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Inkle and Yarico an opera in three acts by George Colman the Younger PDF

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The Project Gutenberg EBook of Inkle and Yarico, by George Colman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Inkle and Yarico An opera, in three acts Author: George Colman Commentator: Mrs. Inchbald Release Date: July 5, 2011 [EBook #36621] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK INKLE AND YARICO *** Produced by Steven desJardins, David Garcia and the Online Distributed Proofreading Team at https://www.pgdp.net INKLE AND YARICO INKLE—BY HEAVENS! A WOMAN! ACT I. SCENE III. PAINTED BY HOWARD. PUBLISHD BY LONGMAN & CO. ENGRAVD BY HEATH. INKLE AND YARICO; AN OPERA, IN THREE ACTS; AS PERFORMED AT THE THEATRES ROYAL COVENT GARDEN, AND HAYMARKET. BY GEORGE COLMAN, the younger; PRINTED, UNDER THE AUTHORITY OF THE MANAGERS, FROM THE PROMPT BOOK. WITH REMARKS BY MRS. INCHBALD. LONDON: PRINTED FOR LONGMAN, HURST, REES, AND ORME, PATERNOSTER ROW. T. Davison, Whitefriars, London. REMARKS. This is a drama, which might remove from Mr. Wilberforce his aversion to theatrical exhibitions, and convince him, that the teaching of moral duty is not confined to particular spots of ground; for, in those places, of all others, the doctrine is most effectually inculcated, where exhortation is the most required—the resorts of the gay, the idle, and the dissipated. This opera was written, when the author was very young; and, should he live to be very old, he will have reason to be proud of it to his latest day—for it is one of those plays which is independent of time, of place, or of circumstance, for its value. It was popular before the subject of the abolition of the slave trade was popular. It has the peculiar honour of preceding that great question. It was the bright forerunner of alleviation to the hardships of slavery. The trivial faults of this opera are—too much play on words (as it is called) by Trudge; and some classical allusions by other characters, in whose education such knowledge could not be an ingredient. A fault more important, is—that the scene at the commencement of the opera, instead of Africa, is placed in America. It would undoubtedly have been a quick passage, to have crossed a fourth part of the western globe, during the interval between the first and second acts; still, as the hero and heroine of the drama were compelled to go to sea— imagination, with but little more exertion, might have given them a fair wind as well from the coast whence slaves are really brought, as from a shore where no such traffic is held 1. As an opera, Inkle and Yarico has the singular merit not to be protected, though aided, by the power of music: the characters are so forcibly drawn, that even those performers who sing, and study that art alone, can render every part effectual: and singers and actors of future times, like those of the past, and of the present, will find every character exactly suited to their talents. This opera has been performed in every London theatre, and in every theatre of the kingdom, with the same degree of splendid success. It would have been wonderful had its reception been otherwise; for the subject is a most interesting one, and in the treatment of it, the author has shewn taste, judgment—virtue. 1 (return) No doubt the author would have ingenuity to argue away this objection—but that, which requires argument for its support in a dramatic work, is a subject for complaint. As slaves are imported from Africa, and never from America, the audience, in the two last acts of this play, feel as if they had been in the wrong quarter of the globe during the first act. Inkle could certainly steal a native from America, and sell her in Barbadoes, but this is not so consonant with that nice imitation of the order of things as to rank above criticism. PERSONS REPRESENTED. COVENT GARDEN. Inkle Mr. Johnstone. Sir Christopher Curry Mr. Quick. Campley Mr. Davies. Medium Mr. Wewitzer. Trudge Mr. Edwin. Mate Mr. Darley. Yarico Mrs. Billington. Narcissa Mrs. Mountain. Wowski Mrs. Martyr. Patty Mrs. Rock. HAYMARKET. Inkle Mr. Bannister, jun. Sir Christopher Curry Mr. Parsons. Medium Mr. Baddeley. Campley Mr. Davies. Trudge Mr. Edwin. Mate Mr. Meadows. Yarico Mrs. Kemble. Narcissa Mrs. Bannister. Wowski Miss George. Patty Mrs. Forster. SCENE,—First on the Main of America: Afterwards in Barbadoes. INKLE AND YARICO. ACT THE FIRST. SCENE I. An American Forest. Medium. [Without.] Hilli ho! ho! Trudge. [Without.] Hip! hollo! ho!—Hip!—— Enter Medium and Trudge. Med. Pshaw! it's only wasting time and breath. Bawling won't persuade him to budge a bit faster, and, whatever weight it may have in some places, bawling, it seems, don't go for argument here. Plague on't! we are now in the wilds of America. Trudge. Hip, hillio—ho—hi!—— Med. Hold your tongue, you blockhead, or—— Trudge. Lord! sir, if my master makes no more haste, we shall all be put to sword by the knives of the natives. I'm told they take off heads like hats, and hang 'em on pegs, in their parlours. Mercy on us! My head aches with the very thoughts of it. Hollo! Mr. Inkle! master; hollo! Med. [Stops his mouth.] Head aches! Zounds, so does mine, with your confounded bawling. It's enough to bring all the natives about us; and we shall be stripped and plundered in a minute. Trudge. Aye; stripping is the first thing that would happen to us; for they seem to be woefully off for a wardrobe. I myself saw three, at a distance, with less clothes than I have, when I get out of bed: all dancing about in black buff; just like Adam in mourning. Med. This is to have to do with a schemer! a fellow who risks his life, for a chance of advancing his interest.— Always advantage in view! Trying, here, to make discoveries, that may promote his profit in England. Another Botany Bay scheme, mayhap. Nothing else could induce him to quit our foraging party, from the ship; when he knows every inhabitant here is not only as black as a pepper-corn, but as hot into the bargain—and I, like a fool, to follow him! and then to let him loiter behind.—Why, nephew;—Why, Inkle.— [Calling.] Trudge. Why, Inkle——Well! only to see the difference of men! he'd have thought it very hard, now, if I had let him call so often after me. Ah! I wish he was calling after me now, in the old jog-trot way, again. What a fool was I to leave London for foreign parts!——That ever I should leave Threadneedle-street, to thread an American forest, where a man's as soon lost as a needle in a bottle of hay! Med. Patience, Trudge! Patience! If we once recover the ship—— Trudge. Lord, sir, I shall never recover what I have lost in coming abroad. When my master and I were in London, I had such a mortal snug birth of it! Why, I was factotum. Med. Factotum to a young merchant is no such sinecure, neither. Trudge. But then the honour of it. Think of that, sir; to be clerk as well as own man. Only consider. You find very few city clerks made out of a man, now-a-days. To be king of the counting-house, as well as lord of the bed-chamber. Ah! if I had him but now in the little dressing-room behind the office; tying his hair, with a bit of red tape, as usual. Med. Yes, or writing an invoice in lampblack, and shining his shoes with an ink-bottle, as usual, you blundering blockhead! Trudge. Oh, if I was but brushing the accounts or casting up the coats! mercy on us! what's that? Med. That! What? Trudge. Didn't you hear a noise? Med. Y—es—but—hush! Oh, heavens be praised! here he is at last. Enter Inkle. Now, nephew! Inkle. So, Mr. Medium. Med. Zounds, one would think, by your confounded composure, that you were walking in St. James's Park, instead of an American forest: and that all the beasts were nothing but good company. The hollow trees, here, sentry boxes, and the lions in 'em, soldiers; the jackalls, courtiers; the crocodiles, fine women; and the baboons, beaus. What the plague made you loiter so long? Inkle. Reflection. Med. So I should think; reflection generally comes lagging behind. What, scheming, I suppose; never quiet. At it again, eh? What a happy trader is your father, to have so prudent a son for a partner! Why, you are the carefullest Co. in the whole city. Never losing sight of the main chance; and that's the reason, perhaps, you lost sight of us, here, on the main of America. Inkle. Right, Mr. Medium. Arithmetic, I own, has been the means of our parting at present. Trudge. Ha! A sum in division, I reckon. [Aside. Med. And pray, if I may be so bold, what mighty scheme has just tempted you to employ your head, when you ought to make use of your heels? Inkle. My heels! Here's pretty doctrine! Do you think I travel merely for motion? What, would you have a man of business come abroad, scamper extravagantly here and there and every where, then return home, and have nothing to tell, but that he has been here and there and every where? 'Sdeath, sir, would you have me travel like a lord? Med. No, the Lord forbid! Inkle. Travelling, uncle, was always intended for improvement; and improvement is an advantage; and advantage is profit, and profit is gain. Which in the travelling translation of a trader, means, that you should gain every advantage of improving your profit. I have been comparing the land, here, with that of our own country. Med. And you find it like a good deal of the land of our own country——cursedly encumbered with black legs, I take it. Inkle. And calculating how much it might be made to produce by the acre. Med. You were? Inkle. Yes; I was proceeding algebraically upon the subject. Med. Indeed! Inkle. And just about extracting the square root. Med. Hum! Inkle. I was thinking too, if so many natives could be caught, how much they might fetch at the West Indian markets. Med. Now let me ask you a question, or two, young cannibal catcher, if you please. Inkle. Well. Med. Ar'n't we bound for Barbadoes; partly to trade, but chiefly to carry home the daughter of the governor, Sir Christopher Curry, who has till now been under your father's care, in Threadneedle-street, for polite English education? Inkle. Granted. Med. And isn't it determined, between the old folks, that you are to marry Narcissa, as soon as we get there? Inkle. A fixed thing. Med. Then what the devil do you do here, hunting old hairy negroes, when you ought to be obliging a fine girl in the ship? Algebra, too! You'll have other things to think of when you are married, I promise you. A plodding fellow's head, in the hands of a young wife, like a boy's slate, after school, soon gets all its arithmetic wiped off: and then it appears in its true simple state: dark, empty, and bound in wood, Master Inkle. Inkle. Not in a match of this kind. Why, it's a table of interest from beginning to end, old Medium. Med. Well, well, this is no time to talk. Who knows but, instead of sailing to a wedding, we may get cut up, here, for a wedding dinner: tossed up for a dingy duke, perhaps, or stewed down for a black baronet, or eat raw by an inky commoner? Inkle. Why sure you ar'n't afraid? Med. Who, I afraid? Ha! ha! ha! No, not I! What the deuce should I be afraid of? Thank Heaven I have a clear conscience, and need not be afraid of any thing. A scoundrel might not be quite so easy on such an occasion; but it's the part of an honest man not to behave like a scoundrel: I never behaved like a scoundrel—for which reason I am an honest man, you know. But come—I hate to boast of my good qualities. Inkle. Slow and sure, my good, virtuous Mr. Medium! Our companions can be but half a mile before us: and, if we do but double their steps, we shall overtake 'em at one mile's end, by all the powers of arithmetic. Med. Oh curse your arithmetic! [Exeunt. SCENE II. Another part of the Forest.—A ship at anchor in the bay at a small distance.—Mouth of a cave. Enter Sailors and Mate, as returning from foraging. Mate. Come, come, bear a hand, my lads. Tho'f the bay is just under our bowsprits, it will take a damned deal of tripping to come at it—there's hardly any steering clear of the rocks here. But do we muster all hands? All right, think ye? 1st. Sail. All to a man——besides yourself, and a monkey——the three land lubbers, that edged away in the morning, goes for nothing, you know—they're all dead, may-hap, by this. Mate. Dead! you be—Why they're friends of the captain; and if not brought safe aboard to-night, you may all chance to have a salt eel for your supper—that's all—Moreover the young plodding spark, he with the grave, foul weather face, there, is to man the tight little frigate, Miss Narcissa—what d'ye call her? that is bound with us for Barbadoes. Rot'em for not keeping under weigh, I say! But come, let's see if a song will bring 'em too. Let's have a full chorus to the good merchant ship, the Achilles, that's wrote by our captain. SONG. The Achilles, though christen'd, good ship, 'tis surmis'd, From that old man of war, great Achilles, so priz'd, Was he, like our vessel, pray fairly baptiz'd? Ti tol lol, &c. Poets sung that Achilles—if, now, they've an itch To sing this, future ages may know which is which; And that one rode in Greece—and the other in pitch. Ti tol lol, &c. What tho' but a merchant ship—sure our supplies: Now your men of war's gain in a lottery lies, And how blank they all look, when they can't get a prize! Ti tol lol, &c. What are all their fine names? when no rhino's behind, The Intrepid, and Lion, look sheepish you'll find; Whilst, alas! the poor Æolus can't raise the wind! Ti tol lol, &c. Then the Thunderer's dumb; out of tune the Orpheus; The Ceres has nothing at all to produce; And the Eagle I warrant you, looks like a goose. Ti tol lol, &c. 1st. Sail. Avast! look a-head there. Here they come, chased by a fleet of black devils. Midsh. And the devil a fire have I to give them. We han't a grain of powder left. What must we do, lads? 2d. Sail. Do? Sheer off to be sure. Midsh. [Reluctantly.] Well, if I must, I must. [Going to the other side, and holloing to Inkle, &c.] Yoho, lubbers! Crowd all the sail you can, d'ye mind me! [Exeunt Sailors. Enter Medium, running across the stage, as pursued by the Blacks. Med. Nephew! Trudge! run—scamper! Scour—fly! Zounds, what harm did I ever do to be hunted to death by a pack of bloodhounds? Why nephew! Oh, confound your long sums in arithmetic! I'll take care of myself; and if we must have any arithmetic, dot and carry one for my money. [Runs off. Enter Inkle and Trudge, hastily. Trudge. Oh! that ever I was born, to leave pen, ink, and powder for this! Inkle. Trudge, how far are the sailors before us? Trudge. I'll run and see, sir, directly. Inkle. Blockhead, come here. The savages are close upon us; we shall scarce be able to recover our party. Get behind this tuft of trees with me; they'll pass us, and we may then recover our ship with safety. Trudge. [Going behind.] Oh! Threadneedle-street, Thread— Inkle. Peace. Trudge. [Hiding.] —Needle-street. [They hide behind trees. Natives cross. After a long pause, Inkle looks from the trees.] Inkle. Trudge. Trudge. Sir. [In a whisper.] Inkle. Are they all gone by? Trudge. Won't you look and see? Inkle. [Looking round.] So all is safe at last. [Coming forward.] Nothing like policy in these cases; but you'd have run on, like a booby! A tree, I fancy, you'll find, in future, the best resource in a hot pursuit. Trudge. Oh, charming! It's a retreat for a king, sir: Mr. Medium, however, has not got up in it; your uncle, sir, has run on like a booby; and has got up with our party by this time, I take it; who are now most likely at the shore. But what are we to do next, sir? Inkle. Reconnoitre a little, and then proceed. Trudge. Then pray, sir, proceed to reconnoitre; for the sooner the better. Inkle. Then look out, d'ye hear, and tell me if you discover any danger. Trudge. Y——Ye—s—Yes. Inkle. Well, is the coast clear? Trudge. Eh! Oh lord!—Clear! [Rubbing his eyes.] Oh dear! oh dear! the coast will soon be clear enough now, I promise you——The ship is under sail, sir! Inkle. Confusion! my property carried off in the vessel. Trudge. All, all, sir, except me. Inkle. They may report me dead, perhaps, and dispose of my property at the next island. [The vessel appears under sail.] Trudge. Ah! there they go. [A gun fired.] ——That will be the last report we shall ever hear from 'em I'm afraid. —That's as much as to say, Good bye to ye. And here we are left—two fine, full-grown babes in the wood! Inkle. What an ill-timed accident! Just too, when my speedy union with Narcissa, at Barbadoes, would so much advance my interests.—Ah, my Narcissa, I never shall forget thy last adieu.—Something must be hit upon, and speedily; but what resource? [Thinking.] Trudge. The old one—a tree, sir.—'Tis all we have for it now. What would I give, now, to be perched upon a high stool, with our brown desk squeezed into the pit of my stomach—scribbling away an old parchment!——But all my red ink will be spilt by an old black pin of a negro. SONG. [Last Valentine's Day.] A voyage over seas had not entered my head, Had I known but on which side to butter my bread, Heigho! sure I—for hunger must die! I've sail'd like a booby; come here in a squall, Where, alas! there's no bread to be butter'd at all! Oho! I'm a terrible booby! Oh, what a sad booby am I! In London, what gay chop-house signs in the street! But the only sign here is of nothing to eat. Heigho! that I——for hunger should die! My mutton's all lost; I'm a poor starving elf! And for all the world like a lost mutton myself. Oho! I shall die a lost mutton! Oh! what a lost mutton am I! For a neat slice of beef, I could roar like a bull; And my stomach's so empty, my heart is quite full. Heigho! that I—for hunger should die! But, grave without meat, I must here meet my grave, For my bacon, I fancy, I never shall save. Oho! I shall ne'er save my bacon! I can't save my bacon, not I! Trudge. Hum! I was thinking——I was thinking, sir—if so many natives could be caught, how much they might fetch at the West India markets! Inkle. Scoundrel! is this a time to jest? Trudge. No, faith, sir! Hunger is too sharp to be jested with. As for me, I shall starve for want of food. Now you may meet a luckier fate: you are able to extract the square root, sir; and that's the very best provision you can find here to live upon. But I! [Noise at a distance.] Mercy on us! here they come again. Inkle. Confusion! Deserted on one side, and pressed on the other, which way shall I turn?—This cavern may prove a safe retreat to us for the present. I'll enter, cost what it will. Trudge. Oh Lord! no, don't, don't——We shall pay too dear for our lodging, depend on't. Inkle. This is no time for debating. You are at the mouth of it: lead the way, Trudge. Trudge. What! go in before your honour! I know my place better, I assure you—I might walk into more mouths than one, perhaps. [Aside.] Inkle. Coward! then follow me. [Noise again.] Trudge. I must, sir; I must! Ah, Trudge, Trudge! what a damned hole are you getting into! [Exeunt into a Cavern. SCENE III. A cave, decorated with skins of wild beasts, feathers, &c. In the middle of the scene, a rude kind of curtain, by way of door to an inner apartment. Enter Inkle and Trudge, as from the mouth of the cavern. Inkle. So far, at least, we have proceeded with safety. Ha! no bad specimen of savage elegance. These ornaments would be worth something in England.—We have little to fear here, I hope: this cave rather bears the pleasing face of a profitable adventure. Trudge. Very likely, sir! But for a pleasing face, it has the cursed'st ugly month I ever saw in my life. Now do, sir, make off as fast as you can. If we once get clear of the natives' houses, we have little to fear from the lions and leopards: for by the appearance of their parlours, they seem to have killed all the wild beast in the country. Now pray, do, my good master, take my advice, and run away. Inkle. Rascal! Talk again of going out, and I'll flea you alive. Trudge. That's just what I expect for coming in.—All that enter here appear to have had their skins stript over their ears; and ours will be kept for curiosities—We shall stand here, stuffed, for a couple of white wonders. Inkle. This curtain seems to lead to another apartment: I'll draw it. Trudge. No, no, no, don't; don't. We may be called to account for disturbing the company: you may get a curtain- lecture, perhaps, sir. Inkle. Peace, booby, and stand on your guard. Trudge. Oh! what will become of us! Some grim, seven foot fellow ready to scalp us. Inkle. By heaven! a woman. [As the curtain draws, Yarico and Wowski discovered asleep. Trudge. A woman! [Aside.] — [Loud.] But let him come on; I'm ready—dam'me, I don't fear facing the devil himself—Faith it is a woman—fast asleep too. Inkle. And beautiful as an angel! Trudge. And egad! there seems to be a nice, little plump bit in the corner; only she's an angel of rather a darker sort. Inkle. Hush! keep back—she wakes. [Yarico comes forward— Inkle and Trudge retire to opposite sides of the scene.] SONG.—YARICO. When the chace of day is done, And the shaggy lion's skin, Which for us, our warriors win, Decks our cells at set of sun; Worn with toil, with slap opprest, I press my mossy bed, and sink to rest. Then, once more, I see our train, With all our chase renew'd again: Once more 'tis day, Once more our prey Gnashes his angry teeth, and foams in vain. Again, in sullen haste, he flies, Ta'en in the toil, again he lies, Again he roars—and, in my slumbers, dies. Inkle and Trudge come forward. Inkle. Our language! Trudge. Zounds, she has thrown me into a cold sweat. Yar. Hark! I heard a noise! Wowski, awake! whence can it proceed? [She awakes Wowski, and they both come forward—Yarico towards Inkle; Wowski towards Trudge.] Yar. Ah! what form is this?——are you a man? Inkle. True flesh and blood, my charming heathen, I promise you. Yar. What harmony in his voice! What a shape! How fair his skin too—— [Gazing.] Trudge. This must be a lady of quality, by her staring. Yar. Say, stranger, whence come you? Inkle. From a far distant island; driven on this coast by distress, and deserted by my companions. Yar. And do you know the danger that surrounds you here? Our woods are filled with beasts of prey—my countrymen too——(yet, I think they cou'd'nt find the heart)—might kill you.——It would be a pity if you fell in their way——I think I should weep if you came to any harm. Trudge. O ho! It's time, I see, to begin making interest with the chamber maid. [Takes Wowski apart.] Inkle. How wild and beautiful! sure there is magic in her shape, and she has rivetted me to the place. But where shall I look for safety? let me fly and avoid my death. Yar. Oh! no—don't depart.——But I will try to preserve you; and if you are killed, Yarico must die too! Yet, 'tis I alone can save you; your death is certain, without my assistance; and, indeed, indeed you shall not want it. Inkle. My kind Yarico! what means, then, must be used for my safety? Yar. My cave must conceal you: none enter it, since my father was slain in battle. I will bring you food by day, then lead you to our unfrequented groves by moonlight, to listen to the nightingale. If you should sleep, I'll watch you, and awake you when there's danger. Inkle. Generous maid! Then, to you will I owe my life; and whilst it lasts, nothing shall part us. Yar. And shan't it, shan't it indeed? Inkle. No, my Yarico! For when an opportunity offers to return to my country, you shall be my companion. Yar. What! cross the seas! Inkle. Yes, Help me to discover a vessel, and you shall enjoy wonders. You shall be decked in silks, my brave maid, and have a house drawn with horses to carry you. Yar. Nay, do not laugh at me—but is it so? Inkle. It is indeed! Yar. Oh wonder! I wish my countrywomen could see me——But won't your warriors kill us? Inkle. No, our only danger on land is here. Yar. Then let us retire further into the cave. Come—your safety is in my keeping. Inkle. I follow you—Yet, can you run some risk in following me? DUETT. [O say, Bonny Lass.] Inkle. O say, simple maid, have you form'd any notion Of all the rude dangers in crossing the ocean? When winds whistle shrilly, ah! won't they remind you, To sigh with regret, for the grot left behind you? Yar. Ah! no, I could follow, and sail the world over, Nor think of my grot, when I look at my lover; The winds, which blow round us, your arms for my pillow, Will lull us to sleep, whilst we're rocked by each billow. Both. O say then my true love, we never will sunder, Nor shrink from the tempest, nor dread the big thunder: Whilst constant, we'll laugh at all changes of weather, And journey all over the world both together. [Exeunt; as retiring further into the cave. Manent Trudge and Wowski. Trudge. Why, you speak English as well as I, my little Wowski. Wows. Iss. Trudge. Iss! and you learnt it from a strange man, that tumbled from a big boat, many moons ago, you say? Wows. Iss—Teach me—teach good many. Trudge. Then, what the devil made them so surprized at seeing us! was he like me? [Wowski shakes her head.] Not so smart a body, mayhap. Was his face, now, round and comely, and—eh! [Stroking his chin.] Was it like mine? Wows. Like dead leaf—brown and shrivel. Trudge. Oh, oh, an old shipwrecked sailor, I warrant. With white and grey hair, eh, my pretty beauty spot? Wows. Iss; all white. When night come, he put it in pocket. Trudge. Oh! wore a wig. But the old boy taught you something more than English, I believe. Wows. Iss. Trudge. The devil he did! What was it? Wows. Teach me put dry grass, red hot, in hollow white stick. Trudge. Aye, what was that for? Wows. Put in my mouth—go poff, poff! Trudge. Zounds! did he teach you to smoke? Wows. Iss. Trudge. And what became of him at last? What did your countrymen do for the poor fellow? Wows. Eat him one day—Our chief kill him. Trudge. Mercy on us! what damned stomachs, to swallow a tough old tar! Ah, poor Trudge! your killing comes next. Wows. No, no—not you—no— [Running to him anxiously.] Trudge. No? why what shall I do, if I get in their paws? Wows. I fight for you! Trudge. Will you? Ecod she's a brave good-natured wench! she'll be worth a hundred of your English wives.— Whenever they fight on their husband's account, it's with him instead of for him, I fancy. But how the plague am I to live here? Wows. I feed you—bring you kid. SONG.—WOWSKI. [One day, I heard Mary say.] White man, never go away—— Tell me why need you? Stay, with your Wowski, stay: Wowski will feed you. Cold moons are now coming in; Ah, don't go grieve me! I'll wrap you in leopard's skin: White man, don't leave me. And when all the sky is blue, Sun makes warm weather, I'll catch you a cockatoo, Dress you in feather. When cold comes, or when 'tis hot, Ah, don't go grieve me! Poor Wowski will be forgot— White man, don't leave me! Trudge. Zounds! leopard's skin for winter wear, and feathers for a summer's suit! Ha, ha! I shall look like a walking hammer-cloth, at Christmas, and an upright shuttlecock, in the dog days. And for all this, if my master and I find our way to England, you shall be part of our travelling equipage; and, when I get there, I'll give you a couple of snug rooms, on a first floor, and visit you every evening, as soon as I come from the counting-house. Do you like it? Wows. Iss. Trudge. Damme, what a flashy fellow I shall seem in the city! I'll get her a white boy to bring up the tea-kettle. Then I'll teach you to write and dress hair. Wows. You great man in your country? Trudge. Oh yes, a very great man. I'm head clerk of the counting-house, and first valet-de-chambre of the dressing- room. I pounce parchments, powder hair, black shoes, ink paper, shave beards, and mend pens. But hold! I had forgot one material point—you ar'n't married, I hope? Wows. No: you be my chum-chum! Trudge. So I will. It's best, however, to be sure of her being single; for Indian husbands are not quite so complaisant as English ones, and the vulgar dogs might think of looking a little after their spouses. But you have had a lover or two in your time; eh, Wowski? Wows. Oh, iss—great many—I tell you. DUETT. Wows. Wampum, Swampum, Yanko, Lanko, Nanko, Pownatowski, Black men—plenty—twenty—fight for me, White man, woo you true? Trudge. Who? Wows. You. Trudge. Yes, pretty little Wowski! Wows. Then I leave all, and follow thee. Trudge. Oh then turn about, my little tawny tight one! Don't you like me? Wows. Iss, you're like the snow! If you slight one—— Trudge. Never, not for any white one; You are beautiful as any sloe. Wows. Wars, jars, scars, can't expose ye, In our grot—— Trudge. So snug and cosey! Wows. Flowers, neatly Pick'd, shall sweetly Make your bed. Trudge. Coying, toying, With a rosy Posey, When I'm dosey, Bear-skin nightcaps too shall warm my head. Both. Bearskin nightcaps, &c. &c. ACT THE SECOND. SCENE I. The Quay at Barbadoes, with an Inn upon it. People employed in unlading vessels, carrying bales of goods, &c. Enter several Planters. 1st Plant. I saw her this morning, gentlemen, you may depend on't. My telescope never fails me. I popp'd upon her as I was taking a peep from my balcony. A brave tight ship, I tell you, bearing down directly for Barbadoes here. 2d Plant. Ods, my life! rare news! We have not had a vessel arrive in our harbour these six weeks. 3d Plant. And the last brought only Madam Narcissa, our Governor's daughter, from England; with a parcel of lazy, idle, white folks about her. Such cargoes will never do for our trade, neighbour. 2d Plant. No, no; we want slaves. A terrible dearth of 'em in Barbadoes, lately! But your dingy passengers for my money. Give me a vessel like a collier, where all the lading tumbles out as black as my hat. But are you sure, now, you ar'n't mistaken? [To 1st Planter.] 1st Plant. Mistaken! 'sbud, do you doubt my glass? I can discover a gull by it six leagues off: I could see every thing as plain as if I was on board. 2d Plant. Indeed! and what were her colours? 1st Plant. Um! why English——or Dutch——or French——I don't exactly remember. 2d Plant. What were the sailors aboard? 1st Plant. Eh! why they were English too——or Dutch——or French——I can't perfectly recollect. 2d Plant. Your glass, neighbour, is a little like a glass too much: it makes you forget every thing you ought to remember. [Cry without, "A sail, a sail!"] 1st Plant. Egad, but I'm right though. Now, gentlemen! All. Aye, aye; the devil take the hindmost. [Exeunt hastily. Enter Narcissa and Patty. SONG. Freshly now the breeze is blowing, As yon ship at anchor rides; Sullen waves, incessant flowing, Rudely dash against the sides. So my heart, its course impéded, Beats in my perturbed breast; Doubts, like waves by waves succeeded, Rise, and still deny it rest. Patty. Well, ma'am, as I was saying—— Nar. Well, say no more of what you were saying—Sure, Patty, you forget where you are; a little caution will be necessary now, I think. Patty. Lord, madam, how is it possible to help talking? We are in Barbadoes here, to be sure—but then, ma'am, one may let out a little in a private morning's walk by ourselves. Nar. Nay, it's the same thing with you in doors. Patty. I never blab, ma'am, never, as I hope for a gown. Nar. And your never blabbing, as you call it, depends chiefly on that hope, I believe. Patty. I have told the story of our voyage, indeed, to old Guzzle, the butler. Nar. And thus you lead him to imagine I am but little inclined to the match. Patty. Lord, ma'am, how could that be? Why I never said a word about Captain Campley. Nar. Hush! hush! for heaven's sake. Patty. Aye! there it is now. But if our voyage from England was so pleasant, it wasn't owing to Mr. Inkle, I'm certain. He didn't play the fiddle in our cabin, and dance on the deck, and come languishing with a glass of warm water in his hand, when we were sea-sick. Ah, ma'am, that water warm'd your heart, I'm confident. Mr. Inkle! No, no; Captain Cam—— Nar. There is no end to this! Remember, Patty, keep your secrecy, or you entirely lose my favour. Patty. Never fear me, ma'am. But if somebody I know is not acquainted with the Governor, there's such a thing as dancing at balls, and squeezing hands when you lead up, and squeezing them again when you cast down. I'm as close as a patch box. Mum's the word, ma'am, I promise you. [Exit. Nar. How awkward is my present situation! Promised to one, who, perhaps, may never again be heard of; and who, I am sure, if he ever appears to claim me, will do it merely on the score of interest—pressed too by another, who has already, I fear, too much interest in my heart—what can I do? What plan can I follow? Enter Campley. Camp. Follow my advice, Narcissa, by all means. Enlist with me under the best banners in the world. General Hymen for my money! little Cupid's his drummer: he has been beating a round rub-a-dub on our hearts, and we have only to obey the word of command, fall into the ranks of matrimony, and march through life together. Nar. Then consider our situation. Camp. That has been duly considered. In short, the case stands exactly thus—your intended spouse is all for money; I am all for love. He is a rich rogue; I am rather a poor honest fellow. He would pocket your fortune; I will take you without a fortune in your pocket. Nar. Oh! I am sensible of the favour, most gallant Captain Campley; and my father, no doubt, will be very much obliged to you. Camp. Aye, there's the devil of it! Sir Christopher Curry's confounded good character knocks me up at once. Yet I am not acquainted with him neither; not known to him even by sight; being here only as a private gentleman, on a visit to my old relation, out of regimentals, and so forth; and not introduced to the Governor, as other officers of the place. But then, the report of his hospitality—his odd, blunt, whimsical friendship—his whole behaviour— Nar. All stare you in the face; eh, Campley? Camp. They do, till they put me out of countenance. Nar. What signifies talking to me, when you have such opposition from others? Why hover about the city, instead of boldly attacking the guard? Wheel about, captain! face the enemy! March! Charge! Rout 'em!—Drive 'em before you, and then— Camp. And then— Nar. Lud ha' mercy on the poor city! Enter Patty, hastily. Patty. Oh lud, ma'am, I'm frightened out of my wits! sure as I'm alive, ma'am, Mr. Inkle is not dead; I saw his man, ma'am, just now, coming ashore in a boat, with other passengers, from the vessel that's come to the island. [Exit. Nar. Then one way or other I must determine.— [To Campley.] Look'ye, Mr. Campley, something has happened which makes me wave ceremonies.—If you mean to apply to my father, remember, that delays are dangerous. Camp. Indeed! Nar. I mayn't be always in the same mind, you know. [Smiling.] [Exit. Camp. Nay, then—Gad, I'm almost afraid too—but living in this state of doubt is torment. I'll e'en put a good face on the matter; cock my hat; make my bow; and try to reason the Governor into compliance. Faint heart never won a fair lady. SONG. Why should I vain fears discover, Prove a dying, sighing swain? Why turn shilly-shally lover, Only to prolong my pain? When we woo the dear enslaver, Boldly ask, and she will grant; How should we obtain a favour, But by telling what we want? Enter Trudge and Wowski, (as from the ship), with a dirty runner to one of the inns. Run. This way, sir; if you will let me recommend—— Trudge. Come along, Wows! Take care of your furs, and your feathers, my girl! Wows. Iss. Trudge. That's right.—Somebody might steal 'em, perhaps. Wows. Steal!—What that? Trudge. Oh Lord! see what one loses by not being born in a christian country. Run. If you would, sir, but mention to your master, the house that belongs to my master; the best accommodations on the quay.— Trudge. What's your sign, my lad? Run. The Crown, sir.—Here it is. Trudge. Well, get us a room for half an hour, and we'll come: and harkee! let it be light and airy, d'ye hear? My master has been used to your open apartments lately.

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