A nM dA gl An Introduction to Architectural theory is the first critical history of ol g o r architectural thought over the last forty years. Beginning with the dA Mv cataclysmic social and political events of 1968, the authors survey Ae n the criticisms of high modernism and its abiding evolution, the rise of postmodern and poststructural theory, traditionalism, new A n urbanism, critical regionalism, deconstruction, parametric design, I minimalism, phenomenology, sustainability, and the implications of n An IntroductIon to t new technologies for design. With a sharp and lively text, Mallgrave r ArchitecturAl theory and goodman explore issues in depth but not to the extent that they o d become inaccessible to beginning students. u c t I 1968 to the Present hArry FrAncIs MAllgrAve is a professor of architecture at Illinois Institute of o technology, and has enjoyed a distinguished career as an award-winning scholar, n translator, and editor. his most recent publications include Modern Architectural t hArry FrAncIs MAllgrAve And dAvId goodMAn o theory: A historical survey, 1673–1968 (2005), the two volumes of Architectural A theory: An Anthology from vitruvius to 2005 (Wiley-Blackwell, 2005–8, volume 2 r with co-editor christina contandriopoulos), and the Architect’s Brain: neuroscience, creativity, and Architecture (Wiley-Blackwell, 2010). c h dAvId goodMAn is studio Associate Professor of Architecture at Illinois Institute i of technology and is co-principal of r+d studio. he has also taught architecture at t harvard university’s graduate school of design and at Boston Architectural college. e his work has appeared in the journal log, in the anthology chicago Architecture: c histories, revisions, Alternatives, and in the northwestern university Press t u publication Walter netsch: A critical Appreciation and sourcebook. r A l t h e o Photo ©tomasz Pietryszek / getty Images. r cover design credit: simon levy design Associates y MMaallllggrraavvee__ffffiirrss..iinndddd iiii 11//1177//22001111 1100::0022::1144 AAMM An Introduction to Architectural Theory MMaallllggrraavvee__ffffiirrss..iinndddd ii 11//1177//22001111 1100::0022::1133 AAMM MMaallllggrraavvee__ffffiirrss..iinndddd iiii 11//1177//22001111 1100::0022::1144 AAMM An Introduction to Architectural Theory 1968 to the Present Harry Francis Mallgrave and David Goodman A John Wiley & Sons, Ltd., Publication MMaallllggrraavvee__ffffiirrss..iinndddd iiiiii 11//1177//22001111 1100::0022::1144 AAMM This edition first published 2011 © 2011 Harry Francis Mallgrave and David Goodman Wiley-Blackwell is an imprint of John Wiley & Sons, formed by the merger of Wiley’s global Scientific, Technical and Medical business with Blackwell Publishing Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www. wiley.com/wiley-blackwell The right of Harry Francis Mallgrave and David Goodman to be identified as the authors of this work been asserted in accordance with the UK Copyright, Designs and Patents Act 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval s ystem, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books Designations used by companies to distinguish their products are often claimed as t rademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought Library of Congress Cataloging-in-Publication Data Mallgrave, Harry Francis, 1947– An Introduction to Architectural Theory : 1968 to the Present / Harry Francis Mallgrave and David Goodman. p. cm Summary: “A sharp and lively text that covers issues in depth but not to the point that they become inaccessible to beginning students, An Introduction to Architectural Theory is the first narrative history of this period, charting the veritable revolution in architectural thinking that has taken place, as well as the implications of this intellectual upheaval. The first comprehensive and critical history of architectural theory over the last forty years surveys the intellectual history of architecture since 1968, including criticisms of high modernism, the rise of postmodern and poststructural theory, critical regionalism and tectonics. Offers a comprehensive overview of the significant changes that architectural thinking has undergone in the past fifteen years. Includes an analysis of where architecture stands and where it will likely move in the coming years.”– Provided by publisher. Includes bibliographical references and index. ISBN 978-1-4051-8063-4 (hardback) – ISBN 978-1-4051-8062-7 (paperback) 1. Architecture–Philosophy. 2. Architecture–Historiography. I. Goodman, David, 1974– II. Title. NA2500.M277 2012 720.1–dc22 2010043539 A catalogue record for this book is available from the British Library This book is published in the following electronic formats: ePDFs 9781444395976; ePub 9781444395983 Set in 10/12.5pt Galliard by SPi Publisher Services, Pondicherry, India Printed in Malaysia 01 2011 MMaallllggrraavvee__ffffiirrss..iinndddd iivv 11//1177//22001111 1100::0022::1144 AAMM Contents List of Illustrations viii Prelude: The 1960s 1 Technology and Ecology 3 Social Underpinnings of Modernism 6 1968 11 Part One: 1970s 15 1 Pars Destruens: 1968–1973 17 Venturi and Scott Brown 18 Rossi and Tafuri 23 The Milan Triennale 27 The IAUS and the New York Five 30 2 The Crisis of Meaning 37 Semiotics and Architecture 39 Five on Five 43 Gray and White 45 Variations on a Theme 48 3 Early Postmodernism 53 The Language of Postmodernism 54 Consummation in Venice 57 European Counterpoints 59 4 Modernism Abides 65 The Chicago High-Rise 65 German Engineering 70 British Renaissance 74 MMaallllggrraavvee__ffttoocc..iinndddd vv 1122//1133//22001100 22::5544::0011 PPMM vi Contents Post-Metabolism in Japan 79 The Special Case of Alexander 85 Part Two: 1980s 89 5 Postmodernism and Critical Regionalism 91 Postmodernism Further Defined 91 Postmodernism Opposed 94 Critical Regionalism and Phenomenology 97 Mérida and Venice 102 6 Traditionalism and New Urbanism 108 The Prince of Architecture 108 The Paternoster Controversy 111 Toward a New Urbanism 115 7 Gilded Age of Theory 123 Poststructural Theory 123 Poststructural Architecture 129 Eisenman and Tschumi 131 8 Deconstruction 141 Postmodernism Undefined 142 Gehry 146 The 68ers Come of Age 149 “… a devious architecture …” 154 Part Three: 1990s and Present 159 9 Wake of the Storm 161 Fragments of Fragments 161 From Derrida to Deleuze 164 Geometry and Autonomy 167 The End of the Figure: Manipulated Grounds 171 Form without Rhetoric 174 10 Pragmatism and Post-Criticality 177 OMA 177 The Orange Revolution 185 Post-Criticality 192 11 Minimalisms 194 Materiality and Effects 195 Neo-modernism 205 Phenomenological Architecture 210 MMaallllggrraavvee__ffttoocc..iinndddd vvii 1122//1133//22001100 22::5544::0011 PPMM Contents vii 12 Sustainability and Beyond 215 The Green Movement 217 McDonough and Yeang 218 Green Urbanism 223 Biophilic Design 226 Neuroaesthetics 229 Notes 231 Acknowledgments 265 Index 266 MMaallllggrraavvee__ffttoocc..iinndddd vviiii 1122//1133//22001100 22::5544::0011 PPMM Illustrations P.1 BBPR, Torre Velasca, Milan (1950–1958) 2 P.2 Image depicting a “Cell Gateway,” from Christopher Alexander, Sanford Hirshen, Sara Ishikawa, Christie Coffin, and Shlomo Angel, Houses Generated by Patterns (1969) 10 1.1 Learning from Las Vegas, by Robert Venturi, Denise Scott Brown, and Steven Izenour 21 1.2 Aldo Rossi, Gallaratese, Milan, Italy 28 1.3 Giuseppe Terragni, Casa del Fascio, Como, Italy 31 1.4 Peter Eisenman, House I, Princeton, New Jersey (1967) 32 2.1 Cover of Collage City, by Colin Rowe and Fred Koetter 46 2.2 Stanley Tigerman, “The Titanic.” 51 3.1 Antonio Gaudi, Casa Battló, Barcelona (1904–1906) 56 3.2 Page from Rational Architecture 62 4.1 Plate from Myron Goldsmith, “The Tall Building: The Effects of Scale” 67 4.2 George Schipporeit and John Heinrich, Lake Point Tower, Chicago (1964–1967) 68 4.3 Skidmore, Owens & Merrill, John Hancock Building, Chicago (1964–1969) 69 4.4 Piano and Rogers, Georges Pompidou Cultural Centre, Paris (1971–1977) 76 4.5 Norman Foster and Associates, Hongkong and Shanghai Bank, Hongkong (1979–1986) 78 4.6 Kisho Kurokawa, Helix City (1960) 80 4.7 Kisho Kurokawa, Wacoal Kojimachi Building, Tokyo (1982–1984) 82 4.8 Fumihiko Maki, Wacoal Media Center, Tokyo (1982–1985) 85 5.1 Rob Krier, Gateway to IBA Housing, South Tiergarten, Berlin (1980–1985) 96 MMaallllggrraavvee__ffllaasstt..iinndddd vviiiiii 1122//1144//22001100 11::2299::5588 PPMM