Table Of ContentCover page Page: i
Halftitle page Page: i
Series page Page: ii
Title page Page: xiii
Copyright page Page: xiv
Dedication page Page: xv
Contents Page: xvii
Acknowledgements Page: xix
List of illustrations Page: xxi
Note on references and editions Page: xxiii
Introduction Page: 1
1 Jane Austen practising Page: 9
The family milieu Page: 11
Nonsense and insensibility Page: 13
Unbecoming Jane Page: 15
The worst-chosen language Page: 17
Cudgels and traps Page: 20
2 The terrors of Northanger Abbey Page: 24
Literature and politics in the 1790s Page: 26
Novels in manuscript and print Page: 30
Parodying the Gothic Page: 31
Anxieties of common life Page: 35
3 Sense, sensibility, society Page: 40
Precarity Page: 42
Feeling Page: 45
Self-command Page: 51
4 The voices of Pride and Prejudice Page: 56
Epigram Page: 58
Letters Page: 59
Authority Page: 63
Free indirect discourse Page: 67
5 The silence at Mansfield Park Page: 71
Authorship Page: 74
Ordination Page: 76
Slavery Page: 79
6 Emma and Englishness Page: 86
Landscape Page: 88
Rank Page: 91
A national tale? Page: 95
England in 1815 Page: 97
7 Passion and Persuasion Page: 102
Back stories Page: 104
The navy Page: 108
Oceanic Austen Page: 111
Afterword Page: 117
Timeline Page: 125
References Page: 127
Further reading Page: 130
Index Page: 135
Bestsellers Page: 141
English Literature Page: 142
Romanticism Page: 143
French Literature Page: 144
Description:Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of works unpublished in her day, including three volumes of witty, non-realist juvenilia and the innovative, unfinished Sanditon. She pioneered new techniques for representing voices, minds, and hearts in narrative prose, and was a penetrating satirist of social tensions and trends in an era dominated by the French Revolution, the Napoleonic Wars, and the socio-economic disruptions entailed by them. Yet Austen struggled for many years to break into print, and even as she became a published author in the last years of her relatively short life, reading tastes and book-trade expectations constrained as much as they enabled her literary career. This Very Short introduction explores the major themes of Austen criticism through close analysis of her major and minor works, with particular emphasis on the literary, social, and political backgrounds from which the novels emerge, and with which they engage. Thomas Keymer combines critical introductions to each of Austen's six major novels with an exploration of the key themes in her works, from national identity to narrative technique. The Austen who emerges is a writer shaped by the literary experiments and socio-political debates of the revolution decade, drawn in her maturity to a fundamentally conservative vision of social harmony, yet forever complicating this vision through the disruptive ironies and satirical energies of her prose. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.