The Project Gutenberg EBook of The Southern Literary Messenger, Volume I., 1834-35, by Various This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Southern Literary Messenger, Volume I., 1834-35 Author: Various Editor: James E. Heath Edward Vernon Sparhawk Release Date: May 19, 2019 [EBook #59553] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SOUTHERN LITERARY MESSENGER, 1834-35 *** Produced by Ron Swanson THE SOUTHERN LITERARY MESSENGER: DEVOTED TO EVERY DEPARTMENT OF LITERATURE AND THE FINE ARTS. Au gré de nos desirs bien plus qu'au gré des vents. Crebillon's Electre. As we will, and not as the winds will. VOL. I. RICHMOND: T. W. WHITE, PUBLISHER AND PROPRIETOR. 1834-5. No. 1 August 1834 No. 2 October 15, 1834 No. 3 November 1834 No. 4 December 1834 No. 5 January 1835 No. 6 February, 1835 No. 7 March 1835 No. 8 April 1835 No. 9 May 1835 No. 10 June 1835 No. 11 July 1835 No. 12 August 1835 No. 13 September 1835 Index to Volume I SOUTHERN LITERARY MESSENGER. VOL. I.] RICHMOND, AUGUST, 1834. [NO. 1. T. W. WHITE, PRINTER AND PROPRIETOR. FIVE DOLLARS PER ANNUM. PUBLISHER'S NOTICE. In issuing the first number of the "SOUTHERN LITERARY MESSENGER," the publisher hopes to be excused for inserting a few passages from the letters of several eminent literary men which he has had the pleasure to receive, approving in very flattering terms, his proposed publication. Whilst the sentiments contained in these extracts illustrate the generous and enlightened spirit of their authors, they ought to stimulate the pride and genius of the south, and awaken from its long slumber the literary exertion of this portion of our country. The publisher confidently believes that such will be the effect. From the smiles of encouragement, and the liberal promises of support received from various quarters—which he takes this opportunity of acknowledging,—he is strongly imboldened to persevere, and devote his own humble labors to so good a cause. He is authorised to expect a speedy arrangement either with a competent editor or with regular contributors to his work,—but, in the mean time, respectfully solicits public patronage, as the only effectual means of ensuring complete success. FROM WASHINGTON IRVING. "Your literary enterprise has my highest approbation and warmest good wishes. Strongly disposed as I always have been in favor of 'the south,' and especially attached to Virginia by early friendships and cherished recollections, I cannot but feel interested in the success of a work which is calculated to concentrate the talent and illustrate the high and generous character which pervade that part of the Union." FROM J. K. PAULDING. "It gives me great pleasure to find that you are about establishing a literary paper at Richmond,—and I earnestly hope the attempt will be successful. You have abundance of talent among you; and the situation of so many well educated men, placed above the necessity of laboring either manually or professionally, affords ample leisure for the cultivation of literature. Hitherto your writings have been principally political; and in that class you have had few rivals. The same talent, directed to other pursuits in literature, will, unquestionably, produce similar results,— and Virginia, in addition to her other high claims to the consideration of the world, may then easily aspire to the same distinction in other branches that she has attained in politics. * * * * * [p. 1] "Besides, the muses must certainly abide somewhere in the beautiful vallies, and on the banks of the clear streams of the mountains of Virginia. Solitude is the nurse of the imagination; and if there be any Virginia lass or lad that ever seeks, they will assuredly find inspiration, among the retired quiet beauties of her lonely retreats. Doubtless they only want a vehicle for their effusions,—and I cannot bring myself to believe that your contemplated paper will suffer from the absence of contributors or subscribers. * * * * * "If your young writers will consult their own taste and genius, and forget there ever were such writers as Scott, Byron, and Moore, I will be bound they produce something original; and a tolerable original is as much superior to a tolerable imitation, as a substance is to a shadow. Give us something new—something characteristic of yourselves, your country, and your native feelings, and I don't care what it is. I am somewhat tired of licentious love ditties, border legends, affected sorrows, and grumbling misanthropy. I want to see something wholesome, natural, and national. The best thing a young American writer can do, is to forget that any body ever wrote before him; and above all things, that there are such caterpillars as critics in this world." FROM J. FENIMORE COOPER. "The south is full of talent, and the leisure of its gentlemen ought to enable them to bring it freely into action. I made many acquaintances, in early youth, among your gentlemen, whom I have always esteemed for their manliness, frankness, and intelligence. If some, whom I could name, were to arouse from their lethargy, you would not be driven to apply to any one on this side the Potomac for assistance." FROM J. P. KENNEDY. "I have received your prospectus, along with your letter of the 1st instant. It gives me great pleasure to perceive so just an estimate of the value of literary enterprise as that indicated by your announcement of the 'Southern Literary Messenger.' A work of this kind is due to the talents of your noble state, and I doubt not will be received with a prompt encouragement." FROM JOHN QUINCY ADAMS. "Your design is so laudable, that I would gladly contribute to its promotion; but the periodical literature of the country seems to be rather superabundant than scanty. The desideratum is of quality rather than quantity." FROM PETER A. BROWNE. "Although you could not have chosen one less able to assist you, owing to my numerous professional engagements, which deprive me of the pleasure of dipping into the other sciences, or literature, I am willing to contribute my mite, and sincerely wish you success." For the Southern Literary Messenger. SOUTHERN LITERATURE. It is understood that the first number of the "Messenger," will be sent forth by its Publisher, as a kind of pioneer, to spy out the land of literary promise, and to report whether the same be fruitful or barren, before he resolves upon future action. It would be a mortifying discovery, if instead of kindness and good will, he should be repulsed by the coldness and neglect of a Virginia public. Hundreds of similar publications thrive and prosper north of the Potomac, sustained as they are by the liberal hand of patronage. Shall not one be supported in the whole south? This is a question of great importance;—and one which ought to be answered with sober earnestness by all who set any value upon public character, or who are in the least degree jealous of that individual honor and dignity which is in some measure connected with the honor and dignity of the state. Are we to be doomed forever to a kind of vassalage to our northern neighbors—a dependance for our literary food upon our brethren, whose superiority in all the great points of character,—in valor—eloquence and patriotism, we are no wise disposed to admit? Is it not altogether extraordinary that in this extensive commonwealth, containing a white population of upwards of six hundred thousand souls—a vast deal of agricultural wealth, and innumerable persons of both sexes, who enjoy both leisure and affluence—there is not one solitary periodical exclusively literary? What is the [p. 2] cause? We are not willing to borrow our political,—religious, or even our agricultural notions from the other side of Mason and Dixon's line, and we generously patronize various domestic journals devoted to those several subjects. Why should we consider the worthy descendants of the pilgrims—of the Hollanders of Manhattan, or the German adventurers of Pennsylvania, as exclusively entitled to cater for us in our choicest intellectual aliment? Shall it be said that the empire of literature has no geographical boundaries, and that local jealousies ought not to disturb its harmony? To this there is an obvious answer. If we continue to be consumers of northern productions, we shall never ourselves become producers. We may take from them the fabrics of their looms, and give in exchange without loss our agricultural products—but if we depend exclusively upon their literary supplies, it is certain that the spirit of invention among our own sons, will be damped, if not entirely extinguished. The value of a domestic publication of the kind, consists in its being at once accessible to all who choose to venture into the arena as rivals for renown. It imparts the same energy, and exercises the same influence upon mental improvement, that a rail road does upon agricultural labor, when passing by our doors and through our estates. The literary spirit which pervades some portions of New England and the northern cities, would never have existed, at least in the same degree, if the journals and repositories designed to cherish and promote it, had been derived exclusively from London and Edinburgh. In like manner, if we look entirely to Boston, New York or Philadelphia, for that delightful mental enjoyment and recreation, which such publications afford, we must content ourselves with being the readers and admirers of other men's thoughts, and lose all opportunity of stirring up our own minds, and breathing forth our own meditations. In other words, we must be satisfied to partake of the feast, as it is set before us by our more industrious and enterprising countrymen, and if peradventure, the cookery should not be altogether to our taste, we must, nevertheless, with our characteristic courtesy, be thankful,—and like honest Sancho, "bid God bless the giver." It is not intended to be intimated that the aristarchy of the north and east, cherish any unkind feelings towards the literary claims of the south. Oh no! In truth, they have no cause whatsoever, either for unkindness or jealousy. If we only continue to patronize their multitudinous magazines, they will pocket our money and praise us as a very generous and chivalrous race; or if, perchance, some juvenile drama, or poem, or some graver duodecimo of southern manufacture, should find its way to the seats of learning and criticism beyond the Susquehanna, it is an even chance, that in order to preserve the monopoly of the southern market, they will dole out to us a modicum of praise, and render some faint tribute to rising merit. Without therefore intending any thing invidious, or without cherishing any unkind or unmanly sentiment towards our political confederates, we ought forthwith to buckle on our armour, and assert our mental independence. All their own lofty and generous spirits will approve the resolution, and be among the first to welcome the dawn of a brighter era in a region of comparative twilight. Their Irvings and Pauldings, their Everetts and Neals, their Coopers and Verplancks, their Kennedys and Flints, their Hallecks and Bryants, their Sedgewicks and Sigourneys, will rejoice in the emancipation of the south, from the shackles which either indolence, indifference, or the love of pleasure, have imposed upon us. We are too old, and ought to be too proud to lag behind even some of our younger sisters, in the cultivation of one of the most attractive departments of human knowledge. It is folly to boast of political ascendancy, of moral influence, of professional eminence, or unrivalled oratory, when, in all the Corinthian graces which adorn the structure of mind, we are lamentably deficient. It is worse than folly to talk of this "ancient and unterrified commonwealth"—if we suffer ourselves to be terrified at the idea of supporting one poor periodical, devoted to letters and mental improvement. It would be an indelible reproach to us, that whilst we waste so many thousands annually in luxury —whilst we squander our means in expensive tours of recreation and pleasure,—and even impoverish our resources in indulgences too gross to be mentioned—we should be unwilling to contribute a single mite towards building up a character of our own, and providing the means of imbodying and concentrating the neglected genius of our country. Let the hundreds of our gifted sons, therefore, who have talents and acquirements, come forth to this work of patriotism, with a firm resolution to persevere until victory is achieved. Let them dismiss their apprehensions,—that because as yet they are unpractised in composition—and the highway to literary eminence is already thronged with competitors—that, therefore, the most vigorous effort will be vanquished in the contest. In the race for political or professional distinction, who is influenced by such timid suggestions? In that noble strife, which animates southern bosoms to control by the magic of oratory the passions of the multitude, or in a more learned arena "the applause of listening senates to command"—who ever heard of discouragements and difficulties sufficient to chill their ardor, or restrain their aspirations? And yet is it less difficult to attain the prize of eloquence—to rival the fame of a Henry, or a Wirt, than to achieve the task of vigorous and graceful composition? To our lovely and accomplished countrywomen, may not a successful appeal be also addressed, to lend their aid in this meritorious task. Their influence upon the happiness and destiny of society, is so extensively felt and acknowledged, that to dwell upon its various bearings and relations, would be altogether superfluous. It is to the watchful care of a mother's love, that those first principles of moral wisdom are implanted in childhood, which ripen into the blossoms and fruit of maturer years; and it is to the reproving virtues and refining tenderness of the sex, through all its mutations, from blooming sixteen to the matronly grace of forty—that man is indebted for all that is soft, and for much that is noble and wise, in his own character. It is true that there is another side to this picture. If a woman's education has itself been neglected; if she has been trained up in the paths of folly and vanity —and been taught to ornament the casket in preference to the celestial jewel which it contains,—she will neither be a fit companion for the sterner sex, nor be qualified to assume the divine responsibility of maternal instruction. [p. 3] To diffuse therefore not only the benefits of moral but intellectual culture, among those whom heaven has given to restore in part the blessings of a lost Eden—to withdraw their minds from vain and unprofitable pursuits—to teach them to emulate the distinguished names of their own sex, who have given lustre to literature, and scattered sweets in the paths of science—is a duty not only of paramount importance on our part, but claims the united and cordial support of the fair and interesting objects of our care. Let no one therefore presume to disparage this humble effort to redeem our country's escutcheon from the reproach which has been cast upon it. Let the miser open his purse—the prodigal save a pittance from his health- wasting and mind-destroying expenditures—the lawyer and physician, spare a little from their fees—the merchant and mechanic, from their speculations and labor—and the man of fortune, devote a part, a very small part of his abundance, towards the creation of a new era in the annals of this blessed Old Dominion. It may possibly be the means of effecting a salutary reform in public taste and individual habits; of overcoming that tendency to mental repose and luxurious indulgence supposed to be peculiar to southern latitudes; and of awakening a spirit of inquiry and a zeal for improvement, which cannot fail ultimately to exalt and adorn society. H. EXTRACT FROM A JOURNAL. The following is from the unpublished journal of a gentleman of this state, who visited Europe some years since, with objects, we believe, exclusively literary and scientific. Though not at liberty to mention his name, if we mistake not, the time will come when his country will be proud to claim him as one whose fine natural genius has been adorned and improved by the treasures of learning. Though we do not present this sketch of a voyage over the great deep as having any peculiar claims to admiration, and are sure that the author himself would disclaim for it any such pretensions—yet we do not hesitate to recommend it to our readers as a sportive, graphic, and interesting delineation of the novelties and adventures of a sea trip. On the 15th of June, 18—, the fine ship Edward Quesnel, E. Hawkins, master, one of the packets between New York and Havre, received her passengers on board at the former place, and dropped down to Sandy Hook Bay, where she anchored, awaiting a favorable wind. Here she remained until the next morning, which however brought no change of wind, but rather an increase of that which was already blowing full in our teeth, together with a most disagreeable accompaniment in the shape of a misty rain, which caused us to confine ourselves below the deck. The next morning came—and the next—but still all was dark and lowering, and still did the wind meet us from the ocean, or—what was equally unfavorable—remain hushed and calm. Day after day thus rolled by and found us quietly resting on the bosom of the waters; each morning hoping that "The breeze would freshen when the day was done;" and each evening retiring to rest, anxiously expecting to have our slumbers broken by the heaving up of the anchor. Each day however, were our hopes disappointed, until the evening of the 24th, when the wind proving favorable, we moved from our station with as much pleasure as would animate the garrison of a besieged fortress, marching out after the departure of the besiegers. Our probation of nine days was succeeded by weather as bright as that had been gloomy. The sky was unclouded— "The sails were filled, and fair the light winds blew." The pilot left us; and it was not until this last link which bound us to terra firma was separated, that I could realize to myself, that I was upon the pathless deep; of which I had heard, and read, and dreamed; but never had it entered my dreams, that I was one day to "wend my way" over its billows. The coast of America, rapidly receded from the view; and when I laid my head upon my pillow, I bade "My native land good night!" with a heaviness of heart, which I presume there is no one who has not felt, who sees fading from his sight, the land of his birth—the land which contains all for which he cares to live. There is something indescribable in the feeling of being thus separated as it were, from the rest of the world. It seems as though our ship is of itself, a distinct and independent world, on which we wing our way, with "All heaven above, all ocean around us;" [p. 4] not knowing any, and unknown to all. Empires may fall—states be dissolved—whole nations swept from the earth; yet we pursue our course as profoundly ignorant of aught that has occurred, as are the inhabitants of another planet, of what is done upon our own. After getting fairly upon the ocean, and being satisfied, that we were making the best of our way to our place of destination, I began to direct my attention to those with whom my lot had been cast, and with whom I was daily to associate, whether willing or otherwise. And surely, since the days of Noah, never was a more heterogeneous congregation deposited within the compass of a ship. Imprimis, there were three ladies—two of them French and one American. There were three Frenchmen, two Germans, one Italian, one Spaniard, one Austrian Baron, one Dutch Naval Officer, one Portuguese—two natives of Massachusetts, two Rhode Islanders, two Pennsylvanians, two Virginians and one Mississippian. Of this number there were three, who from their peculiarities, merit a more particular notice, than the mere enumeration I have given; and who, should any chance inform them, that any one had been "takin notes" of this voyage, would never forgive the chronicler who should pass over in silence their multifarious merits;—for however different otherwise, they most harmoniously agreed in the one particular of placing a sufficiently exalted estimate upon their own qualities. One of these notable individuals was a Catholic Priest, a native of Gascony, whose character may at once be comprehended, by referring to the idea which one always conceives of the "Gascon;"—for he imbodied in an eminent degree, those peculiarities which I had hitherto supposed ridicule and satire, but which I now found that truth, assigned to his countrymen. Further, his tolerance towards the gentlemanly peccadilloes of gaming and intoxication, was most praiseworthy. His zeal, or rather wrath, in defence of the Catholic religion, was most edifying—and his admiration of Bishop Dubourg most profound. Another of these worthies was a young gentleman of ——, from whose dissertations upon the subject, I learned more of the sublime science of cookery, than it had ever before fallen to my lot to acquire. He abused the viands which were every day set before us in profusion, and (as I most unscientifically imagined) of excellent quality, with most gentlemanly and connoisseurlike assurance; for the purpose I presume, of insinuating in that indirect and delicate manner, that he had been used to better things;—and verily his expedient was ingenious—since from no other part of his conduct could this conclusion have been derived. It would be unbecoming to omit to mention three articles which he excepted from the sweeping condemnation, and honored with his commendation. These were—1. Whiskey punch, whereof he occasionally illustrated the potency—2. A dish consisting of mustard, cayenne pepper and broiled ham, and in cuisinical nomenclature ycleped "a devil"—and 3. French mustard—of which the chief excellence seemed to consist in its containing something of almost every thing, save only the article whose name it bears: reminding me of the sermon of a priest who preached before Louis 16th, of whom the Monarch remarked, that had he but touched upon religion a little, he would have had a little of every thing. The last of the trio was the aforesaid Portuguese—an old doctor—who was equally an epicure with the last named gentleman, but who extended his critical acumen to works of the votaries of the muses, as well as to the productions of the followers of "Le Sieur Louis Eustace Ude." He was indeed a man of extensive reading and various information, but his arrogance detracted from these advantages, as much as they would have been adorned by modesty. In short, this compound of Apicius, Petronius and Dennis, would have served admirably, as the original of Fadladeen, the chamberlain of the Harem in Lalla Rookh, "who was a judge of every thing, from the mixture of a conserve to the composition of an epic poem;" and of whom it is recorded, that "all the cooks and poets of Delhi, stood in awe of him." The rest of my fellow voyagers were unfortunate enough to be remarkable for no peculiarities, and among them, I found some pleasant companions, who caused the time to pass with as little of irksomeness and inconvenience as can be expected on board a ship, where there is nothing of the beauty and variety of scenery which beguile the land traveller of weariness, and where every one is forced to turn to his companions as the only source which can afford amusement, or which can, for "one treacherous hour," obliterate the recollection that every wave which urges the vessel onward in her course, does but increase the distance between himself and his home. For some time indeed, the situation of a voyager, who for the first time crosses the ocean, possesses sufficient novelty to interest him; nor is the scene around and above him, destitute of all that can attract the eye and excite admiration. The ship itself is an object worthy of attention. It is delightful to see "How gloriously her gallant course she goes, Her white wings flying;" —— —— to watch the billows which she spurns from her prow, chafed into foam as if enraged at the impotency of their attempts to resist the superiority which the genius of man asserts over their mighty waters. It is beautiful at night to see these billows rolled from the prow in sheets of flame, whilst all around, where the waters are agitated, their surface appears studded with stars, which shine as if to rival those which sparkle on high:—or when the moon arises, to behold the flood of mild radiance which she casts along the deep, which "Sleeps in the night-beam beauteously." Should a sail perchance cross this path of light, it seems a fairy visitant of this earth, and just about to take its [p. 5] departure from it for the bright world beneath which it seems suspended. All this is scenery which can in no other situation be enjoyed, yet which like every thing else, soon palls upon the taste, as I can bear testimony both on my own behalf and on that of "My comates and brothers in exile." We soon became accustomed to "the wonders of the deep" and far from responding to the sentiment of Long Tom in "the Pilot," who declared that "the sight of land always made him feel uncomfortable;" rather agreed with Gonzalo in the Tempest, when he asseverated that he would "give a thousand furlongs of sea, for an acre of barren ground." Our taste became so perverted, that we heeded not the grandeur of the ocean or the beauties of the heavens, and sighed that we had "No delight to pass away the time, Unless to spy our shadows in the sun," or engage in the most sage pastime of building castles in the clouds where, "Sometime we'd see a cloud look dragonish; A vapour sometime like a bear or lion, A tower'd citadel, a pendant rock, A forked mountain, or blue promontory With trees upon 't." —— —— In short, every thing which could divert for a while, was eagerly caught at, as a child pursues a butterfly. "A sail in sight," served as the event of a day; a porpoise or flying fish excited as much interest, as would on land be produced by the apparition of a gryphon, a winged dragon, or any other fabulous monster of romance; whilst the huge leviathan, heaving his vast bulk into view and spouting rivers to the skies, created as much sensation, as an earthquake or a revolution. The graceful little nautilus too, spreading its transparent sail, and pursuing its dancing career over the waves, was ever hailed with acclamation; though as a faithful journalist, who would wish even in the slightest affairs to be considered "an honest chronicler," I am compelled to denounce them as unprofitable sailors, as they ever steer full in the "wind's eye." A most remarkable event in our voyage was the celebration of the anniversary of our independence; which, happening about the middle of our course, was mirthfully kept by the Americans on board, aided by the representatives of the different nations there assembled. The celebration commenced with a prayer from the Rev. Mr. —— of ——; and I wish I could say that it ended as appropriately; for soon after dinner it became quite apparent, that a certain young gentleman, and old doctor, of whom I have before spoken, however well fortified against mustard and cayenne, were not proof against champagne—so——they were put to bed. On the evening of the 16th of July, we were first greeted by that sound of all others, the most grateful to the ears of those who have been for twenty tedious days, upon the unstable element. The deck was soon deserted by the younger portion of the passengers, who climbed to various heights, according to their proficiency, to behold the welcome prospect. The shore of "merry England" could then be seen; presenting to the eye however, nothing save a line faintly sketched, undulating a little above the horizon, so that many still remained in doubt "—— 'till the light-house far blazed, Like a star in the midst of the ocean." Thus did we enter the English channel (almost the end of our voyage,) without having encountered any of those "dangers of the seas" of which we hear and read such appalling descriptions. I really felt almost mortified that I should have crossed the great Atlantic, without having beheld the waves running "mountain high," with bottomless abysses between; without having seen, "—— the strained mast quiver as a reed, And the rent canvass, fluttering strew the gale." I cannot pretend to say however that this would at all have improved my idea of a sea voyage; towards which I cannot say that my experiment has impressed me very favorably. Indeed I cannot but wonder at the magnificent descriptions sometimes given, of an "excursion over the waters"—gentle Zephyrs swelling the sails—Tritons and Nereids sporting around, melodious with Conchs—Old Neptune calming the waves—and the gallant vessel gaily bounding "O'er the glad waters of the dark blue sea," as if the whole were a fairy pageant. I can only give it as my opinion, that most of those who give such glowing representations of a sea voyage, have either, never tried one; or are guilty of the common littleness of imitation— imitation of the noble bard who "laid his hand on ocean's mane," and who exclaimed—"I have loved thee ocean!" because in reality he did. For my own part, I can give no better idea of my opinion of a ship, than by quoting a definition of one, which struck me as peculiarly felicitous—viz. "a dirty prison with a good chance of being drowned." On the 18th; our eyes when turned towards the east, no longer wandered over a drear expanse of waters, but the coast of "la belle France" offered itself to our view, and as we gradually approached, it assumed the appearance of tremendous cliffs, presenting their awful fronts full to the ocean. For the Southern Literary Messenger. THE MOTHER OF WASHINGTON. Amid the untiring efforts of the present age, to elevate the standard of female education, it is possible that the excellencies of a more ancient system, may be too much disregarded. In our zeal for reformation, we are in danger of discarding, or pronouncing obsolete, some requisitions of salutary tendency. The wider range both of intellect and accomplishment, which is now prescribed, seems to exclude some of those practical and homebred virtues, on which the true influence of woman depends. There was a fine mixture of energy and dignity, in the character of females, of the higher ranks in our olden time. We of modern days, to whom languor and luxury are dear, allege that it was carried too far. We complain that it involved reserve and sternness. Perhaps, we are not sensible that we verge so palpably to the other extreme, as to retain in our style of manners scarcely the shadow of that power by which folly is checked and frivolity silenced. The mother of Washington, has been pronounced a model of the true dignity of woman. She seemed to combine the Spartan simplicity and firmness, with the lofty characteristics of a Roman matron. With a heart of deep and purified affections, she blended that majesty which commanded the reverence of all. At the head of a large household, whose charge, by the death of her husband, devolved solely on her, the energy of her tireless superintendence preserved subordination and harmony. The undeviating integrity and unshaken self-command of her illustrious son, were developements of her own elements of character,—fruits from those germs which she planted in the soil of his infancy. To the inquiry, what course had been pursued in the early education of one, whom not only America, but the world, regarded with honor almost divine, she replied,—"his first lesson was to obey." It was her dignity of manner, courteous, yet rejecting all ostentation, and content to array itself in the "plain and becoming garb of the ancient Virginian lady,"—that elicited from those accustomed to the pomp and gorgeous costume of European courts, the high praise, that "it was no wonder that a country which produced such mothers, could boast such a man as Washington." He therefore, who has been likened to Fabius,—to Cincinnatus, and to other heroes of antiquity, only to show how greatly he transcended them by being a christian,—he who has made the hallowed shades of Mount Vernon, as sacred to the patriot, as the shrine at Mecca, to the pilgrim,—shares his glory with her, who wrought among the rudiments of his being, with no careless or uncertain hand. The monument which now designates her last repose,—which her native clime should have hasted to erect,—but which private munificence exulted to rear,— speaks strongly and eloquently to her sex. It bids them impress the character of true greatness upon the next generation. It warns them to prepare by unslumbering effort, for this tremendous responsibility. It reminds them that in their appointed ministration, they stand but "a little lower than the angels." And let her who is disposed to indulge in lassitude, or to trifle away the brief season of her probation,—or to forget that she may stamp an indelible character either for good or evil, on some immortal mind,—go and renounce her errors, and deepen her energies,—and relumine her hopes, at the tomb of the Mother of Washington. L. H. S. For the Southern Literary Messenger. SERVILITY. The most servile are frequently the most arrogant. The possessor of these qualities will display the one or the other according to the condition of the person whom he encounters. For an individual who in the estimation of society holds a rank above him, he will be ready to perform any office, however menial: while to another, whose situation in life is more humble, he will be in the highest degree haughty and assuming. No man of proper feeling [p. 6] can entertain the least respect for such a character. How very different from that of Urbanus. His manner always shows a consideration for those whose station in society may be less desirable than his own. He feels the disposition to oblige, and never fails to indulge it when a proper occasion is presented. Let any individual of correct deportment be in want of aid which Urbanus can give, and no matter how humble his condition, that aid will be extended. Not so, however, when the man who wishes his services assumes a superiority over him. A laudable pride and a proper self-respect will then forbid what otherwise might be done. Urbanus will be courteous and polite to all, but in a state of subjection to none. He will take a pleasure in yielding, of his own free will, to talents, attainments, and high character, their just due. But this must be the result of his own opinion as to what is right, and not the effect of base submission to another's will. C. The communication which follows on the subject of that remarkable kind of "extemporaneous speaking" which has been long practised in some parts of Europe, but is entirely unknown in this country,—is entitled to the reader's attention not only on account of the source from which it is derived, but also from its intrinsic merit. An accomplished improvvisatore is certainly an intellectual phenomenon, of the existence of which we should be strongly inclined to doubt—if so many well attested facts did not establish it beyond all controversy. We hope that some one of our readers of taste and erudition will furnish a handsome translation of the Italian poetry which accompanies the article. For the Southern Literary Messenger. EXTEMPORANEOUS SPEAKING. Astonishing as it may appear, there are men who can deliver extemporaneously, not only excellent orations and discourses, but also beautiful poems, tragedies and comedies. Exhibitions of this kind have been so frequent, that no deception can possibly exist. You may even specify the measure in which you desire the poetical production, and the verses, as if inspired, will flow from the lips of the improvvisatore, with ease, elegance, and beauty. When I was in Paris, Sgricci extemporized several tragedies in Italian.1 Eugene Pradel delivered a poem on Columbus, and proposed to extemporize tragedies and operas in French. Manuel could at any time speak appropriately and eloquently without preparation. The number of improvvisatori is very great, and I might enumerate, if necessary, many of these distinguished men. Italy boasts of the names of several ladies who have acquired fame by their poetical extempore compositions, among whom I may mention the Bandettini, the Mazei and the Corilla. This fact being admitted, two questions arise—1st. Is it possible to acquire this wonderful talent? 2nd. What are the means to be employed in order to succeed in speaking extemporaneously? To the first question, I answer affirmatively.—The talent of speaking extempore is always an acquired one: all good improvvisatori have followed a course of mental exercises. Illustrious men at first uttered a few words with stammering tongues, then spoke hesitatingly—and by proper combinations of their intellectual faculties, became the extraordinary improvvisatori, who excite wonder and admiration. Experience shows the truth of this assertion. The second question is, what are the means to be employed in order to succeed in speaking extempore? They are numerous, and they must be pursued with that enthusiasm and perseverance, without which, a man can never reach the temple of fame: for he who feels the noble ambition of distinguishing himself from the crowd which surrounds him—he who wishes to leave traces of his passage on earth, and to raise a monument which ages shall not destroy—must be moved by an energetic spirit, and have the moral courage to banish mental indolence from his bosom—to shake off that apathy so fatal to intellectual improvement, and to imbibe that love of immortality, which will carry him triumphantly through his career. He will bear in mind meanwhile, that "Aucun chemin de fleurs ne conduit à la gloire," and deeply impressed with this important truth, will display the energy necessary to overcome all difficulties. I will not say that it is easy—that it requires but little labor to become a good extempore speaker. Still less will I advance the false opinion, that some men are naturally so. You will perceive by what follows, that I am far from believing it. What are the preliminary acquirements of a good improvvisatore? He must embrace the whole circle of human knowledge. He must know the fundamental principles of nearly all the arts and sciences, (I do not mean by this, that it is necessary he should possess the details connected with them—that is above human strength)—he must be acquainted with all the revolutions in which human genius has been displayed—he must be familiar with all important discoveries, and with the deeds of great men, in all ages and countries. He must be a cosmopolite, that is to say, he must be acquainted with the customs and manners of every nation—and it is necessary he should put aside his prejudices, in order to understand the peculiarities which characterize the members of the great human [p. 7] [p. 8] family. The wonders of nature must be impressed on his mind, and above all, he must have read and meditated upon the works of the classical writers of all nations, and know perfectly the beauties and genius of his own language. These are the materials of the improvvisatore,—but these acquirements, extensive as they are, will not give him the power of extemporizing. How often do we see men endowed with profound wisdom,—vast experience and learning,—unable to express and convey to others the result of their long meditations! The reason of this is obvious. How could the man who devotes the whole of his time to the acquisition of sciences, expect to express himself well, if he neglects to study the only art which can teach him the means of speaking fluently and extempore? When a man has learned the arts and sciences of which I have spoken—when he has examined the political, religious and philosophical opinions which have governed the world from the remotest ages—he sees that the number of original ideas is not as great as one might suppose—he perceives that all mental faculties are connected —and that there is a chain which unites all thoughts—that they proceed from each other—that an idea must spring from a cause which gives rise to it. Thus he studies the laws of reasoning—thus by practice he learns to fix his attention on his sensations, and sometimes a single sensation, when properly analyzed, presents him the substance of a whole discourse: for a good discourse is nothing more than a series of judgments logically deduced from each other,—it is a chain of ideas connected by a close analogy. By training his mind to logical deductions, he acquires by degrees, the facility of combining ideas; and, guided by analogy, he reasons correctly without effort. Reasoning is learned like languages. At first, we hesitate in placing the words of a foreign tongue—we are obliged to recollect the rule which is to guide us in every part of speech; but when thoroughly versed in the genius of the language, we speak it fluently, without thinking about the arrangement of words. So it is with reasoning. A man who is equally versed in several languages, may express his ideas without knowing at the moment, in what idiom he imbodies his thoughts. A man who has trained his mind logically, reasons well, without thinking about the principles which guide him. It is well known that men have many ideas in common, and very often an author becomes popular and illustrious, only because he expresses with great superiority and beauty, that which every body thinks and feels. This is the very foundation of poetry and eloquence. It is this art which is called nature, and which gives immortality to literary productions. The work which does not awake our sympathy—which is not in harmony with the feelings of our nature—and which is not expressed in words best suited to its subject, can never acquire fame for its author. Hence the importance of the improvvisatore's studying mankind—hence the necessity of learning to imbody his ideas in appropriate language.—As each passion has its peculiar expression and style, the improvvisatore must engrave on his mind, the association of suitable expressions for every feeling; so, that every time he experiences or brings back to his memory a sensation, a passion, or an idea, he may also, simultaneously recall the words best suited to express them. He must acquire the faculty of bringing before his mind, all the scenes of nature—and the passions which spring from the heart of man; and, at the same time, possess language to convey them with eloquence. His imagination must be active, impetuous, or overwhelming, according to the objects which he intends to describe. The mind of the improvvisatore must be exercised to employ every style: the simple—the flowery—the majestic—the pathetic—the sublime—to combine ideas with the rapidity of lightning;—in a word, he must know all the springs of the human heart, in order to move it at his will, as if by enchantment. Although it may seem paradoxical, it is seldom for want of ideas, that a man fails in being eloquent. Thought is always ready—always instantaneous. Learn to extemporize its expression. Where is the man who surrounded by an indignant people, breaking the chains of despotism, and defending their sacred rights with courage and patriotism—where is the man, I say, who, at the sight of such a spectacle, could remain unmoved? Where is the man who could not be eloquent, were his mind provided with expressions worthy of his thoughts? Where is the man who can be thoughtless at the view of a vessel beaten by the tempestuous billows in the midst of the ocean— when he perceives this frail nautic dwelling at war with infuriated storms—when on a sudden he sees the long agitated ship breaking asunder, and every human being which she contains scattered and struggling against death? In this frightful scene, where darting lightnings are shedding their vacillating light on the ghastly faces of expiring victims, and when the last beam of earthly hope is to be buried with them in the bosom of the deep,—can that spectator be unconcerned? No. His very soul shudders—his limbs are trembling, and his eyes filled with tears. Are not these feelings impressed in the bosom of every human being? If the witness of such a shipwreck could imbody faithfully in language his sensations at the moment he experiences them, could he fail to excite our sympathy? No—no—a man who has ready expressions to convey his thoughts and feelings will always be eloquent. I need not mention Demosthenes and Cicero, Æschines and Hortensius, Isocrates, Lysias, Pericles, and a crowd of sophists who displayed, in former ages, great skill in the art of speaking. Their writings have been the mental food for those who studied antiquity. In modern times, lord Chatham, Fox, Pitt, Burke, Sheridan, Canning, have shone in the British House of Commons, and their fame is familiar to every American scholar. I will only name some of those illustrious men who displayed splendid abilities in the different political assemblies of France. Who has not heard of the astonishing oratorical powers of Mirabeau, Maury, Barnave and Vergniaud the pride of the Gironde? Manuel, Foy, Benjamin Constant, Lamarque, and several others have of late added a new lustre to French eloquence. All these eminent orators were distinguished for their improvisations. My intention now is not to discuss their peculiar merit as men of genius and extempore speakers; I merely quote them as models. I must not omit mentioning three orators now wandering in exile, after having displayed in their native land all the magic [p. 9] of eloquence, in order to restore liberty to their enslaved country. Though the efforts of Galiano, Argüelles and Martinez de la Rosa were not crowned with success, they will ever be the pride of Spain. These gifted patriots, struggling against adversity and preserving their noble independence, deserve the admiration of mankind.2 In concluding, I may say that the power of combining just and useful ideas, and expressing them extemporaneously in an appropriate language—the knowledge of man and of every thing which concerns him—a strong and well modulated voice, and dignified gestures, constitute what is called a good improvvisatore. Few succeed in all the multifarious qualifications of an extempore speaker—few are led by this unabated enthusiastic spirit resolved to meet and triumph over difficulties. This disposition of mind, however, must exist—for in mental contention as in war, "A vaincre sans péril on triomphe sans gloire." And every one that has witnessed the wonders of this art, will grant that if there be a talent by which the powers of man are exhibited in all their sublimity, it is undoubtedly that of the accomplished improvvisatore. J. H. 1 It was in 1825 that Sgricci invited the literati of Paris to meet in a spacious hall, where he was to extemporize a tragedy. Every spectator was allowed to vote for the subject of the play, and the majority decided in favor of the Death of Charles I. A few moments afterwards, Sgricci explained the dramatis personæ, and began to deliver extempore a tragedy of about fifteen hundred verses! That production was printed, and many passages are full of poetical talent. Francisco Gianni extemporized, during one year, every morning and evening, two pieces of poetry under the title of Saluto del Matino, and Saluto de la Sera. In order that the lovers of Italian poetry may judge Gianni's skill in extemporising, I will quote as a specimen, one of his productions. SALUTO DE LA SERA. Poca favilla gran fiamma seconda. Dant. Parad. cant. 1. Or non più de' pianti miei Che parean cangiate in rose. Violette inumidite, Ma nel punto che più fiso Non andrete impietesite. In te gli occhi disbramava, A infiorar quel niveo petto, Cui tra il velo già diviso Che diè funebre ricetto Agitato in sen balsava; Al più amabil degli Dei: Ecce uscir con la facella Chè li dove tomba avea, Da quel sen tra fiore e fiore, Sorger vidilo in subito Ecco uscir volando amore; E sorgendo sorridea E col vento de le penne D'un tal riso, ch'io non dubito, Irritare cosi quella, Per deludermi l'accorto, Che più fervida divenne Abbia únto d' esser morto. E una sua scintilla ardente E tu, bell' amica, in vano, Nel mio cor passò repente: Tenti in van col tuo rigore Come fosca nube tetra, Di celarmi un tanto arcano; Quando in Ciel risorgì il sole, Che mal puù celarsi amore. Se d' un raggio la penetra, Beu del suo risorgimento, Arder tutta e splender suole. Beu m' avvidi nel momento Tale in esso quella immensa Che di lagrime e di fiori Ed antica flamma intensa Io gli offriva il don funebre; Che sembrava spenta affatto Porche allor le tue palpebre Rallumavasi ad un tratto; Un soave e chiare lume E più viva traboccarsi Abbelliva di splendori; Dal mio cor con dolce pena, E le guancie a poco a poco E veloce diramarsi Ro...