Kurukshetra University Kurukshetra CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2016-17 onwards) Examination: M.A. (First Semester) Paper No Nomenclature of the Paper Max. Marks Time Allowed Credits Examination Sessional __________________________________________________________________________ MA-A-101 History of Modern Western Art 80+ 20 (Int. Assmnt.) 3 Hours 04 (theory) MA-A-102 Aesthetic and Art Appreciation 80+ 20 (Int. Assmnt.) 3 Hours 04 (theory) MA-A-103 Portrait and Life Study 100 04 (practical) MA-A-104 Creative Composition 100 04 (practical) Total = 400 16 __________________________________________________________________________ Examination: M.A. (Second Semester) Paper No Nomenclature of the Paper Max. Marks Time Allowed Credits Examination Sessional __________________________________________________________________________ MA-A-201 History of Modern Western Art 80+ 20 (Int. Assmnt) 3 Hours 04 (theory) MA-A-202 Aesthetic and Art Appreciation 80+ 20 (Int. Assmnt) 3 Hours 04 (theory) MA-A-203 Portrait and Life Study 200 100 18 Hours 12 (practical) MA-A-204 Creative Composition 200 100 24 Hours 12 (Practical) MA-A-205 Graphics Design-I/ Relief Composition/ (Practical) Clay Modeling-I (Elective) 50 12 Hours 02 MA-A-206 Open Elective** 50 02 {To Be Opted from other Deptt.} Total = 900 36 __________________________________________________________________________ * Elective & Open Elective Examination will be conducted at the completion of the same Semester and evaluated by internal examiner/ committee. 1 Kurukshetra University Kurukshetra CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2017-18 onwards) Examination: M.A. (Third Semester) Paper No Nomenclature of the Paper Max. Marks Time Allowed Credits Examination Sessional _______________________________________________________________________ MA-A-301 History of Modern Indian Art 80+ 20 (Int. Assmnt) 3 Hours 04 (Theory) MA-A-302 Life Study 100 04 (Practical) MA-A-303 Creative Composition 100 04 (Practical) MA-A-304 Graphic Design-II/ Intaglio Composition/ Clay Modeling-II (Elective) 50 12 Hours 02 MA-A-305 Open Elective*** 50 02 {To Be Opted From other Deptt} Total = = 400 16 __________________________________________________________________________ Examination: M.A. (Fourth Semester) Paper No Nomenclature of the Paper Max. Marks Time Allowed Credits Examination Sessional _________________________________________________________________ MA-A-401 History of Modern Indian Art 80+ 20 (Int. Assmnt) 3 Hours 04 (Theory) MA-A-402 Dissertation 100 ---- 04 MA-A-403 Life Study 200 100 18 Hour 12 (Practical) MA-A-404 Creative Composition 200 100 24Hours 12 (Practical) Total = 800 32 Grand Total marks of All Semester = 2500 Grand Total of credits of All Semesters = 100 *Practical Examination will be conducted in Even Semester i.e. 2nd, 4th only. * *The Final submission of dissertation (402) and Viva-voce will be conducted in 4th Semester. *** Open Elective (to be opted from other department of the faculty only) **** Paper no. 103, 104, 302, 303 will be evaluated by the internal examiner/ committee. 2 Kurukshetra University Kurukshetra CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2016-17) Examination : M.A. (First Semester) Paper : MA-A-101 (Group A and B) Theory: History of Modern Western Art Time Allowed : 3 Hours Max. Marks :80 20 Internal Assessment Credit - 4 Instructions: (i) No. of Questions to be set: 09 (02 Questions from each unit) and Question No. 01 is to be set from all over the Units i.e. short type Questions. (ii) No. of Questions to be attempted : 05 .Question No. 01 is compulsory (iii) All Questions will be of equal marks. Course of Study Unit-I Romanticism: Francisco Goya, Eugene Delacroix, John Constable, J.W.M. Turner. Realism: Gustave Courbet, Jean-Francois Millet, Camille Corot, Honore Daumier. Unit-II Impressionism: Claude Monet, Edouard Manet, Edgar Degas, Auguste Renoir. Post-impressionism: Georges Seurat, Paul Cezzane, Paul Gauguin, Vincent Van Gough, Camille Pissaro. Unit-III Other important Painters: Edward Munch, Toulouse Lautrec. Futurism- Umberto Boccioni, Givno Serverini. Fauvism: Henri Matisse, Maurice De Vlaminck. Unit-IV Cubism: Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger. Expressionism a. Die Brucke: Leslie Kirchner, Emil Nolde. b. Der Blaue Reiter: Wassily Kandinsky, Paul Klee, Franz Marc. c. Figurative Expressionist: Oskar Kokoschka. Note: - Internal Assessment 20% in each theory paper based on the following criteria: (i) Two handwritten Assignments : 10% (1st Assignment after one month & 2nd after two months) (ii)One Class Test(One period duration) : 5% (iii)Attendance : 5% Marks for attendance will be given as under:- (1) 91% onwards : 5 Marks (4) 70% to 74% : 2 Marks (2) 81% to 90% : 4 Marks (5) 65% to 69% : 1 Marks (3) 75% to 80% : 3 Marks READING LIST: 1. Deymatie : Fauvism (good introduction also in Encyclopedia of World Art.) 2. Crespelle – The Fauves. 3. Razanl, Modern Paining, Skira – Useful references from plates and text. 4. Lake and Maillard – Dictionary of Modern Painting. 5. Herbert Read – A concise History of Modern Paining. 3 6. William Vaughan – Romantic Art. 7. European Modern Movements in Encyclopedia of World Art. 8. Leymarie – Impressionism (Skira). 9. J. Rewald – History of impressionism – Museum of Modern Art, New York. 10. J. Rewald – Post Impressionism (Both these books are indispensable for the respective periods). 11. Roger Fry – Vision and Design. 12. Madsen – Art Nouveau. 13. Golding – Cubism: A history and analysis – See Also : Cubism and Futurism in Encyclopedia of World Art. 14. Rosenblum – Cubism and 20th Century Art. 15. Selz : German Expressionism. For Expressionism See Also Encyclopedia of World Art. 16. Ritchie – German 20th Century Art – Museum of Modern Art. 17. Barr – Fantastio Art; Dada and Surrealism. 18. Scuphor – Dictionary of Abstract Art. 19. Motherwell Dada Poets and Painters (Anthology of Dada Writings). 20. Marcel Jean – A History of Surrealist Painting (Comprehensive Study) 21. Herbert Read – Surrealism (Mainly documents) 22. Rubin – Dada & Surrealism. 23. F.Pepper – Kinetic Art. 24. L. Lippart – Pop Art. 25. Poggioli – Theory of the Avant Garde’ (Concepts of modernity) 26. MC Muller – Art, Affluence and Alienation (Contemporary developments in various Arts). 27. A.M. Haftman – 20th Century Painting. 28. Cold water : Primitivism in Modern Art. 29. Hamilton – Painting & Sculpture in Europe – 1880-1940. 30. Pevsner – Pioneers of Modern Design, 1965. 31. Zigrosser – Expressionism – A Survey of their Graphic Work, 1957. 32. Seitz – The Responsive Eye, 1965. 33. Myers – Medican Painting in our time – 1956. 34. Gray – The Great Experiment: Russian Art – 1863-1922, 1962. 35. Rose Barbara – American Painting since 1900, 1967. 36. Goodrich and Baur – American Art of the Twentieth Century, 1962.. 37. Arnason - History of Modern Art. 38. Gardiner- History of Painting 39. Macmillan- Psychology of Painting 40. Ronald Templin- The Art 41. John A. Walker- Art Since Pop Kurukshetra University Kurukshetra CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2016-17) Examination : M.A. (First Semester) Paper : MA-A-102 (Group A) Theory : Philosophy of Art Time Allowed : 3 Hours Max. Marks :80 20 Internal Assessment Credit - 4 Instructions: (i) No. of Questions to be set: 09 (02 Questions from each unit) and Question No. 01 is to be set from all over the Units i.e. short type Questions. (ii) No. of Questions to be attempted : 05 .Question No. 01 is compulsory (iii) All Questions will be of equal marks. 4 Course of Study Unit-I Introduction to Aesthetics and its Scope, Relation to Science and Philosophy, Introduction to basic Principles of Indian Philosophy and Religious Thoughts – Vedic, Upanishadic. Unit-II Fundamentals of Indian Art, Principles of Painting and Iconography in the Shilpa Texts like Chitrasutram, Chitralakshanam Unit-III Concept of Rasa Sutra, Bharat Muni, AbhinavGupt (including types and components of Rasa), Shadanga Unit-IV Alankar, Dhwani, Auchitya, Riti Note: - Internal Assessment 20% in each theory paper based on the following criteria: (i) Two handwritten Assignments : 10% (1st Assignment after one month & 2nd after two months) (ii) One Class Test(One period duration) : 5% (iii)Attendance : 5% Marks for attendance will be given as under:- (1) 91% onwards : 5 Marks (4) 70% to 74% : 2 Marks (2) 81% to 90% : 4 Marks (5) 65% to 69% : 1 Marks (3) 75% to 80% : 3 Marks Reading List 1. Aesthetic meaning – Rekha Jhanji 2. Philosophy of Art (Foundations of Philosophy series) 3. Comparative Aesthetics : Eastern & Western – G. Hanumantha Rao and DVK Murthy 4. Philosophy of Art – Aldrich Virgil 5. Aesthetics from classical Greece to the present: A Short History – Monsore C. Beardsley. 6. Introductory Readings in Aesthetics – Hospers John. 7. Art and Illusion – E. H. Gombrick. 8. Ideals and Idols – E.H. Gombrick.. 9. Approaches to Indian Art – Nihar Ranjan Ray 10. Aesthetic Theory and Art – Ranjan K. Ghosh 11. Mimesis as Make – Believe – Aurther Danto 12. jl fl)kUr ,oalkSUn;Z“kkL= % MkW0 uxsUnz 13. dyk vkSj lkSUn;Z % ljsUn z ckj fyax s 14. Hkkjrh; lkSUn;Z“kkL= % jke y[ku “kqDy 15. jlfl)kUr vkSj lkSUn;Z“kkL= % fueZytSu 16. dyk leh{kk % fxfjjkt fd”kksj v”kksd 17. lkSUn;ZrRo % lqjsUnzukFk nkl xqIr 18. lkSUn;Z“kkL= % jk- e- ikV.kdj 19. Hkkjrh; n”kZu % ,l- ,u- nklxqIrk 20. n”kZu fnXn”kZu % jkgqy lkad`Rr;k;u 21. Hkkjrh; lkSUn;Z”kkL= dh Hkwfedk % MkW0 uxsUn z 22. dyk foospu % dqekj foey 23. Hkkjrh; lkSUn;Z”kkL= dkrkfRodfoospu ,oao.kZu % jke y[ku“kqDy 24. Lkk/kkj.khdj.k vkSj lkSUn;ZuqHkwfr ds izeq[k fl)kUr % izsedkUrV.Mu 25. lkSUn;Z”kkL= ds rRo % dqekjfoey 26. lkSUn;Z“kkL= & MkW0 izsekfeJk 5 CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2016-17) DETAILED SYLLABUS (Practical) Examination : M.A. (First Semester Paper : MA-A-103 (Group A) Practical: Portrait and Life Study Max. Marks : Sessional-100) Credit – 4 Minimum Size : Life Study 30” x 40”, Portrait Study 18” x 24” Medium : Oil, Acrylic, Colours & Mix Media on Canvas. Instructions: (i) The examiner will evaluate the work of examinee at the end of semester (ii) Internal examiner will evaluate the Sessional work. Course of Study : Study of Figure from life and its transformation into composition. Sessional Work  No. of Assignments on Canvas : 05 (Portrait Study 18” x 24”)  Colour Sketches : 25  Sketches : 250 CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2016-17) DETAILED SYLLABUS (Practical) Examination : M.A. (First Semester Paper : MA-A- 104 (Group A) Practical: Creative Composition Max. Marks : Sessional 100) Credit - 4 Minimum Size : 30” x 40” Medium: Oil Colour, Acrylic, Mix-Media. Course of Study: Advancement of previous experience towards a complete pictorial interpretation, theme and expression of mood, symbolism, dramatization, distortion for emotional effect including abstract expressionism projects with emphasis on independent creative work. a) Advanced Drawing  Exploration of an individual approach to drawing as an aesthetic exercise of visual sign and symbol and locate your practice in the broader context of contemporary art  Exercise of different drawing techniques of traditional and contemporary masters Exercise on application of different mediums both traditional and contemporary as a drawing tool  Medium: pencil, charcoal, pastel, pen and ink, water colour Acrylic and oil, photocopy, impression, stencil, etc. 6 b) Composition  Identify and synthesis the connection between process and concept in reference to collage/collision  Exercise with different methods and traditions of representation of space, form and colour in reference to history and visual culture  Medium: Develop, test and employ materials, process and mediums in a way that activates your ideas and concepts Exercise work in different aspect and medium. Study of form, Texture, relief etc. Canvas – Oil & Acrylic and Mix Media. Collage with different material. Assemblage : Understanding of the meaning and material of value by assembling different chosen material on surface/space. Instructions: (i) The examiner will evaluate the work of examinee at the end of semester. (ii) Internal examiner will evaluate the Sessional work. Sessional Work 1. No. of Assignments :04 finished Canvas in Oil or Acrylic or Mix Media 2. Collage :01 3. Colour sketches :25 4. Sketches :250 Kurukshetra University Kurukshetra CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2016-17) Examination : M.A. (Second Semester) Paper : MA-A-201 (Group A and B) Theory :History of Modern Western Art Time Allowed: 3 Hours Max. Marks :80 20 Internal Assessment Credit - 4 Instructions: (i) No. of Questions to be set: 09 (02 Questions from each unit) and Question No. 01 is to be set from all over the Units i.e. short type Questions. (ii) No. of Questions to be attempted : 05 .Question No. 01 is compulsory (iii) All Questions will be of equal marks. Course of Study Unit-I Constructivism: Kasimir Malevitch, Alexander Rodchenko, Naum Gabo, Antoine Pevsner. De Stijl : Piet Mondrian, Theo Van Doesburg. Unit-II 7 Dada and Surrealism: Giorgio De Chirico, Marcel Duchamp, Max Ernst, Joan Miro, Salvador Dali, Francis Picabia, Marc Chagall, Other important Painter: Amedeo Modgliani, Max Beckman Unit-III Abstraction: Vasily Kandinsky, Paul Klee, Jackson Pollock, Mark Rothko Pop Art : David Hockney, Andy Warhole. Unit-IV Op Art, Frank Stella, Victor Vasarelly. Minimal and Kynetic art. Important Sculptor: Constantine Brancusi, Henry Moore, Alberto Giocometi, Auguste Rodin, Note: - Internal Assessment 20% in each theory paper based on the following criteria: (i) Two handwritten Assignments : 10% (1st Assignment after one month & 2nd after two months) (ii)One Class Test(One period duration) : 5% (iii)Attendance : 5% Marks for attendance will be given as under:- (1) 91% onwards : 5 Marks (4) 70% to 74% : 2 Marks (2) 81% to 90% : 4 Marks (5) 65% to 69% : 1 Marks (3) 75% to 80% : 3 Marks Reading List: 1. Razanl, Modern Paining, Skira – Useful references from plates and text. 2. Lake and Maillard – Dictionary of Modern Painting. 3. Herbert Read – A concise History of Modern Paining. 4. William Vaughan – Romantic Art. 5. European Modern Movements in Encyclopedia of World Art. 6. Leymarie – Impressionism (Skira). 7. J. Rewald – History of impressionism – Museum of Modern Art, New York. 8. J. Rewald – Post Impressionism (Both these books are indispensable for the respective periods). 9. Roger Fry – Vision and Design. 10. Crespelle – The Fauves. 11. Golding – Cubism: A history and analysis – See Also : Cubism and Futurism in Encyclopeadia of World Art. 12. Rosenblum – Cubism and 20th Century Art. 13. Selz : German Expressionism. For Expressionism See Also Encyclopeadia of World Art. 14. Ritchie – German 20th Century Art – Museum of Modern Art. 15. Barr – Fantastio Art; Dada and Surrealism. 16. Scuphor – Dictionary of Abstract Art. 17. Marcel Jean – A History of Surrealist Painting (Comprehensive Study) 18. Herber Read – Surrealism (Mainly documents) 19. Rubin – Dada & Surrealism. 20. F. Pepper – Kinetic Art. 21. L. Lippart – Pop Art. 22. Poggioli – Theory of the Avant Garde (Concepts of modernity) 23. MC Muller – Art, Affluence and Alienation (Contemporary developments in various Arts). 24. Cold water : Primitivism in Modern Art. 25. Pevsnor – Pioneers of Modern Design, 1965. 26. Zigrosser – Expressionism – A Survey of their Graphic Work, 1957. 27. Myers – Medican Painting in our time – 1956. 28. Goodrich and Baur – American Art of the Twentieth Century, 1962. 29. Rose berg – The Tradition of the New, 1959. 30. Steinberg Leo – Other Criteria. 31. Ronald Templin- The Art 32. Herbert Read: (ii) Art of Sculpture. 33. Giedion Welcker: Contemporary Sculpture. 34. Kulterman – The New Sculpture. 35. Maillard – Dictionary of Modern Sculpture. 36. Scuphot: Sculpture of 20th Century. 8 Kurukshetra University Kurukshetra CHOICE BASED CREDIT SYESTEM (CBCS) Scheme of Examinations M.A. (FINE ARTS) Drawing & painting – Group A (w. e. f. the academic session 2016-17) Examination : M.A. (Second Semester) Paper : MA-A-202 (Group A) Theory : Philosophy of Art Time Allowed: 3 Hours Max. Marks :80 20 Internal Assessments Credit - 4 Instructions: (i) No. of Questions to be set: 09 (02 Questions from each unit) and Question No. 01 is to be set from all over the Units i.e. short type Questions. (ii) No. of Questions to be attempted : 05 .Question No. 01 is compulsory (iii) All Questions will be of equal marks. Course of Study Unit-I Psychological Mechanism of Artistic Perception, Psychological Mechanism of Artistic Creation. Art as an object of Perception, Psychical Distance. Unit-II Psychology and Art, Freaud’s theory (conscious and sub-conscious mind), C.J. Jung, Croce, Susane Langer Unit-III Philosopher: Aristotle, Plato, Kant, Hegel, Marx. Unit-IV Globalization in Art, Art and Environment, Anti Aesthetic & Arts, Philosopher: Roger Fry, Clive Bell. Note: - Internal Assessment 20% in each theory paper based on the following criteria: (i) Two handwritten Assignments : 10% (1st Assignment after one month & 2nd after two months) (ii)One Class Test(One period duration) : 5% (iii)Attendance : 5% Marks for attendance will be given as under:- (1) 91% onwards : 5 Marks (4) 70% to 74% : 2 Marks (2) 81% to 90% : 4 Marks (5) 65% to 69% : 1 Marks (3) 75% to 80% : 3 Marks Reading List 1. Aesthetic meaning – Rekha Jhanji 2. Philosophy of Art (Foundations of Philosophy series) 3. Comparative Aesthetics : Eastern & Western – G. Hanumantha Rao and DVK Murthy 4. Philosophy of Art – Aldrich Virgil 5. Aesthetics from classical Greece to the present: A Short History – Monsore C. Beardsley. 6. Art as Experience – John Dewey. 7. Introductory Readings in Aesthetics – Hospers John. 8. Art and Illusion – E. H. Gombrick. 9. Ideals and Idols – E.H. Gombrick. 10. Ways of World Making – Nelson Goodman. 11. Critical Theory – Pyne 9 12. Truth in Painting – Jaques Derida. 13. Approaches to Indian Art – Nihar Ranjan Ray 14. Idea and Images – Nihar Rangan Ray 15. Aesthetic Theory and Art – Ranjan K. Ghosh 16. Mimesis as Make – Believe – Aurther Danto 17. K.C. Pandey- 18. jlfl)kUr ,oa lkSUn;Z“kkL= % MkW0 uxsUnz 19. dyk vkSj lkSUn;Z % ljsUnzckjfyaxs 20. Hkkjrh; lkSUn;Z“kkL= % jke y[ku “kqDy 21. jlfl)kUr vkSj lkSUn;Z“kkL= % fueZytSu 22. dykleh{kk % fxfjjkt fd”kksj v”kksd 23. lkSUn;ZrRo % lqjsUnzukFk nkl xqIr 24. lkSUn;Z“kkL= % jk- e- ikV.kdj 25. Hkkjrh; n”kZu % ,l- ,u- nkl xqIrk 26. n’kZu fnXn”kZu % jkgqy lkad`Rr;k;u 27. Hkkjrh; lkSUn;Z”kkL= dh Hkwfedk % MkW0 uxsUnz 28. dykfoospu % dqekj foey 29. Hkkjrh; lkSUn;Z”kkL= dkrkfRodfoospu ,oa o.kZu % jke y[ku “kqDy 30. Lkk/kkj.khdj.k vkSj lkSUn;ZuqHkwfr ds izeq[k fl)kUr % izsedkUr V.Mu 31. lkSUn;Z”kkL= ds rRo % dqekjfoey 32. lqUnje % gfj}kjh yky “kekZ 33. lkSUn;Z“kkL= & MkW0 izsek feJk DETAILED SYLLABUS (Practical) Examination : M.A. (Second Semester) Paper : MA-A-203 (Group A) Practical: Portrait and Life Study Time Allowed : 18 Hours Max. Marks : 300 (Examination-200 and Sessional Work-100) Credit – 12 Minimum Size : Life Study 30” x 40”, Portrait Study 18” x 24” Medium : Oil, Acrylic, Colours & Mix Media on Canvas. Instructions: (iii) The examiner will evaluate the work of examinee on the last day of the examination and if the examiner did not turn up on the last day, the art work will be kept in a sealed lock custody and as and when the examiner comes as his/her convenient date can evaluate the practical paper. (iv) Internal examiner will evaluate the Sessional work. Course of Study : Study of Figure from life and its transformation into composition. Sessional Work  No. of Assignments on Canvas : 05 (Life Study 30” x 40” )  Colour Sketches : 25 10