Search-and-rescue worker Sarah Patrick and Monty, her talented golden retriever, take center stage in this deft, suspenseful outing. The immensely appealing heroine was introduced as a secondary character in Iris Johansen's previous thriller The Killing Game. Back, too, is John Logan from Face of Deception, the charismatic billionaire whose very personal vendetta against a stop-at-nothing killer pulls Sarah into a high-stakes game of search and destroy.

When Logan's top-secret research station in South America is attacked and his chief scientist kidnapped, Sarah and Monty manage to track the hostage through the jungle and save his life. But that's only the beginning in what turns out to be a series of sadistic and deadly attempts to destroy Logan. Despite Sarah's initial distrust, she comes to respect and ultimately love Logan--which makes her and Monty targets for the killer's vengeance, too. The action moves swiftly across the globe, from the American Southwest to Colombia to Taiwan, and finally to North Dakota, in a tense, dramatic denouement. Johansen manages to explicate her characters' back-stories and illuminate their motivation as she moves the action forward with skillful pacing. Fans of the author's previous suspense thrillers featuring forensic sculptor Eve Duncan won't be disappointed that she plays only a bit part in Johansen's newest; Sarah and Monty are worth a series of their own, and The Search is a terrific beginning. --Jane Adams

Two strong-minded women from Johansen's bestselling Killing Game make return appearances in her latest thriller, with their billing reversed: Irish-Apache search-and-rescue worker Sarah Patrick is the star, while her friend, forensic sculptor Eve Duncan, takes a supporting role. The center-stage love story also features a twist. Eve's billionaire entrepreneur ex-lover, John Logan, falls for Sarah even while risking her life in his war with hyper-evil Martin Rudzak, who has already killed his own half-sister, Chen Li, rather than lose her to John. Johansen's roots lie in historical romance, but her thrillers ooze enough testosterone to suggest she also descends from the house of Robert Ludlum. Sarah and her fabulous canine partner, golden retriever Monty, slog into the aftermaths of a Turkish earthquake and a Taiwanese mudslide, and engage in a heartbreaking search for drowned teens in a lake near Sarah's Arizona cabin. They deal with bullets and bombs and collaborate to save a cruelly trapped wolf, dubbed Maggie, whose unlikely cross-species passion for Monty provides neat commentary on female-male attraction in general--and there's no need to be a dog-lover to revel in Sarah and Monty's empathetic closeness. On the downside, Johansen seems more interested in telling her story than in writing it. To create a sense of urgency, she relies heavily on the device of the two-word sentence and the one-sentence paragraph; parts of the book read like shorthand. Sarah and John globe trot, but there's scant sense of place, and minor characters like nasty Sen. Todd Madden are one-dimensional. Then again, the novel admirably eschews gush and wallpaper--in a postfeminist way, Sarah's ruggedness simply is. For better or for worse, Johansen pushes the gender boundary in popular fiction, offering up that rarity: a woman's novel for men. Major ad/promo. (June)
Copyright 2000 Reed Business Information, Inc.