Project Gutenberg's Mary Tudor, Queen of France, by Mary Croom Brown This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Mary Tudor, Queen of France Author: Mary Croom Brown Release Date: February 6, 2015 [EBook #48184] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK MARY TUDOR, QUEEN OF FRANCE *** Produced by David Clarke, Hélène de Mink, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note: Obvious printer errors have been repaired, but spelling has not been standardized. Any missing page numbers are those that are not shown in the original text. ROMANTIC HISTORY MARY TUDOR, QUEEN OF FRANCE ROMANTIC HISTORY TWO ENGLISH QUEENS AND PHILIP. MARTIN HUME, M.A. THE FIRST GOVERNESS OF THE NETHERLANDS. ELEANOR E. TREMAYNE. MARGARET OF AUSTRIA. ELEANOR E. TREMAYNE. THE NINE DAYS' QUEEN. RICHARD DAVEY. THE GREAT INFANTA. L. KLINGENSTEIN. ISABEL, SOVEREIGN OF THE NETHERLANDS. L. KLINGENSTEIN. MARY TUDOR, QUEEN OF FRANCE. MARY CROOM BROWN. MARY TUDOR, DUCHESS OF SUFFOLK, AND HER HUSBAND CHARLES BRANDON, DUKE OF SUFFOLK FROM THE PAINTING BY JEAN DE MABUSE IN THE POSSESSION OF THE EARL OF YARBOROUGH III III MARY TUDOR QUEEN OF FRANCE BY MARY CROOM BROWN WITH TWELVE ILLUSTRATIONS METHUEN & CO. LTD. 36 ESSEX STREET W.C. LONDON First Published in 1911 IV A PREFACE NYONE who writes the life of Mary Tudor, daughter of Henry VII., must owe a debt of gratitude to Mrs Everett Green, who first drove a wedge through the mass of documents dealing with the subject. Since that date, however, new evidence has come to light and fresh readings of mutilated documents have been possible. Here and there a detail has been verified, nothing in itself, but when fitted in suggesting a new meaning to the whole; for this romantic history, dealing as it does with personal detail, is a very jig-saw puzzle. The date of the princess's birth, now at last definitely ascertained, is one of these details; the fact that in France she was twice married to Charles Brandon is another; and, to give a third instance, the detailed evidence shows that in the question of the dismissal of her English train from the French Court, Mary was as much sinner as sinned against. But after all is said, the difference between a book written fifty years ago, and one of to-day lies not so much in the matter newly discovered, as in the method of handling the same documents, and in the present incorrigible habit of valuing personality above ceremony, in this case looking for the woman in the princess and finding her. So while fifty years ago Princess Mary "penned many epistles," now she writes letters; then "she was advanced to maternal honours," now her first child is born. It all means the same thing set to differing measures. We jig along: they walked solemnly. My thanks are due in no small measure to Miss A. M. Allen and to Mr P. C. Allen for their careful and friendly help, and to the Librarian of Exeter College and the officials of the Record Office for their courtesy. VI VII TABLE OF CONTENTS CHAPTER I PAGE CHILDHOOD AND BETROTHAL TO CHARLES OF CASTILE 1 CHAPTER II EUROPEAN COMPLICATIONS 25 CHAPTER III A CAMPAIGN AND A COURTSHIP 48 CHAPTER IV THE DUCHESS REPUDIATES HER SUITOR AND THE PRINCESS BREAKS HER CONTRACT 72 CHAPTER V BETROTHAL TO LOUIS XII. OF FRANCE 93 CHAPTER VI QUEEN OF FRANCE 119 CHAPTER VII THE ENGLISHMEN IN PARIS 139 CHAPTER VIII THE WHITE QUEEN AND THE DUKE. THE SECRET MARRIAGE 148 CHAPTER IX CONFESSION AND PENANCE 173 CHAPTER X THE LOVERS COME HOME 200 CHAPTER XI AFTERWARDS 219 APPENDIX 253 INDEX 277 VIII LIST OF ILLUSTRATIONS MARY TUDOR, DUCHESS OF SUFFOLK, AND HER HUSBAND CHARLES BRANDON, DUKE OF SUFFOLK Frontispiece From the Painting by Jean de Mabuse, in the possession of the Earl of Yarborough FACING PAGE ELIZABETH OF YORK 4 From the Painting in the National Portrait Gallery (Flemish School) HENRY VII 14 From the Painting in the National Portrait Gallery (Flemish School) MAXIMILIAN, EMPEROR OF GERMANY 36 From the Painting by Albrecht Dürer at Vienna. (Photo, F. Hanfstaengl) MARGARET, DUCHESS OF SAVOY 65 From the Window in the Chapel of the Virgin in the Church of Brou MARGARET, COUNTESS OF RICHMOND 73 Painter unknown, National Portrait Gallery CHARLES, PRINCE OF CASTILE 90 From the Painting in the Louvre (Flemish School) LOUIS XII 103 Engraved by A. Berthold, from his Tomb in S. Denis FRANCIS I 144 From the Painting in the Louvre (French School) HENRY VIII 153 Painter unknown, National Portrait Gallery CARDINAL WOLSEY 191 Painter unknown, National Portrait Gallery MARGARET TUDOR, QUEEN OF SCOTS 231 National Portrait Gallery IX X XI REFERENCES L. and P. H. VII. and R. III. = Letters and Papers, Henry VII. and Richard III. L. and P. H. VIII. = Calendar of Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII. C. S. P. Venice = Calendar of Venetian State Papers. C. S. P. Spain = Calendar of Spanish State Papers. Calig = Cottonian MSS., Caligula B.M. Galba. = " " Galba, B.M. Vitell. = " " Vitellius, B.M. Vesp. = " " Vespasian, B.M. R.O. = Public Record Office. 1 T MARY TUDOR, QUEEN OF FRANCE CHAPTER I CHILDHOOD AND BETROTHAL TO CHARLES OF CASTILE O write the full life of Mary Tudor, second daughter of Henry VII., is to attempt the impossible, for the term usually implies a consecutive story from the gate of birth to that of death. We do know now the dates written over both these gates, but while her early days are shrouded by lack of information, her later years are equally indistinct. For less than a couple of years Mary Tudor lives and moves before us, and only this watch and vision is clear. From October 1514 to May 1516 she reveals herself, and fortunately with greater distinctness than she could possibly have done in a chronicle of orderly days with their circling duties and small joys and sorrows. To most ordinary men and women there comes one great moment in life, the third act of the play, to which all the previous scenes have been leading, and it is during Mary's great moment, when her nature was keyed to its highest pitch, that we are able to see her clearest. Before it arrives and after it has passed one desires, and desires in vain, the chronicle of those smaller joys and sorrows, but it is not to be found, and as we cannot have the life let us make the most of the episode. The date of Mary's birth has at last been fixed as the 18th March 1495. The day and the month have hitherto been a matter of uncertain conjecture, and the year has been given as 1496 on the strength of a privy seal of Henry VII. which runs as follows: "de Termino Paschæ anno xi. regis nunc: Anne Skeron nutrici dominæ Mariæ ls. pro quarterio unius anni finiti ad festum Sancti Johannis Baptistsæ ultim.; Johannæ Colyng, Fredeswidæ Puttenham, Marjeriæ Gower, Johannæ Cace, Avisæ Skidmore et Alicæ Bywymble cuilibet earum xxxiijs. iiijd, pro attendenciis suis nutrici ducis Eboracencis et sororum suarum per medium annum ad finem predictum." So that Anne Skeron had only completed three months' service at midsummer when the other nurses and attendants had completed six. Now the xi. year of Henry VII. lies between August 22, 1495, and August 21, 1496, so that this midsummer falls before Easter 1496, the date of the document, for it is "ad festum Sancti Johannis Baptistæ ultim." Hence the quarter's wage then due must have begun in March 1495, not in March 1496 as Mrs Green [1] and, following her, Dr Gairdner argues. That it was 1495 is supported, in a somewhat weak-kneed fashion, by the fact that in the beginning of 1499 [2] Henry refused to give his daughter in marriage to the Duke of Milan because she was only three years old, and by her brother's statement in his letter to Leo X. announcing the repudiation of the Castilian marriage contract in 1514, that she was married in December 1508 at the age of about thirteen (cum vix annum tertium decimum attigisset). [3] Henry VII.'s love of accuracy makes his statement that Mary was three years old and not four at the beginning of 1499 worth having, and, as Dr Gairdner says, his son had no reason to deceive the Pope in 1514. His sister had then been safely married to an old man, and there was no necessity to keep up a fiction about her age. But evidence of unassailable authority is to be found in the Calendar prefixed to Queen Elizabeth of York's Psalter in the Library of Exeter College, Oxford, where the date of Mary's birth is given as 18th March 1495. The only question which now arises is, Did the writer who inserted the dates for the Queen in the Calendar use the January or the March year? But remembering the date of the privy seal already quoted, and the fact that the new fashion of reckoning the year as beginning in January was already in use in private documents, it is only reasonable to conclude that the writer, whoever he may have been, had adopted the modern calendar. The difficulty of determining the age of the princess is partly due to the fact that when Mary was growing up and developing rapidly into a young woman, Charles of Castile, nearly five years younger, remained a child in appearance. The Flemish Council said she was too old for him, and sought to break off the match, and in 1514, to answer the gibe that Charles wanted a wife and not a mother, her age seems to have been officially announced as sixteen, while as a matter of fact she was nineteen. No wonder in these days of early marriages (her sister Margaret was packed off to Scotland when she was just over fifteen, and her father had been born before her grandmother's fourteenth birthday) she felt as though she had coiffé Ste Catherine, and the fiction of her age grew easily. 2 3 4 ELIZABETH OF YORK FROM THE PAINTING IN THE NATIONAL PORTRAIT GALLERY (FLEMISH SCHOOL) The childhood of Mary passed in obscurity; new frocks, a few doctor's bills, a papal pardon, are the few indications of her existence. Once only do we see her, as a child of four, in the winter of 1499, playing in the great hall at Eltham, [4] when Lord Mountjoy brought Erasmus to see Prince Henry there. When she emerges into clearer light, she shows herself to be of little mental originality but of strong passions, and it will be interesting to describe, so far as is possible, the qualities she may have inherited from her father and her mother. Henry VIII., Queen Margaret of Scotland, Queen Mary of France, all had these violent qualities which are miscalled Tudor, for they really belong to the house of York. Her mother, Elizabeth of York, daughter of Edward IV., had been rescued from the arms of her uncle, Richard III., to be thrust into those of Henry of Richmond. She was a rather short woman, inclined to embonpoint, with deep breasts. She possessed a happy, pleasure-loving temperament, was very charitable, deeply attached to her sisters, Katharine, Countess of Devon, and the lady Bridget of York; religious in the outward sense of the word. That is to say, that while she took many journeys for pleasure in the summer, she did her pilgrimages vicariously by means of her servants. [5] Her portrait in the National Portrait Gallery is not that of an intellectual woman, it is, rather, a childish face with great comeliness. She had ruddy hair and brown eyes, which she bequeathed to none of her surviving children, who all had the pale blue eyes, looking grey in certain lights, of their father. She was beloved by the Londoners because she was the daughter of her father, and no doubt this means that she had his easy manner, and possibly, like him, was "among mean persons more familiar than his degree, dignity or majesty required." [6] She had no influence in Court nor with her husband. All the feminine influence there was centred in her mother-in-law, the Lady Margaret, Countess of Richmond, with whose orderly, ceremony-loving nature Elizabeth must ever have been secretly at feud. Henry believed there was no woman to equal his mother, and the "King's lady mother" regulated the whole Court in personal matters with a despotic hand. Ceremony was to her the breath of her nostrils, and, where she was, nothing moved but to slow and stately music. Elizabeth, on the other hand, loved flowers and gardens, music and disguisings and picnics, [7] and she passed on her delight in these things to her children, while she did not "like" her position of subjection; but that there was open revolt we cannot tell. There is a pathetic hearsay picture of her as the comforter of her husband on the death of Prince Arthur in 1502, which shows her gentle nature and soft, comforting manner. (Again, these were passed on to Queen Mary and Henry VIII.) Henry was absolutely broken down by the news, and she hid her own sorrow at the sight of his grief till the first agony of his was passed. But when she went back to her own room, "natural and motherly remembrance of that great loss smote her so sorrowful to the heart, that those that were about her were fain to send for 5 6 the King to comfort her." This account the writer acknowledges to be at second hand, but whether her reported words be the self-same that she uttered or not, yet the fact remains that in spite of Lady Margaret, Henry turned to his wife for comfort in his great grief. Possibly Lady Margaret grudged the Queen her easy popularity, for she was as beloved as Henry was disliked. "She is a very noble woman," writes the Spanish agent, and suggests that his master and mistress should show her a little love. Henry's picture has been drawn by Hall. "He was a man of body but leane and spare, albeit mighty and strong therewith, of personage and stature somewhat higher than the mean sort of men be, of a wonderful beauty and fair complexion, of countenance merry and smiling, especially in his communication, his eyes grey, his teeth single and hair thin, of wit in all things quick and prompt, of a princely stomach and haute courage. In great perils, doubtful affairs and matters of weighty importance, supernatural and in manner divine, for such things as he went about he did them advisedly and not without great deliberation and breathing.... Besides this, he was sober, moderate, honest, affable, courteous, bounteous, so much abhoring pride and arrogancy that he was ever sharp and quick to them which were noted and spotted with the crime.... Although his mother were never so wise (as she was both witty and wise), yet her will was bridled and her doynges restrayned. And this regiment he said he kept to thentent yt he worthely might be called a King, whose office is to rule and not to be ruled of other." [8] De Puebla, the Spanish ambassador, found that when he was angry Henry's speech was full of venom, and that the words came from his mouth like vipers and he indulged in every kind of passion. Add to this another Spaniard's estimate of the King. In 1498 Pedro d'Ayala wrote to Ferdinand of Aragon. Henry "is disliked, but the Queen is beloved because she is powerless. They [the people] love the Prince as much as themselves, because he is the grandchild of his grandfather.... The King looks old for his years, but young for the sorrowful life he has led. One of the reasons why he leads a good (i.e. sober) life is that he has been brought up abroad. He would like to govern England in the French fashion, but he cannot. He is subject to his Council, but has already shaken off some and has got rid of some part of this subjection. Those who have received the greatest favours from him are the most discontented. He knows all that. The King has the greatest desire to employ foreigners in his service. He cannot do so, for the envy of the English is diabolical, and I think without equal. He likes to be much spoken of and to be highly appreciated by the whole world. He fails in this, because he is not a great man. Although he professes many virtues, his love of money is too great. He spends all the time he is not in public or in his council in writing the accounts of his expenses with his own hand.... The King is much influenced by his mother and his followers in affairs of personal interest and in others. The Queen, as is generally the case, does not like it." [9] The same writer puts down the fact that Henry was more intelligent than his courtiers to his not being a pure Englishman. From another source [10] Henry's impatience with unsupported accusations is emphasized. "Ye would be ware how that ye brake to him in such matters, for he would take it to be said of envy, ill-will and malice," and he would send "sharp writing again that he would have proof of this matter." Further, the King was superstitious, and d'Ayala hints that this is his Welsh blood: "in Wales there are many who tell fortunes." In 1499 he was warned by a priest that his life would be in great danger for a year, and he aged in consequence twenty years in two weeks, and grew "very devout and heard a sermon every day during Lent, and has continued his devotions for the rest of the day." The whole Court was devout in the same sense, and while one Spaniard says that "when one sees and knows the manners and the way of life of this people in this island, we cannot deny the grave inconveniences of the Princess's (Katharine) coming to England before she is of age ... before she has learnt to appreciate fully our habits of life," [11] another complains that it is impossible in Lent to get a piece of meat in the Court kitchen. [12] And the two complaints illustrate well what was and what was not to be found in the Court. The nursery of the royal children was at Eltham, and there Mary probably remained till she was of fit age to appear in public. During her first two years the "Norcery" was under the care of Mistress Elizabeth Denton, [13] of whom Henry and Mary were genuinely fond, [14] and when she became one of the Queen's gentlewomen, her place was taken by Mistress Anne Crowmer. [15] The children consisted of Henry, Duke of York, the ladies Margaret and Mary, and later on of Lord Edmund, who died a baby in 1500. Arthur, Prince of Wales, who was nine years older than Mary, had been emancipated from women's care, and had his own household. Babyhood in these days was not prolonged, and before Mary was two years old she was dressed like a woman of twenty in kirtles of black silk and velvet edged with ermine and mink, and provided with ribbons for lacing and for girdles, [16] while next spring (8th April 1497) [17] she was playing about in black velvet edged with tawny tinsel, or in black satin edged with velvet and a kirtle of black damask; the gowns, poor child, already stiff with buckram. Her smocks were made of fine linen. The usual channel by which Mary got all her clothes was an order to the keeper of the Great Wardrobe at the Tower minutely describing the articles to be delivered, signed at the top by her father. The same year (16th November 1497) [18] she was given 3 pairs of hosen, 8 pairs single soled shoes and 4 pairs of double. In July 1499 [19] she was put into colours, and presented with a green velvet gown edged with purple tinsel satin, and a blue velvet gown edged with crimson velvet, both stiffened with buckram, a kirtle of tawny satin edged with black velvet lined with blue cloth in the upper body, and another of black satin lined with black cloth in the upper body, 2 pairs knit hosen and linen smocks. Sheets, blankets, carpets, stools, basins, all chamber furnishings came from the Great Wardrobe, and were not to be had without a personal order from the King. No doubt her grandmother ordered such clothing for her grandchildren as she considered proper, and only once is there evidence that Queen Elizabeth took any interest in Mary's clothes: that was when she paid for the making of a black gown for her just after the death of Prince Arthur. [20] What emotions may underlie that bare entry in the Queen's private accounts we can only conjecture. 6 7 8 9 10 The education necessary for a young lady was to learn to sing and to dance, to play the lute and other instruments, and to order her discourse wisely. Very much what it was fifty years ago. Henry admired French manners more than any other, and wanted his children to be conversant with them. So with Mary he placed Mademoiselle Jane Popincourt, a child of about her own age, and we may conjecture that the large wardrobe provided in March 1498 for "a French maiden" [21] was for her. She had almost the same clothes as the princess, and was called her attendant, and Mary herself says they were brought up together. If Henry's idea was that his daughter should learn to speak French in her childhood, he was disappointed. Probably Jane learnt to speak English, but when Mary's marriage drew near in 1512, she had to have a special schoolmaster to coach her in the language, and this in spite of the fact that in Henry VII.'s court French was the usual tongue. Beyond reading and writing (spelling, alas for the record searcher, was not taught), singing, dancing, and embroidering, Mary's education did not go, and we have only to look at the portrait of her father to realize that he was one of those men who pray, "d'une mule qui brait et d'une fille qui parle latin, délivrez-nous, seigneur." His mother's benefactions to learning at the universities go no way to prove that she believed in it for women, as in fact she did not, and the result was that neither Mary nor her elder sister attained to the intellectual poise which is so remarkable in their descendants, Lady Jane Grey and Queen Mary Stuart. So the two girls lived at Eltham, made habitable by their grandfather, and went in and out under his device (the rose en soleil) on the doorway, [22] and afterwards at Baynard's Castle, Westminster Palace, Richmond, Windsor, Greenwich, wherever the Court was, going from one place to another by river in the Queen's great barge with its white and green awnings and 21 rowers in livery, and taking two days to get from Greenwich to Richmond. [23] Once out of the nursery they were with their mother's ladies, and with their aunts, the Lady Katharine Courteney, Countess of Devon, and the Lady Bridget of York, who, after the Queen's death, became a nun. [24] They knew Lady Katharine Gordon, the unfortunate widow of Perkin Warbeck, whose position at Court must have been a curious one; she was one of the Queen's ladies. Among the others were Lady Anne Howard, Lady Elizabeth Stafford, Lady Alyanore Verney, daughter of Sir Geoffrey Pole, whose husband, Sir Rauf, became chamberlain to Mary as Princess of Castile, and whose daughter-in-law, Dorothy, was one of her ladies. Dame Joan Guildford, sister of Sir Nicholas Vaux of Calais, and protégé of the Countess of Richmond, whose husband was controller of the household; Anne Weston, of the same Westons as Francis, who came to so tragic an end in the Boleyn catastrophe; Anne Browne, who went through so much misery before Charles Brandon married her; Eleanor Jones represented Wales, beloved of Henry and his mother; and the two Baptistes, Elizabeth and Françoise, were French waiting-maids. [25] When Mary was six years old her father attained his ambition, and the alliance with Spain, for which he had wrought so hard since 1488, constantly handicapped by conspiracies and rebellions, was affirmed by the marriage, in November 1501, of Katharine of Aragon and Arthur of Wales. Mary and her sister had new gowns for the occasion. Margaret, because she was six years older than Mary, and was about to be betrothed to James IV. of Scotland, and had to look her best in the presence of the Scots Commissioners, had her first gown of cloth of gold: "tawnay cloth of gold tissue trimmed with ermine backs and furred within with ermine wombes." She had another of purple velvet, made very long, with tabard sleeves furred with the same, two new hoods made in the French fashion, one of crimson and one of black velvet, two kirtles, one of tawny, one of russet satin, two pairs of sleeves, one of crimson satin and one of white cloth of gold of damask lined with blue sarcenet. Margaret's joy can be easily read in the light of her later open pleasure in fine clothes, for when in Scotland, despoiled of all by the Duke of Albany, and too ill to move, she had the new gowns sent by her brother brought in to her room time and again, so that she might admire them. Mary had no cloth of gold. She had two gowns, one of russet velvet trimmed with ermine backs and furred within with miniver, and another of crimson velvet with tabard sleeves trimmed with the same; a kirtle of tawny satin with a pair of green satin sleeves. The whole Court got new clothes, and on the day of the marriage the King's henchmen in their crimson cloaks, bordered with black satin, [26] the Duke of York's followers in yellow and blue, with the guard in the King's own livery of white and green, and the minstrels and "trompettes" with their banner-hung instruments also dressed in the King's colours, the King and the Queen and their children in cloth of gold or tawny satin and ermine, must have made a fine sight as the procession passed along the blue cloth laid down from the bishop's palace to the cathedral door. [27] But in a few months cloth of gold was exchanged for black satin, for Arthur died in Wales on 2nd April 1502, though in November, when Mary received her half-yearly supply of clothes, she was given a crimson velvet kirtle, possibly in anticipation of Margaret's marriage with the King of Scots on 25th January 1503. At the same time Elizabeth Langton, wardrobe maid, received linen for smocks, rails (nightgowns) and night kerchiefs for the princess and for Jane Popincourt. [28] This is the first time rails are mentioned in the list. Did small children go to their "naked bed'? The Queen was going to have another child, and about three weeks after Margaret's marriage she died in child-birth in the Tower (11th February). Her French nurse [29] had not been a success after all. She is reported to have comforted Henry on Arthur's death with the promise of more children, saying God had given them so many "and we are both young enough, and God is where he was." Her child was a daughter, named Catherine, who only lived a few days. 11 12 13 14 HENRY VII FROM THE PAINTING IN THE NATIONAL PORTRAIT GALLERY (FLEMISH SCHOOL) At once the atmosphere of the Court changed, and from now on it lived in a bustle of match-making, for father, son and daughter were all in the market. First there was Katharine of Aragon, whose destiny was so uncertain. The Spanish alliance brought Henry the European position that he coveted, and he neither wanted to risk losing it by restoring the Princess to her parents, or to lose the chance of widening his sphere of influence by binding Henry of York to marry her. However, the main thing for the moment was to hold on to Spain, so in July 1503 a dispensation for Katharine's marriage with her husband's brother was applied for. It only arrived in Spain in November 1504, when Isabella of Castile lay on her death-bed. It comforted the Queen, who had been horrified at Henry's interim proposal to marry the Princess himself. The death of Isabella (who is always called Elizabeth in England) and the question of the succession to Castile opened wider plans to Henry's imagination. Already, in 1500, Henry had had an interview with Philip of Burgundy in St Peter's Church, outside Calais, and Mary's marriage with Philip's son, Charles, Duke of Luxemburg, then four months old, had been mooted, as well as the Duke of York's to a Flemish princess. Then, in 1505, Henry thought of marrying Margaret of Angoulême, or her mother, Louise of Savoy, and suggested that Mary should marry the Dauphin. [30] Henry, in his underhand way, also said she was asked in marriage by the son of the King of Portugal, [31] but this is doubtful. But the King in 1506 finally concentrated his ambitions on Flanders and Castile, and in 1506 fortune came to him from the sea. Philip of Burgundy and his wife Joanna, now King and Queen of Castile, were on their way to take possession of their new kingdom to Ferdinand of Aragon's despite, when they were storm-driven into Weymouth harbour. Hall says that Philip had been so battered about and seasick that he insisted on landing, though his councillors warned him that if he once put his foot on shore, courtesy and perhaps force would demand a longer visit. And so it turned out, for Henry sent him a cordial invitation to visit him at Windsor, and thither went Philip, followed later by Joanna, who showed no haste to meet her sister Katharine. This is the occasion on which we see the Princess Mary dancing and playing the lute before Philip in the King's dining-room at Windsor. "And when the King heard that 15 the King of Castile was coming [from his appartments in the Castle] he went to the door of the great chamber and there received him.... And so both together went through that chamber, the King's dining chamber, and from thence to an inner chamber where was my lady Princess and my lady Mary, the King's daughter, and divers other ladies. And after the King of Castile had kissed them and communed with them, and communed a while with the King and ladies all, they came into the King's dining chamber, where danced my lady Princess and a Spanish lady with her in Spanish array, and after she had danced two or three dances she left; and then danced my lady Mary and an English lady with her: and ever and anon the lady Princess desired the King of Castile to dance, which, after he had excused himself once or twice, answered that he was a mariner; but yet,' said he, 'you would cause me to dance,' and so he danced not, but communed still with the King. And after that my lady Mary had danced two or three dances, she went and sat by my lady Princess on the end of the carpet which was under the cloth of estate and near where the King and the King of Castile stood. And then danced one of the strange lords and a lady of England. That done, my Lady Mary played on the lute, and after upon the claregulls, who played very well, and she was of all folks there greatly praised that in her youth in everything she behaved herself so very well." [32] The upshot of this visit was a contract of marriage between Mary and Charles, and between Henry VII. and Philip's sister, the Duchess of Savoy, not long a widow for the second time, provided the lady consented. The lady would not consent, and Jehan le Sauvage, President of Flanders, wrote to Maximilian, her father, the King of the Romans, that though he had laboured daily with her for a full month, she still decidedly refused. [33] Again and again Maximilian, in need of money and help against the Duke of Gueldres, pressed his daughter to consent, if only to amuse the King of England with promises, but she always answered "that although an obedient daughter she will never agree to so unreasonable a marriage." [34] So Henry was fain in the end to be content with the marriage of Philip's son Charles, Duke of Luxemburg, to his daughter Mary. September 1506 saw Henry's horizon suddenly widen. Philip of Castile died in that month. Henry would marry his widow Joanna and control Castile. Fortune this time favoured Ferdinand, who had been none too well pleased by the marriage projects; Joanna went mad, and though Henry said he did not mind that, seeing that she could still bear children, it gave Ferdinand an excuse for delaying negotiations. Mad or sane, Henry wanted to marry her, and de Puebla, the Spanish agent in England, suggested that marriage with such a man as Henry would restore her to sanity. [35] Margaret of Savoy [36] had obeyed her father in "amusing" Henry, and the King played off one marriage against the other, telling Ferdinand that he must decide soon about Joanna, for Margaret of Savoy was waiting to marry him, [37] while to Margaret he said that there were so many other great and honourable matches daily offered to him on all sides [38] that he could hardly choose which to have. It is true Margaret of Savoy had come to the Netherlands, but not as the prospective wife of the King of England waiting to cross the channel at his nod. She had been appointed Governess of the Netherlands and guardian to her nephew Charles, Prince of Castile. By her means a treaty was concluded in 1507 with England, and the marriage of the children was to have taken place at once, but Henry's illness prevented it. France, Spain and Austria were to meet at Cambrai in December 1508 for the adjustment of their claims in Italy, and Henry, in pursuance of his policy, tried hard, by means of Wolsey, to get the Bishop of Gurk, Maximilian's secretary, to help him to weaken Aragon by detaching France from him, so that Ferdinand, who was maintaining himself in a usurped Castile by French support, would find it impossible to continue to hold the kingdom. Henry's desires had no weight at Cambrai, and England, having no stake in Italy, was ignored. But on December 16, 1508, the marriage between Charles of Castile and Mary of England was celebrated at Richmond. While these events were passing, Mary, to judge by her clothes, was growing up. They became more elaborate. Her mourning for her mother did not last long, for in June 1503 (three months after Elizabeth's death) she was wearing a gown of blue cloth edged with black velvet, and another of the same colour lined with miniver and edged with ermine. Her kirtle was of blue damask bordered with black velvet, and her bonnets were of "ermines powdered" and black velvet. She tied her hair with tawny silk ribbon. Her stockings were white, and she was now allowed 300 pins. Jane Popincourt's allowance was practically the same; she, too, had a blue gown edged with black velvet, white stockings, shoes, gloves, and pins. In the autumn Mary had 1000 pins. Her allowance comes to two gowns, kirtles, bonnets, etc., in the half year—not excessive for a princess. [39] Henry VII. did not go in for unnecessary magnificence, and Mary's trousseau, seeing she was to remain in her father's court at his charge, was a very modest one. Her wedding gown was of tawny cloth of gold of tissue with wide sleeves, lined with ermine, and trimmed with the same down the front and round the foot, and with an ermine collar. Henry ordered for her 1600 powderings from his own store—that is, the little black tails which turn miniver into ermine. Her other gowns were of purple tinsel furred with black shanks (coarse sheep's skin), of black damask furred with the same, of crimson velvet "purfled with purfull" (border) of crimson cloth of gold of damask, and lined with black sarcenet, two kirtles, a scarlet petticoat, two pairs of slippers, six pairs of hose and a pair of night-buskins (bed-socks); "a chamber stool of tymber," a basin of tin to wash her head in, a new bowl of "tre" to make lye in and baskets to carry the said basins in. All which details indicate that she was to have a separate establishment. Thriftiness comes in, and she was given a pair of sheets to cover up her gowns with. [40] She was a pretty, fair-haired child, with her father's beautiful complexion, small for her age and looking younger than she was. She had good manners and moved gracefully. By December 17 she was word-perfect in her part of the ceremony, which was more than the Prince's proxy was, and had been thoroughly well coached in her demeanour. The marriage was to take place at Richmond, in what had been Queen Elizabeth's room, called Mary's for the moment. There on that Sunday morning the Flemish ambassador, Lord de Berghes, who was to be Charles' proxy, the Governor of Bresse, Dr 16 17 18 19 Sploncke, and Jehan le Sauvage, President of Flanders, with the Flemish nobles who had come to see the show, met the English Court. They waited, first for the King, who soon came in from the next room and engaged the ambassadors in pleasant and courteous conversation, and then for Mary, who did not keep them waiting long. Preceded by the Princess of Wales and her ladies, she entered and went to the high place prepared for her, and there stood alone under the golden cloth of estate. The ceremony began by speeches from the Archbishop of Canterbury and the President of Flanders, and these ended, with "due reverence in most humble maner shewed and doon by the said Lord Barges with most effectuous recommendacion made on the behalf of the Prynce of Castile, he then, takynge my sayd lady by the hande and eftsones declaryng thauctoritie geven unto him to contract matrymony with hir for and in the name of the sayde yonge Prynce, rehersed and uttred at the informacion of the sayd president the wordes of parfect matrymonye per verba de presenti whiche were before substantially devysed, put in writyng, and by the said lorde Barges then spoken and uttred, lyke as the said president redde theym to hym. And that doon, the hands withdrawen and dysclosed as the maner is, the Kynge's sayd daughter, eftsones takyng the sayd Lord Barges by the hande, with mooste sadde and pryncely countenance, havynge noo maner of persone to reherse the wordes of matrymonye to hir uttred, spake parfittely and distinctly in the frensche tonge by a long circumstance the wordes of matrymonye for hir partie, which by reason of the rehersall of his commission were veraye longe. Howbeit she spake the same without any basshing of countenance, stoppe or interrupcion therin in any behalfe; which thynge caused dyverse and many, as wel nobles as other, then beying present and herynge the same, not oonly to mervayle but also in suche wyse to rejoyse that for extreme contente and gladnes the terys passed out of theyr ies. "After prolacion and utterance of which wordes ye sayd lord Barges, as procuratour to the sayde yonge Prynce, for corroboracion and confirmation of the sayde contract, not oonly subscrybed wrytyng conteignynge the wordes of matrymonye by hym uttred, lyke as my forsayed ladye dyde also for her partie, but also the sayd lorde in reverent maner kyssed the sayd ladye Marye and put a Ryng of Gold on hir finger, and in wyttenesse and testymonye of the sayd contract there were two notaries there beynge present requyred on both parties to make instruments upon the same. And all the lordes, ladyes and nobles heryng and seying the premysses then and there were desyred to bere wytnesse thereunto." [41] The ambassadors brought with them jewels for Mary; one from Emperor Maximilian containing an orient ruby and a large and fair diamond garnished with large pearls; another from the young prince, a K for Karolus garnished with diamonds and pearls engraved with these words,—"Maria optimam partem elegit quae non auferetur ab ea": and a third from the Duchess of Savoy, a goodly balas (ruby) garnished with pearls. The ambassadors also carried a prim little letter from Charles to his "wife" with the date left blank, and on December 18, it was sent to Mary. "Ma bonne campaigne, Le plus cordialement que je puis a vo[tre] bonne grace me recommander. J'ai charge le sre de Bergh[es] et autres mes ambassadeurs ordonnez pardeca vous deviser [la] disposition de ma personne et de mes affaires, vous priant l[es] vouloir croire et par eux me faire savoir de votre sante [et] bonnes nouvelles qui est la chose que plus je desire [que] sect le benoit filz de dieu auquel je prie ma bonne comp[aigne] vous donner par sa grace ce que desirez. "A Malines xviii [in a different hand] jour de decembre. Vre bon mary, CHARLES." [42] The marriage was regarded by the Burgundian party in Flanders as a bulwark against France, and an enthusiastic poet sang— Reveillez vous cueurs endormis Qui des Anglois estes amys Chantons Dame Maria. La Thoisan d'or et les pourpris Des Chasteaulx, Aigles et des litz Joyra Dame Maria. Marie fille du vray litz Henry septiesme Roy de pris Prince sur tous les Princes, Delyvreia de grans ennuys Tout Flandres de ses ennemys, Remontant les Eglises. And so on through eight stanzas, the chorus being the opening one. Henry did not long enjoy his triumph, and the last months of his life, secure now in the marriage with Castile, he spent in increasing the discomfort and misery in which he had kept the Princess of Wales for the last six years. He again postponed her marriage with Henry, and Katharine wrote in despair to her father that "it was impossible for her to endure any longer what she has gone through and is still suffering from the unkindness of Henry, especially since he has disposed of his daughter in marriage to the Prince of Castile, and therefore imagines he has no longer any need [43] of" Ferdinand. Henry died on April 21, 1509, and by his will, dated at Canterbury, April 10, Mary is provided for as follows: "And whereas we for the dot and marriage of our said daughter, over and above the cost of her traduction into 20 21 22 23