Index to Volume 53 Aaron Copland: The Life and Work of an Uncommon Man, by Howard Pollack, re- viewed by DAVID NICHOLLS, 1:191-96 All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder, reviewed by CAROL K. BARON, 2:437-44 Approaching the Communion Melodies, BRAD MAIANT, 2:209-90 Aspects of Orality and Formularity in Gregorian Chant, by Theodore Karp, reviewed by SUSAN BOYNTON, 1:141-52 Authenticities: Philosophical Reflections on Musical Performance, by Peter Kivy, re- viewed by JOHN BUTT, 2:402-11 BARON, CAROL K., review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder, 2:437-44 BAUR, STEVEN, 77 Communications, 2:448-50 BEAL, AMY C., Negotiating Cultural Allies: American Music in Darmstadt, 1946- 1956, 1:105-39 Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture, by William J. Mahar, reviewed by CHARLES HAMM, 1:165-83 Béla Bartok and Turn-of-the-Century Budapest, by Judit Frigyesi, reviewed by DAVID E. SCHNEIDER, 1:183-91 BENT, MARGARET, im Colloquy, On the Interpretation of @ in the Fifteenth Century: A Response to Rob Wegman, 3:597-612 Bent, Margaret, and Andrew Wathey, eds., Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliotheque Nationale de France, MS francais 146, reviewed by DANIEL LEECH-WILKINSON, 1:152-59 Bergquist, Peter, ed., Orlando di Lasso Studies, reviewed by FRANZ KORNDLE, 3:624-29 BOHLMAN, PHILIP V., review of Salamone Rossi: Jewish Musician in Late Renais- sance Mantua, by Don Harran, 2:395-—402 Boyden, Matthew, Richard Strauss, reviewed by STEPHEN McCLATCHIE, 3:650-60 BOYNTON, SUSAN, review of Aspects of Orality and Formularity in Gregorian Chant, by Theodore Karp; and Gregorian Chant and the Carolingians, by Kenneth Levy, 1:141-52 Brinkmann, Reinhold, and Christoph Wolff, eds., Driven into Paradise: The Musical Migration from Nazi Germany to the United States, reviewed by JOY H. CALICO, 3:643-49 Burkholder, J. Peter, A// Made of Tunes: Charles Ives and the Uses ofM usical Borrowing, reviewed by CAROL K. BARON, 2:437-44 688 Journal of the American Musicological Society BUTT, JOHN, review of Authenticities: Philosophical Reflections on Musical Perfor- mance, by Peter Kivy, 2:402-11 CALICO, JOY H., review of Driven into Paradise: The Musical Migration from Nazi Germany to the United States, edited by Reinhold Brinkmann and Christoph Wolff, 3:643-49 CASTELVECCHI, STEFANO, Sentimental and Anti-Sentimental in Le nozze di Figaro, 1:1-24 Circular Form in the Tristan Prelude, ROBERT P. MORGAN, 1:69-103 The Civic Muse: Music and Musicians in Siena During the Middle Ages and the Renats- sance, by Frank A. D’Accone, reviewed by LEEMAN L. PERKINS, 2:387-95 Cockrell, Dale, Demons of Disorder: Early Blackface Minstrels and Their World, re- viewed by CHARLES HAMM, 1:165-83 D’Accone, Frank A., The Civic Muse: Music and Musicians in Siena During the Middle Ages and the Renaissance, reviewed by LEEMAN L. PERKINS, 2:387-95 Defining Russia Musically: Historical and Hermeneutical Essays, by Richard Taruskin, reviewed by SIMON MORRISON, 2:412-25 Demons of Disorder: Early Blackface Minstrels and Their World, by Dale Cockrell, re- viewed by CHARLES HAMM, 1:165-83 Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth- Century Music, ROB C. WEGMAN, 3:461-505; see also Colloquy by MAR- GARET BENT, 3:597-612 Driven into Paradise: The Musical Migration from Nazi Germany to the United States, edited by Reinhold Brinkmann and Christoph Wolff, reviewed by JOY H. CAL- ICO, 3:643-49 The Early Life and Career of the “Black Patti”: The Odyssey of an African American Singer in the Late Nineteenth Century, JOHN GRAZIANO, 3:543-96 FARRELL, GERRY, review of Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India, by Bonnie C. Wade, 3:667-70 Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliotheque Nationale de France, MS francais 146, edited by Margaret Bent and Andrew Wathey, reviewed by DANIEL LEECH-WILKINSON, 1:152-59 Fay, Laurel E., Shostakovich: A Life, reviewed by SIMON MORRISON, 2:426-36 French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style, by Steven Huebner, reviewed by ANYA SUSCHITZKY, 3:636-—42 Frigyesi, Judit, Béla Bartok and Turn-of-the-Century Budapest, reviewed by DAVID E. SCHNEIDER, 1:183-91 Gilliam, Bryan, The Life of Richard Strauss, reviewed by STEPHEN McCLATCHIE, 3:650-60 GRAZIANO, JOHN, The Early Life and Career of the “Black Patti”: The Odyssey of an African American Singer in the Late Nineteenth Century, 3:543-96 Gregorian Chant and the Carolingians, by Kenneth Levy, reviewed by SUSAN BOYNTON, 1:141-52 HAAR, JAMES, review of Music in the Age of the Renaissance, by Leeman L. Perkins, 3:629-36 HADLOCK, HEATHER, Sonorous Bodies: Women and the Glass Harmonica, 3:507-42 HAGGH, BARBARA, iz Communications, 1:197-98 HAMM, CHARLES, review of Demons of Disorder: Early Blackface Minstrels and Their World, by Dale Cockrell; Raising Cain: Blackface Performance from Jim Index to Volume 53 689 Crow to Hip Hop, by W. T. Lhamon, Jr.; and Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture, by William J. Mahar, 1:165-83 Harran, Don, Salamone Rossi: Jewish Musician in Late Renaissance Mantua, reviewed by PHILIP V. BOHLMAN, 2:395-402 Huebner, Steven, French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style, reviewed by ANYA SUSCHITZKY, 3:636-—42 Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India, by Bonnie C. Wade, reviewed by GERRY FARRELL, 3:667-70 In Praise of Convention: Formula and Experiment in Bellini’s Self-Borrowings, MARY ANN SMART, 1:25-68 Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations, by Brian Ward, reviewed by GUTHRIE P. RAMSEY, JR., 3:661-67 Karp, Theodore, Aspects of Orality and Formularity in Gregorian Chant, reviewed by SUSAN BOYNTON, 1:141-52 KARP, THEODORE, review of Latin Poetry and Conductus Rhythm in Medieval France, by Christopher Page; and The Sound of Medieval Song: Ornamentation and Vocal Style According to the Treatises, by Timothy J. McGee, 3:613-23 KARP, THEODORE, im Communications, 3:67 1-75 Kennedy, Michael, Richard Strauss: Man, Musician, Enigma, reviewed by STEPHEN McCLATCHIE, 3:650-60 Kivy, Peter, Authenticities: Philosophical Reflections on Musical Performance, reviewed by JOHN BUTT, 2:402-11 KNAPP, RAYMOND, A Tale of Two Symphonies: Converging Narratives of Divine Reconciliation in Beethoven’s Fifth and Sixth, 2:29 1-343 KORNDLE, FRANZ, review of Orlando di Lasso Studies, edited by Peter Bergquist, 3:624-29 Latin Poetry and Conductus Rhythm in Medieval France, by Christopher Page, re- viewed by THEODORE KARP, 3:613-23 LEECH-WILKINSON, DANIEL, review of Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliotheque Nationale de France, MS francais 146, edited by Margaret Bent and Andrew Wathey, 1:152-59 Levy, Kenneth, Gregorian Chant and the Carolingians, reviewed by SUSAN BOYN- TON, 1:141-52 Lhamon, W. T., Jr., Raising Cain: Blackface Performance from Jim Crow to Hip Hop, reviewed by CHARLES HAMM, 1:165-83 The Life of Richard Strauss, by Bryan Gilliam, reviewed by STEPHEN McCLATCHIE, 3:650-60 Liszt, Franz, Selected Letters, translated and edited by Adrian Williams, reviewed by MICHAEL SAFFLE, 1:159-64 Mahar, William J., Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Ante- bellum American Popular Culture, reviewed by CHARLES HAMM, 1:165-83 MAIANI, BRAD, Approaching the Communion Melodies, 2:209-90 McCLATCHIE, STEPHEN, review of Richard Strauss, by Matthew Boyden; The Life of Richard Strauss, by Bryan Gilliam; and Richard Strauss: Man, Musician, Enigma, by Michael Kennedy, 3:650-—60 McGee, Timothy J., The Sound of Medieval Song: Ornamentation and Vocal Style According to the Treatises, reviewed by THEODORE KARP, 3:613-23 MORGAN, ROBERT P., Circular Form in the Tristan Prelude, 1:69-103 690 Journal of the American Musicological Society MORRISON, SIMON, review of Defining Russia Musically: Historical and Herme- neutical Essays, by Richard Taruskin, 2:412-25 MORRISON, SIMON, review of Shostakovich: A Life, by Laurel E. Fay, 2:426-36 Music in the Age of the Renaissance, by Leeman L. Perkins, reviewed by JAMES HAAR, 3:629-36 Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956, AMY C. BEAL, 1:105-39 NICHOLLS, DAVID, review of Aaron Copland: The Life and Work of an Uncommon Man, by Howard Pollack, 1:191-96 Orlando di Lasso Studies, edited by Peter Bergquist, reviewed by FRANZ KORNDLE, 3:624-29 Page, Christopher, Latin Poetry and Conductus Rhythm in Medieval France, reviewed by THEODORE KARP, 3:613-23 PERKINS, LEEMAN L., Music in the Age of the Renaissance, reviewed by JAMES HAAR, 3:629-36 PERKINS, LEEMAN L., review of The Civic Muse: Music and Musicians in Siena During the Middle Ages and the Renaissance, by Frank A. D’Accone, 2:387-95 Pollack, Howard, Aaron Copland: The Life and Work of an Uncommon Man, reviewed by DAVID NICHOLLS, 1:191-96 The Quest for the Origins of Music in Germany Circa 1900, ALEXANDER REH- DING, 2:345-85 Raising Cain: Blackface Performance from Jim Crow to Hip Hop, by W. T. Lhamon, Jr., reviewed by CHARLES HAMM, 1:165-83 RAMSEY, GUTHRIE P., JR., review of Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations, by Brian Ward, 3:661-67 REHDING, ALEXANDER, The Quest for the Origins of Music in Germany Circa 1900, 2:345-85 Richard Strauss, by Matthew Boyden, reviewed by STEPHEN McCLATCHIE, 3:650-60 Richard Strauss: Man, Musician, Enigma, by Michael Kennedy, reviewed by STEPHEN McCLATCHIE, 3:650-60 SAFFLE, MICHAEL, review of Selected Letters, by Franz Liszt, translated and edited by Adrian Williams, 1:159-64 Salamone Rossi: Jewish Musician in Late Renaissance Mantua, by Don Harran, re- viewed by PHILIP V. BOHLMAN, 2:395-402 SCHNEIDER, DAVID E., review of Béla Bartok and Turn-of-the-Century Budapest, by Judit Frigyesi, 1:183-91 Selected Letters, by Franz Liszt, translated and edited by Adrian Williams, reviewed by MICHAEL SAFFLE, 1:159-64 Sentimental and Anti-Sentimental in Le nozze di Figaro, STEFANO CASTELVECCHI, 1:1-24 Shostakovich: A Life, by Laurel E. Fay, reviewed by SIMON MORRISON, 2:426-36 SMART, MARY ANN, In Praise of Convention: Formula and Experiment in Bellini’s Self-Borrowings, 1:25-68 Sonorous Bodies: Women and the Glass Harmonica, HEATHER HADLOCK, 3:507-42 The Sound ofM edieval Song: Ornamentation and Vocal Style According to the Treatises, by Timothy J. McGee, reviewed by THEODORE KARP, 3:613-23 Index to Volume 53 691 SUSCHITZKY, ANYA, review of French Opera at the Fin de Siécle: Wagnerism, Nationalism, and Style, by Steven Huebner, 3:636—42 A Tale of Two Symphonies: Converging Narratives of Divine Reconciliation in Beethoven’s Fifth and Sixth, RAYMOND KNAPP, 2:291-343 Taruskin, Richard, Defining Russia Musically: Historical and Hermeneutical Essays, reviewed by SIMON MORRISON, 2:412-25 VAN DEN TOORN, PIETER C., i Communications, 2:445-—48 Wade, Bonnie C., Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India, reviewed by GERRY FARRELL, 3:667—70 Ward, Brian, Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations, reviewed by GUTHRIE P. RAMSEY, JR., 3:661—67 Wathey, Andrew, see Margaret Bent WEGMAN, ROB C., Different Strokes for Different Folks? On Tempo and Diminu- tion in Fifteenth-Century Music, 3:461—505 Williams, Adrian, trans. and ed., Franz Liszt: Selected Letters, reviewed by MICHAEL SAFFLE, 1:159-64 Wolff, Christoph, see Reinhold Brinkmann