The Project Gutenberg EBook of Historical Characters in the Reign of Queen Anne, by Mrs. M. O. W. Oliphant This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Historical Characters in the Reign of Queen Anne Author: Mrs. M. O. W. Oliphant Release Date: December 1, 2016 [EBook #53644] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK HISTORICAL CHARACTERS *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) Contents. Index of Illustrations (In certain versions of this etext [in certain browsers] clicking on the image will bring up a larger version.) (etext transcriber's note) Image unavailable: book's cover Image unavailable. PRINCESS ANNE OF DENMARK. ENGRAVED BY H. DAVIDSON, FROM MEZZOTINT BY JOHN SMITH, AFTER THE PAINTING BY W. WISSING AND I. VANDERVAART. Image unavailable. HISTORICAL CHARACTERS OF THE REIGN OF QUEEN ANNE BY Mrs. M. O. W. OLIPHANT NEW YORK THE CENTURY CO. 1894 COPYRIGHT, 1893, 1894, BY THE CENTURY CO. THE DE VINNE PRESS. CONTENTS CHAPTER I PAGE The Princess Anne 1 CHAPTER II The Queen and the Duchess 43 CHAPTER III The Author of “Gulliver” 83 CHAPTER IV The Author of “Robinson Crusoe” 129 CHAPTER V Addison, the Humorist 167 INDEX OF ILLUSTRATIONS Princess Anne of Denmark FRONTISPIECE Engraved by H. Davidson, from mezzotint by John Smith, after the painting by W. Wissing and I. Vandervaart. Anne Hyde, Duchess of York 4 Engraved by T. Johnson, after the painting by Sir Peter Lely, in possession of Earl Spencer. John Evelyn 8 Engraved by E. Heinemann, after copperplate by F. Bartolozzi in the British Museum. Prince George of Denmark 12 Engraved by R. A. Muller, from mezzotint in the British Museum by John Smith, after the painting by Sir Godfrey Kneller. Charles II. 16 Engraved by T. Johnson, after original painting by Samuel Cooper, in the gallery of the Duke of Richmond and Gordon. Henry Compton, Bishop of London 20 T Engraved from life by David Loggan, from print in the British Museum. Engraved by E. Heinemann. James II. in his Coronation Robes 24 Engraved by T. Johnson, after the painting by Sir Peter Lely, in possession of the Duke of Northumberland. Mary, Princess of Orange 28 Engraved by C. A. Powell, after the painting by Sir Peter Lely, in possession of the Earl of Crawford. Queen Mary of Modena 32 Engraved by Charles State, after the painting by Sir Peter Lely, in possession of Earl Spencer. William III. 40 From copperplate engraving by Cornelis Vermeulen, after the Painting by Adriaan Vander Werff. The Duke of Gloucester 44 Engraved by R. G. Tietze, From mezzotint by John Smith, after the painting by Sir Godfrey Kneller. Garden Front, Hampton Court 48 Drawn by Joseph Pennell. Engraved by J. F. Jungling. The Duke of Gloucester 52 Engraved by R. A. Muller, from miniature by Lewis Crosse, in the collection at Windsor Castle; by special permission of Queen Victoria. Queen Anne 56 From copperplate engraving by Pieter Van Gunst, after the painting by Sir Godfrey Kneller. Windsor Terrace, Looking Westward 60 Engraved by J. W. Evans, after aquatint by P. Sandby. The Duke of Marlborough 64 Engraved by J. H. E. Whitney, from an engraving by Pieter Van Gunst, after painting by Adriaan Vander Werff. The Duchess of Marlborough 72 Engraved by R. G. Tietze, from mezzotint after painting by Sir Godfrey Kneller. Bishop Gilbert Burnet 80 Engraved by R. A. Muller, from mezzotint in the British Museum by John Smith, after the painting by John Riley. Jonathan Swift 84 From photograph of original Marble Bust of Swift by Roubilliac (1695-1762), now in the Library of Trinity College, Dublin. Moor Park, Residence of Sir William Temple and of Swift 88 Drawn by Charles Herbert Woodbury. Engraved by R. Varley. Dean Swift 92 From copperplate engraving by Pierre Fourdrinier, after a painting by Charles Jervas. Stella’s Cottage, on the Boundary of the Moor Park Estate 96 Drawn by Charles Herbert Woodbury. Engraved by S. Davis. Hester Johnson, Swift’s “Stella,” painted from Life by Mrs. Delany, on the Wall of the Temple at Delville, and accidentally destroyed 100 Engraved by M. Haider, from copy of the original by Henry MacManus, R. H. A., now in possession of Professor Dowden. Sir William Temple 104 Engraved by R. A. Muller, from an engraving in the British Museum, after a painting by Sir Peter Lely. Delany’s House at Delville, where Swift stayed 108 Drawn by Harry Fenn. Engraved by C. A. Powell. Marley Abbey, the Residence of Vanessa, now called Selbridge Abbey 112 Drawn by Harry Fenn. Engraved by R. C. Collins. George, Earl of Berkeley 120 From an unfinished engraving, in the British Museum, attributed to David Loggan. St. Patrick’s Cathedral, Dublin 124 Drawn by Harry Fenn. Engraved by C. A. Powell. Daniel Defoe 136 Engraved by C. A. Powell, after copperplate by M. Van der Gucht, in the British Museum. Church of St. Giles, Cripplegate, where Defoe is supposed to have been Baptized 144 Drawn by Harry Fenn. Engraved by H. E. Sylvester. Robert Harley, Earl of Oxford 152 Engraved by John P. Davis, after the original painting by Sir Godfrey Kneller, in the British Museum. Joseph Addison 176 Engraved by T. Johnson, from mezzotint by Jean Simon, after painting by Sir Godfrey Kneller. Sidney, Earl of Godolphin 192 Engraved by Peter Aitken, from mezzotint by John Smith, in British Museum. Painted by Sir Godfrey Kneller. THE REIGN OF QUEEN ANNE Chapter I THE PRINCESS ANNE HE reign of Queen Anne is one of the most illustrious in English history. In literature it has been common to call it the Augustan age. In politics it has all the interest of a transition period, less agitating, but not less important, than the actual era of revolution. In war, it is, with the exception of the great European wars of the beginning of this century, the most glorious for the English arms of any that have elapsed since Henry V. set up his rights of conquest over France. Opinions change as to the advantage of such superiorities; and, still more, as to the glory which is purchased by bloodshed; yet, according to the received nomenclature, and in the language of all the ages, the time of Marlborough cannot be characterized as anything but glorious. A great general, statesmen of eminence, great poets, men of letters of the first distinction—these are points in which this period cannot easily be excelled. It pleases the fancy to step historically from queen to queen, and to find in each a center of national greatness knitting together the loose threads of the great web. “The spacious times of great Elizabeth” bulk larger and more magnificently in history than those of Anne, but the two eras bear a certain balance which is agreeable to the imagination. And we can scarcely help regretting that the great age of Wordsworth and Scott, Byron and Wellington, should not have been deferred long enough to make the reign of Victoria the third noblest period of modern English history. But time has here balked us. This age is not without its own greatness, but it is not the next in national sequence to that of Anne, as Anne’s was to that of Elizabeth. In the reigns of both these queens this country was trembling between two dynasties, scarcely yet removed from the convulsion of great political changes, and feeling that nothing but the life of the sovereign on the throne stood between it and unknown rulers and dangers to come. The deluge, in both cases, was ready to be let loose after the termination of the life of the central personage in the state. And thus the reign of Anne, like that of Elizabeth, was to her contemporaries the only piece of solid ground amid a sea of evil chances. What was to come after was clear to none. But in the midst of its agitations and all its exuberant life—the wars abroad, the intrigues at home, the secret correspondences, the plots, the breathless hopes and fears—it is half ludicrous, half pathetic, to turn to the harmless figure of Queen Anne in the center of the scene—a fat, placid, middle-aged woman full of infirmities, with little about her of the picturesque yet artificial brightness of her time, and no gleam of reflection to answer to the wit and genius which have made her age illustrious. A monarch has the strangest fate in this respect: as long as she or he lives, the conscious center of everything whose notice elates and elevates the greatest; but as soon as his day is over, a mere image of state visible among his courtiers only as some unthought-of lackey or faded gentleman usher throws from his little literary lantern a ray of passing illumination upon him. The good things of their lives are thus almost counterbalanced by the insignificance of their historical position. Anne was one of the sovereigns who may, without too great a strain of hyperbole, be allowed to have been beloved in her day. She did nothing to repel the popular devotion. She was the best of wives, the most sadly disappointed of childless mothers. She made pecuniary sacrifices to the weal of her kingdom such as few kings or queens have thought of making. And she was a Stuart, Protestant, and safe, combining all the rights of the family with those of orthodoxy and constitutionalism, without even so much offense as lay in a foreign accent. There was indeed nothing foreign about her, a circumstance in her favor which she shared with the other great English queen regnant, who, like her, was English on both sides of the lineage. {1} {2} All these points made her popular and, it might be permissible to say, beloved. If she had been indifferent to her father’s deprivation, she had not at least shocked popular feeling by any immediate triumph in succeeding him, as Mary had done; and her mild Englishism was delightful to the people after grim William with his Dutch accent and likings. But the historians have not been kind to Anne. They have lavished ill names upon her: a stupid woman,—“a very weak woman, always governed blindly by some female favorite,”—nobody has a civil word to say for her. Yet there is a mixture of the amusing and the tragic in the appearance of this passive figure seated on high, presiding over all the great events of the epoch, with her humble feminine history, her long anguish of motherhood, her hopes so often raised and so often shattered, her stifled family feeling, her profound and helpless sense of misfortune. There is one high light in the picture, however, though but one, and it comes from one of the rarest and highest sentiments of humanity: the passion of friendship, of which women are popularly supposed to be incapable, but which never existed in more complete and disinterested exhibition than in the bosom of this poor queen. It is sad that it should have ended in disloyalty and estrangement; but, curiously enough, it is not the breach of this close union, but the union itself, which has exposed Anne to the censure and contempt of all her biographers and historians. To an impartial mind we think few things can be more interesting than the position of these two female figures in the foreground of English life. Their friendship brought with it no harm to England; no scandal, such as lurks about the antechamber of kings, and which has made the name of a favorite one of the most odious titles of reproach, could attach in any way to such a relationship. And nothing could be better adapted to enhance the dramatic features of the scene than the contrast between the two friends whose union for many years was so intimate and so complete. Yet her friend was as like to call forth such devotion as ever woman was. Seldom has there been a more brilliant figure in history than that of the great duchess, a woman beloved and hated as few have ever been; holding on one side in absolute devotion to her the greatest hero of the time, and on the other rousing to the height of adoration the mild and obtuse nature of her mistress; keeping her place on no ground but that of her own sense and spirit, amid all intrigues and opposition, for many of the most remarkable years of English history, and defending herself with such fire and eloquence when attacked, that her plea is as interesting and vivid as any controversy of to-day, and it is impossible to read it without taking a side, with more or less vehemence, in the exciting quarrel. Such a woman, standing like a beautiful Ishmael with every man’s hand against her, yet fearing no man, and ready to meet every assailant, makes a welcome variety amid the historical scenes which so seldom exhibit anything so living, so imperious, so bold and free. That she has got little mercy and no ANNE HYDE, DUCHESS OF YORK. ENGRAVED BY T. JOHNSON, AFTER THE PAINTING BY SIR PETER LELY, IN POSSESSION OF EARL SPENCER. indulgence, that all chivalrous sentiment has been mute in respect to her, and an angry ill-temper takes possession of every historian who names her name, rather adds to the interest than takes from it. Women in history, strangely enough, seem always to import into the chronicle a certain heat of personal feeling unusual and undesirable in that region of calm. Whether it is that the historian is impatient at finding himself arrested by the troublesome personalities of a woman, and that a certain resentment of her intrusion colors his appreciation of her, or that her appearance naturally possesses an individuality which breaks the line, it is difficult to tell; but the calmest chronicler becomes a partizan when he treats of Mary and Elizabeth, and no man can name Sarah of Marlborough without a heat of indignation or scorn, almost ridiculous, as being so long after date. To us the unfailing vivacity and spirit of the woman, the dauntless stand she makes, her determination not to be overcome, make her appearance always enlivening; and art could not have designed a more complete contrast than that of the homely figure by her side, with appealing eyes fixed upon her, a little bewildered, not always quick to understand—a woman born for other uses, but exposed all her harmless life to the fierce light that beats upon a throne. For her part, she has no defense to make, no word to say; let them spend all their jibes upon her, Anne knows no reply. Her slow understanding and want of perception give her a certain composure which in a queen answers very well for dignity; yet there is something whimsically pathetic, pitiful, incongruous in the fate which has placed her there, which can scarcely fail to soften the heart of the spectators. The tragedy of Anne’s life, unlike that of her friend, had no utterance, and there was nothing romantic in her appearance or surroundings to attract the lovers of the picturesque. Yet in the blank of her humble intellect she discharged not amiss the duties that were so much too great for her; and if she was disloyal to her friend in the end, that betrayal only adds another touch of pathos to the spectacle of helplessness and human weakness. It is only the favored few of mankind who are wiser and better, not feebler and less noble, as life draws toward its end. Anne was, like Elizabeth, the daughter of a subject. Her mother, Anne Hyde, the daughter of the great Clarendon, though naturally subjected to the hot criticism of the moment on account of that virtue which refused anything less from her prince than the position of wife, was not a woman of much individual character, nor did she live long enough to influence much the training of her daughters. Historians have not hesitated to sneer at the prudence with which this young lady secured herself by marriage, when so many fairer than she were less scrupulous—a reproach which is somewhat unfair, considering what would certainly have been said of her had she not done so. Curiously enough, her own father, whether in sincerity or pretense, seems at the moment to have been her most severe critic, exculpating himself with unnecessary energy from all participation in the matter, and declaring that if it were true “the king should immediately cause the woman to be sent to the Tower” till Parliament should have time to pass an act cutting off her head. It would appear, however, from the contemporary narratives of Pepys and Evelyn that he was not so bad as his words, for he seems to have supported and shielded his daughter during the period of uncertainty which preceded the acknowledgment of her marriage, and to have shared in the general satisfaction afterward. But this great marriage was not of much advantage to her family. It did not hinder Clarendon’s disgrace and banishment, nor were his sons after him anything advantaged by their close relationship to two queens. The Duchess of York does not seem to have been remarkable in any way. She is said to have governed her husband; and she died a Roman Catholic,—the first of the royal family to lead the way in that fatal particular: but did not live long enough to affect the belief or training of her children. There was an interval of three years in age between Mary and Anne. The eldest, Mary, was like the Stuarts, with something of their natural grace of manner; the younger was a fair English child, rosy and plump and blooming; in later life they became more like each other. But the chief thing they inherited from their mother was what is called in fine language, “a tendency to embonpoint,” with, it is said, a love of good eating, which helped to produce the other peculiarity. The religious training of the princesses is the first thing we hear of them. They were put under the charge of a most orthodox tutor, Compton, Bishop of London, with much haste and ostentation—their uncle, Charles II., probably feeling with his usual cynicism that the sop of two extra-Protestant princesses would please the people, and that the souls of a couple of girls could not be of much importance one way or another. How they fared in respect to the other features of education is not recorded. Lord Dartmouth, in his notes on Bishop Burnet’s history, informs us that King Charles II., struck by the melodious voice of the little Lady Anne, had her trained in elocution by Mrs. Barry, an actress; while Colley Cibber adds that she and her sister were instructed by the well-known Mrs. Betterton to take their parts in a little court performance when Anne was but ten and Mary thirteen; but whether these are two accounts of the same incident, or refer to distinct events, seems doubtful. The residence of the girls was chiefly at Richmond, where they were under the charge of Lady Frances Villiers, who had a number of daughters of her own, one of whom, Elizabeth, went with Mary to Holland, and was, in some respects, her evil genius. We have, unfortunately, no court chronicle to throw any light upon the lively scene at Richmond, where this little bevy of girls grew up together, conning their divinity, whatever other lessons might be neglected; taking the air upon the river in their barges; following the hounds in the colder season, for this robust exercise seems to have been part of their training. When their youthful seclusion was broken by such a great event as the court mask, in which they played their little parts,—Mrs. Blogge, the saintly beauty, John Evelyn’s friend, Godolphin’s wife, acting the chief character, in a blaze of diamonds,—or that state visit to the city when King Charles in all his glory took the girls, his heirs, with him, no doubt the old withdrawing-rooms and galleries of Richmond rang with the story for weeks after. Princess Mary, her mind perhaps beginning to own a little agitation as to royal suitors, would have other distractions; but as to the Lady Anne, it soon came to be her chief holiday when the young Duchess of York, her stepmother, came from town in her chariot, or by water, in a great gilded barge breasting up the stream, to pay the young ladies a visit. For in the train of that princess was the young maid of honor, a delightful, brilliant espiègle, full of spirit and wilfulness, who bore the undistinguished name of Sarah Jennings, and brought with her such life and stir and movement as dispersed the dullness wherever she went. {3} {4} {5} {6} {7} {8} There is no such love as a young girl’s adoration for a beautiful young woman, a little older than herself, whom she can admire and imitate and cling to, and dream of with visionary passion. This was the kind of sentiment with which the little princess regarded the bright and animated creature in her young stepmother’s train. Mary of Modena was herself only a few years older than her stepchildren. They were all young together, accustomed to the perpetual gaiety of the court of Charles II., though, let us hope, kept apart from its license, and JOHN EVELYN. ENGRAVED BY E. HEINEMANN, AFTER COPPERPLATE BY F. BARTOLOZZI IN THE BRITISH MUSEUM. no shadow of fate seems to have fallen upon the group of girls in their early peaceful days. Anne in particular would seem to have been left to hang upon the arm and bask in the smiles of her stepmother’s young lady in waiting at her pleasure—with many a laugh at premature favoritism. “We had used to play together when she was a child,” said the great duchess long after. “She even then expressed a particular fondness for me; this inclination increased with our years. I was often at court, and the princess always distinguished me by the pleasure she took to honor me preferably to others with her conversation and confidence. In all her parties for amusement, I was sure by her choice to be one.” Mistress Sarah was one of the actors in the mask above referred to; she was in the most intimate circle of the Duke of York’s household, closely linked to all its members, in that relationship, almost as close as kindred, which binds a court together. And no doubt it added greatly to the attractions which the bright and animated girl exercised over her playmates and companions, that she had already a romantic love-story, and, at a period when matches were everywhere arranged, as at present in continental countries, by the parents, made a secret marriage, under the most romantic circumstances, with a young hero already a soldier of distinction. He was not an irreproachable hero. Court scandal had not spared him. He was said to have founded his fortune upon the bounty of one of the shameless women of Charles’s court. But the imagination of the period was not over-delicate, and probably had he not become so great a man, and acquired so many enemies, we should have heard little of John Churchill’s early vices. About his sister, Arabella Churchill, unfortunately there could not be any doubt; and it is a curious instance of the sudden efflorescence now and then of a race which neither before nor after is of particular note, that Marlborough’s sister should have been the mother of that one illustrious Stuart who might, had he been legitimate, have changed the fortunes of the house—the Duke of Berwick. Had she, instead of Anne Hyde, been James’s duchess, what a difference might have been made in history! Nobody had heard of the Churchills before—they have not been a distinguished race since. It is curious that they should have produced, all unawares, without preparation or warning, the two greatest soldiers of the age. Young Churchill was attached to the Duke of York’s service, as Sarah Jennings was to that of the duchess. He had served abroad with distinction. In 1672, when France and England for once, in a way, were allies against Holland, he had served under the great Turenne, who called him “my handsome Englishman,” and vaunted his gallantry. He was but twenty-two when he thus gave proofs of his future greatness. When he returned, after various other exploits, and resumed his court service, the brilliant maid of honor, whom the little princess adored, attained a complete dominion over the spirit of the young soldier. There were difficulties about the marriage, for he had no fortune, and his provident parents had secured an heiress for him. But it was at length accomplished so secretly that even the bride was never quite certain of the date, in the presence and with the favor of Mary of Modena herself. Sarah, if the dates are correct, must have been eighteen at this period, and her little princess fourteen. What a delightful interruption to the dullness of Richmond to hear all about it when the Duchess of York came with her train and the two girls could wander away together in some green avenue till Lady Frances sent a page or an usher after them! Mary of Modena must have been a lover of romances, and true love also, though her youth had fallen to such a gruesome bridegroom as James Stuart; for not only Sarah Jennings and her great general, who were to have so great a hand in keeping that poor lady’s son from his kingdom, but Mary Blogge and her statesman, who was to rule England so wisely in the interest of the opposing side, were both secretly married under the young duchess’s wing, she helping, planning, and sanctioning the secret. How many additional bitternesses must this have put into her cup when she was sitting, a shadow queen, at St.-Germain, and all those people whom she had loved and caressed were swaying the fortunes of England! And who can tell what tender recollections of his secret wedding and the sweet and saintly prude whom King James’s young wife gave him, may have touched the soul of Godolphin in those hankerings after his old master—if it were not, as scandal said, to his old mistress—which moved him from time to time, great minister as he was, almost to the verge of treachery! The Churchills, it must be owned, showed little gratitude to their royal patrons. When the Princess Mary married and went to Holland with her husband, the position of her sister at home became a more important one. Anne was not without some experience of travel and those educational advantages which the sight of foreign countries are said to bring. She went to The Hague to visit her sister. She accompanied her father, sturdy little Protestant as she was, when he was in disgrace for his religious views, and spent some time in Brussels, from which place she wrote to one of the ladies about the court a letter which has been preserved,—with just as much and as little reason as any other letter of a fifteen-year-old girl with her eyes about her, at a distance of two hundred years,—in which the young lady describes a ball she had seen, herself incognita, at which some gentlemen “danced extremely well—as well if not better than the Duke of Monmouth or Sir E. Villiers, which I think is very extraordinary,” says the girl, no doubt sincerely believing that the best of all things was to be found at home. She had little difficulties about her spelling, but that was common enough. “As for the town,” says the Princess Anne, “methinks tho’ the streets are not so clean as in Holland, yet they are not so dirty as ours; they are very well paved and very easy—they only have od smells.” This is a peculiarity which has outlived her day, and it would seem to imply that England, even before the invention of sanitary science, was superior in this respect at least to the towns of the Continent. After these unusual dissipations Anne remained in the shade until she married, in 1683, George, Prince of Denmark, a perfectly inoffensive and insignificant person, to whom she gave, during the rest of her life, a faithful, humdrum, but unbroken attachment, such as shows to little advantage in print, but makes the happiness of many a home. This marriage was another sacrifice to the Protestantism of England, and in that point of view pleased the people much. King Charles, glad to satisfy the country by any act which cost him nothing, thought it “very convenient and suitable.” James, unwilling, but powerless, grumbled to himself that “he had little encouragement in the conduct of the Prince of Orange to marry another daughter in the same interest,” but made no effort against it. The prince himself produced no very great impression, one way or another, as indeed he was little fitted to do. “He has the Danish countenance, blonde,” says Evelyn, in his diary; “of few words; spoke French but ill; seemed somewhat heavy, but is reported to be valiant.” He had never any occasion to show his valor during his long residence in England, but many to prove the former quality,—the heaviness,—which was only too evident; but Anne herself was not brilliant, and she was made for friendship, not for passion in the ordinary sense of the word. She never seems to have been in the smallest way dissatisfied with her heavy, honest goodman. He was fond of eating and {9} {10} {11} {12} {13} PRINCE GEORGE OF DENMARK. ENGRAVED BY R. A. MULLER, FROM MEZZOTINT IN THE BRITISH MUSEUM BY JOHN SMITH, AFTER THE PAINTING BY SIR GODFREY KNELLER. drinking, but of no more dangerous pleasures. Her peace of mind was fluttered by no rival, nor her feminine pride touched. Her attendants might be as seductive as they pleased, this steady, stolid husband was immovable, and there is no doubt that the princess appreciated the advantages of this immunity from one of the thorns which were planted in every other royal pillow. Her marriage had another advantage of giving her a household and court of her own, and enabled her at once to secure for herself the companionship of her always beloved friend. “So desirous was she,” says Duchess Sarah, “of having me always near her, that upon her marriage with the Prince of Denmark, in 1683, it was at her own earnest request to her father I was made one of the ladies of her bedchamber. What conduced to make me the more agreeable to her in this station was, doubtless,” she adds with candor, “the dislike she conceived to most of the other persons about her, and particularly for her first lady of the bedchamber—the Countess of Clarendon, a lady whose discourse and manner could not possibly recommend her to so young a mistress; for she looked like a mad-woman and talked like a scholar. Indeed, her highness’s court was so oddly composed that I think it would be making myself no great compliment if I should say her choosing to spend more of her time with me than with any of her other servants did no discredit to her taste.” Lady Clarendon was the wife of the great chancellor’s son, and was thus the aunt, by marriage, of the princess—not always a very endearing relationship. She was not a great lady by birth, and though a friend of Evelyn’s and a highly educated woman, might easily be supposed to be a little oppressive in a young household where her relationship gave her a certain authority. The prince was dull, the princess had not many resources. They settled down in homely virtue, close to the court with all its scandals and gaieties, but not quite of it; and nothing could be more natural than that Anne should eagerly avail herself of the always amusing, always lively companion who had been the friend of her youth. The Cockpit, which was Anne’s residence, had been built as a royal playhouse, first for the sport indicated by its name, then for the more refined amusements of the theater, but had been afterward turned into a private residence, and bought by Charles II. for his niece on her marriage. It formed part of the old palace of Whitehall, and must have been within sight and sound of the constant gaieties going on in that lawless household, in the best of which the princess and her attendant would have their natural share. No doubt to hear Lady Churchill’s lively satirical remarks upon all this, and the flow of her brilliant malice, must have kept the household lively, and brightened the dull days and tedious waitings of maternity, into which Anne was immediately plunged, drawing a laugh even from stupid George in the chimney- corner. And there was this peculiarity to make the whole more piquant; that it was virtue, irreproachable, and no doubt pleasantly self-conscious of its superiority, which thus got its fun out of vice. The two young couples on the other side of the way were immaculate, devoted exclusively to each other, thinking of neither man nor woman save their lawful mates. Probably neither the princess nor her lady in waiting were disgusted by gossip about the Portsmouths and Castlemaines, but took these ladies to pieces with indignant zest and spared no jibe. And though the remarks might be too broad for modern liking, and the fun somewhat unsavory, we cannot but think that amidst the noisy and picturesque life of that wild Restoration era, full of corruption, yet so gay and sparkling to the spectator, this little household of the Cockpit is not without its claims upon our attention. There was not in all Charles’s court so splendid a couple as the young Churchills: he already one of the most distinguished soldiers of the age, she a beautiful young woman overflowing with wit and energy. And Princess Anne was very young; in full possession of that beauté de diable which, so long as it lasts, has its own charm, the beauty of color and freshness and youthful contour. She had a beautiful voice, the prettiest hands, and the most affectionate heart. If she were not clever, that matters but little to a girl of twenty, taught by love to be receptive, and called upon for no effort of genius. Honest George behind backs was not much more than a piece of still life, but an inoffensive and amiable one, taking nothing upon him. If there was calculation in the steadfastness with which the abler pair possessed themselves of the confidence, and held fast to the service of their royal friends, it would be hard to assert that there was not some affection too, at least on the part of Sarah, who had known every thought of her little princess’s heart since she was a child, and could not but be flattered and pleased by the love showered upon her. At all events, in Anne there was no unworthy sentiment; everything about her appeals to our tenderness. When she attained what seems to have been the summit of her desires and secured her type of excellence, the admired and adored paragon of her childhood, for her daily companion, the formal titles and addresses which her rank made necessary became irksome beyond measure to the simple-hearted young woman whose hard fate it was to have been born a princess. The impetuosity of her affection, her rush, so to speak, into the arms of her friend, her pretty youthful sentiment, so fresh and natural, her humility and simplicity, are all pleasant to contemplate. Little more than a year after her marriage, after the closer union had begun, she writes thus: If you will let me have the satisfaction of hearing from you again before I see you, let me beg of you not to call me “your highness” at every word, but to be as free with me as one friend ought to be with another. And you can never give me any greater proof of your friendship than in telling me your mind freely in all things, which I do beg of you to do: and if it ever were in my power to serve you, nobody would be more ready than myself. I am all impatience for Wednesday. Till then farewell. Upon this there ensued a little sentimental bargain between the two young women. It was not according to the manners of the time that they should call each other Anne and Sarah, and the fashion of the Aramintas and Dorindas had not yet arrived from Paris. They managed the transformation necessary in a curiously matter-of-fact and English way: She grew uneasy to be treated by me with the form and ceremony due to her rank; nor could she bear from me the sound of words which implied in them distance and superiority. It was this turn of mind which made her one day propose to me that whenever I should happen to be absent from her we might in all our letters write ourselves by feigned names, such as would import nothing of distinction of rank between us. Morley and Freeman were the names her fancy hit upon, and she left me to choose by which of them I should be called. My frank open temper led me naturally to pitch upon Freeman, and so the princess took the other; and from this time Mrs. Morley and Mrs. Freeman began to converse as equals, made so by affection and friendship. Very likely these were the names in some young lady’s book which had been in the princess’s childish library,—something a generation before the “Spectator,”—in which rural virtues and the claims of friendship were the chief subjects. Morley is one of the typical names of sentimental literature in the eighteenth century, and might be originally introduced by some precursor of those proper little romances which have in all ages been considered the proper reading for “the fair.” Mrs. Morley could be no other than the gentle ingénue, the type of modest virtue, and Freeman was of all others the title most suitable for Sarah, the bright and brave. Historians have not been able to contain themselves for angry ridicule of this {14} {15} {16} {17} CHARLES II. ENGRAVED BY T. JOHNSON, AFTER ORIGINAL PAINTING BY SAMUEL COOPER, IN THE GALLERY OF THE DUKE OF RICHMOND AND GORDON. little friendly treaty. To us it seems a pretty incident. The princess was twenty, the bedchamber woman twenty-four. Their friendly traffic had not to their own consciousness attained the importance of a historical fact. The locality in which the royal houses in London stood was very different then from its appearance now. Whitehall at present is a great thoroughfare, full of life and movement, with but one remnant of the old palace,—once the banqueting-hall, now the chapel royal, where the window out of which Charles I. is supposed to have passed to the scaffold is pointed out to strangers,—and still presenting a bit of gloomy, stately front to the street. St. James’s Park opposite is screened off and separated now by the Horse Guards and other public buildings, a long and heavy line which forms one side of the way. But in those days there were neither public buildings nor busy street. The palace, straggling and irregular, with walls and roofs on many different levels, stood like a sort of royal village between the river and the park, with the turrets of St. James twinkling in the distance, in the sunshine, over the trees of the Mall, where King Charles with all his dogs and gentlemen would stream forth daily for his saunter or his game. The Cockpit was one of the outlying portions of Whitehall upon the edge of the park. Anne had been but two years married when King Charles died. And then the aspect of affairs changed. The mass in the private chapel, and the presence here and there of somebody who looked like a priest, at once started into prominence and began to alarm the gazers more than the dissolute amusements of the court had ever done. James was not virtuous any more than his brother. One of the first acts which the excellent Evelyn, one of the best of men, had to do as commissioner of the privy seal, was to affix that imperial stamp to a patent by which one of the new king’s favorites was made Countess of Dorchester; but James’s immoralities were not his chief characteristics. He was a more dangerous king than Charles, who was merely selfish, dissolute, and pleasure-loving. James was more; he was a bigoted Roman Catholic, eager to raise his faith to its old supremacy, and the mere thought that the door which had been so bolted and barred against popery was now set open filled all England with the wildest panic. The nation felt itself caught by the torrent which must carry it to destruction. Men saw the dungeons of the Inquisition, the fires of Smithfield, before them as soon as the proscribed priest was readmitted and mass once more openly said at an unconcealed altar. Never was there a more universal or all-influential sentiment. The terror, the unanimity, are things to wonder at. Sancroft and his bishops were not constitutionalists. The personal rule of the king had nothing in it that alarmed them; but the idea of the reintroduction of popery awoke such a panic in their bosoms as drove them, in spite of their own tenets, into resistance; and, for the first time absolutely unanimous, England was at their back. When we take history piecemeal, and read it through the individual lives of the chief actors, we perceive with the strangest sensations of surprise that at these great crises not one of the leaders of the nation was sure what he wanted or what he feared, or was even entirely sincere in his adherence to one party against another. They were the courtiers of James, and invited William; they were William’s ministers, and kept up a correspondence with James. The best of them was not without a treacherous side. They were never certain which was safest, which would last; always liable to lend an ear to temptations from the other party, never sure that they might not to-morrow morning find themselves in open rebellion against the master of to-day. Yet, while almost every individual of note was subject to this strange uncertainty, this confused and troubled vacillation, there was such a sweep of national conviction, so strong a current of the general will, that the supposed leaders of opinion were carried away by it, and compelled to assume and act upon a conviction which was England’s, but which individually they did not possess. Nothing can be made more remarkable, more unexplainable under any other interpretations, than the way in which his entire court, statesmen, soldiers, all who were worth counting, and so many who were not, abandoned King James—some with a sort of consternation, not knowing why they did it, driven by a force they could not resist. No example of this can be more remarkable than that of Clarendon, who received the news of his son’s defection to the Prince of Orange with what seems to be a heartbroken cry: “O God! that my son should be a rebel!” yet, presently, ten days afterward, is drawn away himself in a kind of extraordinary confusion, like a man in a dream, like a subject of mesmeric influence, although in all the following negotiations he maintained James’s cause as far as a man could who did not accept ruin as a consequence. Scarcely one of these men was whole-hearted or had any determined principle in the matter. But in the mass of the nation behind them was a force of conviction, of panic, of determination, that carried them off their feet. The chief names of England appear little more than straws upon the current, indicating its course, but forced along by its fierce sweep and impetus, and not by any impulse of their own. The Princess Anne occupied a very different position from that of these bewildered statesmen. She had been brought up in the strictest sect of her religion, Protestant almost more than Christian, a churchwoman above all. To those who are capable of thinking about their faith it is always possible to believe in the thoughts of other people, and conceive the likelihood, at least, that they, in their own esteem, if not in any one else’s, may be right—which is the only true foundation of toleration. But it is the people who believe without thinking, who receive what they are taught without exercising any judgment of their own upon the subject, and cling to it in exactly the same form in which they received it, with a conviction that its least important detail is as necessary as its first principle, who furnish that sancta simplicitas which makes the cruelest persecution possible without turning the persecutors into fiends and barbarians. Though her mother had been a Roman Catholic, and her father was one, and though many of her relations belonged to the old church, Anne was a Protestant of the most unyielding kind. She was in herself as good a type of the England of her time as could have been found, far better than her abler and larger-minded advisers. The narrowness of her mind and the rigidity of her faith were above all reassurances of reason, all guarantees of possibility. She was as much dismayed by her father’s determination to liberate and tolerate popery as the least enlightened of his subjects. “Methinks it has a very dismal prospect,” she wrote as early as 1686, only the year after James’s accession. “Attempts,” Lady Marlborough tells us, “were made to draw his daughter into his designs. The king, indeed, used no harshness with her; he only discovered his wishes by putting into her hands some books and papers which he hoped might induce her to a change of religion, and had she had any inclination that way the chaplains about were such divines as could have said but little in defense of their own religion or to secure her against the pretenses of Popery recommended to her by a father and a king.” This low estimate of the princess’s spiritual advisers is whimsically supported by Evelyn’s opinion of Anne’s first religious preceptor,—Bishop Compton,—of whom the courtly philosopher declared after hearing a sermon from him that “this worthy person’s talent is not preaching.” {18} {19} {20} {21} HENRY COMPTON, BISHOP OF LONDON. ENGRAVED FROM LIFE BY DAVID LOGGAN, FROM PRINT IN THE BRITISH MUSEUM. ENGRAVED BY E. HEINEMANN. But Anne required no persuading to stimulate her in the fear of popery and narrow devotion to the church, outside of which she knew of no salvation. No doubt her father’s popish tracts, things which in that age were held to possess many of the properties of the dynamite of to-day, scared the inflexible and unimaginative churchwoman as much as if they had been capable of exploding and doing her actual damage. Her training, so wisely adapted to please the Protestant party, had probably been thought by her father and uncle to be a matter of complete indifference on any other ground; but in this way they reckoned altogether without their princess. With both James’s daughters the process was too successful. They feared popery more than they loved their father. There seems not the slightest reason to suppose that Anne was insincere in her anxiety for the church, or that the panic which she shared with the whole country was affected or unreal. It is impossible that she could expect her own position to be improved by the substitution of her sister and her sister’s husband for the father who had always been kind to her. The Churchills, whose church principles were not perhaps so undeniable, and whose regard for their own interest was great, are more difficult to divine; and yet it appears an unnecessary thing to refer their action to unworthy motives. It is asserted by some that they had some visionary plan after they had overturned the existing economy by the help of William, of bringing in their princess by a side wind and reigning through her over the startled and subjugated nation. But granting that such an imagination might have been conceived in the fertile and restless brain of a young and sanguine woman, it seems impossible to imagine that Churchill—a man of some experience in the world, and some knowledge of William—could even for a moment have believed that the grave and ambitious prince, who was so near the throne, could have been persuaded or forced to waive his wife’s claims, and those still more imperative ones which his position of Deliverer gave him, in order to advance the fortunes of any one else, least of all of the sister-in-law whom he despised. It is half ludicrous, half pathetic, in the midst of all the tumult and confusion of the time, to note the constant allusions to the princess’s condition, which recurs whenever she is mentioned. There were always reasons why it should be especially cruel to disturb her, and her state had constantly to be taken into account. It was very natural in such circumstances that she should more and more cling to her stronger friend, and find no comfort out of her presence. “Whatever changes there are in the world, I hope you will never forsake me, and I shall be happy,” she writes during this period of excitement and distress. She herself was weak and not very wise. In a sudden emergency neither she nor her husband were good for much. They could carry on the routine of life well enough, but when unforeseen necessities came they stood helpless and bewildered; but Lady Churchill was quick of wit and full of inexhaustible resource. To her it was always given to know what to do. It is unnecessary here to enter into the history of what is called the Great Revolution. It is the great modern turning-point of English history, and no doubt it is one of the reasons why we have been exempted in later days from the agitations of desperate and bloody revolutions which have shaken all neighboring nations. Glorious and happy, however, scarcely seem to be fit words to describe this extraordinary event. A more painful era does not exist in history. There is scarcely an individual in the front of affairs who was not guilty of treachery at one time or another. They betrayed one another on every hand; they were perplexed, uncertain, full of continual alarms. The king who went away was a gloomy bigot; the king who came was a cold and melancholy alien. Enthusiasm there was none, nor even conviction, except of the necessity of doing something of a wide-reaching and undeniable change. The part which the ladies at the Cockpit played brings the hurry and excitement of the movement to its crisis. Both in their way were anxious for their respective husbands, absent in the suite of James, and still in his power. When the report came that Lord Feversham had begged of James “on his knees two hours” to order the arrest of Churchill, M...