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LNCottingham, 1787-1847, Architect: his place in the Gothic Revival PDF

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Preview LNCottingham, 1787-1847, Architect: his place in the Gothic Revival

List of Illustrations Fig.No. 1 Westminster Hall. Plate I. LNC 1822. 2 Westminster Hall. Plate II. LNC 1822. 3 Westminster Hall. Plate III. LNC 1822. 4 Westminster Hall. Plate IV. LNC 11822. 5 King Henry VIPs Chapel. Plate III. LNC 1822. 6 King Henry VII's Chapel. Gothic Ornament. Plate XXV. LNC 1822. 7 King Henry VII's Chapel. Frontispiece. LNC 1829. 8 King Henry VIPs Chapel. Plate IV. LNC 1829. 9 King Henry VIPs Chapel. Plate VIII. LNC 1829. 10 Working Drawings of Gothic Ornament. Frontispiece. LNC 1823. 11 Working Drawings of Gothic Ornament. Plate!. LNC 1823. 12 Working Drawings of Gothic Ornament. Plate V. LNC 1823. 13 Working Drawings of Gothic Ornament. Plate XXVII. LNC 1823. 14 Working Drawings of Gothic Ornament. Plate XXVIII. LNC 1823. 15 Working Drawings of Gothic Ornament. Plate XXXVI. Elevation of Gothic Mansion. LNC 1823. 16 Working Drawings of Gothic Ornament. Plate XXXV. Plan of Principal Floor. LNC 1823. 17 Tomb of Bishop Sheppie, Rochester Cathedral, discovered by LNC on Jan. 15th 1825. Archaeologia Vol.XXV p.122. 18 Frontispiece; Some Account of an Ancient Tomb etc discovered in Rochester Cathedral, 1825, by L.N.Cottingham, Architect. LNC 1825 (Kent RO). 19 Discovery of the Tomb. Print by LNC inscribed to the Dean and Chapter. (Kent RU). 20 The effigy of Bishop Sheppie. LNC 1825 (Kent RU). 21 Fragments of the Tomb of John de Sheppie. LNC 1825 (Kent RU). 22 Tiles in the fireplace of Davington Priory, reproduced by Minton's to Cottingham's designs, and based on those discovered in the Chapter House at Westminster. (Photocopied from Country Life, Dec. 9th 1971). 23 Northwest view of the Abbey Church Gate (the Norman Tower). LNC; reproduced as Plate 17 in Bury St Edmund's by S.P.Spanton, circa 1850. 24 Catalogue of Sale. Museum of Mediaeval Art collected by the late L.N.Cottingham, FSA. Nov. 3rd 1851. Frontispiece. 25 Sample page from Catalogue of Sale. 26 Ornamental Metal Worker's Director. LNC 1823. Entrance Gates. 27 Ornamental Metal Worker's Director. LNC 1823. Plans etc Cumberland Gates. 28 Ornamental Metal Worker's Director. LNC 1823. Patterns for Window Guards. 29 Ornamental Metal Worker's Director. LNC 1823. 'Lamps, Ballusters and Newels'. 30 Ornamental Metal Worker's Director. LNC 1823. No.7 Adam Street, London: Design of upper balconies, Cottingham's Director, see Fig.28. 31 Gloucester Street, Sydney Cove West: balconies from Cottingham's Director, see Fig.28. (Robertson). 32 Bishop Stevens House, Society Hill, Philadelphia: balustrade and balcony from Cottingham's Director, see Fig.33. (Robertson). v.1 33 Ornamental Metal Worker's Director. LNC 1823. Designs for borders, friezes etc. 34 No.1 Louisburg Square, Boston: balcony design from Cottingham's Smith and Founder's Director, 1824 see Fig.28. (Robertson). 35 Commonwealth Avenue, Boston: balustrades from the Director 1824, see Fig. 28. (Robertson). 36 Hythe, Wilmore's Lane, Longford, Tasmania, built in 1831. Designs from Cottingham's Director, see Fig.37, (Robertson). 37 Smith and Founder's Director. LNC 1824. Patterns for window guards. 38 Lansdowne Crescent, Leamington Spa: balustrade combining two of Cottingham's designs from the Director, see Fig. 37. (Robertson). 39 Belgrave Square, London: balcony design from the Director, see Fig.40. (Robertson). 40 Drawing of a balustrade by Cottingham, undated. (Robertson Collection). 41 Drawing of a stair with rinceau balustrade and candelabrum. Undated LNC. (Robertson Collection). 42 Drawing of staircase, similar to RA, Piccadilly. Undated, LNC. (Robertson Collection). 43 Staircase balusters. LNC. (Robertson Collection). 44 Drawing of a Veranda. Undated. LNC. (Robertson Collection). 45 Salters' Hall Competition: front elevation. LNC 1821. (Guildhall Library). 46 Salters' Hall Competition: ground plan. LNC 1821. (Guildhall Library). 47 Fishmongers' Hall Competition: Eastern or Bridge front from the South approach to London Bridge. LNC 1832. (Guildhall). 48 Fishmongers' Hall Competition: River front, North approach to London Bridge. LNC 1832. (Guildhall). 49 Fishmongers' Hall Competition: Elevation of East front showing warehousing and cellarage. LNC 1832. (Guildhall). 50 Fishmongers' Hall Competition: elevation of South front showing warehousing and wharves. LNC 1832. (Guildhall). 51 Fishmongers' Hall Competition, the Great Hall, looking North. LNC 1832. (Guildhall). 52 Fishmongers' Hall Competition, transverse section through the Great Hall. LNC 1832. 53 Houses of Parliament Competition: 'A Perspective View of the New House, Speaker's Residence and restoration of St Stephen's Chapel, given from the pavement in front of Westminster Bridge on the Surrey side of the river at the Bridge foot'. LNC 1836. (RIBA Drawings). 54 Houses of Parliament Competition. 'A Perspective View of the South West Front, given from a point on the West of Abingdon Street'. LNC 1836. (RIBA Drawings). 55 Rochester Cathedral. Engraving by John Coney of 1816. (Kent RU). 56 Rochester Cathedral. Engraving by W.D., 1826. (Rochester Museum). 57 The south east transept before Cottingham's restoration, showing one of the buttresses built in the 18th century. 58 Leaning columns. The Chapter Room, Rochester Cathedral. 59 Cottingham's lithograph of the West front and tower of Rochester before his repairs of 1825. NMRO. 60 Cottingham's lithograph of his proposed alterations to the tower, 1825. NMRO. 61 Elevation of the Tower, 'as restored with sundry fragments found in the modern casing of the old one'. LNC 1825. (Kent RU). v.2 62 View of the interior of Rochester Cathedral, 1836, after Cottingham's work to remove obstructions and unblock windows. (Rochester Museum.) 63 Rochester Cathedral Choir, 1842, after Cottingham revealed the original windows of the East end. (NMRO.) 64 The West window of Rochester, after Cottingham removed obstructions that obscured the lower part of the window and the doorway arch. 65 13th century fresco painting, 'Wheel of Fortune' discovered by Cottingham on removing whitewash. The Mirror. 1825, p.340. 66 Bishop de Sheppey's tomb discovered by Cottingham at Rochester in 1825. (Photo J.M.). 67 Cottingham was able to reconstruct the surround from fragments of the original. (Photo J.M.). 68 The original bases of the chancel pillars revealed by Cottingham when he lowered the altar pavement to its original position. (Photo J.M.). 69 The Purbeck marble columns and carvings that Cottingham cleaned of mortar and whitewash throughout Rochester Cathedral. (Photo J.M.). 70 View of the Crypt, restored and cleaned by Cottingham, (Rochester Museum.) 71 The restored Crypt; Cottingham revealed the bases of the pillars. (Photo J.M.). 72 The 14th century Chapter House doorway of Rochester Cathedral. Cottingham replaced a square-headed door and brick infill and mended figures in the surround. (Photo J.M.). 73 Rochester Cathedral today. Spire and tower by Hodgson Fowler, 1904. (Photo J.M.). 74 Magdalen College Chapel: Ackermann 1814, showing Wyatt's Gothic work, the Classical screen, and Buckler's heating stove. 75 Magdalen College Chapel, 1811. Etching by G.G.Cooper. (NMRO.) 76 Magdalen College Chapel, after Cottingham's restoration of 1829-33. View taken after the insertion of Earp's statues in reredos of 1865. (NMRO.) 77 Watercolour by LNC: proposal for East end of Magdalen College Chapel, 1829. (Mag.Coll. Archive: Photo Thomas, Oxford). 78 Watercolour (by LNC?): proposal for West end, new organ case and screen, 1829. (Mag.Coll. Archive: Photo Thomas, Oxford). 79 Anthony Salvin: proposal for Magdalen College Chapel, looking East, 1829. (Univ. of Toronto). 80 Anthony Salvin: alternative design for reredos, 1829. (Univ. of Toronto). 81 Anthony Salvin: Transverse section; looking West, 1829. (Univ. of Toronto). 82 Lithograph by C.V.Richardson of the East end of Magdalen showing the reredos without the statues, cl 850. (Magdalen College Archive). 82a Choir and sanctuary of Southwark with reredos restored in 1833. Compare with Cottingham's Magdalen reredos, Fig.82. 83 Cottingham's stone screen at Magdalen, viewed from the Antechapel. (Photo Thomas, Oxford 1988). 84 View of Cottingham's organ screen with the 1855 organ, taken before the alterations of 1980. Note Cottingham's candle sconces, since removed. (Photo Thomas, Oxford). 85 Wyatt made proposals for a Gothic organ screen in 1791, not executed. Magdalen College Fol.II, p.91). 86 Cottingham's boiler house; south west angle of the chapel, 1829. (Photo J.M.). 87 Chapel entrance to cloister: Cottingham's door. (NMRO.) 88 Watercolour by LNC? c1829. Proposal for tomb of Richard Patten. (Mag.Coll. Archive B1413). 89 The tomb as built. Cottingham 1829. (Photo J.M.). v.3 90 Frontispiece to Catalogue of Sale: contents of Magdalen College Chapel, 1837. (Mag.Coll. Archives). 91 Elevation of organ case by Julian Bicknell, 1985: Jenny Playle. (Photo Thomas, Oxford). 92 View of East end of Magdalen College Chapel showing Cottingham's screen and stone chair case of 1829, and Bicknell's wooden case of 1985. (Photo Thomas, Oxford). 93 South aisle of the nave of St Alban's Abbey drawn by J.C.Buckler after the collapse of the roof, 1832. (Herts. RO). 94 J.C.Buckler's drawing of the West Porch of St Alban's Abbey at the time of Cottingham's restoration, 1832. Compare with Fig.99, after G.G.Scott's restoration. (Herts. RU). 95 Print of the proposed alteration to St Alban's Abbey, 1832. LNC. (Herts. RU). 96 View of the West front during G.G.Scott's restoration of 1876. Note John Wheathampstead's window of 1401, repaired by Cottingham in 1832. Compare with Fig.99 showing Scott's new design. (Herts RO). 97 Lady Chapel of St Alban's; East windows slated up whilst used as a grammar school, 1870. (Herts. RU). 98 S.E.Aisle of Saint's Chapel, St Alban's, bricked up; iron grating looking into Saint's Chapel, 1870. (Herts. RU). 99 West front of St Alban's Abbey, after the restoration by G.G.Scott and Edmund Beckett, 1877. Compare with Fig.100. (Herts. RO). 100 North West view of St Alban's Abbey, drawn by J.C.Buckler, 1832, as Cottingham left it. (Herts. RO). 101 Armagh Cathedral: watercolour of 1780. Armagh Cathedral. 102 Plan of Armagh Cathedral from Cottingham's survey of 1834. Carpenter & Bigelow, 1886. 103 Drawing by LNC of Armagh Cathedral prior to his restoration work of 1834. (Carpenter & Bigelow 1886). 104 West elevation of Armagh: proposal for Tower with upper stage. LNC, 1834. (Armagh Cathedral Library). 105 View of Armagh Cathedral, showing the clerestory windows renewed by Cottingham, 1834. 106 Drawing for aisle windows, Armagh. LNC, 1834. Altered on discovery of fragments of original design. (Armagh Cathedral Library). 107 Aisle windows, 1834. (Repaired 1950.) (Photo J.M.). 108 Detail of aisle windows. 109 Drawing for West end: details of buttresses and pinnacles, based on remains of the existing ones. LNC, 1834. (Armagh Cathedral Library). 110 West front of Armagh. Cottingham retained the Early English lights of 3 lancets. See Fig.102 (Photo J.M.). 111 The West doorway, 1834. (Photo J.M.). 112 Drawing of East end: Cottingham retained the 14th century window opening. LNC, 1834. (Armagh Cathedral Library). 113 The East end. (Alteration by Carpenter & Bigelow, 1886.) (Photo J.M.). 114 Early English lancets discovered by Cottingham in East and West sides of the North transept and retained, (Photos J.M.). 115 North transept: Cottingham retained the 14th century window openings. (Photo J.M.). 116 North doorway, 1834. (Photo J.M.). 117 South transept: Windows renewed 1950. (Photo J.M.). v.4 118 Perspective view of the Nave of Armagh and proposed screen; coved ceiling and alternative design for the West window. LNC, 1834. (Armagh Cathedral Library). 119 Cottingham's screen of 1834, Armagh. (Removed to side Chapel 1888). (Photo J.M.). 119a Plan, elevations and details of the entrance doors to the screen, Armagh. LNC 1834. 120 Chancel walls panelled in stone. Cottingham, 1834. 121 Cottingham's carved stone altar, Armagh 1834. 122 Reredos, Armagh. Cottingham 1834. 123 View of the proposed restoration of the Interior of the Choir of Armagh Cathedral. LNC, 1834. 124 Second design for the Throne, Armagh. LNC 1834. (Armagh Cathedral Library). 125 Armorial bearings in Panel at back of Throne. LNC, 1837. (Armagh Cathedral Library). 126 Photograph taken of Armagh prior to removal of Cottingham's screen in 1888; note Cottingham's screen, throne, pulpit and pews. (Armagh Cathedral Library). 127 Some of Cottingham's carved pews remain in the choir. (Photo J.M.). 128 Armagh Cathedral today: Chancel screen, pews, pulpit and throne of 1903. (Photo Tempest, St Ives). 129 Carved stone font. LNC 1834. (Photo J.M.). 130 Remnants of Cottingham's carved oak stalls stored in the crypt. (Photo J.M.). 131 Specimens of early carving discovered by Cottingham, 1834-40; Armagh Cathedral Crypt. (Photo J.M.). 132 Armagh Cathedral railings. LNC, 1840. (Photo J.M.). 133 Window of the South aisle: scriptural group, under canopy work by Warrington of London, 1840. (Ecclesiologist.) 134 Window of the South aisle by 'a lady amateur', Mrs Dunbar 1840. (Ecclesiologist: Rogers). 135 South transept window: memorial to Lord J.G.Beresford, 1858. Lavers and Barrand. (Rogers). [East end windows by Willement, Ward & Nixon & Warrington destroyed in last 10 years by bomb blasts. Dean Crooks, 1989.1 136 Stone tracery of windows of nave aisles and clerestory renewed in 1950. (Photo J.M.). 137 The Norman Tower, used as the bell tower to the Church of St James. Restored by Cottingham, 1842-49. (NMRO.) 138 The Norman Tower from St James' Gardens (the old graveyard). Note Cottingham's Savings Bank to the left. See Part II, Chapter 2. (Photo J.M.). 139 Frontispiece to A History of St Mary's Church by S.Tymms, 1845: drawings by NJC. (Suffolk RO.) 140 Angel in cove of the nave roof. NJC, 1845. (Tymms). 141 Monument and the Old Font in St Mary's, illustrated by NJC, 1845. (Tymms). 142 Roof of nave; carved angels restored by LNC, 1845. (NMRO.) 143 The West door and niches as restored by Cottingham, 1844. (Tymms). 144 St Mary's Church, Bury St Edmunds: South west view as restored. LNC, 1845. (Tymms). 145 Handle on the Western door; illustrated by NJC. (Tymms). 146 The Lady Chapel of Hereford Cathedral when used as a Library; prior to LNC's restoration. c1840. (Hereford Library). v.5 147 A.W.N.Pugin used the Grecian screen of Hereford as an example of Pagan' architecture in contrast to the Gothic screen of the 15th century Byrham Abbey. Contrasts 1836. 148 The East end of the Choir of Hereford Cathedral, 1841, before Cottingham's restoration. (Merewether). 149 The East end of the Choir after Cottingham's restoration and the removal of the Grecian screen, 1841, (Merewether). Compare with the East triplet at Southwark, see Fig. 82a. 150 The North arch of the Tower before restoration. (Merewether). 151 Arches of the central tower with infill masonry, prior to Cottingham's restoration. Note the panelled pews. c1840. (Hereford Cathedral Library). 152 Cottingham made a model of one of the tower arches: displayed in Hereford Cathedral. 153 The North arch of the Tower after Cottingham's restoration. (Merewether). Compare with Fig.150. 154 The first arch of the nave and the arch at the west end of the north aisle showing the dilapidation prior to Cottingham's restoration. (Merewether). 155 Section of the tower: survey by Robert Willis, 1841. (Hereford cathedral Library). 156 Section of the Tower from North to South looking East. Willis, 1841. (Hereford Cathedral Library). 157 Section of the East end of the Lady Chapel showing the structural damage, 1841. (Merewether). 158 Interior of the Lady Chapel, Hereford; completed by NJC, 1847-49. (Merewether). 159 Stone carved reredos by NJC, 1849. Hereford Cathedral. (Photo J.M.). 160 Illustration of the completed work to the Tower and the East end. Lithograph: possibly LNC. (Hereford Cathedral Library). 161 Horringer Church, Suffolk: encaustic tiles. LNC, 1845. 162 Barrow Church, Suffolk: encaustic tiles. LNC, 1849. 163 St Mary's, Clifton, Notts: encaustic tiles. LNC, 1846. 164 St Helen's, Thorney: encaustic tiles, centre aisle. LNC, 1846. 165 St Helen's, Thorney: encaustic tiles, chancel floor. LNC, 1846. 166 Rochester Cathedral, East end. Pulpit and Bishop's Throne by LNC. Lithograph, 1842. (NMRO.) 167 Carved oak pulpit, Rochester Cathedral. NC, 1825. (Photos J.M.). 168 Nave of St Alban's: note Cottingham's Bishop's Throne removed from Rochester to St Alban's in 1877. Lithograph. (Herts RO). 169 Carved stone font in Romanesque style. LNC, c1825: designed for the Romanesque nave of Rochester, it was moved to Deptford Church where it now looks out of place in the 18th century Classical interior. (Photo J.M.). 170 Magdalen College Chapel. Carved oak and carved stone panelling. LNC, 1829. (Photos J.M.). 171 Magdalen College Chapel. Carved oak and stone in Perpendicular Gothic. LNC, 1829-33. (Photos J.M.). See also Fig.84. 172 Temple Church. Carved bench ends. LNC, 1841. Destroyed 1944. NMRO. 173 St Mary's Church, Bury St Edmunds. Carved oak pulpit in the style of the 15th century. LNC, 1846. (Photos J.M.). 174 St Mary's, Bury. Carved Caen stone font. LNC, 1842. The old font, (see Fig.175) has been returned to its former position and Cottingham's font has disappeared. (NMRO). 175 The 15th century stone font, preserved by LNC at the time of his restoration of St Mary's Bury. (NMRO) See also Fig.141. v.6 176 St Mary's, Bury. Entrance lobby with panelled screen. LNC, 1842. (Photos J.M.). 177 Oak bench pews with carved finials: St Mary's, Bury. LNC. (Photos J.M.). 178 St Mary's Bury. Carved oak communion table and aumbrey. LNC. (Photos J.M.). 179 Chairs of carved oak, St Mary's Bury. LNC, 1846. (Photos J.M.). 180 Bench ends at Woolpit Church, Suffolk of the 15th century. 181 St Mary's, Clifton, Notts. All that remains of Cottingham's work; a sample of carved pews in the chancel and the font cover. LNC. (Photos J.M.). 182 Market Weston, Suffolk. Interior, Chancel rebuilt and all furnishings by LNC 1846. (Photos .M.). 183 Market Weston: carved oak benches and seats in the chancel. LNC, 1846. (Photo J.M.). 184 Bench pews of the nave with a variety of pierced roundels. Market Weston, 1846. LNC. (Photos J.M.). 185 Octagonal pulpit of carved oak, Market Weston. LNC. (Photo J,M.). 186 Lectern, also 'boldly executed in oak' at Market Weston. LNC. (Photo J.M.). 187 Monument to Fanny, Lady Boothby, designed by LNC, executed by Willement, Ashbourne Church 1840. (Photo Ashbourne Photos). 188 Interior of Brougham Chapel. LNC, 1846. (Photo Kersting). 189 Carved oak bench ends, Brougham Chapel. LNC, 1846. (Photos J.M.). 190 Ironwork hinges by LNC at Brougham Chapel. 1842. (Photos J.M.). 191 Nearby Church of St Ninian, Ninekirks, Cumbria, which has remained unaltered: built by Lady Anne Clifford in the 17th century. (NMRO.) 192 Illustration in W.B.Scott's Antiquarian Gleanings in the North of England, of LNC's aumbrey door and bench ends at Brougham Chapel. See Fig.193. 193 Letter by NJC with sketch for the aumbrey door at Brougham Chapel, 1845. 194 Horringer Church, Suffolk. Cottingham's north aisle with remains of bench pews and vestry door with iron hinges. 1845. (Photos J.M.). 195 Barrow Church, Suffolk: interior restored by NJC, 1849; simple panelled benches in the nave. (Photo J.M.). 196 Barrow Church: carved oak stalls: NJC, 1849: remains of 15th century rood screen used for the design. 197 Barrow Church: carved oak pulpit. NJC. 1849. 198 Early English lancet East window at Barrow Church: stained glass by NJC. 1849. 199 Theberton Church Suffolk: carved oak bench ends in the chancel, based on 15th century Woolpit Church. LNC, 1846. See Fig.180. 200 Deal open benches in the nave at Theberton. LNC, 1846. 201 The South aisle arcade with the mediaeval wall painting restored by Cottingham. Theberton, 1846. 202 The timbers, spandrels, bosses and angels of the South aisle roof. Theberton, LNC, 1846. 203 The monument to the Hon Frederica Doughty, Theberton. LNC, 1846. 204 Windows of the South aisle: St Peter: Coats of Arms of the Doughty family; and St Paul: Thomas Willement. Theberton 1846. 205 Interior of Milton Bryan Church. LNC, 1842. 205a Cottingham's North porch and entrance door at Milton Bryan. 206 Brass corona at Milton Bryan. LNC(?), 1842. 207 West front of St Helen's, Thorney, Notts by LNC, 1846-50. (All Photos of St Helen's by J.M.). v.7 208 Compare St Helen's wheel window with that of Temple Church window, discovered by LNC in 1841 and LNC's wheel window at Brougham Chapel. 209 West doorway of St Helen's showing a variety of Romanesque decoration: great iron hinges to the door. 210 North side of. St Helen's with sacristy: note two bell turrets and compare with St Peter's Church, Tickencote. 211 Corbel course of grotesque heads: windows grouped in pairs, St Helen's. LNC, 1846. 212 Detail of dragon or crocodile heads: St Helen's, 1846. Compare with Figs. 213 & 214. 213 St Mary and St David, Kilpeck: note belfry, corbel course; Kilpeck was restored by LNC in 1846-47. 214 A crocodile head from Kilpeck. 215 St Helen's: sacristy window with zig-zag surround: compare with small belfry window, St Mary's Iffley. Fig.216. 216 West front of St Mary's, Iffley. 217 The South side of St Helen's: South door with Romanesque mouldings and massive iron hinges. 218 The East end of St Helen's with triple round-headed lights and round window of geometric design. 219 Chancel arch of St Helen's, and detail of the mouldings and capitals. 220 The Chancel arch, St Michael & All Angels, Stewkley, Bucks. 221 The Chancel arch, Tickencote. 222 Piscina and Sedilia, St Helen's: note rich variety of Romanesque detailing. 223 Details of chancel windows; chancel arch; grotesque faces on corbel course at St Helen's; compare with Fig. 224. 224 Interior details of Romanesque mouldings in St Peter's, Tickencote. 225 Square carved Ancaster stone pulpit: St Helen's. 226 Carved Ancaster stone lectern, St Helen's. 227 Font of early Romanesque circular form, St Helen's. 228 Cottingham's carved oak Throne chair, St Helen's. 229 Romanesque font preserved by Cottingham at St Helen's. 230 Snelston Parish Church, Derbyshire. (restored LNC 1822: largely rebuilt 1903). 231 Ashbourne Church, West doorway: Early English mouldings: restored LNC 1839. 232 Great Chesterford Church, Essex: Cottingham saved the leaning tower, 1846. 233 Roos Church: restored LNC, 1842. 234 Milton Bryan Church: Lithograph from a drawing by Lady Palgrave showing the church as restored in 1842, with the Inglis vault and chapel, the new North porch and tower and the reopened West window. (Beds RO). 234a Cottingham's North porch and tower Milton Bryan. 235 Louth Parish Church: Cottingham's drawings for the repairs to the spire and the new finial. (Lincs RO). 236 Market Weston Church, Suffolk. (Photos JM). 237 Chancel at Market Weston, rebuilt by Cottingham, in keeping with the materials and 14th century style of the church: 1844. 238 East window of flowing tracery: Market Weston, LNC. 239 In a previous restoration the roof of the nave was lowered (clearly shown in the photograph). Cottingham simply mended the roof, and undertook the major task of saving the tower. v.8 240 Ground plan for a North aisle and new vestry. Horringer. L.N.Cottingham & Son, Architects, 1844. (ICBS:3577). 241 Details of Cottingham's extension at Horringer in keeping with the Suffolk materials of the church and its style. The interior of the North aisle with Middle Pointed arcade. (Photo JM). 242 Theberton Church, Suffolk: Cottingham restored the South aisle and porch, retaining all original ornament, and saved the tower, 1846. 243 Barrow Church, Suffolk: NJC's restored chancel and renewed East window: sympathetic use of materials: compare with Fig.244. 244 Barrow Church: note present day repairs to porch using random ashlar instead of Suffolk flint. 245 Ledbury Church: NJC restored St Katherine's Chapel, and installed a font. 1849-50. 246 Brougham Chapel, Westmoreland: (rebuilt 1659): restored LNC, 1844-46. (Photo JM). 247 East end of Brougham Chapel. Romanesque wheel window. LNC, 1844. (Photo JM). 248 Brougham Chapel interior: Romanesque arches and pillars to the windows, LNC. 249 The Eglinton Tournament; illustrations from J.Aikman's An Account of Eglinton of 1839, Stands designed by LNC(?) and supplied by Samuel Pratt. 250 The Eglinton Tournament: March to the Tilting Ground. Aikman, designs by LNC(?) 1839. 251 Eglinton illustrated by J.H.Nixon, 1843, for John Richardson's Eglinton. 252 Lord Bredalbane's Baronial Hall 1840, inspired by the Eglinton Tournament, (Girouard, Return to Camelot). 253 The Duke of York Hotel and numbers 80-86, Waterloo Bridge Road, Lambeth. LNC 1826. (BM Prints and Drawings). 254 Houses in Anne Street and the South end of Bazing Place, Waterloo Bridge Road, LNC 1826. (BM Prints and Drawings). 255 Doorway to No.86 Waterloo Bridge Road, Cottingham's house with Romanesque mouldings and heraldic crest above. LNC 1826. (Survey of London). 256 Neo-Classical detail to ceiling of ground floor shop, and to the first floor doors of No.86. LNC 1826. (Survey of London). 257 Drawings of remaining mediaeval fittings from LNC's Museum of Mediaeval Art at No.86, prior to demolition in 1951. (Survey of London). 258 Photograph of 1949 of the York Hotel and adjoining buildings viewed from St John's Churchyard. (Survey of London). 259a Map of Snelston, showing position of the Hall and the estate village. (OS Map, c1880 Derby Local Studies). 259 South elevation of Snelston Hall, June 18th, 1822, LNC; the earliest design in classical style for John Harrison. (Derbyshire RO). 260 Neo-classical elevation for the West front of Snelston Hall, 1826. LNC. (Derbyshire RO). 261 Elevation of North front of Snelston, first Gothic design, May 1826 LNC. (Derbyshire RO). Compare with Fig.262. 262 Hever Castle, Kent; a manor house fortified in the 14th century, (Cottingham took casts of architectural features from Hever). 263 Proposed East front of Snelston Hall; LNC 1826. (Derbyshire RO). 264 Proposed West front of Snelston Hall; LNC 1826. (Derbyshire RO). 265 Watercolour by LNC, February 1826, 'Gothic Elevation for Snelston Hall', in a Reptonian setting. (Derbyshire RO). v.9 266 South-East view of Snelston (without the bell turret). Watercolour by LNC of January 1827. (Derbyshire R0). 267 Westow Hall, Suffolk. (J.H.Parker, 1851). Compare with Fig.266. 268 Watercolour of the Entrance Front of Snelston Hall; final design 1827; LNC. (Derbyshire R0). 269 South-East view of Snelston Hall; watercolour by LNC possibly 1827. (Derbyshire RO). 270 Plan of Ground Floor of Snelston Hall;undated LNC. (possibly 1825-26). 271 Chamber Plan of Snelston Hall; undated LNC. 272 Watercolour, May 1828, by LNC of Plan of Snelston Hall and landscape gardens. (NMRO). 273 Chamber Plan of Snelston Hall, (as built) of 1828. (NMRO). 274 Inscription for foundation stone of Snelston Hall, laid 11th June 1827. (NMRO). 275 East front of Snelston Hall. (Photo. Col. Stanton). 276 Detail of entrance porch on East front. (Photo. Col. Stanton). 277 South front of Snelston with two storeyed Hall window. (Photo. Col. Stanton). 278 Sneslton Hall from the West. (Photo. Col. Stanton). 279 South front viewed from the Lake. (Photo. Col. Stanton). 280 Toddington; view from the South-West; Jan 1839, Plate VI. (Britton). 281 View of Snelston from the North-East showing landscaped grounds; note the Gothic fence. (Photos. Col. Stanton 1927). 282 Entrance gate and massive battlement retaining wall. (Photo Col. Stanton 1927). 283 View through archways to entrance hall (fireplace, Lockwood 1907). Staircase to left. Before demolition in 1952. (NMRO). 284 Hall ceilings based on Crosby Hall, ornamented with Tudor rose and pendant knops. (NMRO 1952). 285 Snelston; drawing room fireplace and overmantel in the style of the 15th cenutry Gothic of Henry VII's Chapel. Note castiron fireback and Gothic firegrate. (NMRO). 286 Snelston Hall staircase rising in two flights to first floor gallery. (NMRO 1952: Allen & Farquhar Sale Cat 19 52). 287 Hall window with arms of John & Eliz Harrison (NMRO). 288 Staircase at Toddington, based on Crosby Hall. (Britton 1839). 289 First floor gallery; just visible niches for statues and carved oak stalls. (Photos Col. Stanton 1927). 290 - 298 299 First floor gallery prior to demolition in 1952. (NMRO). 300 Niches on wall in First Gallery - finely modelled 15th century tabernacle work based on Henry VII's Chapel. 301 Cottingham's illustration for the oak stalls; no date. (Derbyshire RO). 302 Snelston Dining Room, sideboards just visible; fine plaster work ceiling based on Crosby Hall. (Photo 1927). 303 Dining room prior to demolition; view through arcade to hall. (NMRO 1952). 304 Library: Note Cottingham's carved oak bookcase fitments. (Photo Col. Stanton 1927). 305 Library ceiling. (NMRO). 306 Cottingham's designs for the Drawing room of Snelston Hall including the furniture. (Derbyshire RO). 0 v.1

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architecture and design, much of it hitherto unknown, and his . Cottingham's designs, and based on those discovered in the Chapter House at.
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.