Paolo Nesi Raffaella Santucci (Eds.) Information Technologies for Performing Arts, 0 9 9 Media Access, 7 S C and Entertainment N L Second International Conference, ECLAP 2013 Porto, Portugal, April 2013 Revised Selected Papers 123 Lecture Notes in Computer Science 7990 CommencedPublicationin1973 FoundingandFormerSeriesEditors: GerhardGoos,JurisHartmanis,andJanvanLeeuwen EditorialBoard DavidHutchison LancasterUniversity,UK TakeoKanade CarnegieMellonUniversity,Pittsburgh,PA,USA JosefKittler UniversityofSurrey,Guildford,UK JonM.Kleinberg CornellUniversity,Ithaca,NY,USA AlfredKobsa UniversityofCalifornia,Irvine,CA,USA FriedemannMattern ETHZurich,Switzerland JohnC.Mitchell StanfordUniversity,CA,USA MoniNaor WeizmannInstituteofScience,Rehovot,Israel OscarNierstrasz UniversityofBern,Switzerland C.PanduRangan IndianInstituteofTechnology,Madras,India BernhardSteffen TUDortmundUniversity,Germany MadhuSudan MicrosoftResearch,Cambridge,MA,USA DemetriTerzopoulos UniversityofCalifornia,LosAngeles,CA,USA DougTygar UniversityofCalifornia,Berkeley,CA,USA GerhardWeikum MaxPlanckInstituteforInformatics,Saarbruecken,Germany Paolo Nesi Raffaella Santucci (Eds.) Information Technologies for Performing Arts, Media Access, and Entertainment Second International Conference, ECLAP 2013 Porto, Portugal, April 8-10, 2013 Revised Selected Papers 1 3 VolumeEditors PaoloNesi UniversityofFlorence DepartmentofInformationEngineering,DINFO ViaSantaMarta,3,50139Florence,Italy E-mail:paolo.nesi@unifi.it RaffaellaSantucci Sapienza,UniversityofRome ExVetrerieSciarra,ViadeiVolsci,122,00185Rome,Italy E-mail:[email protected] ISSN0302-9743 e-ISSN1611-3349 ISBN978-3-642-40049-0 e-ISBN978-3-642-40050-6 DOI10.1007/978-3-642-40050-6 SpringerHeidelbergDordrechtLondonNewYork LibraryofCongressControlNumber:2013944292 CRSubjectClassification(1998):J.5,H.5,H.2,K.3,K.4 LNCSSublibrary:SL3–InformationSystemsandApplication,incl.Internet/Web andHCI ©Springer-VerlagBerlinHeidelberg2013 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpartof thematerialisconcerned,specificallytherightsoftranslation,reprinting,reuseofillustrations,recitation, broadcasting,reproductiononmicrofilmsorinanyotherphysicalway,andtransmissionorinformation storageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilarmethodology nowknownorhereafterdeveloped.Exemptedfromthislegalreservationarebriefexcerptsinconnection withreviewsorscholarlyanalysisormaterialsuppliedspecificallyforthepurposeofbeingenteredand executedonacomputersystem,forexclusiveusebythepurchaserofthework.Duplicationofthispublication orpartsthereofispermittedonlyundertheprovisionsoftheCopyrightLawofthePublisher’slocation, initscurrentversion,andpermissionforusemustalwaysbeobtainedfromSpringer.Permissionsforuse maybeobtainedthroughRightsLinkattheCopyrightClearanceCenter.Violationsareliabletoprosecution undertherespectiveCopyrightLaw. Theuseofgeneraldescriptivenames,registerednames,trademarks,servicemarks,etc.inthispublication doesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfromtherelevant protectivelawsandregulationsandthereforefreeforgeneraluse. Whiletheadviceandinformationinthisbookarebelievedtobetrueandaccurateatthedateofpublication, neithertheauthorsnortheeditorsnorthepublishercanacceptanylegalresponsibilityforanyerrorsor omissionsthatmaybemade.Thepublishermakesnowarranty,expressorimplied,withrespecttothe materialcontainedherein. Typesetting:Camera-readybyauthor,dataconversionbyScientificPublishingServices,Chennai,India Printedonacid-freepaper SpringerispartofSpringerScience+BusinessMedia(www.springer.com) Preface WelcometotheproceedingsofECLAP2013,thesecondinternationalconference on Information Technologies for Performing Arts, Media Access and Entertain- ment. Information technologies have made possible many unexpected changes in the field of cultural heritage and performing arts; they continue to provide dy- namicandexcitingmediaplatformsthroughwhichnewpossibilitiesperpetually emerge. This wave of changes has been particularly significant for the field of the performing arts, where a wide range of possibilities for digital exploitation continue to present itself to users, constantly opening the doors to new and as- yet-unexplored synergies. Many technological developments concerning content access and fruition, the renovation of digital libraries, the creation of new ways for media entertainmentand the facilitationof educationareproposed, applied, and utilized by the public. ECLAP is a best practice network co-funded through the ICT Policy Sup- port Programme of the European Commission. ECLAP aims to stimulate ex- ploitation of new ICT technologies for digital content access to performing arts resources, and to provide guidelines on the adoption of metadata standards for indexing, searching, and browsing content. ECLAP is providing access to per- formingartscollectionsandarchivesbymeansofsocialmediatoolsandcontent aggregationtoolsderivedfromresearchactivity.Theperformingartsinstitutions involvedareprestigiousandleading inthe field. An ever-growingfund ofdigital resources is becoming accessible through a common, multilingual, easy-to-use ECLAP service. The ECLAP metadata are progressively being made available on Europeana, a European multilingual online collection of millions of digitized items from museums, libraries, archives, and multimedia collections. The ECLAP conference aims to function as a forum in which progress- oriented individuals and institutions find a place to collaborate and present results. It also aims to provide an overview of the state of the art for perform- ing arts digital collections within the framework of the following best-practice themes: digital library tools, education and research facilities, IPR issues, cul- tural heritage and technologies. The ECLAP 2013 event comprised a set of sessions and panels conforming to our standard of excellence. We hosted a keynote speaker line-up consisting of some of the most salient voices in the field: Luis Ferra˜o, European Commis- sion — DG Communications Networks, Content and Technology — Creativity Unit; Bertha Bermudez, Researcher, performer and project manager education at ICK Amsterdam; David Giaretta, Director of Alliance Permanent Access to the Records ofScience in Europe Network;Amanda Rigali, Director, Combined arts and touring, Arts Council England. VI Preface The ECLAP 2013 conference international committee selected only the best proposals. Thus, only the 40% of the submitted contributions were accepted as full research papers. ECLAP 2013 featured more than 25 presentations coming fromseveralcountries:USA,Israel,UK,TheNetherlands,Italy,Spain,Germany, Hungary, etc. The conference is open to researchers, professionals, industries, institutions, technicians,andpractitionersintheareaofperformingartsandinformationtech- nologies, media-based entertainment, technology-enhanced learning, intelligent- mediasystems,acousticsystems,culturalheritage,anddigitallibraries. TheECLAP2013conferenceaimedtobeaplaceinwhichinstitutions,indus- tries, the European Commission, and Europeana family projects in the areas of cultural heritage could find a wealth of opportunities for networking, debating, and sharing ideas and best practices. As General Chair, it is a pleasure to express my gratitude to the keynote speakers,thededicatedProgramCo-chairs,committeemembers,andconference support staff who contributed to making ECLAP a success. We hope that you will find the conference proceedings interesting. Paolo Nesi Message from the Organizing Chair This second international ECLAP conference in Portugal was an exciting and stimulating experience for both the organizers and the participants. The event served as confirmation that the ECLAP community, after almost three years, continues to grow steadily in strength and quality. Interestintheprojectishighandgrowing:wereceivedstrongproposalsfrom manyexcellentcandidates,andwerethusforcedtoturndownsomeveryworthy and interesting submissions. All the talks presented during the conference confirmed to us our belief that an interdisciplinary approach to the application of IT to the performing arts is both challenging and necessary. It is difficult to meaningfully study all the ramifications of the sometimes- troublesome marriage of IT with performing arts. On the one hand, the risk is that humanities scholars may ignore, overlook, or oversimplify technical issues; on the other hand, IT professionals are not necessarily aware of the unique problems and needs facing the performing arts. OurhopeisthatgatheringssuchastheECLAP2013Conferencewillfurther promotedialogbetweenspecialistsinthedifferentfields,andsparkfruitfulfuture collaborations. Other stated goals of the conference are the promotion of networking and knowledgetransferbetweenthevariousECprojectsbelongingtotheEuropeana family. I wish to thank those who enriched the ECLAP 2013 Conference through their contribution, as well as Springer for the publication of this volume. Finally, I wish to thank all those who made the conference possible through their dedication and work. Raffaella Santucci Organization General Chair Paolo Nesi University of Florence, Italy Organizing Committee Raffaella Santucci University of Rome “La Sapienza”, Italy Nicola Mitolo AXMEDIATECH S.r.l., Italy Katia Maratea Fondazione Rinascimento Digitale, Italy Program Committee Nicola Aloia ISTI CNR, Italy Lotte Belice Baltussen Netherlands Institute for Sound and Vision, The Netherlands Alvaro Barbosa University of Saint Joseph (USJ) in Macau SAR, China J´erˆome Barth´elemy Groupe Articque Solutions, France Sarah Bay-Cheng Department ofTheatre & Dance, University at Buffalo, New York, USA Pierfrancesco Bellini University of Florence, Italy Emanuele Bellini Fondazione Rinascimento Digitale, Italy Ivan Bruno University of Florence, Italy Antonio Camurri University of Genoa, Italy Vittore Casarosa ISTI CNR Italy Daniele Cenni University of Florence, Italy Shi-Kuo Chang University of Pittsburgh, Pittsburgh, USA Daniela Coimbra ESMAE – Instituto Polit´ecnico do Porto, Portugal David Crombie Utrecht School of the Arts, The Netherlands Ernesto Damiani University of Milano, Italy Fabrizio Deriu University of Teramo, Italy Peter Eversmann University of Amsterdam, The Netherlands Carla Fernandes Centrode Lingu´ısticadaUniversidadeNova de Lisboa (CLUNL), Portugal David Luigi Fuschi Brunel University, United Kingdom Christiane Gru¨n Deutsche Kinemathek, Germany Rui Guerra INTK, The Netherlands Sorin Hermon The Cyprus Institute, Cyprus X Organization Gabriella Ivacs Open Society Archives (OSA) Archivum, Central European University, Hungary Marisa Keuris University of South Africa, South Africa Benjamin Knapp Institute for Creativity, Arts, and Technology (ICAT). Virginia Tech, USA Breandan Knowlton Europeana, The Netherlands Marc Leman Gent University, Belgium Herv´e L’Hours UK Data Archive, United Kingdom Lillian Manzor University of Miami, Florida, USA Michal Masa CIANT, Czech Republic Gabriele Meßmer Bavarian State Library, Munich, Germany Kia Ng University of Leeds, United Kingdom Johan Oomen Netherlands Institute for Sound and Vision, The Netherlands Michela Paolucci University of Florence, Italy Sonia Aran Ramspott Centre de Cultura Contempora`nia de Barcelona, Spain Silvio Salza University of Rome, Italy Raffaella Santucci University of Roma La Sapienza, Italy Josefien Schuurman University of Amsterdam, The Netherlands Sharon Shapira-Glaubach Younes & Soraya Nazarian Library, University of Haifa, Israel Jorge Solis Karlstad University, Karlstad, Sweden Peter L. Stanchev Kettering University, Michigan, USA Annamaria Tammaro University of Parma, Italy Francesco Tisato University of Milano-Bicocca, Italy Yannis Tzitzikas University of Crete and FORTH-ICS, Greece Ren`e Van Horik DANS - Data Archiving and Networked Services, The Netherlands Elliott Visconsi University of Notre Dame, Indiana (USA) Robert Wechsler Palindrome Dance Company, Germany Tillman Weyde City University London, United Kingdom Sarah Whatley Coventry University, United Kingdom Andrea Zanni Wikimedia Italia, Italy Culture and Creativity in the Digital Realm: A Boost from the Past Luis Ferra˜o European Commission - DG Communications Networks, Content and Technology - Creativity Unit [email protected] Biography Luis Manuel Chaves da Fonseca Ferra˜o, 59, university studies in Economic and Social Sciences (ULB, Brussels, 1969-1970), Law (University of Lisbon, 1971-1976),FirstgraduateofthePortugueseTrainingCentreforJudges(Centro de Estudos Judici´arios, Lisbon, 1980-1983), Judge in various courts in Portu- gal(1983-1987),LL.M. EuropeanJudicial Law(EIPA/Maastricht-Luxembourg, University of Nancy, University of Thessalonica, 1994), Member of the First Boardof Appeal of the OHIM in Alicante (1996-1999),Principal Administrator of the European Commission, in charge of the EU digital libraries and re-use policies and related intellectual property issues (2003-2012), currently in DG Communications Networks, Content and Technology of the European Commis- sion, Creativity Unit, in charge of i. a. the legal and policy aspects connected withdigitisationandonlineaccessibilityofculturalheritagethroughEuropeana and similar platforms.