N E M D O N W A H S N S R R R I T E D E R Y I I O O R M T W H E T S R T O H S h oker D’ Elke Irish Women Writers and the Modern Short Story Elke   D ’hoker Irish Women Writers and the Modern Short Story Elke   D’hoker University of Leuven Leuven , Belgium ISBN 978-3-319-30287-4 ISBN 978-3-319-30288-1 (eBook) DOI 10.1007/978-3-319-30288-1 Library of Congress Control Number: 2016945022 © The Editor(s) (if applicable) and The Author(s) 2 016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG Switzerland For my children: Jonathan, Lucas, Leander and Jessica A CKNOWLEDGEMENTS This book has been several years in the making, so I have reason to be grateful to many colleagues and friends whose conversations on Irish lit- erature, the short story, or academic life in general sustained me in this period. In no particular order, I’d like to thank: Anne Fogarty, Tina O’Toole, Patricia Coughlan, Kathryn Laing, Heather Ingman, Margaret Kelleher, Claire Connolly, Theresa Wray, Grainne Hurley, Derek Hand, Lucy Collins, Maureen O’Connor, Philip Coleman, Rob Luscher, Katharina Rennhak, Fiona McCann, Michelle Ryan-Sautour, Emmanuel Vernandakis, Christine Reynier, Adrian Hunter, Paul Delaney, Jochen Achilles, Ailsa Cox, Sue Lanser, Elke Brems, Bart Van den Bossche, Ortwin de Graef, Hedwig Schwall, Pieter Vermeulen, Stephanie Eggermont, Raphaël Ingelbien, Anke Gilleir, Reine Meylaerts, Dagmar Vandebosch, and all my colleagues at the KU Leuven Arts Faculty, the Leuven Centre for Irish Studies and the MDRN research lab. Many parts of this book fi rst saw the light as conference papers, which I presented at several IASIL, EFACIS, SSSS, and ENSFR conferences over the years. Thank you to all the colleagues who provided feedback on those occasions. Some parts of this book have been previously published as articles. Chapter 3 draws on some material from “The Poetics of House and Home in the Short Fiction of Elizabeth Bowen”, O rbis Litterarum 67, 4 (2012), pp. 267–89, and Chapter 6 revisits arguments that were previously published in “‘And the transformation begins’: Present-Tense Narration in Claire Keegan’s Daughter Stories”, C ontemporary Women’s Writing 7, 2 (2013), pp. 190–204 and “Rereading the mother in Edna O’Brien’s Saints and Sinners ”, J ournal of the Short Story in English vii viii ACKNOWLEDGEMENTS 63 (2014), pp. 115–30. I am grateful to the editors of these journals for granting me permission to reprint my work. Writing papers and articles is one thing, but fi nding the time to write a book is quite another—especially if that time is fragmented by so many other jobs: teaching, writing grant applications, supervising, administra- tion and endless meetings. Since sabbaticals are hard to come by in my university, in the end I ‘bought’ a semester free of teaching by taking up parental leave so that I could fi nally write the book. My greatest thanks therefore go to my husband, who encouraged me to take this step and always believed I could do it. I am also indebted to my parents, who are always ready to help me out in the daily struggle of combining a family and a career. This book is dedicated to my children—Jonathan, Lucas, Leander and Jessica—who did not seem to mind that my parental leave was not entirely devoted to their care, or, if they did, were easily consoled by the promise of one day seeing their names appear in a ‘real book’. C ONTENTS 1 Introduction 1 2 Mothers of the Irish Short Story: George Egerton and Somerville and Ross 2 1 3 Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan 51 4 Mary Lavin’s Relational Selves 8 3 5 Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes 1 11 6 The Rebellious Daughters of Edna O’Brien and  Claire Keegan 1 41 ix