77 historic & cultural resource areas IInnttrroodduuccttiioonn mmaasstteerr ppllaann ggooaallss Communities need to preserve the physical tapestry of historic buildings, structures, and ffoorr hhiissttoorriicc && ccuullttuurraall landscapes for future generations. From Arling- rreessoouurrccee aarreeaass ton’s pivotal role in the events that precipitated ˚ Maintain, protect, the Revolutionary War to the lasting physical creations showcasing masterful architectural preserve, and styles, and the legacy of founding families such promote historic as the Robbins, Arlington has much to cele- and diverse cultural brate, and much to preserve from over three resources in all and a half centuries of development. neighborhoods. Historic Resources are the physical remnants ˚ Provide attractive, that provide a visible connection with the past. well-maintained These include Arlington’s historic buildings spaces for residents and structures, objects and documents, de- to meet, play and grow. signed landscapes, and cemeteries. Cultural ˚ Provide space for arts and cultural activities for all Resources are the tangible assets that provide ages. evidence of past human activities, including both manmade and natural sites, structures, teenth and early nineteenth century; the Second Em- and objects that possess significance in histo- ry, architecture, archaeology, or human development.1 pire, Gothic Revival, and Italianate styles fashionable in the mid-nineteenth century; the Romanesque, Queen In Arlington, among others, this includes the heritage Anne, and Shingle Styles of the late nineteenth centu- landscape of the Mill Brook, which represents genera- ry; and the Revival styles of the early-to mid-twentieth tions of industrial development. Together, Arlington’s century. Arlington also has examples of mid-twentiethh collection of historic and cultural resources help tell century Modern style residences and buildings worthy the story of the modern, colonial, and Native American of documentation and appreciation. Arlington’s histor- settlement of the land. These irreplaceable resources ic architectural styles are represented in both “high- contribute to Arlington’s visual character and sense of style” architect-designed buildings and more modest place. “vernacular” versions constructed by local builders, and they are rendered on a variety of building forms, EExxiissttiinngg CCoonnddiittiioonnss including residential, commercial, religious, institution- Arlington has a wealth of historic buildings, landscapes, al, industrial, and governmental buildings.2 sculptures, and other structures, as well as important RESIDENTIAL BUILDINGS collections of historic documents and artifacts housed Arlington benefits greatly from the diversity of its his- in several historic sites. toric housing stock, both in terms of styles and scale. In many instances, Arlington’s neighborhoods present Historic Buildings Practically all architectural styles employed in the Bos- ton region over the past 300 years are represented 2 The Arlington Historical Commission (AHC) has documented many historic resources on Massachusetts Historic Resource Inventory in Arlington, including Colonial, Georgian, Feder- forms. Unless noted otherwise, these inventory forms are the main al, and Greek Revival styles popular in the late eigh- source of historic and architectural information in this plan. In some instances, historic names cited on inventory forms may confl ict with 1 National Park Service, NPS28: Cultural Resource Management commonly used names. For this plan, we have used historic names as Guideline, http://www.nps.gov/history/history/online_books/ identifi ed on the town’s inventory forms. Resources with an inventory nps28/28intro.htm form are noted by an asterisk (*). 109 arlington master plan an architectural history lesson as one travels down the tree-lined streets. Particularly in the town’s older neighborhoods, houses of different styles sit side by side, displaying a variety of ornamental trim and embellishment. In some neighborhoods, a single architec- tural style might stand alone on the streets- cape. This can be seen in the steep-gabled English Revival homes found in parts of Ar- lington Heights and in the mid-century hous- ing of Arlington’s post-war neighborhoods. Arlington’s residential building forms also vary, including collections of both modest and grand single-family homes and multi-fam- ily residences ranging from small workers’ housing built around early industries to large Whittemore-Robbins House – all interconnected by the early twentieth century brick apartment buildings built landscaped grounds and brick walkways of the Winfield along and near Massachusetts Avenue and other major Robbins Memorial Garden. The Civic Block represents transportation routes. Most historic or older homes are the generosity of the Robbins family, who donated well cared for in Arlington. Homeowners generally take funds for construction of these impressive landmarks. great pride in their historic homes, preserving and re- All buildings within the Civic Block are well-preserved storing the architectural details that make their homes and designated within the Arlington Center National special. Register Historic District. CIVIC BUILDINGS Robbins Library* (1892), 700 Massachusetts Ave- The Town of Arlington owns an impressive collection nue. Designed by the architectural firm of Cabot, Ev- of architecturally and historically significant buildings, erett, and Mead in the Italian Renaissance style, the including Town Hall, Robbins Library, several school impressive historic edifice of the Robbins Library was buildings and fire stations, the Mt. Pleasant Cemetery reputed to be modeled after the Cancelleria Palace in chapel, and several historic houses. Most of Arlington’s Rome. This grand building is constructed of sandstone civic buildings were constructed in the early twentieth ashlar with elaborate architectural embellishment, in- century as the small town transitioned into a more cluding three-story arched windows, a limestone and densely settled suburb. While the Town continues to marble portico, and a grand central rotunda.3 The use most of its buildings for their original intended pur- building’s interior features an ornately detailed Read- pose, it has converted several edifices to new uses while ing Room. The building was modified with additions in respecting the architectural integrity of each structure. 1930 and 1994, and in 2013 the Town replaced the Arlington values its municipal properties, which serve original slate roof. as cultural landmarks and community gathering plac- es, and it has been a relatively good steward of these Robbins Memorial Town Hall* (1913), 730 Massa- historic assets. The Town has undertaken interi- chusetts Avenue. Designed in the Classical Revival or and exterior restoration projects on many of its style by architect R. Clipston Sturgis, the sandstone historic properties; however, several Town-owned Robbins Memorial Town Hall complements the adja- historic resources, such as the Jefferson Cutter cent Robbins Library. The Town Hall’s three-bay façade House, the Jarvis House, and the Winfield Robbins features a central pavilion with projecting arcaded en- Memorial Garden are in need of repair. trance porch. Two projecting pavilions accented by rusticated limestone and ashlar panels flank the porch. CIVIC BLOCK Balustrades crown both the entrance porch and roof Located on Massachusetts Avenue in the heart of Ar- cornice, and an ornate cupola capped by a pineapple lington Center, the Civic Block contains three of Ar- lington’s most iconic civic institutions – the Robbins 3 Massachusetts Historical Commission, Form A – Area: Town Center Library, the Robbins Memorial Town Hall, and the Historic District. 110 historic & cultural resource areas tops the gable roof. Arlington restored the building’s windows are reminiscent of the Old State House, while auditorium prior to holding a series of celebrations in its cupola and gilded grasshopper weathervane imitate 2013 to honor Town Hall’s 100th anniversary. The Faneuil Hall. The building’s interior is also architectur- Town received a Massachusetts Preservation Projects ally and historically significant, with woodwork created Fund (MPPF) grant from the Massachusetts Historical by the Theodore Schwamb Company and a Cyrus E. Commission (MHC) for its restoration efforts, requiring Dallin bronze relief of one of Arlington’s former fire the Town to protect the building with a preservation chiefs in the lobby. In 2012, the Town completed a restriction. LEED-certified renovation of the building, including exterior repairs and interior renovations.5 Whittemore-Robbins House* (ca. 1795), 670R Mas- sachusetts Avenue. Located at the rear of the Civic MUNICIPAL BUILDING REUSE Block is the Federal-style Whittemore-Robbins House. While most of Arlington’s governmental buildings con- This three-story wood and brick framed mansion fea- tinue to serve their original civic purpose, the Town has tures front and rear porches and a hipped roof crowned converted several of its historic buildings to new uses, with an ornate cupola. The house was originally occu- including former schools, a former library, and sever- pied by William Whittemore, a prominent local busi- al houses. The Town leases the buildings noted below nessman and politician. The building was purchased by and several others not listed here to private groups, Nathan Robbins, a prosperous merchant at the Fanueil primarily for educational or civic purposes. Hall market in 1847 and served as the Robbins family Central School* (1894), 27 Maple Street. Arlington’s home until 1931, when the family donated the property first dedicated high school now serves as the Arlington to the Town. In 1890, the Robbins sisters relocated the Multi-Purpose Senior Center and is leased to variety house, rotating and moving it back from Massachusetts of tenants. Designed by Hartwell and Richardson, the Avenue to allow for the construction of the Robbins red brick and brownstone school building is elaborately Library. From 1976 to 1993, the Arlington Historical detailed with a slate hipped roof, turreted dormers, and Commission (AHC) worked to restore the building’s an arched entrance highlighted with brownstone relief public rooms to their early residential condition. The panels.6 In the 1980s, the building was rehabilitated building now serves as a meeting and function facility. and is now used as offices, and as a meeting space The AHC and the Arlington Youth Consultation Center for public groups. The building is located within the also maintain offices in the building. Pleasant Street Local Historic District (LHD) and the FIRE STATIONS Arlington Center Historic District. Arlington’s two historic fire stations were designed by Parmenter School* (1927), 17 Irving Street. This for- architect George Ernest Robinson in the Georgian Re- mer school was designed by architect Charles Greely vival style. Loring in the Colonial Revival style. The Town closed Central Fire Station* (1926), 1 Monument Park in the school in 1983 and now leases the brick and stone Arlington Center. This red brick and stone building building to two private educational institutions. was one of the first octagonal fire stations constructed Vittoria C. Dallin Branch Library* (1938), 85 Park in the United States. Its unique design allows fire trucks Avenue, Arlington Heights. This former library is now to emerge simultaneously from six different directions.4 leased by the Town to Arlington Community Media, The building’s tower, originally designed to hang fire Inc. (ACMi). This brick Colonial Revival style building hoses to dry, continues to serve as a visual landmark in was designed by Arlington architect William Proctor.7 Arlington Center. Jefferson Cutter House* (ca. 1830), 1 Whittemore Highland Hose House* (1928), 1007 Massachusetts Park. Located on the corner of Massachusetts Avenue Avenue. For this station, Robinson designed features and Mystic Street in Arlington Center, the Federal-style to imitate those found on several of Boston’s most iconic eighteenth and early nineteenth century build- ings. The fire station’s stepped gable ends and rounded 5 Town of Arlington, Annual Report, 2012. 6 Vision 2020, Map of Arlington. 4 Metropolitan Area Planning Council, Corridor Management Plan: Battle Road Scenic Byways: Road to Revolution, 57. 7 Duffy, Richard, Then & Now: Arlington, 70. 111 arlington master plan Jefferson Cutter House was built for the owner of a style mural depicts the Squaw Sachem transferring the local woodworking mill. The building features an or- land of Menotomy to the English Settlers in 1635. nate entrance with fluted pilasters and sidelights. The The Arlington Pumping Station* (1907) on Brat- property is listed in the National Register of Historic tle Court is a single-story Renaissance Revival brick Places. It was originally located further west on Mas- structure designed by C. A. Dodge for the Metro- sachusetts Avenue. In 1989, the Town worked with politan Water System (now the Massachusetts Water the then owner to purchase and relocate the building Resoures Authority). This building, which was con- to a plot of land in Arlington Center.8 Afterward, the structed to supply Arlington with drinking water, was Town restored the house and developed the land in surveyed several times on historic resource inventory front as a public park (see Whittemore Park in Historic forms and has a preliminary evaluation as eligible for Landscapes). Today, the Arlington Chamber of Com- listing on the National Register of Historic Places. merce leases space on the second floor and the Town provides the ground floor rooms for meeting and art HISTORIC BUILDINGS AS CONTEMPORARY exhibition space. The Cyrus Dallin Art Museum, op- CULTURAL VENUES erated by a private non-profit organization, rents the History and the arts are interwoven in Arlington, with first floor as gallery space to exhibit a valuable collec- many historic buildings providing venues for perfor- tion of Dallin’s original sculptures, documents, and mance space as well as art exhibits and contempo- other works. rary cultural programming. Auditoriums at Arlington’s Town Hall and High School, as well as spaces within The George Croome House* (ca. 1862), 23 Ma- the Town’s public libraries and in private churches, ple Street. This Second Empire style home previously theaters, and community halls, provide rehearsal and served as the Arlington Public Schools Administra- performance space for dance, choral, and other per- tion Building. The Town now leases the building to a forming arts groups. Two historic theaters continue to group home. The building is located within the Pleas- serve in their original capacity as community cultural ant Street Historic District (LHD) and the Arlington spaces. In Arlington Center, the Classical Revival style Center Historic District (NR). Regent Theatre (ca. 1916) continues to present live The John Jarvis House (1831), 50 Pleasant Street. theater, music, movies, and other performance pro- This is a Federal style former residence that is locat- grams each year. The Capitol Theatre*, a Classical ed within both the Arlington Center Historic District Revival style building was constructed in 1925. Its lat- (NR) and the Pleasant Street Historic District (LHD). er division from one hall to multiple screening rooms The Town leases the house from the private owner for was done with consideration to preserve early twenti- use by the Legal Department. eth-century details. It remains a popular movie picture theater in the Boston area and continues to serve as The Gibbs Junior High School at 41 Foster Street in a community landmark on Massachusetts Avenue in East Arlington is a former brick school that the Town East Arlington.9 Both theaters are listed in the Nation- now leases to the Arlington Center for the Arts and al Register of Historic Places. other nonprofit tenants. Arlington also has several other historic buildings that OTHER GOVERNMENT BUILDINGS have been renovated and repurposed as performance Arlington’s U. S. Post Offi ce (1936) is located at 10 and studio spaces. The Arlington Center for the Arts, Court Street in Arlington Center. Constructed as a a private arts organization, leases some of the space Works Progress Administration (WPA) project, this in the former Gibbs Junior High School in East Ar- red brick building is designed in the Classical Reviv- lington, while the nonprofit Arlington Friends of the al style. The building’s lobby features a Federal Art Drama presents live community theater in the former Project mural “Purchase and Use of the Soil” by artist St. John’s Episcopal Church* (1877), a Stick Style William A. Palmer. Completed in 1938, the Art Deco church on Academy Street located within the Arling- 8 Laskowksi, Nicole, “Jefferson Cutter House hits milestone”, posted December 4, 2009, Wicked Local Arlington, www.wickedlocal. 9 Friedberg, Betsy, Form B – Building Form: Capitol Theater Build- com/arlington/news ing, December 1984. 112 historic & cultural resource areas ton Center National Register District and the Pleasant The Jason Russell House and Smith Museum (1740), Street Local Historic District. 7 Jason Street in Arlington Center. Operated by the Arlington Historical Society (AHS), the house was the HISTORIC COMMERCIAL DISTRICTS site of fighting on the first day of the American Revolu- Massachusetts Avenue is Arlington’s primary commer- tion and still bears several bullet holes from the battle. cial corridor and the “spine” of the town. It is steeped The museum houses the Society’s collection of arti- in history as the site of battle during the first day of facts, manuscripts, and other Arlington memorabilia, the Revolutionary War on April 19, 1775. A segment and displays artifacts from the Russell family, who lived of Massachusetts Avenue, which extends through Con- in the house until 1896. The property also includes an cord, Lincoln, Lexington, and Arlington, received state herb garden maintained by the Arlington Garden Club. designation as the Battle Road Scenic Byway in 2006 In 1980, the AHS constructed the adjoining Smith and awaits consideration as a National Scenic Byway. In Museum for archival and exhibit space. Arlington, Massachusetts Avenue contains a varied col- lection of eighteenth, nineteenth, and twentieth centu- The Old Schwamb Mill (1864), Mill Lane. The muse- ry buildings including single-story commercial blocks, um honors the industrial legacy of the Mill Brook and multi-story mixed-use commercial buildings, and Clas- is one of the early mills established on its waterway. sical Revival masonry apartment buildings interspersed Operated by a nonprofit charitable education trust, the with earlier wood-frame houses, including two from Old Schwamb Mill is a living history museum that pres- the eighteenth century. Arlington’s three commercial ents special exhibits and a variety of programs for its districts, Arlington Heights, Arlington Center, and East members and the community. The current mill build- Arlington, are located along Massachusetts Avenue. ing was built in 1864 by Charles Schwamb for his pic- ture frame factory, which specialized in round and oval CHURCHES frames made on unique elliptical faceplate lathes. Much Arlington’s religious structures represent the various of the machinery and extensive archive are still intact architectural styles associated with ecclesiastical de- and the Mill continues to craft handmade frames to the sign over the past several centuries, including a modest exacting standards of five generations of Schwambs. eighteenth century Federal style meetinghouse, elabo- rately detailed Greek Revival/Italianate and Stick Style Historic Landscapes churches, a romantic stone Gothic Revival Chapel, and Arlington’s historic landscapes are as varied as the several large masonry Neo-Gothic Revival churches. town’s historic buildings, representing both formal The AHC has documented seventeen of Arlington’s landscapes designed by landscape architects and her- churches, chapels, and parish halls on historic resources itage landscapes formed by generations of human in- inventory forms. Six of Arlington’s churches are desig- teraction with the land. In addition to offering a visual nated within a local historic district and seven are listed respite from the town’s densely-settled built environ- in the National Register of Historic Places. One build- ment, these landscapes serve as community gathering ing, the Pleasant Street Congregational Church* spaces and areas for quiet contemplation. (now Boston Church of Christ), is further protected by DESIGNED LANDSCAPES a preservation restriction because it received Massa- Arlington Center has two public green spaces, both de- chusetts Preservation Projects Funds (MPPF) for exte- signed as part of building projects. rior restoration work.10 MUSEUMS The Winfi eld Robbins Memorial Garden* (1913) was laid out as part of the Town Hall construction proj- Arlington has three historic buildings that are open ect in 1913. The original garden design included the to the public as museums. The Town-owned Jeffer- Cyrus Dallin sculpture The Menotomy Indian Hunter. son Cutter House hosts the Cyrus Dallin Art Museum, In 1939, Olmsted Associates reconfigured the garden which is managed by a nonprofit organization. Two in a more natural design with a rubble rock base for the other museums are owned and operated by private Indian sculpture, flowering trees and bushes, winding nonprofit organizations. brick paths, a circular fountain and a pool, and a ma- sonry garden wall surrounding the grounds. The Town 10 Massachusetts Historical Commission, “List of Grant Recipients”, has prepared a preservation master plan for the gar- http://www.sec.state.ma.us/mhc 113 arlington master plan den - The Arlington Civic Block Master Plan (1998) by Patrica S. Loheed and Sara B. Chase. This Master Plan was intended to provide a decision-making frame- work for the restoration and unification of the major gardens in the Arlington Civic Block, including the Winfield Robbins Memorial Gardens, which is listed in the national and state Historic Registers. Repairs to the garden’s sandstone and limestone wall were completed in 2014. The garden is protected by a preservation restriction and is used for both community and private events. Whittemore Park is a small park in front of the Jeffer- son Cutter House that was created when the Cutter House was moved in 1989. In addition to several ma- ture trees, park benches, and interpretive signage, the irregularly shaped park at the corner of Massachusetts Avenue and Mystic Street is intersected by a small sec- tion of exposed railroad tracks, which are the remains of a railway line (established in 1846) that once bisect- ed the community. To the east and west of the park, the former railroad track is now the Minuteman Bikeway. Arlington uses the park to host art exhibits and com- munity events throughout the year. HERITAGE LANDSCAPES provided water power significant enough to power The Massachusetts Department of Conservation and small industrial ventures along its banks.12 During the Recreation (DCR) operates the Historic Landscape In- industrial period, a series of mill ponds and dams lined ventory Program, which completed Heritage Landscape the brook. After decades of reconfiguration and de- Studies for communities in the Freedom’s Way Heritage velopment, much of the brook is culverted with only Area, including Arlington, in 2006. Arlington’s report limited portions of the waterway still exposed. The im- identified 63 heritage landscapes in the community and pression of the original Old Schwamb Mill pond is still highlighted six for future study–the Battle Road Corri- visible as a Town--owned grassy park on Mill Lane near dor; the Butterfield-Whittemore House at 54 Massa- Lowell Street. The other ponds have been filled in for chusetts Avenue; Great Meadow/Mill Brook Drainage playing fields and other uses. System; the Mugar Property adjacent to Thorndike The Town is committed to preserving the natural and Field; Spy Pond and adjacent parkland; and the W. C. historic legacy of the brook and is exploring opportuni- Taylor House at 187 Lowell Street.11 ties to enhance the area as park space and a buffer zone to nearby commercial and residential neighborhoods. One of the priority landscapes identified was the Mill The Town has completed two planning studies on the Brook, which flows from the Arlington Reservoir to the Mill Brook, with the most recent report completed in Mystic Lakes. The Mill Brook has deep historical and 2010. The Mill Brook Linear Park Report provides an cultural roots dating back to the 1630s when Captain historical overview of the brook, land characteristics George Cooke build the first water-powered grist mill and issues, and an analysis of current conditions, chal- in Arlington (then Menotomy), now known as Cooke’s lenges, and opportunities. Hollow on Mystic Street. Originally called Vine Brook and later Sucker Brook, the 2.7-mile long Mill Brook Historic Structures has an elevation drop of more than 140 feet, which Arlington has documented twenty-eight structures on historic inventory forms (see Appendix C). These struc- 11 MA Department of Conservation and Recreation, Massachusetts Heritage Landscape Inventory Program: Arlington Reconnaissance 12 Mill Brook Linear Park Study Group, Mill Brook Linear Park Re- Report, 2006. port, April 2010, 3. 114 historic & cultural resource areas tures include former railway bridges, a dam Table 7. 1. Documented Historic Objects on the Mystic Lakes, several parks, garden Name Date Location landscapes, conservation lands, and the ear- Milestone 1790 Appleton Street ly twentieth century Mystic Valley Parkway. The Guardian Angel Rock 1920 Claremont Avenue Many of the structures are owned by state Robbins Memorial Flagstaff 1913 Mass. Avenue agencies as part of regional transportation Arlington Civil War Memorial 1886 Mass. Avenue and water systems. One of Arlington’s most Menotomy Indian Hunter 1911 Mass. Avenue distinctive structures is the Arlington Reser- Uncle Sam Memorial Sculpture 1976 Mass. Avenue voir Standpipe* (1921), also known as Source: MACRIS, accessed August 26, 2013. the Park Avenue Water Tower, which occupies the crest of one of the town’s Despite widespread appreciation of public art, Ar- highest hills. Arlington architect Frederic F. Low de- lington has documented only the six historic mark- signed the 85-ft. tall tower based on the ruins of ers, sculptures, and objects noted above on histor- a Greek temple visited by the Robbins sisters, who ic resource inventory forms. Notably missing are donated funds for the structure.13 The tower consists most of Dallin’s public art pieces, as well as the ca. of a steel tank surrounded by a granite shell with 1912 decorative concrete Play Fair Arch and Wall twenty-four limestone columns, a decorative cornice, at Spy Pond’s Hornblower Field17, the historical and concrete dome roof. The structure was listed markers along Massachusetts Avenue commemo- on the National Register in 1985.14 rating April 19, 1775, the granite watering trough Historic Objects at the Foot of the Rocks donated by the Robbins Arlington’s historic objects span more than two cen- sisters in memory of their brother, and the bronze turies (Table 7.1). Due to the town’s association with tablet in Cooke’s Hollow Park commemorating the nationally renowned sculptor Cyrus E. Dallin (1861- site of the first mill (1637) in Menotomy. 1944), who lived in Arlington for over 40 years, Arlington has a significant collection of his artwork, Burial Grounds and Cemeteries including the Town-owned Menotomy Indian Hunt- The Town of Arlington maintains two public ceme- er* in the Winfield Robbins Memorial Garden, the teries: the Old Burying Ground on Pleasant Street Robbins Memorial Flagstaff* at Town Hall, and in Arlington Center and Mount Pleasant Cemetery My Boys in the Robbins Library. The Cyrus Dallin on Medford Street. Established in 1732, the Old Art Museum, located in the Jefferson Cutter House, Burying Ground* is Arlington’s oldest cemetery.18 maintains a collection of more than 60 works of Located behind the First Parish Unitarian Universalist art by Dallin.15 (See later discussion of Muse- Church, the burial ground includes an impressive col- um’s collections in Historic & Cultural Resource lection of early slate markers dating from ca. 1732. Planning) Town Meeting established the museum in The Old Burying Ground is included in the Arlington 1995 to collect, preserve, protect, and exhibit the Center National Register District and is protected with works of the celebrated American sculptor. In the a preservation restriction. The Mount Pleasant Cem- 1990s, Arlington completed a conservation proj- etery* (established ca. 1843) is a 62-acre cemetery ect to preserve these objects. Other inventoried (including Meadowbrook Park, a 3-acre wetland area sculptures in Arlington include the late-twentieth managed by the Conservation Commission.) highlight- century Uncle Sam Memorial Statue* in Arlington ed by the Cemetery Chapel* (1930), a Gothic Re- Center, designed by sculptor Theodore Barbarossa vival chapel designed by the architectural firm of Gay of Belmont.16 & Proctor, a large entrance gate, Victorian-era marble monuments, and contemporary granite markers. Al- 13 Duffy, Then & Now: Arlington, 75. 17 MA Department of Conservation and Recreation, Massachusetts Heritage Landscape Inventory Program: Arlington Reconnaissance 14 Louis Berger & Associates, Form F – Structure: Arlington Stand- Report, 2006, 8. pipe, 1984, revised 1989. 18 The Burying Ground is also referred to as “Arlington Old Ceme- 15 Cyrus E. Dallin Art Museum, http://dallin.org tery” and “First Parish Church Old Burying Ground” on the Historic 16 Arlington Historical Society, Menotomy Minuteman Historical Trail. Resource Inventory Form completed for this site. 115 arlington master plan though still active, the cemetery is almost full and the public record as required under M.G.L. c.9, s. 26A Town is considering options for cremains and green (1). burials at the facility. Historic Collections The site of the Prince Hall Mystic Cemetery* (1846) In addition to Arlington’s historic built assets and heri- on Gardner Street in East Arlington marks the only tage landscapes, the town also maintains significant col- Black Masonic Cemetery in the United States. Today, lections of historic records, documents, and artifacts. a monument and small park mark the site where mem- These collections are retained in various locations in- bers of the Prince Hall Grand Lodge F & AM, formed in cluding at the Town Hall and the Library and within the 1776, were buried. Though much of the original cem- private collections of the Arlington Historical Society, etery has been developed, a 1988 geophysical survey the Cyrus Dallin Museum and the Old Schwamb Mill. of the site by students of Boston University’s Archaeo- Artifacts contained in these collections include historic logical Department found remains of the original gate documents, meeting records, photographs, postcards, and an obelisk. In 1987, after learning about the cem- furniture, and sculpture. Maintaining these collections etery, the Arlington Historical Society collaborated with can be challenging for local groups due to limited ar- the Prince Hall Grand Lodge of Dorchester to form the chival space and ongoing conservation needs. Prince Hall Mystic Arlington Cemetery Association to preserve and protect the site. The group restored the CCuullttuurraall RReessoouurrcceess site with donations from the Prince Hall Grand Lodge Contemporary art and culture are integral to Arling- and CDBG funds from the Town of Arlington. In 1990, ton’s community identity. Arlington has many residents the group rededicated the cemetery, and in 1998 the working in the visual, print, and performing arts fields, cemetery was listed in the National Register of Historic and many local organizations promote and enhance the Places. Nearby at the corner of Broadway and Alewife arts. History and culture are interwoven in Arlington, Brook Parkway is St. Paul Catholic Cemetery, built in with the Town’s historic buildings providing venues for the late nineteenth century and associated with St. Paul contemporary theater and musical performances as Church in North Cambridge. well as art exhibits and cultural programming. Archeological Resources Public Art While Arlington has not conducted a community-wide Public art installations, whether on public or private archaeological reconnaissance survey, it has completed property, enhance our experience of the public realm. several site-specific archeological studies. In addition Public art attracts visitors and business patrons. It fos- to the geophysical survey for Prince Hall Cemetery, the ters community pride and draws the community togeth- Town commissioned archaeological excavations along er. Much of it is made by local artists. In addition to the shore of Spy Pond when it renovated Spy Pond Cyrus Dallin’s work and iother historic objects already Field in the early 1990s. Resources uncovered during noted, examples of recent public art and installations in the project include prehistoric lithic chipping debris Arlington include: and structural remains from the nineteenth and early twentieth century ice industry buildings.19 In addition, ˚ Fox Library Mural a mastodon tusk found in Spy Pond in 1959 is on dis- play in the Jason Russell House. Since Arlington is lo- ˚ Scrim Mural at the Boys and Girls Club cated within an area of Massachusetts that was settled ˚ Mural at Arlington Center for the Arts centuries before the first English settlers arrived, it is realistic to imagine that other significant archaeological ˚ Mural at Studio 221 resources may exist within Arlington despite the town’s intense development. ˚ Eleven ceramic mosaic murals made by Arlington High School students Any significant archaeological sites identified in Arling- ton will be included in the MHC Inventory of Archaeo- ˚ Six painted transformer boxes logical Assets of the Commonwealth. This confidential inventory contains sensitive information and is not a ˚ The hawk tree in Waldo Park ˚ Chairful Where You Sit 19 Town of Arlington, Open Space and Recreation Plan, 70. 116 historic & cultural resource areas ˚ Arts Rocks Menotomy ˚ EcoFest creations ˚ Park Circle Water Tower Image Projection & Dance Music & Performance Venues Performance venues and rehearsal spaces includ- ing theatres, churches, and Town-owned buildings are important to Arlington’s many performing groups, both long-established and newer or con- temporary. The Arlington Philharmonic is more than 81 years old. There are two well-established choral groups, the Arlington-Belmont Choral So- ciety and Cantelina, and the public schools have a strong music program from K-12. Students can and commissions to ensure that the goals of histor- participate in both instrumental and choral music in- ic preservation are considered in community planning cluding band, jazz band, orchestra, chorus and mad- and development decisions. LHCs also serve as local rigal. preservation advocates and are an important resource for information about their community’s cultural re- HHiissttoorriicc aanndd CCuullttuurraall RReessoouurrccee PPllaannnniinngg sources and preservation activities.20 Arlington has three Town-based organizations dedicat- The AHC is a seven-member volunteer board respon- ed to preserving the community’ historic resources: the sible for community-wide historic preservation plan- Arlington Historical Commission; the Arlington Historic ning and advocacy. The AHC is also responsible for District Commissions; and the Arlington Preservation administration of the town’s demolition delay bylaw Fund, Inc. All three groups are involved with preserva- and provides guidance to other municipal departments, tion planning, advocacy, and resource management. A boards, and commissions to insure that historic preser- fourth organization, the Arlington Historical Society, is vation is considered in community planning and devel- a private nonprofit organization dedicated to preserv- opment decisions. The Commission’s activities include ing the town’s heritage, in particular the Jason Russell historic resource surveys, National Register nomina- House and its artifacts and memorabilia. Other groups, tions, preservation restrictions, preservation awards, such as the Old Schwamb Mill, the Cyrus Dallin Art and community education and outreach. The AHC also Museum, and the Arlington Public Library focus on operates a sign program, providing historic markers the preservation of specific sites and historic artifact for inventoried properties. The AHC’s website, www. and document collections. Town boards such as the arlingtonhistoricalcommission.org, provides a list of Cemetery Commission, the Redevelopment Board, the historically significant structures in Arlington (Historic Conservation Commission, and the Arlington Tourism Structures Inventory) as well as information about the and Economic Development Committee (A-TED) also Town’s demolition delay bylaw and Preservation Loan participate in preserving Arlington’s historic character. Fund. Many of these boards have overlapping membership Arlington Historic District Commissions (AHDC). and have collaborated on past efforts to preserve and The AHDC is Arlington’s municipal review authori- promote the town’s history. ty responsible for regulatory design review within the Town’s seven designated local historic districts adopt- Municipal Boards and Committees Arlington Historical Commission (AHC). Local his- ed under M.G.L. C. 40C. In Arlington, seven separate torical commissions (LHC) are established under Mas- commissions oversee changes to these districts. All sachusetts General Law, Chapter 40, Section 8D, as seven commissions share the same six volunteer mem- the official municipal agencies responsible for commu- bers, including an architect, a real estate professional, nity-wide historic preservation planning. LHCs work in cooperation with other municipal departments, boards, 20 Massachusetts Historical Commission, Preservation through Bylaws and Ordinances, Draft, 2009, 4. 117 arlington master plan and a representative from the Arlington Historical So- Cyrus Dallin Art Museum. The Dallin Museum man- ciety, with the seventh member consisting of a resident ages and preserves the historic collection of Dallin’s or property owner from the respective district. The art work, including freestanding and relief sculptures, AHDC meets monthly to review the architectural coins, medals, and paintings. The Museum also exhib- appropriateness of most proposed exterior design its artifacts owned and used by Dallin as well as com- changes to properties located within the town’s his- mercial items that demonstrate the far-reaching effects toric districts. of the artist’s work on popular culture.23 The museum also manages an archive with photographs, letters, ex- Arlington Preservation Fund, Inc. The Arlington Pres- hibition catalogs and other documents of Cyrus Dallin. ervation Fund provides low interest loans for restoration In addition to its efforts relating to Dallin’s legacy, the work on historic properties. Originally established with organization also presents lectures, exhibits, and other Community Development Block Grant (CDBG) funds, programming on local history and culture. the program approved its first loan in 1984 and has closed its 100th loan. The program is maintained as a Old Schwamb Mill Preservation Trust, Inc. Founded municipal fund managed by an independent, non-prof- in 1969 to save the Old Schwamb Mill, the Trust now it board that oversees the distribution of funds. The owns and manages the mill as a historic museum (see nine-member board includes representatives from the previous description). The Trust maintains a collection Historical Commission, the Schwamb Mill, the Histor- of artifacts and records relating to the mill and its his- ical Society, and the Historic District Commissions as tory in the community. well as the Planning Director, an architect, lawyer, real Regional Preservation Organizations estate professional, and a financial officer. To be eligi- Freedom’s Way Heritage Association (FWHA). ble for funding, a property must be located within an Arlington is one of thirty-seven communities in Mas- historic district, inventoried, or otherwise deemed im- sachusetts and New Hampshire that are part of the portant by the fund’s board.21 Freedom’s Way National Heritage Area, designated by Arlington Public Library. Arlington’s Public Library, in- Congress as a nationally significant area where histor- cluding the Robbins Library and the Fox Branch Library, ical, cultural, and natural resources combine to form is a public institution and community resource that pro- a cohesive, common landscape. The Freedom’s Way motes the historical, social, and cultural development Heritage Association manages and coordinates efforts of the town. The Robbins Library’s Local History Room to build civic appreciation and understanding of unique maintains a collection of historic books, scrapbooks, assets and stories of the area. The organization’s web- annual reports, atlases, photographs, postcards, slides, site highlights historic resources present in each par- vertical files, other ephemera documenting Arlington’s ticipating community, including Revolutionary sites in history. Arlington. Local Private Nonprofi t Organizations Local Regulations, Policies, and Initiatives Arlington Historical Society. The Arlington Historical HISTORIC RESOURCES INVENTORY Society was founded in 1897 as a private non-prof- Identifying a community’s historic resources through it organization dedicated to collecting and preserv- an historic resource survey forms the basis of histor- ing historic artifacts relating to Arlington’s history. In ic preservation planning at the local level. During an 1923, the Society acquired and restored the Jason historic resource survey, a town documents its his- Russell House as a historic house museum. In 1980, toric resources on individual inventory forms that in- the Society constructed the Smith Museum to provide clude historic and architectural significance narratives, exhibition and meeting space as well as a climate con- photographs, and locus maps. To date, Arlington has trolled archive. The society offers rotating exhibits and submitted inventory forms for more than 1,100 prop- educational programming on local history, including an erties to the Massachusetts Historical Commission’s evening lecture series and member presentations.22 Inventory of Historic and Archaeological Assets of the Commonwealth. Resources identified in Arlington’s in- ventory date from 1695 to 1988. The Town’s last sur- 21 Arlington Preservation Fund website, http://www.arlingtonpres- vey effort was undertaken in support of expanding the ervation.org/ 22 Arlington Historical Society website, http://arlingtonhistorical.org. 23 Cyrus E. Dallin Museum website, http://dallin.org 118