ease of reading. (note of e-text transcriber.)] Boulevard des Italiens Frontispiece Place de la Concorde 1 The Left Bank of the Seine, from Notre Dame 4 Right Bank of the Seine, from Notre Dame 5 On the Boulevards—Corner of Place de l’Opéra 8 Théâtre Français 9 A Street Scene 11 Notre Dame 12 The Choir Stalls, Notre Dame 13 Rue du Cloitre 16 Apsis of Notre Dame 17 The Leaden Spire, Notre Dame 20 Gargoyles in the Sacristy, Notre Dame 21 Church of Saint-Germain-l’Auxerrois 24 (Map) Principal Streets of Paris 25 Scene during the Massacre of St. Bartholomew 28 The Pont-Neuf and the Louvre, from the Quai des Augustins 30 By the Pont-Neuf 32 Seine Fishers 32 View from the Pavilion de Flore facing 33 The Pont-Neuf and the Mint 33 Statue of Henri IV. on the Pont-Neuf 36 The Institute 37 The Pont-Neuf from the Island 40 View from the Western Point of the Île de la Cité 41 Place de la Bastille and Column of July 45 Junction of Grands Boulevards and Rue and Faubourg Montmartre 48 The Bastille 49 The Conquerors of the Bastille 53 À la Robespierre 56 A Lady of 1793 56 A Tricoteuse 56 Map showing the Extension of Paris 57 Adrienne Lecouvreur 61 A Duel in the Bois de Boulogne 64 The Seine from Notre Dame facing 65 Recruits 65 Hôtel Carnavalet 68 Hôtel Lamoignon 69 Statue of Louis XIII. in the Place des Vosges 71 The Place des Vosges, formerly Place Royale 72 The Arcade in the Place des Vosges 73 The Winter Circus in the Boulevard des Filles de Calvaire 77 Louis Philippe 80 Attempted Assassination of Louis Philippe 81 A Parisian Café 84 Place de la République 85 Frédéric Lemaître 89 Porte Saint-Martin and the Renaissance Theatre 92 Church of Saint-Méry, Rue Saint-Martin 93 Apsis of Church of Saint-Méry, Rue Brisemiche 96 Notre Dame facing 97 Entrance to the Faubourg Saint-Denis 97 Boulevard and Porte Saint-Denis 101 Boulevard Bonne-Nouvelle and the Gymnase Theatre 104 The Boulevard Montmartre 105 Entrance to the Théâtre des Variétés, Boulevard Montmartre 109 Cafés on the Boulevard Montmartre 112 Molière 113 Street Coffee Stall 114 Boulevard des Italiens 116 The 6th of June; the Last of the Insurrection 121 Marivaux 124 Paris in the Seventeenth Century 125 Rue de la Chaussée d’Antin 128 View from the Roof of the Opera House facing 129 Mlle. Clairon 129 View from the Balcony of the Opera 132 Avenue de l’Opéra 133 One of the Domes of the Opera House 135 Eastern Pavilion, Opera House 136 The Public Foyer, Opera House 137 Western Pavilion, Opera House 140 The Staircase of the Opera House 141 The Madeleine 144 Interior of the Madeleine 145 Place de la Concorde 149 Place de la Concorde, from the Terrace of the Tuileries 152 Trial of Louis XVI 153 Top of the Vendôme Column 155 The Place Vendôme 157 Rue Castiglione 160 A First Night at the Comédie Française—The Foyer facing 161 Mirabeau 161 Robespierre 164 The Palais Royal 165 Gardens of the Palais Royal 168 The Palais Royal after the Siege 169 The Montpensier Gallery, Palais Royal 170 Entrance to the Comédie Française 172 The Public Foyer, Comédie Française 173 The Green Room, Comédie Française 176 Molière 177 Corneille 180 Voltaire 181 The Committee of the Comédie Française: Alexandre Dumas (the younger) Reading a Play 185 Behind the Scenes, Comédie Française 186 Entrance to the National Library in the Rue des Petits Champs 188 The Bourse 189 The Apollo Gallery—The Louvre facing 193 The Louvre, from the Place du Carrousel 193 The Old Louvre (Pierre Lescot’s Façade) 195 The Colonnade of the Louvre 196 Portion of the Façade of Henri IV.’s Gallery, Louvre 197 Top of the Marsan Pavilion, Louvre 200 The Marsan and Flora Pavilions, Louvre, from the Pont-Royal 201 The Richelieu Pavilion 205 The Tuileries in the Eighteenth Century 208 The Terrace, Tuileries Gardens 209 The Tuileries Gardens 209 Lion in the Tuileries Gardens 211 The Chestnuts of the Tuileries 212 Louis XVI. Stopped at Varennes by Drouet 213 The Royal Family at Varennes 216 Monument to Gambetta, Place du Carrousel 217 The Horses of Marly, Champs Élysées 220 The Elysée 221 Saint-Philippe du Roule 221 The Great Lake, Bois de Boulogne 223 Avenue du Bois de Boulogne 224 Arc de Triomphe facing 225 Avenue des Champs Élysées 225 Avenue Marigny, Champs Élysées 227 Fountain in the Champs Élysées 228 The Champ de Mars, 1889 229 The Military School, Champ de Mars 232 General La Fayette 233 The Palais de l’Industrie, Champs Élysées 236 View Showing Exhibition of 1889 237 View from the First Platform of the Eiffel Tower 240 The Trocadéro 241 Hôtel de Ville in the Fifteenth Century 244 Attack on the Hôtel de Ville, 1830 245 Statue of Étienne Marcel on the Quai Hôtel de Ville 246 The Municipal Council Chamber, Hôtel de Ville 248 Île St. Louis 249 The Quai de l’Horloge 252 Pont au Change and Palais de Justice 253 The Clock of the Palais de Justice 255 Entrance to the Court of Assize 256 The Palais de Justice facing 257 The Palais de Justice and Sainte-Chapelle 257 The Façade of the Old Palais de Justice 260 The Salle des Pas Perdus 261 Police Carriages 263 The Conciergerie, Palais de Justice 264 The Sainte-Chapelle 265 The Lower Chapel of the Sainte-Chapelle 267 The Upper Chapel of the Sainte-Chapelle 268 The Tribunal of Commerce 269 A Pompier 272 A Guardian of the Peace 273 An Orderly of the Garde de Paris 274 A Gendarme 277 Principal Court of the Hôtel-Dieu 280 Rue de Rivoli 281 Façade of the Church of St. Gervais and St. Protais; and the Apsis, from the Rue des Barres 284 Tower of Saint-Jacques-la-Boucherie 285 Hôtel de Beauvais 286 Church of St. Louis and St. Paul 288 Rue de Rivoli and Hôtel de Ville facing 289 Rue Grenier-sur-l’eau 289 The Pont-Marie 292 Rue Saint Louis-en-l’Île 293 Pont au Change, Place du Châtelet, and Boulevard de Sebastopol 296 The Palmier Fountain, Place du Châtelet 297 Rue de Venise 299 St. Nicholas-in-the-Fields 300 The Conservatoire des Arts et Métiers 301 The Vertbois Tower and Fountain 303 The Gaieté Theatre 304 In the Temple Market 305 The Temple Market 305 Sixteenth Century Cloisters, Rue des Billettes 307 Palace of the National Archives 308 Hôtel de Hollande 309 Turret at Corner of Rues Vieille du Temple and Francs Bourgeois 309 Rue de Birague, leading to the Place des Vosges 311 Fountain of the Innocents 312 Saint-Eustache 313 A Market Scene 315 An Auction Sale of Poultry in the Central Market 316 Rue Rambuteau in the Early Morning 317 On the Way to the Central Markets 319 The Fish Market 320 Interior of the Mont de Piété, Rue Capron facing 321 The General Post Office 321 The Poste Restante 321 The Public Hall, General Post Office 323 The Telephone Room at the General Post Office 324 Place des Victoires 325 Rue de la Vrillière 328 In Père-Lachaise 333 Parc des Buttes Chaumont 336 Montmartre 340 The Synagogue in the Rue de la Victoire 341 St. Peter’s Church, Montmartre 343 The Bells of St. Peter’s 343 The New Municipal Reservoir and the Church of the Sacred Heart, Montmartre 344 The Caulaincourt Bridge, Montmartre 344 In the Parc Monceau 345 Diana of Poitiers 348 Marshal Ney 352 The Race-course, Longchamps facing 353 Camille Desmoulins 356 The Polytechnic School 357 Notre Dame from the Pont Saint-Louis 360 A Rag-picker 361 A Rag-picker 364 “P The Boulevard Poissonière 368 Selling Goats 369 The Bird Market 373 Madame de Maintenon 375 PLACE DE LA CONCORDE. PLACE DE LA CONCORDE. PARIS, OLD AND NEW. CHAPTER I. PARIS: A GENERAL GLANCE. ARIS,” said Heinrich Heine, “is not simply the capital of France, but of the whole civilised world, and the rendezvous of its most brilliant intellects.” The art and literature of Europe were at that time represented in Paris by such men as Ary Scheffer, the Dutch painter, Rossini, the Italian composer, the cosmopolitan Meyerbeer, and Heine himself. Towards the close of the eighteenth century most of the European Courts, with those of Catherine II. and Frederick the Great prominent among them, were regularly supplied with letters on Parisian affairs by Grimm, Diderot, and other writers of the first distinction, who, in their serious moments, contributed articles to the Encyclopédie. At a much remoter period Paris was already one of the most famous literary capitals of Europe; nor was it renowned for its literature alone. Its art, pictorial and sculptural, was also celebrated, and still more so its art manufactures; while of recent years the country of Auber and Gounod, of Bizet, Massenet and Saint-Saëns, has played a leading part in the world of music. Paris, too, has from the earliest times been a centre of science and philosophy. Here Abélard lectured, and here the first hospitals were established. Then, again, Paris has a military history of singular interest and variety. It has been oftener torn within its walls by civic conflicts, and attacked from without by the invader, than any other European city; while none has undergone so many regular sieges as the capital of the country of which Frederick the Great used to say that, if he ruled it, not a shot should be fired in Europe without his permission. Paris is at once the most ancient and the most modern capital in Europe. Great are the changes it has undergone since it first took form, eighteen centuries ago, as a fortress or walled town on an island in the middle of the Seine; and at every period of its history we find some chronicler dwelling on the disappearance of ancient landmarks. Whole quarters are known to have been pulled down and rebuilt under the second Empire. But ever since the Revolution of 1789, under each successive form of government and in almost every district, straggling lanes have been giving way gradually to wide streets and stately boulevards, and suburb after suburb has been merged into the great city. The Chaussée d’Antin was at the end of the last century a chaussée in fact as well as in name: a mere high-road, that is to say; and there were people living under the government of Louis-Philippe who claimed to have shot rabbits on the now densely populated Boulevard Montmartre. The greatest changes, however, in the general physiognomy of Paris date from the Revolution, when, in the first place, as if by way of symbol, the hated fortress was demolished in which so many victims of despotism had languished. “Athens,” says Victor Hugo, “built the Parthenon, but Paris destroyed the Bastille.” In the days when the great State prison was still standing, the broad, well-built Rue Saint-Antoine, in its immediate neighbourhood, used to be pointed to by antiquarians as covering the ground where King Henry II. was mortally wounded in a tournament by Montgomery, an officer in the Scottish Guard. It was there, too, that, after the death of their protector, the “minions” of Henry II. slaughtered one another. The now thickly inhabited Place des Victoires, where stands the statue of Louis XIV., lasting monument of kingly pride and popular adulation, was at one time the most dangerous part of the capital. In the open space now enclosed by lordly mansions and commodious warehouses thieves and murderers held their nightly assemblies, or even in the face of day committed depredations on the passers-by. “Could a better site have been chosen,” asks an historian of the last century, “for the effigy of that royal robber, born for the ruin of his subjects and the disturbance of Europe: who aimed {Page 1} {2} at universal monarchy and sacrificed the wealth and happiness of a whole kingdom to pursue an empty shadow; who lived a tyrant and died an idiot?” Not far distant, the Halles, or general markets, stand on the spot where Charles V. made a famous speech against Charles, surnamed the Mischievous, King of Navarre; when the former was hissed and hooted by the mob because he had neither the good looks, the eloquence, nor the reasoning power of his antagonist. It was here, too, that the first dramas were acted in France; and here, significantly enough, that Molière was born. At the Butte Saint-Roch, now remembered chiefly by the church of the same name, the Maid of Orleans was wounded during the siege of Paris, then in the hands of the English. Joan of Arc was not at this time—not, at least, with the Parisians—the popular heroine she has since become. Detesting Charles VII. and all his supporters, they could not love the inspired girl whose example had restored the courage of the king’s troops. A Parisian of that day, who had witnessed the siege, describes her as a “fiend in woman’s guise.” The bell may still be heard of Saint-Germain-l’Auxerrois; the very bell, it is asserted, that called the faithful to the massacre of St. Bartholomew. Near the church from which the tragic signal rang forth stands the palace from whose windows Charles IX. fired upon the unhappy Huguenots as they sought safety by swimming across the Seine; and close at hand used to be pointed out another window from which money was thrown to an agitated crowd in order to keep it from attending Molière’s funeral, at which the mob proposed, not to honour the remains of the illustrious dramatist, but to insult them. It was in the old Rue du Temple that the Duke of Burgundy fell by the hand of his assassin, the Duke of Orleans, only brother of Charles VI., who, though a madman and an idiot, was suffered to remain on the throne; and it was in this same Rue du Temple that Louis XVI. and Marie-Antoinette were confined before being taken to the guillotine. What scenes has not the Place de Grève witnessed! from the burning of witches to the torture of Damiens, and from the atrocious cruelties inflicted upon this would-be regicide to the first executions under the Revolution, when the cry of “A la lanterne!” (to the lamp-post, that is to say, of the Place de Grève) was so frequently heard. But the most revolutionary spot in this, the most revolutionary capital in the world, is to be found in the gardens of the Palais Royal; those gardens from whose trees Camille Desmoulins plucked the leaves which the besiegers of the Bastille were to have worn in their hats as rallying signals. Here, too, assembled the journeymen printers, who, their newspapers having been suppressed by Charles X., determined, under the guidance of the journalists—their natural leaders on such an occasion—to reply by force to the armed censorship of the Government. Again, in 1848, the Palais Royal Gardens witnessed the first manifestations of discontent, though it was a pistol-shot fired on a fashionable part of the boulevard that precipitated the collision between the insurgents and the troops. The next morning, at breakfast, Louis-Philippe was told that he had better abdicate; and an hour afterwards an old gentleman, with a portfolio under his arm, was seen to take a cab on the Place de la Concorde, and drive off in the direction of Saint-Cloud, whence he reached the coast of Normandy, and in due time the shores of England. Paris possesses one of the most ancient and one of the most characteristically modern churches in Europe—the venerable Notre-Dame, and in sharp contrast, the fashionable Madeleine, celebrated for the splendour of its essentially mundane architecture, the luxurious attire of its female frequenters, the beauty of its music, and the eloquence of its preachers. The first stone of Notre-Dame was laid, as Victor Hugo puts it, by Tiberius, who, recognising the site of the future cathedral as well-fitted for a temple, began by erecting an altar “to the god Cerennos and to the bull Esus.” In like manner, on the hill of Sainte-Geneviève, where now stands the edifice known as the Pantheon, Mercury was at one time worshipped. So rich is Paris in historical associations that often the same street, the same spot, recalls two widely different events. Thus the statue of Henri IV. on the Pont-Neuf commemorates the glory of the best and greatest of the French kings, and at the same time marks the very ground where, in the fourteenth century, Jacques de Molay, the Templar, was infamously burned. At No. 14 in the Rue de Béthisy Admiral Coligny died and Sophie Arnould was born. At a house in the Rue des Marais Racine wrote “Bajazet” and “Britannicus” in the room where, fifty years later, the Duchess de Bouillon is said to have poisoned Adrienne Lecouvreur. There was a time when, at the corner of the Rue du Marché des Innocents, a marble slab, inscribed with letters of gold, associated the important year of 1685 with three notable events: the arrival of an embassy from Siam, a visit from the Doge of Genoa, and the revocation of the Edict of Nantes. This strange record has disappeared, together with many other interesting memorials of various shapes and kinds: such, for example, as the iron cauldron in the Cour des Miracles, where, in the name of a whole series of kings who had played tricks with the national currency, and more than once produced national bankruptcy, coiners used to be boiled alive. As we go further back in the history of Paris, lawlessness on the part of the inhabitants, and cruelty on that of the rulers, seem constantly to increase. Until the reign of Louis XI., Paris was without police, though laws were nominally in force, especially against stealing. Theft was punished much on the principle laid down in the inscription of the sixth century which adorned one of the walls of Lutetia, the Paris of the Romans: “If a thief is caught in the act he must, in the case of a noble, be brought to trial; in the case of a peasant, be hanged on the spot.” The capitular of Charlemagne forbade ecclesiastics to take human life: which did not prevent the abbés of different monasteries from besieging one another or crossing swords when, with their followers, they chanced to meet outside the fortified monasterial walls, whether in the plain or in the public street. The right of private warfare existed in France until 1235. Paris has undergone atrocious sufferings through war, famine, pestilence, and calamities of all kinds. The Normans, after burning one half of Paris, allowed the remainder to be ransomed with an enormous sum of money. In one of the famines by which Paris in its early days was so often visited, people cast lots as to which should be eaten. The taxes were so excessive that many pretended to be lepers, in order to profit by the exemption accorded in such cases. But it {3} was sometimes not well to be a leper, real or pretended; for it was proclaimed one day to the sound of horn and trumpet that lepers throughout the kingdom should be exterminated: “in consequence of a mixture of herbs and human blood, with which, rolling it up in a linen cloth and tying it to a stone, they poison the wells and rivers.” How terrible, and often how ridiculous, were the proclamations issued in those days! In front of the Grand- Châtelet six heralds of France, clothed in white velvet, and rod in hand, were wont to announce after a plague, a war, or a famine that there was nothing more to be feared, and that the king would be graciously pleased to receive taxes as before. In the centre of the so-called “town”—Paris in general, that is to say, as distinct from the city—was “la Maubuée” (derived, according to Victor Hugo, from mauvaise fumée), where Jews innumerable were roasted over fires of pitch and green wood to punish what a chronicler of the time terms their “anthropomancy”; and what the Counsellor de l’Ancre further describes as “the marvellous cruelty they have always shown towards Christians, their mode of life, their synagogue, so displeasing to God, their uncleanliness, and their stench.” The unhappy Jews, however, were not the only victims. Close by, at the corner of the Rue du Gros-Chenet, was the place where sorcerers used to be burned. Torture, moreover, in its most hideous forms was practised upon criminals even until the time of the Revolution; which, while introducing the guillotine, abolished, in addition to a variety of other torments, breaking on the wheel, and the beating of criminals to death with the iron bar. Many of the names, still extant, of the old Paris streets recall the ferocity and the superstition of past times. The Rue de l’Arbre Sec was the Street of the Gibbet, with “Dry Tree” as its familiar name. The Rue d’Enfer, or Hell Street, was so called from a belief that this thoroughfare on the outskirts of Paris, just beyond the Luxemburg Gardens, was haunted by the fiend. In order to put an end to the scandal by which the whole neighbourhood was alarmed, it occurred to the authorities to make over the street to the Order of Capuchins who, they thought, would know how to deal with their inveterate enemy. The Capuchins accepted, with gratitude, the valuable trust; and thenceforth, whether as the result of some exorcising process or because public confidence had been restored, no more was heard of the visitor from below. THE LEFT BANK OF THE SEINE, FROM NOTRE-DAME. THE LEFT BANK OF THE SEINE, FROM NOTRE-DAME. To get a complete idea of the vastness and variety of Paris, it should be seen from the towers of Notre-Dame, the Pantheon, the July Column of the Place de la Bastille, the tower of Saint-Jacques-de-la-Boucherie, the Vendôme Column, the Triumphal Arch, and, finally, the Eiffel Tower. From these different points panoramic views may be obtained which together would form a complete picture of Paris. The shape of Paris is oval. The longest diameter—east to west—would be drawn from the Gate of Vincennes to the Gate of Auteuil; and the shorter—north to south—from the Gate of Clignancourt to the Gate of Italy. Paris is divided longitudinally by the course of the Seine, whose windings are scarcely noticed by the observer taking a bird’s-eye view. The river looks like a silver thread between two borders of green. These are the plantations of the quays, whose trees, during the last five-and-twenty years, have become as remarkable for their luxuriant growth as for their beauty of form. From the height of our observatory we see the Island of the City, looking like a ship at anchor, with its prow towards the west. On all sides the summits of religious edifices present themselves: the towers of Notre-Dame, the dome of the Pantheon, the turrets of Saint-Sulpice, the steeple of Saint-Germain-des-Prés, the gilded cupola of the Invalides, and the lofty isolated belfry of Saint-Jacques-de-la-Boucherie. Following the course of the Seine with careful eye, one may see its twenty-one “ports”—eleven on the right bank, and ten on the left—from Bercy to the Tuileries; also, like slender bars thrown across the river, the twenty-seven bridges connecting the two banks, from the Pont-National to the viaduct of the Point du Jour. The double line of quays—quadruple, where the islands of St. Louis and of the City divide the river in two— presents an incomparable series of stately structures; such as the Hôtel de Ville, the Palais de Justice, the Louvre, the Mint, the Institute, the Palais Bourbon, and a number of magnificent private mansions. {4} {5} L RIGHT BANK OF THE SEINE, FROM NOTRE-DAME. RIGHT BANK OF THE SEINE, FROM NOTRE-DAME. From the Gothic steeple of the Sainte Chapelle the eye wanders to innumerable domes, built under the influence of the Renaissance; for while the domes have endured, the steeples, so numerous in ancient Paris, have, for the most part, succumbed either to fire or to the vandalism of the renovating architect. It must be remembered, too, that under the reign of Louis XIV. Gothic architecture was proscribed, as recalling “the age of barbarism.” Every new edifice was constructed in the Italian or Italo-Byzantine style. The finest, if not the most ancient, dome that Paris could ever boast was the one which crowned the central pavilion of the Tuileries Palace. The cupola of St. Peter’s was the model adopted in the early part of the sixteenth century by all French architects who had studied in Italy, or Italian architects who had settled in France; and the masterpiece of Michael Angelo at Rome was not yet finished when the first stone of the impressive and picturesque Church of Saint-Eustace was laid in 1532 at Paris. Only a few years afterwards the French architect, Philibert de l’Orme, attached to the service of Pope Paul III., returned to Paris, and, beneath the delighted eyes of Queen Catherine de Medicis, worked out the designs which he had formed under the inspiration of Michael Angelo and of Bramante. The dome, however, of Philibert de l’Orme was destined to lose its beauty through the additions made to it by other architects. Of late years it has been the rule in Paris not to destroy but to preserve the ancient architecture of the city. “Demolish the tower of Saint-Jacques-de-la-Boucherie?” asked Victor Hugo, when, during the reconstruction and prolongation of the Rue Rivoli, the question of keeping it standing or pulling it down was under general discussion: “Demolish the tower of Saint-Jacques-de-la-Boucherie? No! Demolish the architect who suggests such a thing? Yes!” CHAPTER II. THE EXPANSION OF PARIS. Lutetia—La Cité—Lutetia taken by Labienus—The Visit of Julian the Apostate—Besieged by the Franks—The Norman Invasion— Gradual Expansion from the Ile de la Cité to the Outer Boulevards—M. Thiers’s Line of Outworks. UTETIA, the ancient Paris, or Lutetia Parisiorum, as it was called by the Romans, stood in the midst of marshes. The name, derived, suggestively enough, from lutum, the Latin for mud, has been invested with a peculiar significance by those stern moralists who see in Paris nothing but a sink of iniquity. Balzac called it a “wen”; and Blucher, when some ferocious member of his staff suggested the destruction of Paris, exclaimed: “Leave it alone; Paris will destroy all France!” By a critic of less severe temperament Paris has been contemptuously described as “the tavern of Europe”—le cabaret de l’Europe. Lutetia, however, can afford to smile alike at the slurs of moralists and the sneers of cynics; and the etymology of her name need by no means alarm those of her admirers who will reflect that lilies may spring from mud, and that the richest corn is produced from the blackest soil. The development of the Lutetia of Cæsar’s time into the Paris of our own has occupied many eventful centuries; and the centre of the development may still be seen in that little island of the so-called City—l’Ile de la Cité—once known as the Island of Lutetia. As to the dimensions of the ancient Lutetia, neither historians nor geographers are wholly agreed. The germ of Paris is, in any case, to be found in that part of the French capital which has long been known as la Cité, and which is the dullest and sleepiest part of Paris, just as inversely our “city,” distinctively so called, is the most active and energetic part of London. The Parisians have always been given to insurrection; and their first rising was made against a ruler who was likely enough to put it down—Julius Cæsar, that is to say. Finding his power defied, Cæsar sent against the Parisians a body of troops, under the command of Labienus, who crushed the rebels in the first battle. Historians give different versions of the engagement, but modern writers are content for the most part to rely on a tradition related by an author of the fourteenth century, Raoul de Presles, who published a French version of Cæsar’s account of the Battle of Paris, enriched by notes and comments from his own pen. Labienus, according to Cæsar and Raoul de Presles, was arrested in his first attack by an impassable marsh. Then, simulating a retreat along the left bank of the Seine, he was pursued by the Gauls, in spite of Camulogenes, their cautious leader; who, unable to restrain them, fell with them at last into an ambuscade, in which chief and followers all perished. {6} Raoul de Presles gives some interesting details about the marsh which Labienus, on making his advance against Paris, was unable to cross. Some identify it with the Marshes of the Temple, which formed, on the north of Paris, a continuous semicircle; but Raoul de Presles seems to hold that the marsh which stopped the advance of Labienus protected Lutetia itself: that Lutetia of the Island which sprang from the mud as Venus sprang from the sea. The city of Lutetia was at that time so strong, so entirely shut in by water, that Julius Cæsar himself speaks of the difficulty of reaching it. “But since then,” says Raoul de Presles, “there has been much solidification through gravel, sand, and all kinds of rubbish being cast into it.” After the victory of Labienus, Lutetia, which the conqueror had destroyed, was quickly re-built; and it was then governed as a Roman town. This, however, was in Cæsar’s time; and the first description of Lutetia as a city was given by Strabo some fifty years later. Thus it may safely be said that of the original Lutetia nothing whatever is known. It is certain, nevertheless, that in the new Lutetia, built by the Romans, the most important edifices stood at the western end of the island, including a palace, on whose site was afterwards to be erected the Palace of the French Kings; while at the eastern end the most striking object was a Temple to Jupiter, in due time to be replaced by the Cathedral of Notre-Dame. As early as the fourth century Lutetia found favour in the eyes of illustrious visitors; and the Emperor Julian, known as the “Apostate,” when, after defeating seven German kings near Strasburg, he retired to Lutetia for winter quarters, spoke of it, then and for ever afterwards, as his “dear Lutetia.” “Lutetia lætitia!”—Paris is my joy!—he might, with a certain modern writer, have exclaimed. Julian is not the only man who, going to Paris for a few months, has stayed there several years; and Julian’s winter quarters of the year 355 so much pleased him that he remained in them until 360. Encouraged, no doubt, by what Julian, in his enthusiasm, told them about the already attractive capital of Gaul, a whole series of Roman emperors visited the city, including Valentinian I., Valentinian II., and Gratian, who left Paris in 379, never to return. From this date Paris ceased practically to form part of the Roman Empire. More than a century before (in 245) St. Denis had undergone martyrdom on the banks of the Seine, walking about after decapitation with his head under his arm. This strange tradition had probably its origin in a picture by some simple- minded painter, who had represented St. Denis carrying his own head like a parcel, because he could think of no more ingenious way of indicating the fate that had befallen the first apostle of Christianity in Gaul; just as St. Bartholomew has often been painted with his skin hanging across his arm like a loose overcoat. After the defeat and death of Gratian, the government of Lutetia passed into the hands of her bishops, who often defended the city against the incursions of the barbarians. In 476 Lutetia was besieged by the Franks, when Childeric gained possession of it, and destroyed for ever all traces of the Roman power. It now became a Frank or French town; and, “Lutetia Parisiorum” being too long a name for the unlettered Goths, was shortened by them first into “Parisius,” and ultimately, by the suppression of the two last syllables, into “Paris.” In the ninth century Paris underwent the usual Norman invasion, by which so many European countries, from Russia to England, and from England to Sicily—not to speak of the Norman or Varangian Guard of Constantinople— were sooner or later to be visited. The “hardy Norsemen”—or Norman pirates, as the unhappy Parisians doubtless called them—started from the island of Oissel, near Rouen, where they had established themselves in force; and, moving with a numerous fleet towards Paris, laid siege to it, and, on its surrender, first pillaged it and then burnt it to the ground. Three churches alone—those of Saint-Étienne, Saint-Germain-des-Prés, and Saint-Denis, near Paris—were saved, through the payment of a heavy ransom. Sixteen years later, after a sufficient interval to allow of a reconstruction, the Normans again returned, when once more the unhappy city was plundered and burnt. For twenty successive years Paris was the constant prey of the Norman pirates who held beneath their power the whole course of the Seine. At last, however, a powerful fleet, led by a chief whom the French call “Siegfroi,” but whose real name was doubtless “Siegfried,” sustained a crushing defeat; and, simultaneously with the Norman invaders, the Carlovingian Dynasty passed away. With the advent of the Capet Dynasty a continuous history began for Paris—in due time to become the capital of all France. Ancient Paris was three times burnt to the ground: the Paris which dates from the ninth century has often been conquered, but never burnt. Ancient Paris, the Lutetia of the Romans, was an island enclosed between two branches of the Seine. But the river overflowed north and south, and it became necessary to construct large ditches or moats, which at once widened the boundaries of the “city.” Gradually the population spread out in every direction; and when, under Louis XIV., the line of boulevards was traced, the extreme limits of the capital were marked by this new enclosure. Then under Louis XVI., the Farmers-General, levying dues (the so-called octroi) on imports into the town, established for their own convenience certain “barriers,” at which persons bringing in food or drink were stopped until they had acquitted themselves of the appointed tax; and, connecting these “barriers,” they thus formed the line of outer boulevards. Paris extended in time even to these outer boulevards. Then, under Louis-Philippe, at the instigation of his Minister, M. Thiers, a line of fortifications was constructed around Paris; which, proving insufficient in 1870 and 1871 to save the capital from bombardment, has in its turn been surrounded by a circle of outlying detached forts intercommunicating with one another. The fortifications of Paris have had a strange history. At the time of their being planned, opinions in France were divided as to whether they were intended to oppose a foreign invasion or to control an internal revolt. In all probability they were meant, according to the occasion, to serve either purpose. They were not only designed by M. Thiers, but {7} {8} A executed under his orders; and this statesman, who had made a careful study of military science, lived to see them powerless against the German army of investment, and successful against the Paris Commune. ON THE BOULEVARDS—CORNER OF PLACE DE L’OPÉRA. ON THE BOULEVARDS—CORNER OF PLACE DE L’OPÉRA. Paris had been invaded and occupied in 1814, and again in 1815. On the other hand, domestic government had been upset in 1830 by a popular insurrection, which, with adequate military force to oppose it, might at once have been suppressed. Was it as patriot, people asked, or as minister of a would-be despotic king, that M. Thiers proposed to raise around Paris a new and formidable wall? M. Thiers’s circular line of outworks played no part in connection with the successful insurrection of February, 1848, nor with the unsuccessful one of June in the same year. Nor was a single shot fired from the fortifications in connection with the coup d’État of 1851. They did not in 1871 prevent the French capital from falling into the hands of the Germans: but they delayed for a considerable time the fatal moment of surrender; and if the army of Metz could have held out a few weeks longer—if, above all, the inhabitants of the inactive south, who practically took no part in the war, had been prepared, to fight with something like the energy displayed by the Confederates against the Federals during the American Civil War—then the fortifications would have justified the views of those who had chiefly regarded them as a valuable defence against foreign invasion. The fortifications erected by M. Thiers have since been pulled down: partly because the constantly expanding city wanted fresh building ground, partly because, in view of new plans of defence, and of the new artillery of offence, it was considered desirable to protect Paris by a system of outlying but inter-protecting forts, at a sufficient distance from the houses of the capital to render reduction by what is called “simple bombardment” impossible. In time Lutetia, with fresh developments, may require yet another new girdle. CHAPTER III. THE LEFT BANK AND THE RIGHT. Paris and London—The Rive Gauche—The Quartier Latin—The Pantheon—The Luxemburg—The School of Medicine—The School of Fine Arts—The Bohemia of Paris—The Rive Droite—Paris Proper—“The West End.” N effective contrast might be drawn between London and Paris. But, unlike as they are in so many features, physical, moral, and historical, they differ most widely, perhaps, by the relative parts they have played in the history of their respective countries. The history of Paris is the history of France itself. The decisive battles which brought the great civil and religious wars of the country to an end were fought outside or in the very streets of Paris. It was in Paris that the massacre of St. Bartholomew—darkest blot on the French annals—was perpetrated. The Revolution of 1789, again, was prepared and accomplished in the French capital; and, thenceforth, all those revolutions and coups d’état by which the government of the country was periodically to be changed had Paris for their scene. In England, on the other hand, London had little or nothing to do with the battles of the great Rebellion, the Revolution, or the two insurrections by which the Revolution was followed. {8} {9}