Edited by NIGEL FORTUNE, TIM CARTER and KATHARINE ELLIS Vol. LX XVII, 1996 OXFORD UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Walton Street Oxford OX2 6DP © Oxford University Press, 1996 CONTENTS, Vol. LX XVII February Humanism, English Music and the Rhetoric of Criticism New Information on the Chronology of Venetian Monody: the ‘Raccolte’ of Remigio Romano Classical History and Handel’s ‘Alessandro’ Erik Satie and Vincent Hyspa: Notes on a Collabora- tion Steven Moore Whiting Gluck the Family Man: an Unpublished Letter Patricia Howard Mozart’s Good Friend Dr Laugier Chswanee John Jenkins May Manuscript Additions in ‘Parthenia’ and Other Early English Printed Music in America... New Light on the Genesis of Monteverdi’s Eighth sc awiew dew vanween ‘Heroick Vertue’: Handel and Morell’s ‘Jephtha’ in the Light of Eighteenth-Century Biblical Com- mentary and Other Sources ; Kenneth Nott The Elegies of William Jackson and Thomas Linley the Elder Richard McGrady .... ‘Never done before’: Elgar’s Other Enigma Brian Newbould Erik Satie and Golden Section Analysis . , Courtney S. Adams.......... The Byzantine Office of the Genuflexion Simon Harris Tallis, Byrd and the ‘Incorrected Copy’: Some Cautionary Notes for Editors of Early Music Printed from Movable Type John Milsom ‘Naturalizing’ Palestrina and Carissimi in Seventeenth-Century Oxford: Henry Aldrich and his Recompositions Robert Shay The Musical Bee: References to Mozart and Cher- ubini in Hummel’s ‘New Year’ Concerto John A. Rice Percy Grainger and the Revival of Early English Poly- phony: the Anselm Hughes Correspondence Christopher Grogan November Handel’s Early Performances of ‘Judas Maccabaeus’: Some New Evidence and Interpretations Merlin Channon Haydn and the London Music Sellers: Forster v. Longman & Broderip Nancy A. Mace Bruckner Scholarship in the Last Ten Years (1987- Crawford Howie Satie’s Sarabandes and their Importance to his Com- posing Career .. ie Robert Orledge Binchois’s Texts ..... Andrew Kirkman & Philip RNG 6 is a ne aciniia a orn cena ee aie February—November Reviews of Books (for index, see pp. iii—v) 101, 253, 440, Reviews of Music (for index, see p. vi; see also review-article in November) 158, 303, The Westrup Prize ‘Music & Letters’ Awards 166, Correspondence ance 166, 321, REVIEWS OF BOOKS (Reviewers’ names in parentheses) Anderson, Warren D., ‘Music and Musi- et Gazette musicale de Paris”, 1834— cians in Ancient Greece’ (Wulstan) 1880’ (Kolb) Antolini, Bianca Maria, et al. (ed.), ‘La Engels, Stefan, ‘Das Antiphonar von St. musica a Roma attraverso le fonti Peter in Salzburg: Codex ONB Ser. Nov. d’archivio’ (McFarland) : 2700 (12. Jahrhundert)’ (Hiley) Ashbee, Andrew (ed.), ‘Records of Englis Erickson, Raymond (trans.), ‘“Musica Court Music’, vii (Kisby) enchiriadis” and “Scolica enchiriadis”’ (Wibberley) Basso, Alberto, ‘L’invenzione della gioia: musica e massoneria nell’eta dei Lumi’ Fauser, Annegret, ‘Der Orchestergesang in (Rice) .. oe Frankreich zwischen 1870 und 1920’ Bauman, Thomas, & McClymonds, (Huebner) Marita Petzoldt (ed.), ‘Opera and the Feldman, Martha, ‘City Culture and the Enlightenment’ (Schroeder) ; Madrigal at Venice’ ( Jonathan Glixon) . Bianchi, Lino, & Rostirolla, Giancarlo Feuchte, Paul, & Feuchte, Andreas, ‘Die (ed.), ‘Iconografia palestriniana: Gio- Komponisten Eduard Franck und vanni Pierluigi da Palestrina—immagini Richard Franck: Leben und Werk’ e documenti del suo tempo’ (O’Regan) . (Ward Jones) ae Borthwick, Alastair, ‘Music Theory and Forte, Allen, “The American Popula Analysis: the Limitations of Logic’ Ballad of the Golden Era 1924-1950 (Monelle) (Gloag) Brackett, David, ‘Interpreting Popular Music’ (Moore) Gillies, Malcolm (ed.), ‘The Bartok Com- Brett, Philip, e¢ ai. (ed.), ‘Queering the panion’ (Russ) Pitch: the New Gay and Lesbian Musi- Gillies, Malcolm, & Pear, David (ed.), “The cology’ (Garnett) All-Round Man: Selected Letters of Brown, Bruce Alan, ‘W. A. Mozart: “Cosi Percy Grainger 1914—61’ (Grogan) .... fan tutte”’ (Carter) Godsalve, William H. L., ‘Britten’s “A Brown, Jeanell Wise, ‘Amy Beach and her Midsummer Night’s Dream”: Making Chamber Music: Biography, Docu- an Opera from Shakespeare’s Comedy’ ments, Style’ (Dickinson) (Hindley) Burden, Michael (ed.), “The Purcell Com- Goss, Glenda Dawn, ‘Jean Sibelius and panion’ (Adams) ar ss Olin Downes: Music, Friendship, Criti- Burden, Michael (ed.), ‘Purcell Remem- cism’ (Fanning) me bered’ (Herissone) Grey, Thomas S., ‘Wagner’s Musical Burnett, Charles, et al. (ed.), ‘The Second Prose: Texts and Contexts’ (Whittall) . . Sense: Studies in Hearing and Musical Griffiths, Paul, ‘Modern Music and After: Judgement from Antiquity to the Seven- Directions since 1945’ (Cross) . teenth Century’ (Bujic) Hammond, Frederick, ‘Music & Spectacle Daly, Kieran Anthony, ‘Catholic Church in Baroque Rome: Barberini Patronage Music in Ireland 1878-1903: the Cecil- under Urban VIII’ (O’ Regan) ian Reform Movement’ (Pike) Harris-Warrick, Rebecca, & Marsh, Carol Davidsson, Hans, ‘Matthias Weckmann: G., ‘Musical Theatre at the Court of the Interpretation of his Organ Music’ Louis XIV: “Le Mariage de la Grosse (Elcombe) oe Cathos”’ (Coeyman) ... Davies, Stephen, ‘Musical Meaning and Harvey, Brian W., ‘The Violin Family and Expression’ (Cook) its Makers in the British Isles’ (Stowell) . Dunsby, Jonathan, ‘Performing Music: Haus, Goffredo (ed.), ‘Music Processing’ Shared Concerns’ (Rink) (Manning) Hirshberg, Jehoash, ‘Music in the Jewish Ellis, Katharine, ‘Music Criticism in Community of Palestine 1880-1948: a Nineteenth-Century France: “La Revue Social History’ (Miller) Holman, Peter, ‘Henry Purcell’ (Fortune) (ed.), ‘Festa musicologica: Essays in Howard, Patricia, ‘Gluck: an Eighteenth- Honour of George J. Buelow’ (Dean) Century Portrait in Letters and Docu- Melamed, Daniel R., ‘J. S. Bach and the ments’ (Dean) ; German Motet’ (Boyd) ; Hudson, Richard Stolen Time: the Monson, Craig A., ‘Disembodied Voices: History of Tempo rubato’ (Cullington) Music and Culture in an Early Modern Italian Convent’ (Reardon) Irvine, Demar, ‘Massenet: a Chronicle of Moraitis, Andreas, ‘Zur Theorie der his Life and Times’ (Langham Smith musikalischen Analyse’ (Monelle) Morelli, Giovanni (ed.), ‘Alfredo Casella negli anni di apprendistato a Parigi’ Jenkins, Walter S., “The Remarkable Mrs (Fearn) .. : Beach, American Composer’ (Dickin- Musgrave, Michael, “The Musical Life of son) the Crystal Palace’ (Ehrlich) Jones, David Wyn, ‘Beethoven: Pastoral Symphony’ (Cooper Jones, Stephen, ‘Folk Music of China: Liv- Parker, Mary Ann (ed.), ‘Eighteenth- ing Instrumental Traditions’ (Stock) Century Music in Theory and Practice: Jullander, Sverker (ed.), ‘Proceedionfg tsh e Essays in Honor of Alfred Mann’ (Wol- Weckmann Symposium’ (Elcombe lenberg) > See Passadore, Francesco, & Rossi, Franco ed.), ‘Giovanni Legrenzi e la cappella Kassler, Jamie ¢ Inner Music: Hobbes ducale di San Marco’ (Selfridge-Field) Hooke and North on Internal Character’ Perle, George, ‘Style and Idea in the “Lyric Gouk) eta Suite” of Alban Berg’ (Chadwick) Kinderman William Beethoven’ Pollack, Howard, ‘Harvard Composers: Cooper Walter Piston and his Students, from Komlos, Katalin, ‘Fortepianos and their Elliott Carter to Frederic Rzewski’ (Dick- Music: Germany, Austria and England, inson) . 1760—1800° (de Val : Pollens, Stewart Krausz, Michael (ed.), “The Interpretations Rowland) ; of Music: Philosophical Essays’ (Cook) Poulin, Pamela L. (trans.) “Precepts and Principles for Playing the LaRue, C. Steven, ‘Haannd hdis eSinlger s: Thorough-Bass or Accompanying in the Creation of the Royal Academy Four Parts”’ (Butt) o. Operas, 1720—1728’ (Dean) : Price, Curtis, et al., ‘Italian Opera in Late Lax, Eva (ed Claudio Monteverdi: Eighteenth-Century London’, i (Dean) . lettere’ (Saunders itera nd Lesure, Francois, ‘Claude Debussy: bio- Raffaelli, Paola, ‘I manoscritti liturgico- graphie critique’ (Orledge) ' ‘ musicali della Biblioteca Cateriniana e Lewin, David, ‘Musical Form and Trans- del Fondo Seminario Santa Caterina formation: Four Analytic Essays’ (Cook) dell’Archivio Arcivescovile di Pisa Lippman, Edward, ‘A History of Western (Piiley) ......... Sears Musical Aesthetics’ (Bujic) , Renwick, William, ‘Analyzing Fugue: a Lund, Susan, ‘“Raptus”: a Novel about Schenkerian Approach’ (Pike) Beethoven Based on the Source Mater- Reynolds, Christopher, et ai. (ed.), ial’ Cooper hoven Forum’, ii (Kinderman) Roberts, Paul, ‘Images: the Piano Music of Macdonald, Hugh (ed.), & Nichols, Roger Claude Debussy’ (Timbrell) trans.), Berlioz: Selected Letters’ (Ellis) Majer-Bobetko, Sanja, ‘Glazbena kritika Saffle, Michael, ‘Liszt in Germany 1840- na hrvatskom jeziku izmedu dvaju 1845: a Study in Sources, Documents, svjetskih ratova [Music Criticism in the and the History of Reception’ (Wil- Croatian Language between the Two liams) . World Wars]’ (Blazekovic) Saunders, Steven, ‘Cross, Sword, and Lyre: Marissen, Michael, ‘The Social and Reli- Sacred Music at the Imperial Court of gious Designs of J. S. Bach’s Branden- Ferdinand II of Habsburg (1619-1637) burg Concertos’ (Talbot) —— Marston, Nicholas, ‘Beethoven’s Piano Sonata in E, Op. 109’ (Kinderman) . Music: a Yearbook’, i (Marston) Martin, Peter J., ‘Sounds and Society: Schima, Christiane, ‘Die Estampie: Themes in the Sociology of Music’ (Mid- Untersuchungen anhand der iberlie- dleton) : APN ee bi ferten Denkmaler und zeitgendssischen Martyn, Barrie, ‘Nicolas Medtner: his Life Erwahnungen’ (van der Werf) and Music’ (Brown) ee Schneider, Herbert, ‘Chronologisch—the- Mathiesen, Thomas J., & Rivera, Benito V. matisches Verzeichnis samtlicher Werke von Daniel Francois Esprit Auber Hebrides” and Other Overtures’ (Ward (Huebner) - Jones) Schoenberg, Arnold, ‘Zusammenhang, Trezise, Simon, ‘Debussy: “La Mer”’ Kontrapunkt, Instrumentation, Formen- (Orledge) lehre/Coherence, Counterpoint, Instru- mentation, Instruction in Form’ Vandervellen, Pascal, ‘Le Piano de style en (Boynton)... . aie Europe des origines 4 1850: étude des Schoenberg, Arnold, “The Musical Idea éléments décoratifs et mécaniques’ (de and the Logic, Technique, and Art of its Val) . Presentation’ (Neighbour) ; Verba, Cynthia, ‘Music and the French Seeger, Charles, ‘Studies in Musicology II: Enlightenment: Reconstruction of a Dia- 1929-1979’ (Nicholls) logue, 1750—1764’ (Charlton) Skelton, Geoffrey (ed. & trans.), ‘Selected Von Gunden, Heidi, ‘The Music of Lou Letters of Paul Hindemith’ (Palmer) . Harrison’ (Nicholls) ... . Smith, Geoff, & Walker Smith, Nicola, ‘American Originals: Interviews with 25 Contemporary Composers’ (Nicholls) Walker, Alan (ed.), ‘Living with Liszt: from Stanley, Glenn (ed.), ‘Beethoven Forum’, the Diary of Carl Lachmund’ (Williams) iii (Cooper) Walton, Chris, ‘Othmar Schoeck: eine Bio- Stevens, Denis (trans.), ‘The Letters of graphie’ (Palmer) Claudio Monteverdi: Revised Edition’ Weaver, Robert Lee, ‘Waelrant and Laet: (Saunders) See ewan Music Publishers in Antwerp’s Golden Stinson, Russell (ed.), ‘Bach Perspectives’, i Age’ (McTaggart) (Boyd) Weaver, Robert Lee, ‘A Descriptive Biblio- Straus, Joseph N., “The Music of Ruth graphical Catalog of the Music Printed Crawford Seeger’ (Nicholls) , by Hubert Waelrant and Jan de Laet’ Stroppa, Sabrina, ‘“Fra notturni sereni”: le (McTaggart) azioni sacre del Metastasio’ (Monelle) . . White, John D., ‘Theories of Musical Tex- Switten, Margaret L., ‘Music and Poetry in ture in Western History’ (Borthwick) the Middle Ages: a Guide to Research Wightman, Alistair, ‘Kartowicz, Young on French and Occitan Song, 1100- Poland and the Musical Fin-de-siécle’ 1400° (Caldwell) (Downes) ....... Wilske, Hermann, ‘Max Reger: zur Rezep- Tarasti, Eero, ‘A Theory of Musical Semi- tion in seiner Zeit’ (Palmer) otics’ (Monelle) Witzleben, J. Lawrence, ‘“Silk and Bam- Tawa, Nicholas, ‘American Composers boo” Music in Shanghai: the Jiangnan and their Public: a Critical Look’ (Dick- Sizhu Instrumental Ensemble Tradition’ inson).... (Stock) Thomas, Downing A., ‘Music and the Wolf, Stefan, ‘Beethovens Neffenkonflikt. Origins of Language: Theories from the Eine psychologisch—biographische French Enlightenment’ (Robinson)... . Studie’ (Cooper) Thomson, John Mansfield (ed.), “The Cambridge Companion to the Recorder’ Young, Percy M., ‘Elgar, Newman and (Turner) “The Dream of Gerontius”: in the Tradi- Todd, R. tion of English Catholicism’ (Grogan) . . REVIEWS OF MUSIC (Reviewers’ names in parentheses) Anthology of Goethe Songs’. ‘Recent Ockeghem, Johannes, ‘Collected Works’, Researches in the Music of the Nine- iii: ‘Motets and Chansons’ (Wegman) . teenth and Early Twentieth Centuries Orchestral Music in Salzburg, 1750-1780’. xxiii (Peake ‘ Recent Researches in the Music of the 4 Purcell Anthology: 12 Anthems’ (Man- Classical Era’, xl ( Jones) ning) Porta, Giovanni, ‘Selected Sacred Music Baroque Music Series from the Ospedale della Pieta’. “Recent Edwards Researches in the Music of the Baroque Bassano, Giovanni, ‘Motet “Ave regina Era’, Ixxiv (Talbot aor coelorum”’. ‘Baroque Music Series’, vi Purcell, Henry, ‘Funeral Sentences with Edwards) . March and Canzona for the Funeral of Binchois, Gilles, “The Sacred Music’ (Kirk- Queen Mary’ (Manning) man & Weller -eiaeee Purcell, Henry, ‘12 Anthems’ (Manning) Blow, John, ‘Anthems’, iii: ‘Anthems with Strings ‘Musica __ Britannica’ Ixiv ‘Recent Researches in the Music of the Walls) Renaissance’, xcii—xciii (Davey) xcvii (Dobbins) sodae ated astro, Jean de, ‘Chansons, odes, et sonetz ‘Recent Researches in the Music de Pierre Ronsard (1576). ‘Recent Baroque Era’, Ixxii (Cessac) Researches in the Music of the Renais- Ixxiii (O’Regan) . sance’, xcvii (Dobbins) . Variceal 7 Ixxiv (Talbot) ; a tharpentier, Marc-Antoine, ‘Nine Settings ‘Recent Researches in the Music of the “Litanies de la Vierge”’. ‘Recent Classical Era’, xxxix (McCaldin) Researches in the Music of the Baroque xl (Jones) . . Era’, lxxii (Cessac) xliii ( Jones) Recent Researches in the Music of the Gabrieli, Giovanni, ‘Motet “In ecclesiis”’ Nineteenth and Early Twentieth Cen- ‘Motet “Sancta et immaculata virgin- turies’, xxiii (Peake) . . itas”’; ‘Motet “O gloriosa virgo”’. ‘Baroque Music Series’, ix—xi (Edwards) Salieri, Antonio, ‘Mass in D major’. ‘Recent Researches in the Music of the Handel, George Frideric, ‘Acis and Galatea Classical Era’, xxxix (McCaldin) (1. Fassung), HWV 49a’. ‘Hallische Schubert, Franz, ‘Mass in G Handel-Ausgabe’, I/9/1 (King) , Haydn, Franz Josef, ‘Die Schopfung/The Creation’ (McCaldin) bert [&] Arthur Sullivan: the Operas’, i (Jacobs) .... Kozeluch, Leopold, ‘Six String Quartets, Opus 32 and Opus 33. ‘Recent ‘The Motets of Jacob Praetorius II’. Researches in the Music of the Classical ‘Recent Researches in the Music of the Era’, xliii (J ones) Baroque Era’, Ixxiii (O’Regan) ‘Tudor Keyboard Music c.1520—1580’. Mico, Richard, ‘Consort Music’. ‘Musica ‘Musica Britannica’, lxvi (Neighbour) . . Britannica’I,x v (Pinto) eee ‘Musica Britannica’, lxiv (Walls) Vecchi, Orazio, “The Four-Voice Canzon- Ixv (Pinto) ettas’. ‘Recent Researches in the Music xvi (Neighbour of the Renaissance’, xcii—xciii (Davey) . .