The Project Gutenberg EBook of Idolatry, by Julian Hawthorne This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Idolatry A Romance Author: Julian Hawthorne Release Date: July 13, 2005 [EBook #16283] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK IDOLATRY *** Produced by Wright American Fiction, J.N. Goslee and the Online Distributed Proofreading Team at https://www.pgdp.net IDOLATRY: A ROMANCE. BY JULIAN HAWTHORNE. BOSTON: JAMES R. OSGOOD AND COMPANY, Late Ticknor & Fields, and Fields, Osgood, & Co. 1874. Entered according to Act of Congress, in the year 1874, by james r. osgood & co., in the office of the Librarian of Congress, at Washington. University Press: Welch, Bigelow, & Co., Cambridge. CONTENTS Dedication II. The Enchanted Ring III. Out of Egypt IV. A May Morning V. A Brahman VI. A new Man with an old Face VII. The Vagaries of Helwyse VIII. A Quarrel IX. A Collision Imminent X. The Voice of Darkness XI. Helwyse Resists the Devil XII. A Dead Weight XIII. More Vagaries XIV. Through a Glass XV. The Tower of Babel XVI. Charon's Ferry XVII. Legend and Chronicle XVIII. Face to Face XIX. The Hoopoe and the Crocodile XX. Before Sundown XXI. Between Waking and Sleeping XXII. We Pick Up Another Thread XXIII. Heart and Head XXIV. Balder Tells an Untruth XXV. Uncle Hiero at Last XXVI. The Happiness of Man XXVII. Music and Madness XXVIII. Peace and Good-will XXIX. Betrothal XXX. A Chamber of the Heart XXXI. Dandelions XXXII. Married XXXIII. Shut In XXXIV. The Black Cloud DEDICATION To ROBERT CARTER, Esq. Not the intrinsic merits of this story embolden me to inscribe it to you, my dear friend, but the fact that you, more than any other man, are responsible for its writing. Your advice and encouragement first led me to book-making; so it is only fair that you should partake of whatever obloquy (or honor) the practice may bring upon me. The ensuing pages may incline you to suspect their author of a repugnance to unvarnished truth; but,—without prejudice to Othello,—since varnish brings out in wood veins of beauty invisible before the application, why not also in the sober facts of life? When the transparent artifice has been penetrated, the familiar substance underneath will be greeted none the less kindly; nay, the observer will perhaps regard the disguise as an oblique compliment to his powers of insight, and his attention may thus be better secured than had the subject worn its every-day dress. Seriously, the most matter-of- fact life has moods when the light of romance seems to gild its earthen chimney-pots into fairy minarets; and, were the story-teller but sure of laying his hands upon the true gold, perhaps the more his story had of it, the better. Here, however, comes in the grand difficulty; fact nor fancy is often reproduced in true colors; and while attempting justly to combine life's elements, the writer has to beware that they be not mere cheap imitations thereof. Not seldom does it happen that what he proffers as genuine arcana of imagination and philosophy affects the reader as a dose of Hieroglyphics and Balderdash. Nevertheless, the first duty of the fiction-monger—no less than of the photographic artist doomed to produce successful portraits of children-in-arms—is, to be amusing; to shrink at no shifts which shall beguile the patient into procrastinating escape until the moment be gone by. The gentle reader will not too sternly set his face against such artifices, but, so they go not the length of fantastically presenting phenomena inexplicable upon any common-sense hypothesis, he will rather lend himself to his own beguilement. The performance once over, let him, if so inclined, strip the feathers from the flights of imagination, and wash the color from the incidents; if aught save the driest and most ordinary matters of fact reward his researches, then let him be offended! De te fabula does not apply here, my dear friend; for you will show me more indulgence than I have skill to demand. And should you find matter of interest in this book, yours, rather than the author's, will be the merit. As the beauty of nature is from the eye that looks upon her, so would the story be dull and barren, save for the life and color of the reader's sympathy. Yours most sincerely, julian hawthorne. IDOLATRY I. THE ENCHANTED RING. One of the most imposing buildings in Boston twenty years ago was a granite hotel, whose western windows looked upon a graveyard. Passing up a flight of steps, and beneath a portico of dignified granite columns, and so through an embarrassing pair of swinging-doors to the roomy vestibule,—you would there pause a moment to spit upon the black- and-white tessellated pavement. Having thus asserted your title to Puritan ancestry, and to the best accommodations the house afforded, you would approach the desk and write your name in the hotel register. This done, you would be apt to run your eye over the last dozen arrivals, on the chance of lighting upon the autograph of some acquaintance, to be shunned or sought according to circumstances. Let us suppose, for the story's sake, that such was the gentle reader's behavior on a certain night during the latter part of May, in the year eighteen hundred and fifty-three. If now he will turn to the ninety-ninth page of the register above mentioned, he will remark that the last name thereon written is, "Doctor Hiero Glyphic. Room 27." The natural inference is that, unless so odd a name be an assumed one, Doctor Glyphic occupies that room. Passing on to page one hundred, he will find the first entry reads as follows "Balder Helwyse, Cosmopolis. Room 29." In no trifling mood do we call attention to these two names, and, above all, to their relative position in the book. Had they both appeared upon the same page, this romance might never have been written. On such seemingly frail pegs hang consequences the most weighty. Because Doctor Glyphic preferred the humble foot of the ninety-ninth page to the trouble of turning to a leading position on the one hundredth; because Mr. Helwyse, having begun the one hundredth page, was too incurious to find out who was his next-door neighbor on the ninety-ninth, ensued unparalleled adventures, and this account of them. Our present purpose, by the reader's leave, and in his company, is to violate Doctor Hiero Glyphic's retirement, as he lies asleep in bed. Nor shall we stop at his bedside; we mean to penetrate deep into the darksome caves of his memory, and to drag forth thence sundry odd-looking secrets, which shall blink and look strangely in the light of discovery;—little thought their keeper that our eyes should ever behold them! Yet will he not resent our, intrusion; it is twenty years ago, —and he lies asleep. Two o'clock sounds from the neighboring steeple of the Old South Church, as we noiselessly enter the chamber,— noiselessly, for the hush of the past is about us. We scarcely distinguish anything at first; the moon has set on the other side of the hotel, and perhaps, too, some of the dimness of those twenty intervening years affects our eyesight. By degrees, however, objects begin to define themselves; the bed shows doubtfully white, and that dark blot upon the pillow must be the face of our sleeping man. It is turned towards the window; the mouth is open; probably the good Doctor is snoring, albeit, across this distance of time, the sound fails to reach us. The room is as bare, square, and characterless as other hotel rooms; nevertheless, its occupant may have left a hint or two of himself about, which would be of use to us. There are no trunks or other luggage; evidently he will be on his way again to-morrow. The window is shut, although the night is warm and clear. The door is carefully locked. The Doctor's garments, which appear to be of rather a jaunty and knowing cut, are lying disorderly about, on chair, table, or floor. He carries no watch; but under his pillow we see protruding the corner of a great leathern pocket-book, which might contain a fortune in bank-notes. A couple of chairs are drawn up to the bedside, upon one of which stands a blown-out candle; the other supports an oblong, coffin-shaped box, narrower at one end than at the other, and painted black. Too small for a coffin, however; no human corpse, at least, is contained in it. But the frame that lies so quiet and motionless here, thrills, when awaked to life, with a soul only less marvellous than man's. In short, the coffin is a violin-case, and the mysterious frame the violin. The Doctor must have been fiddling overnight, after getting into bed; to the dissatisfaction, perhaps, of his neighbor on the other side of the partition. Little else in the room is worthy notice, unless it be the pocket-comb which has escaped from the Doctor's waistcoat, and the shaving materials (also pocketable) upon the wash-stand. Apparently our friend does not stand upon much toilet ceremony. The room has nothing more of significance to say to us; so now we come to the room's occupant. Our eyes have got enough accustomed to the imperfect light to discern what manner of man he may be. Barely middle-aged; or, at a second glance, he might be fifteen to twenty-five years older. His face retains the form of youth, yet wears a subtile shadow which we feel might be consistent even with extreme old age. The forehead is wide and low, supported by regular eyebrows; the face beneath long and narrow, of a dark and dry complexion. In sleep, open-mouthed, the expression is rather inane; though we can readily imagine the waking face to be not devoid of a certain intensity and comeliness of aspect, marred, however, by an air of guarded anxiety which is apparent even now. We prattle of the dead past, and use to fancy that peace must dwell there, if nothing else. Only in the past, say we, is security from jostle, danger, and disturbance; who would live at his ease must number his days backwards; no charm so potent as the years, if read from right to left. Living in the past, prophecy and memory are at one; care for the future can harass no man. Throw overboard that Jonah, Time, and the winds of fortune shall cease to buffet us. And more to the same effect. And yet it is not so. The past, if more real than the future, is no less so than the present; the pain of a broken heart or head is never annihilated, but becomes part and parcel of eternity. This uneasy snorer here, for instance: his earthly troubles have been over years ago, yet, as our fancy sees him, he is none the calmer or the happier for that. Observe him, how he mumbles inarticulately, and makes strengthless clutchings at the blanket with his long, slender fingers. But we delay too long over the external man, seeing that our avowed business is with the internal. A sleeping man is truly a helpless creature. They say that, if you take his hand in yours and ask him questions, he has no other choice than to answer—or to awake. The Doctor—as we know by virtue of the prophetic advantages just remarked upon—will stay asleep for some hours yet. Or, if you are clairvoyant, you have but to fall in a trance, and lay a hand on his forehead, and you may read off his thoughts,—provided he does his thinking in his head. But the world is growing too wise, nowadays, to put faith in old woman's nonsense like this. Again, there is—or used to be—an odd theory that all matter is a sort of photographic plate, whereon is registered, had we but eyes to read it, the complete history of itself. What an invaluable pair of eyes were that! In vain, arraigned before them, would the criminal deny his guilt, the lover the soft impeachment. The whole scene would stand forth, photographed in fatal minuteness and indelibility upon face, hands, coat-sleeve, shirt-bosom. Mankind would be its own book of life, written in the primal hieroglyphic character,— the language understood by all. Vocal conversation would become obsolete, unless among a few superior persons able to discuss abstract ideas. We speak of these things only to smile at them; far be it from us to insult the reader's understanding by asking him to regard them seriously. But story-tellers labor under one disadvantage which is peculiar to their profession,—the necessity of omniscience. This tends to make them top arbitrary, leads them to disregard the modesty of nature and the harmonies of reason in their methods. They will pretend to know things which they never could have seen or heard of, and for the truth of which they bring forward no evidence; thus forcing the reader to reject, as lacking proper confirmation, what he would else, from its inherent grace or sprightliness, be happy to accept. That we shall be free from this reproach is rather our good fortune than our merit. It is by favor of our stars, not by virtue of our own, that we turn not aside from the plain path of truth to the by-ways of supernaturalism and improbability. Yet we refrain with difficulty from a breath of self-praise; there is a proud and solid satisfaction in holding an unassailable position could we but catch the world's eye, we would meet it calmly! Let us hasten to introduce our talisman. You may see it at this very moment, encircling the third finger of Doctor Glyphic's left hand; in fact, it is neither more nor less than a quaint diamond ring. The stone, though not surprisingly large, is surpassingly pure and brilliant; as its keen, delicate ray sparkles on the eye, one marvels whence, in the dead of night, it got together so much celestial fire. Observe the setting; the design is unique. Two fairy serpents—one golden, the other fashioned from black meteoric iron—are intertwined along their entire length, forming the hoop of the ring. Their heads approach the diamond from opposite sides, and each makes a mighty bite at it with his tiny jaws, studded with sharp little teeth. Thus their contest holds the stone firmly in place. The whole forms a pretty symbol of the human soul, battled for by the good and the evil principles. But the diamond seems, in its entirety, to be an awkward mouthful for either. The snakes are wrought with marvellous dexterity and finish; each separate scale is distinguishable upon their glistening bodies, the wrinkling of the skin in the coils, the sparkling points of eyes, and the minute nostrils. Such works of art are not made nowadays; the ring is an antique,—a relic of an age when skill was out of all proportion to liberty,— a very distant time indeed. To deserve such a setting, the stone must have exceptional qualities. Let us take a closer look at it. Fortunately, its own lustre makes it visible in every part; the minuteness of our scrutiny need be limited only by our power of eye. It is cut with many facets,—twenty-seven, if you choose to count them; perhaps (though we little credit such fantasies) some mystic significance may be intended in this number. Concentrating now our attention upon any single facet, we see—either inscribed upon its surface, or showing through from the interior of the stone—a sort of monogram, or intricately designed character, not unlike the mysterious Chinese letters on tea-chests. Every facet has a similar figure, though no two are identical. But the central, the twenty-seventh facet, which is larger than the others, has an important peculiarity. Looking upon it, we find therein, concentrated and commingled, the other twenty-six characters; which, separately unintelligible, form, when thus united, a simple and consistent narrative, equivalent in extent to many hundred printed pages, and having for subject nothing less than the complete history of the ring itself. Some small portion of this narrative—that, namely, which relates more particularly to the present wearer of the ring— we will glance at; the rest must be silence, although, going back as it does to the earliest records of the human race, many an interesting page must be skipped perforce. The advantages to a historian of a medium such as this are too patent to need pointing out. Pretension and conjecture will be avoided, because unnecessary. The most trifling thought or deed of any person connected with the history of the ring is laid open to direct inspection. Were there more such talismans as this, the profession of authorship would become no less easy than delightful, and criticism would sting itself to death, in despair of better prey. So far as is known, however, the enchanted ring is unique of its kind, and, such as it is, is not likely to become common property. II. OUT OF EGYPT. But the small hours of the morning are slipping away; we must construe our hieroglyphics without further palaver. The sleeper lies upon his side, his left hand resting near his face upon the pillow. Were he to move it ever so little during our examination, the history of years might be thrown into confusion. Nevertheless, we shall hope to touch upon all the more important points, and in some cases to go into details. Concentrating our attention upon the central facet, its clear ray strikes the imagination, and forthwith transports us to a distant age and climate. The air is full of lazy warmth. A full-fed river, glassing the hot blue sky, slides in long curves through a low-lying, illimitable plain. The rich earth, green with mighty crops, everywhere exhales upward the quivering heat of her breath. An indolent, dark-skinned race, turbaned and scantly clothed, move through the meadows, splash in the river, and rest beneath the palm-trees, which meet in graceful clusters here and there, as if striving to get beneath one another's shadow. Dirty villages swarm and babble on the river's brink. Were there leisure to listen, the diamond could readily relate the whole history of this famous valley. For the stone was fashioned to its present shape while the thought that formed the Pyramids was yet unborn, and while the limestone and granite whereof they are built lay in their silent beds, dreaming, perchance, of airy days before the deluge, long ere the heated vapors stiffened into stone. Some great patriarch of early days, founder of a race called by his name, picked up this diamond in the southern desert, and gave it its present form; perhaps, also, breathed into it the marvellous historical gift which it retains to this day. Who was that primal man? how sounded his voice? were his eyes terrible, or mild? Seems, as we speak, we glimpse his majestic figure, and the grandeur of his face and cloudy beard. He passed away, but the enchanted stone remained, and has sparkled along the splendid march of successive dynasties, and has reflected men and cities which to us are nameless, or but a half-deciphered name. It has seen the mystic ceremonies of Egyptian priests, and counts their boasted wisdom as a twice-told tale. It has watched the unceasing toil of innumerable slaves, piling up through many ardent years the idle tombs of kings. It has beheld vast winding lengths of processions darken and glitter across the plain, slowly devoured by the shining city, or issuing from her gates like a monstrous birth. But whither wander we? Standing in this hotel of modern Boston, we must confine our inquiries to a far later epoch than the Pharaohs'. Step aside, and let the old history sweep past, like the turbid and eddying current of the mysterious Nile; forbearing to launch our skiff earlier than at the beginning of the present century. The middle of June, eighteen hundred and sixteen: the river is just beginning to rise, and the thirsty land spreads wide her lap to receive him. Some miles to the north slumbers Cairo in white heat, its outline jagged with minarets and bulbous domes. Southward, the shaded Pyramids print their everlasting outlines against the tremulous distance; old as they are, it seems as though a puff of the Khamsin might dissolve them away. Near at hand is a noisy, naked crowd of men and boys, plunging and swimming in the water, or sitting and standing along the bank. They are watching and discussing the slow approach up stream of a large boat with a broad lateen-sail, and a strange flag fluttering from the mast-head. Rumor says that this boat contains a company of strangers from beyond the sea; men who do not wear turbans, whose dress is close-fitting, and covers them from head to foot,—even the legs. They come to learn wisdom and civilization from the Pyramids, and among the ruins of Memphis. A hundred yards below this shouting, curious crowd, stands, waist-deep in the Nile, a slender-limbed boy, about ten years old. He belongs to a superior caste, and holds himself above the common rabble. Being perfectly naked, a careless eye might, however, rank him with the rest, were it not for the talisman which he wears suspended to a fine gold chain round his neck; a curiously designed diamond ring, the inheritance of a long line of priestly ancestors. The boy's face is certainly full of intelligence, and the features are finely moulded for so young a lad. He also is watching the upward progress of the lateen-sail; has heard, moreover, the report concerning those on board. He wonders where is the country from which they come. Is it the land the storks fly to, of which mother (before the plague carried both her and father to a stranger land still) used to tell such wonderful stories? Does the world really extend far beyond the valley? Is the world all valley and river, with now and then some hills, like those away up beyond Memphis? Are there other cities beside Cairo, and that one which he has heard of but never seen,—Alexandria? Wonders why the strangers dress in tight-fitting clothes, with leg-coverings, and without turbans! Would like to find out about all these things,—about all things knowable beside these, if any there be. Would like to go back with the strangers to their country, when they return, and so become the wisest and most powerful of his race; wiser even than those fabulously learned priestly instructors of his, who are so strict with him. Perhaps he might find all his forefathers there, and his kind mother, who used to tell him stories. Bah! how the sun blisters down on head and shoulders: will take a dive and a swim,—a short swim only, not far from shore; for was not the priest telling of a boy caught by a great crocodile, only, a few days ago, and never seen since? But there is no crocodile near to-day; and, besides, will not his precious talisman keep him from all harm? The subtile Nile catches him softly in his cool arms, dandles him, kisses Him, flatters him, wooes him imperceptibly onwards. Now he is far from shore, and the multitudinous feet of the current are hurrying him away. The slow-moving boat is much nearer than it was a minute ago,—seems to be rasping towards him, in spite of the laziness of the impelling breeze. The boy, as yet unconscious of his peril, now glances shorewards, and sees the banks wheel past. The crowd of bathers is already far beyond hearing yet, frightened and tired, he wastes his remaining strength in fruitless shouts. Now the deceitful eddies, once so soft and friendly, whirl him down in ruthless exultation. He will never reach the shore, good swimmer though he be! Hark! what plunged from the bank,—what black thing moves towards him across the water? The crocodile! coming with tears in his eyes, and a long grin of serried teeth. Coming!—the ugly scaly head is always nearer and nearer. The boy screams; but who should hear him? He feels whether the talisman be yet round his neck. He screams again, calling, in half-delirium, upon his dead mother. Meanwhile the scaly snout is close upon him. A many-voiced shout, close at hand; a splashing of poles in the water; a rippling of eddies against a boat's bows! As the boy drifts by, a blue-eyed, yellow-bearded viking swings himself from the halyard, catches him, pulls him aboard with a jerk and a shout, safe! The long grin snaps emptily together behind him. The boy lies on the deck, a vision of people with leg-coverings and other oddities of costume swimming in his eyes; one of them supports his head on his knee, and bends over him a round, good-natured, spectacled face. Above, a beautiful flag, striped and starred with white, blue, and red, flaps indolently against the mast.— Precisely at this point the sleeper stirs his hand slightly, but enough to throw the record of several succeeding years into uncertainty and confusion. Here and there, however, we catch imperfect glimpses of the Egyptian lad, steadily growing up to be a tall young man. He is dressed in European clothes, and lives and moves amid civilized surroundings: Egypt, with her pyramids, palms, and river, we see no more. The priest's son seems now to be immersed in studies; he shows a genius for music and painting, and is diligently storing his mind with other than Egyptian lore. With him, or never far away, we meet a man considerably older than the student,—good-natured, whimsical, round of head and face and insignificant of feature. Towards him does the student observe the profoundest deference, bowing before him, and addressing him as "Master Hiero," or "Master Glyphic." Master Hiero, for his part, calls the Egyptian "Manetho"; from which we might infer his descent from the celebrated historian of that name, but will not insist upon this genealogy. As for the studies, from certain signs we fancy them tending towards theology; the descendant of Egyptian priests is to become a Christian clergyman! Nevertheless, he still wears his talismanic ring. Does he believe it saved him from the crocodile? Does his Christian enlightenment not set him free from such superstition? So much we piece together from detached glimpses; but now, as the magic ray steadies once more, things become again distinct. Judging from the style and appointments of Master Hiero Glyphic's house, he is a wealthy man, and eccentric as well. It is full of strange incongruities and discords; beauties in abundance, but ill harmonized. One half the house is built like an Egyptian temple, and is enriched with many spoils from the valley of the Nile; and here a secret chamber is set apart for Manetho; its very existence is known to no one save himself and Master Hiero. He spends much of his time here, meditating and working amidst his books and papers, playing on his violin, or leaning idly back in his chair, watching the sunlight, through the horizontal aperture high above, his head, creep stealthily across the opposite wall. But these saintly and scholarly reveries are disturbed anon. Master Hiero, though a bachelor, has a half-sister, a pale, handsome, indolent young woman, with dark hair and eyes, and a rather haughty manner. Helen appears, and thenceforth the household lives and breathes according to her languid bidding. Manetho comes out of his retirement, and dances reverential attendance upon her. He is twenty-five years old, now; tall, slender, and far from ill-looking, with his dark, narrow eyes, wide brows, and tapering face. His manners are gentle, subdued, insinuating, and altogether he seems to please Helen; she condescends to him,—more than condescends, perhaps. Meantime, alas! there is a secret opposition in progress, embodied in the shapely person of that bright-eyed gypsy of a girl whom her mistress Helen calls Salome. There is no question as to Salome's complete subjection to the attractions of the young embryo clergyman; she pursues him with eyes and heart, and seeing him by Helen's side, she is miserably but dumbly jealous. How is this matter to end? Manetho's devotion to Helen seems unwavering; yet sometimes it is hard not to suspect a secret understanding between him and Salome. He has ceased to wear his ring, and once we caught a diamond-sparkle from beneath the thick folds of lace which cover Helen's bosom; but, on the other hand, we fear his arm has been round the gypsy's graceful waist, and that she has learnt the secret of the private chamber. Is demure Manetho a flirt, or do his affections and his ambition run counter to each other? Helen would bring him the riches of this world,—but what should a clergyman care for such vanities?—while Salome, to our thinking, is far the prettier, livelier, and more attractive woman of the two. Brother Hiero, whimsical and preoccupied, sees nothing of what is going on. He is an antiquary,— an Egyptologist, and thereto his soul is wedded. He has no eyes nor ears for the loves of other people for one another. — Provoking! The uneasy sleeper has moved again, and disorganized, beyond remedy, the events of a whole year. Judging from such fragments as reach us, it must have been a momentous epoch in our history. From the beginning, a handsome, stalwart, blue-eyed man, with a great beard like a sheaf of straw, shoulders upon the scene, and thenceforth becomes inextricably mixed up with dark-eyed Helen. We recognize in him an old acquaintance; he was on the lateen- sailed boat that went up the Nile; it was he who swung himself from the vessel's side, and pulled Manetho out of the jaws of death,—a fact, by the way, of which Manetho remained ignorant until his dying day. With this new arrival, Helen's supremacy in the household ends. Thor—so they call him—involuntarily commands her, and so her subjects. Against him, the Reverend Manetho has not the ghost of a chance. To his credit is it that he conceals whatever emotions of disappointment or jealousy he might be supposed to feel, and is no less winning towards Thor than towards the rest of the world. But is it possible that the talisman still hides in Helen's bosom? Does the conflict which it symbolizes beset her heart? The enchanted mirror is still again, and a curious scene is reflected from it. A large and lofty room, windowless, lit by flaring lamps hung at intervals round the walls; the panels contain carvings in bas-relief of Egyptian emblems and devices; columns surround the central space, their capitals carved with the lotos-flower, their bases planted amidst papyrus leaves. A border of hieroglyphic inscription encircles the walls, just beneath the ceiling. In each corner of the room rests a red granite sarcophagus, and between each pair of pillars stands a mummy in its wooden case. At that end farthest from the low-browed doorway—which is guarded by two great figures of Isis and Osiris, sitting impassive, with hands on knees—is raised an altar of black marble, on which burns some incense. The perfumed smoke, wavering upwards, mingles with that of the lamps beneath the high ceiling. The prevailing color is ruddy Indian-red, relieved by deep blue and black, while brighter tints show here and there. Blocks of polished stone pave the floor, and dimly reflect the lights. In front of the altar stands a ministerial figure,—none other than Manetho, who must have taken orders,—and joins together, in holy matrimony, the yellow-bearded Thor and the dark-haired Helen. Master Hiero, his round, snub-nosed face red with fussy emotion, gives the bride away; while Salome, dressed in white and looking very pretty and lady-like, does service as bridesmaid,—such is her mistress's whim. She seems in even better spirits than the pale bride, and her black eyes scarcely wander from the minister's rapt countenance. But a few hours later, when bride and groom are gone, Salome,—who, on some plausible pretext of, her own, has been allowed to remain with brother Hiero until her mistress returns from the wedding-tour,—- Salome appears in the secret chamber, where the Reverend Manetho sits with his head between his hands. We will not look too closely at this interview. There are words fierce and tender, tears and pleadings, feverish caresses, incoherent promises, distrustful bargains; and it is late before they part. Salome passes out through the great tomb-like hall, where all the lamps save one are burnt out; and the young minister remains to pursue his holy meditations alone. We are too discreet to meddle with the honeymoon; but, passing over some eight months, behold the husband and wife returned, to plume their wings ere taking the final flight. Another strange scene attracts us here. The dusk of a summer evening. Helen, with a more languid step and air than before marriage, saunters along a path through the trees, some distance from the house. She is clad in loose-flowing drapery, and has thrown a white shawl over her head and shoulders. Reaching a bench of rustic woodwork, she drops weariedly down upon it. Manetho comes out all at once, and stands before her; he seems to have darkened together from the shadow of the surrounding trees. Perhaps a little startled at his so abrupt appearance, she opens her eyes with a wondering haughtiness; but, at the same time, the light pressure of the enchanted ring against her bosom feels like a dull sting, and her heart beats uncomfortably. He begins to speak in his usual tone of softest deference; he sits down by her, and now she is paler, glances anxiously up the path for her delaying husband, and the hand that lifts her handkerchief to her lips trembles a little. Is it at his words? or at their tone? or at what she sees lurking behind his dusky eyes, curdling beneath his thin, dark skin, quivering down to the tips of his long, slender fingers? All in a moment he bursts forth, without warning, without restraint, the fire of the Egyptian sun boiling in his blood and blazing in his passion. He seizes her soft white wrist,—then her waist; he presses against his, her bosom,—what a throbbing!—her cheek to his,—how aghast! He pours hot words in torrents into her ears,—all that his fretting heart has hoarded up and brooded over these months and years! all,—sparing her not a thought, not a passionate word. She tries to repel him, to escape, to scream for help; but he looks down her eyes with his own, holds her fast, and she gasps for breath. So the serpent coils about the dove, and stamps his image upon her bewildered brain. Verily, the Reverend Manetho has much forgotten himself. The issue might have been disastrous, had not Helen, in the crisis of the affair, lost consciousness, and fallen a dead weight in his arms. He laid her gently on the bench, fumbled for a moment in the bosom of her dress, and drew out the diamond ring. Just then is heard the solid step of Thor, striding and whistling along the path. Manetho snaps the golden chain, and vanishes with his talisman; and he is the first to appear, full of sympathy and concern, when the distracted husband shouts for help. Next morning, two little struggling human beings are blinking and crying in a darkened room, and there is no mother to give them milk, and cherish them in her bosom. There sits the father, almost as still and cold as what was his wife. She did not speak to him, nor seem to know him, to the last. He will never know the truth; Manetho comes and goes, and reads the burial-service, unsuspected and unpunished. But Salome follows him away from the grave, and some words pass between them. The man is no longer what he was. He turns suddenly upon her and strikes out with savage force; the diamond on his finger bites into the flesh of the gypsy's breast; she will carry the scar of that brutal blow as long as she lives. So he drove his only lover away, and looked upon her bright, handsome face no more. Here Doctor Glyphic—or whoever this sleeping man may be—turns heavily upon his face, drawing his hand, with the blood-stained ring, out of sight. We are glad to leave him to his bad dreams; the air oppresses us. Come, 't is time we were off. The eastern horizon bows before the sun, the air colors delicate pink, and the very tombstones in the graveyard blush for sympathy. The sparrows have been awake for a half-hour past, and, up aloft, the clouds, which wander ceaselessly over the face of the earth, alighting only on lonely mountain-tops, are tinted into rainbow-quarries by the glorious spectacle. III. A MAY MORNING. King Arthur, in his Bohemian days, carried an adamantine shield, the gift of some fairy relative. Not only was it impenetrable, but, so intolerable was its lustre, it overthrew all foes before the lance's point could reach them. Observing this, the chivalric monarch had a cover made for it, which he never removed save in the face of superhuman odds. Here is an analogy. The imaginative reader may look upon our enchanted facet-mirror as too glaringly simple and direct a source of facts to suit the needs of a professed romance. Be there left, he would say, some room for fancy, and even for conjecture. Let the author seem occasionally to consult with his companion, gracefully to defer to his judgment. Bare statement, the parade of indisputable evidence, is well enough in law, but appears ungentle in a work of fiction. How just is this mild censure! how gladly are its demands conceded! Let dogmatism retire, and blossom, flowers of fancy, on your yielding stems! Henceforward the reader is our confidential counsellor. We will pretend that our means of information are no better than other writers'. We will uniformly revel in speculation, and dally with imaginative delights; and only when hard pressed for the true path will we snatch off the veil, and let forth for a moment a redeeming ray. In this generous mood, we pass through the partition between No. 27 and No. 29. In the matter of bedchambers— even hotelbedchambers—there can be great diversity. That we were in just now was close and unwholesome, and wore an air of feverishness and disorder. Here, on the contrary, the air is fresh and brisk, for the breeze from Boston harbor—slightly flavored, it is true, by its journey across the northern part of the city—has been blowing into the room all night long. Here are some trunks and carpet-bags, well bepasted with the names of foreign towns and countries, famous and infamous. One of the trunks is a bathing-tub, fitted with a cover—an agreeable promise of refreshment amidst the dust and weariness of travel. A Russia-leather travelling-bag lies open on the table, disgorging an abundant armament of brushes and combs and various toilet niceties. Mr. Helwyse must be a dandy. Cheek by jowl with the haversack lies a cylindrical case of the same kind of leather, with a strap attached, to sling over the shoulder. This, perhaps, contains a telescope. It would not be worth mentioning, save that our prophetic vision sees it coming into use by and by. Not to analyze too closely, everything in this room speaks of life, health, and movement. In spite of smallness, bareness, and angularity, it is fit for a May morning to enter, and expand to full-grown day. It is now about half past four, and the crisp new sunshine, just above ground, has clambered over the window-sill, taken a flying leap across the narrow floor, and is chuckling full in the agreeable face asleep upon the pillow. The face, feeling the warmth, and conscious, through its closed eyelids, of the light, presently stretches its eyebrows, then blinks, and finally yawns,—Ah—h! Thirty-two even, white teeth, in perfect order; a great, red, healthy tongue, and a round, mellow roar, the parting remonstrance of the sleepy god, taking flight for the day. Thereupon a voice, fetched from some profounder source than the back of the head,— "Steward! bring me my—Oh! A land-lubber again, am I!" Mr. Balder Helwyse now sits up in bed, his hair and beard,—which are extraordinarily luxuriant, and will be treated at greater length hereafter,—his hair and beard in the wildest confusion. He stares about him with a pair of well-opened dark eyes, which contrast strangely with his fair Northern complexion. Next comes a spasmodic stretching of arms and legs, a whisking of bedclothes, and a solid thump of two feet upon the floor. Another survey of the room, ending with a deep breathing in of the fresh air and an appreciative smack of the lips. "O nose, eyes, ears, and all my other godlike senses and faculties! what a sensation is this of Mother Earth at sunrise! Better, seems to me, than ocean, beloved of my Scandinavian forefathers. Hear those birds! look at those divine trees, and the tall moist grass round them! By my head! living is a glorious business!—What, ho! slave, empty me here that bath-tub, and then ring the bell." The slave—a handsome, handy fellow, unusually docile, inseparable from his master, whose life-long bondsman he was, and so much like him in many ways (owing, perhaps, to the intimacy always subsisting between the two), that he had more than once been confounded with him,—this obedient menial— No! not even for a moment will we mislead our reader. Are we not sworn confidants? What is he to think, then, of this abrupt introduction, unheralded, unexplained? Be it at once confessed that Mr. Helwyse travelled unattended, that there was no slave or other person of any kind in the room, and that this high-sounding order of his was a mere ebullition of his peculiar humor. He was a philosopher, and was in the habit of making many of his tenets minister to his amusement, when in his more sportive and genial moods. Not to exhaust his characteristics too early in the story, it need only be observed here that he held body and soul distinct, and so far antagonistic that one or the other must be master; furthermore, that the soul's supremacy was the more desirable. Whether it were also invariable and uncontested, there will be opportunity to find out later. Meantime, this dual condition was productive of not a little harmless entertainment to Mr. Helwyse, at times when persons less happily organized would become victims of ennui. Be the conditions what they might, he was never without a companion, whose ways he knew, and whom he was yet never weary of questioning and studying. No subject so dull that its different aspects, as viewed from soul and from body, would not give it piquancy. No question so trivial that its discussion on material and on spiritual grounds would not lend it importance. Nor was any enjoyment so keen as not to be enhanced by the contrast of its physical with its psychical phase. Waking up, therefore, on this May morning, and being in a charming humor, he chose to look upon himself as the proprietor of a body-servant, and to give his orders with patrician imperiousness. The obedient menial, then,—to resume the thread,—sprang upon the tub-trunk, whipped off the lid, and discharged the contents upon the bed in a twinkling. This done, he stepped to the bell-rope, and lent it a vigorous jerk, soon answered by a brisk tapping at the door. "Please, sir, did you ring?" "Indeed I did, my dear. Are you the pretty chambermaid?" This bold venture is met by silence, only modified by a low delighted giggle. Presently,—"Did you want anything, sir, please?" "Ever so many things, my girl; more than my life is long enough to tell! First, though, I want to apologize for addressing you from behind a closed door; but circumstances which I can neither explain nor overcome forbid my opening it. Next, two pails of the best cold water at your earliest convenience. Hurry, now, there's a Hebe!" "Very good, sir," giggles Hebe, retreating down passage. It is to be supposed that it was the plebeian body-servant that carried on this unideal conversation, and that the patrician soul had nothing to do with it. The ability to lay the burden of lapses from good taste, and other goods, upon the shoulders of the flesh, is sometimes convenient and comforting. Balder Helwyse, master and man, turns away from the door, and catches sight of a white-robed, hairy-headed reflection in the looking-glass, the phantom face of which at once expands in a genial expression of mirth; an impalpable arm is outstretched, and the mouth seems thus to speak:— "Stick to your bath, my good fellow, and the evil things of this life shall not get hold of you. Water is like truth,— purifying, transparent; a tonic to those fouled and wearied with the dust and vanity of this transitional phenomenon called the world. Patronize it! be thy acquaintance with it constant and familiar! Remember, my dear Balder, that this slave of thine is the medium through which something better than he (thyself, namely) is filtered to the world, and the world to thee. Go to, then! if the filter be foul, shall not that which is filtered become unclean also?" Here the rhetorical phantom was interrupted by the sound of a very good violin, touched with unusual skill, in the next room. The phantom vanished, but Mr. Helwyse seated himself softly upon the bed, listening with full enjoyment to every note; his very toes seeming to partake of his appreciation. Music is the mysterious power which makes body and soul —master and man—thrill as one string. The musician played several bars, beautiful in themselves, but unconnected; and ever and anon there sounded a discordant note, like a smirch upon a fair picture. The execution, however, showed a master hand, and the themes betrayed the soul of a true musician, albeit tainted with some subtile deformity. "Heard him last night, and fell asleep, dreaming of a man with the brain of a devil and an angel's heart.—Drop in on him presently, and have him down to breakfast. If young, shall be our brother,—so long as there's anything in him. If—as I partly suspect—old, and a father, marry his daughter. But no; such a fiddler as he can't be married, unless unhappily." Mr. Helwyse runs his hands dreamily through his tangled mane, and shakes it back. If philosophical, he seems also to be romantic and imaginative, and impressionable by other personalities. It is, to be sure, unfair to judge a man from such unconsidered words as he may let fall during the first half-hour after waking up in the morning; were it otherwise, we should infer that, although he might take a genuine interest in whomever he meets, it would be too analytical to last long, except where the vein was a very rich one. He would pick the kernel out of the nut, but, that done, would feel no sentimental interest in the shell. Too much of this! and yet who can help drawing conclusions (and not always incorrectly) from the first sight and sound of a new acquaintance? There is a knock at the door, and Mr. Helwyse calls out, "Hullo? Ah! the cold water, emblem of truth. Thank you, Hebe; and scamper away as fast as you can, for I'm going to open the door!" We also will retire, fastidious reader, and employ the leisure interval in packing an imaginary carpet-bag for a short journey. Our main business, during the next few days, is with Mr. Helwyse, and since there will be no telling what becomes of him after that, he must be followed up pretty closely. A few days does not seem much for the getting a satisfactory knowledge of a man; nevertheless, an hour, rightly used, may be ample. If he will continue his habit of thinking aloud, will affect situations tending to bring out his leading traits of character; if we may intrude upon him, note- book in hand, in all his moods and crises,—with all this in addition to discretionary use of the magic mirror,—it will be our own fault if Mr. Helwyse be not turned inside out. Properly speaking, there is no mystery about men, but only a great dulness and lethargy in our perceptions of them. The secret of the universe is no more a secret than is the answer to a school-boy's problem. A mathematician will draw you a triangle and a circle, and show you the trigonometrical science latent therein. But a profounder mathematician would do as much with the equation man! While Mr. Helwyse is still lingering over his toilet, his neighbor the fiddler, whom he had meant to ask to breakfast, comes out of his room, violin-box in hand, walks along the passage-way, and is off down stairs. An odd-looking figure; those stylish clothes become him as little as they would a long-limbed, angular Egyptian statue. Fashion, in some men, is an eccentricity, or rather a violence done to their essential selves. A born fop would have looked as little at home in a toga and sandals, as did this swarthy musician, doctor, priest, or whatever he was, in his fashion-plate costume. Then why did he wear it? There are other things to be followed up before attending to that question. But the man is gone, and Balder Helwyse has missed this opportunity of making his acquaintance. Had he been an hour earlier,—had any one of us, for that matter, ever been an hour earlier or later,—who can tell how the destinies of the world would be affected! Luckily for our peace of mind, the hypothesis involves an impossibility. IV. A BRAHMAN. Whoever has been in Boston remembers, or has seen, the old Beacon Hill Bank, which stood, not on Beacon Hill, indeed, but in that part of School Street now occupied by the City Hall. You passed down by the dirty old church, on the northeast corner of School and Tremont Streets, which stands trying to hide its ugly face behind a row of columns like sooty fingers, and whose School-Street side is quite bare, and has the distracted aspect peculiar to buildings erected on an inclined plane;—passing this, you came in sight of the bank, a darksome, respectable edifice of brick, two stories and a half high, and gambrel-roofed. It stood a little back from the street, much as an antiquated aristocrat might withdraw from the stream of modern life, and fancy himself exclusive. The poor old bank! Its respectable brick walls have contributed a few rubbish-heaps to the new land in the Back Bay, perhaps; and its floors and gambrel-roof have long since vanished up somebody's chimney; only its money—its baser part—still survives and circulates. Aristocracy and exclusivism do not pay. The bank, perha...