FROM THE HAWKS TO THE BAND 1964-67 LEVON HELM SEXTET (Former Ronni, Howkin1 Bondi featuring BRUCE BRUNO Ct111•1~,i~J I , .... •• I •·"'· Mu41r I• lti411 S11vrl1r I •·"'· -. 11.JO ,,.,, SATURDAY MATINEE J.30. S.10 · NO COVER - NO MINIMUM ~q\OWI EHTUHC[ 011 IELUIR "'' CLUa EM8ASSV Bruce Bruno, Jerry Penfound, Rick Danko, Levon Helm, Richard Manuel, Garth Hudson and Robbie Robertson. the STAR.PHOENIX, Sa,ta-. WtdDHday, Augu,t II, lfll A.\IERl<:A-SH ISTORl<:ALl'OLK !Ollgs.1heb1gbandsound~ the group vocals of the 195es. are all part arnl parcel of a •ldely- diver-1hed SM\l hour "hK'ha Toronto band. quorum, has been dch,·ermg to.happy audK.'f'ICeSa t the Sheraton <..:availer for the past eight club nights. In 11,Sa,katoondebul. thebandol Jerry Penlound, George II lllis. \\ayne Orgill and Paul Fullerton. has blended us variety, dance music and humor Into a most palatable evenlng-s entertainment and hai, revived interest in show routines at The Top Of The Inn Penlound plays all the keiboanls and the reeds l\1llls plays gunar and ban)O. Fullerton Is the bas, player; and Orgill the drummer _..Penf ound s abrtny with 1he reeds makes the big band re, Iva! a natural. using the clarmet and saxophone almost on an allemaung basis 10 recall brief but happy interludes or music by the Dorseys, ~Uington. Basie. Goodman and Miller. For ,he tribute to Goodman. the groupchosetheselec1Jon.Sing. Sing. Sing. a noted instrumental "'hK"h dependedg reatly on Goodman s clarinet and Gene Krupa's drumming (JUORU:\I WAS FORMED IN TOrlHllOM nce HIM. Just abool the ume that Penfound and Will~ had completed a t;alllornia and Ne\'ada tour • uh Joe King's Showband . They decided to try It on thelrown Orgillw astheoriginaldrumrnerbutheleftroraspell and has Just n,cently returned. FUilerton had played with Toronto bands. lncludlng the old Show Toppers. and had •·orkeda lot in the midw est. Penfound Isn't exactly a Johnny-rome-lalely lo the business. In !act. he had the distinction ol playing with Ronnie Hawkins and many of the guys. who evenwally formed The Band. from 1959 to JY65. lie was one of The Hawk's Canadian originals. doesn·t regret the split. and admits the band was too big 1with seven people I !or the kind or money that was ~ pa_idi n Toronto in those days. LEVON and THE HAWKS NEW YORK POS • NORTHWEST ARKANSAS TIMES, FRIDAY. JUNE 26, 1964 = Fayefleville, Arkanssa, Thursdny Deu;mber 24, 1964 WORLD FAMOUS Cotton Bowl Dane~[ Pft!.i.~ lounge At Dallas Planned TWIST to the World's Fair" I j By Alumnl Group The YOUNGER BROS. I & THE 7 EPICS I ii ;;;· ;~~~;~;~~; The Arkansas Alumni Assoc· iatlon wlll sponsor I New Year's Eve dance for Razorbark foot- LOUNGERS I ball fan., at the Dallas Memor- ial Auditorium before th Cot- i LEVON HELM ,. I SH;;~~ ton Bowl game New Vear· "~~kicc Day. Johnny Jones of Fayetteville, ill a spoke man for the Alumnae H•w Sl•9l•t SHt•flo• AssoclatJon, said the 8 p.m. o ~ 3 Shows N!c~lly: 11.12-2:ao ~ - . iu West 4Sfh St. 2 a.m. dance will feature three • THANK YOU, ~ Cl s.tl6l DAYTON STATI'ON Arkansas dance bands and I Following Ole the dates and JocaUons of th~ dances lo be pl111ed during the guest appearances by 10 well - 1 yboouli dw.yh oRnA T8h0ne HinA WArKlaSm ap.ae rCoanndn JOn. .lolru ,n eTaer1 <y"o8,u rW heo msheltocwentt.l y hope to . - known Arkan ans. Tuesday. Deoornber22 :tt the 1170Club In Hnzen, Arkansns Two of the bands originated J A FULL WEEKEND OF ENT~RTAINMENT WeTdhnu(lndo(dfnayy,, DDceceoommbbCc!rr 223. fn nl ll hthoe SRilovc,okr, YMonodo nC ilnu bN oinw F_ne,ovret,lA lOr\'kllnlcn ao,; in Fayet.teville. They are Ronnie 1 ut the SHAMROCK WednCllday, December 30 ut TJ\C House In El Dorndo, i\rko!WIS Hawkins and the Hawks a n d • Thu I'll .. Dec. 31 nt nollna Memorlnl Auditorium In tho ~soulh EichlbH Arc&" the Emcee . Both bands n o w I Friday Night Fri., Jon. 1 :>t Dnl111s M<!morlMl l\11dllorlum In the "Soulh Exhibit Arc,n" are headquartered in Canada. Ronnie Hawkins Band U.- lo KA>.Y Little Jlock for any changee la tlli. ltlaeratr· The third band is the Rivieras. ' Cc :1 l u r I u J! , CoSnpwecaiya l Twguiettsyts, Jw. iF 1r1a nikn clWudile- LeVon Helm · ARKA:\'SAS CAZF.TiF., Sun.. Dec. %11 19". son, Karen Carl on, Miss Ar- from 811112 "-N'T MISS 'J'BE GREATEST GA'J'BERING OF RAZORBACKS EVER" kansas and runner - up in t h e Saturday Night COTTON BOWL recent Miss America beauty pa- EMCEES NEW Y.EAR'S EVE AND l>IEW YEAR'S NICHT !'geant and seven other campu 8tillZ ARKANSAS PARTY sweethearts and queens. ~ i s I Carlson Is also "Miss niver i y FE*AT URING •• , TWO GREAT ARKANSAS BANDS -TWO* IIG NIGHTS or Arkan as." The. Ronnie H1wkin1 Bind (Tho H1wb) Tho Em .... Jones emphasized that t h e * CONWACY -TpW .. IsT..ItYia 1* a oJ4. SFP.LR.U.ApSoN KS,l -'W£WCaIllAdSL O NC- U*ESIllT. t l YlW5S. BOTcA..I u II$., -W. ...l SI QOP..Ne Mtl .) *Tm T! HE RIYEW l, doathnecr fiasn so p-e n wtho tshtu dr tnh ey and IN THE GIGANTIC ULTRA·MODERN 12,000 SEAT members of the Alumni 22-THE LONDON FREE PA.E.S.S,Sarvtdoy, AI.IQIBt 15, 1964 DALLAS MEMORIAL AlJDITOBilJM I ation r oo . t Advance tickets may be ob- STARTS MONDAY II.a T-IT -S..tbu ..u. :utod AIrLtru4 .. Ble~c :b tt.1A11- ._el.~.. .. H.W~n. o.a-. ~ &nlk il.t-ffJo. ttalt- A~rk. .u...aMt .A...k.a_r d&L IIIIY,. .._ • htaemadeqdu aarlt erA luminn aDe alla o- ciatu h ne ...._ o..e, ....al ... at U.. ...... Jiau ..,._ ,-,ull .. A~ ....._ AMtd&A::1-. 1•. I Baker Hotel. E} PLAN TO JOIN THE FUN in DALLAS on PARTY THE AMAZING NEW YEAR'S EVE TIME 5 ASCOTS and &illboord t 1965 lnttrnolionol RtcOfd & Talent Showcase NEW YEAR'S NIGHT The Friars was best-known for jazz, 1 Week Only··· with such anractions as the Oscar ... ......N.i.Dt.e.ol.ny.' .t7 .:.M3.0..i s.ts.o .T ..h1. e.om...m ... ...... . 2 Great Bands -- 2 Great Nights PHeatwerksionns , TDriizoz,y SGtailnl esGpiee,t z,a nCd oLleimonaenl lor your dancing pleasure Hampton, but late this fall ii switched : FINAL DAY : lo rhythm and blues for a trial period, : LEVON HELM : with Levon and the Hawks, and Billy i AND THE HAWKS j the Ford's Thunderbirds. The Town Tav- • l THE PLUS em's "sophisticated jazz" policy alter- nates big names with up-and-coming JAM SESSION HAWKS EMCEES young performers, bringing in Teri Saturday Afternoon 3 to 6 p.m. Thomton, Al Cohn and Zoot Sims. In the Fabulous Gene Stridel, Clark Terry, Sue PUMP, ROOM "In From Canada for the Cotton Bowl and New Year's Reaney. ~ 1{JJ., Eve Festivities." Hats, Blowouts, efc. Cash Prizes and Meny More Edras. 161C>ull4u5t.-•HtUIICIOfl-,.'-'-~"501 Thi, party i, on a volume ba,i, - ESPECIALLYF OR SOUTHWEST ,. ..r ld"o,. .. n1tlnfo,Ovu-,OC1r1t,, llu• CONFERENCE STUDENTS - keeping price, low and ,pirits high! DALLAS MEMORIAL AUDITORIUM Down.tairo in the North & South Exhibit Areas Dec. ll,t I J•n. 1,t - I P.t.4. 'tif 1 ~.,~.+ Do r,of confu .. thi1 put., with t ... Nebr•.l• fM(ty •f ~.I T_.r, - 22, 19M THE DAILY TEXAN RECORDINGS Summer Garden, It was the summer of 1964, Levon and The Hawks had just left Ronnie Port Dover, Ontario Hawkins and they were booked Into Pop Ivy's Ballroom In Port Dover, Ontario. I traveled with a few musician friends from London to the 1964-00-00 (Summer) summer beach resort to see them play. There, I had the opportunity to not only enjoy The Hawks summer concert, but I also brought with me a Not Fade Away Phillps four trad< reel to reel tape recorder to audiotape the band. You didn't need permission in those days to record a concert. The gig was No Sweeter Girl one of the most astounding sessions I have heard the boys play up to Lucille (incomplete) that point. Jerry Penfound on Tenor Sax and Flute also played with the Hawks that beautiful summer evening in Port Dover. Songs like Share Peter Gunn Theme Your Love, Not Fade Away, Kansas City, Georgia, Short Fat Fanny and Money Robbie's Blues were being recorded on my full size tape recorder. A You Don't Know Me funny thing happened during Robbie's blues, the Echo machine accidenUy did<ed on and made Robbie's Blues sound as if it were Bo Diddley recorded In a professional sound studio. My tape recorder mlc was Forty Days placed directly in front of the band's sound system speaker, so all the Hoochie John Blues instruments and voices were mixed evenly. Robbie's Blues A few weeks later Levon, Richard, Rid<, Garth and Robbie were doing a gig at The Brass Rail in London, ON. My friend, guitarist Chuck Grover, Kansas City who is a friend of Robbie's, heard that the boys were in town and Memphis, Tennessee staying at one of the East End motels. Since we were invited to visit, I Please, Please, Please brought along my tape recorder and the Port Dover Tape to play to them. As they listened intently to all the subUe nuances of their Short Fat Fannie awesome music, I'm sure they knew then, that their split from Ronnie You Can't Sit Down was going to lead them doser to "The Big Time". And I had learned that No Particular Place To Go audio tapes can also be a source of valuable infonnatlon. A few years later I loaned the original reel to a Toronto DJ and it has never been Turn On Your Love Light seen s,nce. It's gratifying to know that Digital Downloads, a Vinyl Record Hi-Heel Sneakers and probably thousands of bootleg copies of that tape have been distributed around the wo~d for fans of The Band and Levon and the (The Story Of) Woman, Love And A Man Hawks to enjoy. Instrumental bplorlnct h• Licht:M y Vlsu•I Journ•yb y BryanL Davies( 2015) Slow Blues (incomplete) Honky Tonk Twist And Shout Georgia On My Mind (The Story Of) Woman, Love And A Man (incomplete) Share Your Love With Me (incomplete) 88 minutes recording. Recorded by Bryan L. Davies ”Honky Tonk” is available on The Band: Across the Great Divide (1994) in better quality than on the circulating tape. Crang Plaza, Toronto, Ontario 1964-08-00 Turn On Your Love Light Not Fade Away Twist And Shout (The Story Of) Woman, Love And A Man No Particular Place To Go (Intro to Bring It On Home To Me) Bring It On Home To Me (Intro to Hoochie John Blues) Hoochie John Blues Memphis, Tennessee (incomplete) Organ Instrumental Rockin' Pneumonia And The Boogie Woogie Flu Kansas City Robbie's Blues Please, Please, Please Short Fat Fannie Georgia On My Mind 55 minutes recording. RECORDINGS Dallas, Texas Onyx Club, 1965-07-00 Oklahoma City, Oklahoma 1965-07-28 Nineteen Years Old Don't Cry No More Work Song Instrumental Instrumental Georgia On My Mind Hi-Heel Sneakers Go Go Liza Jane Your Friends Bacon Fat Blues Jam Work Song Something's Got A Hold On Me Turn On Your Love Light Please, Please, Please You Don't Know Me Don't Cry No More Instrumental Instrumental Instrumental Smack Dab In The Middle Smack Dab In The Middle Go Go Liza Jane Money Bacon Fat Instrumental Georgia On My Mind Rockin' Pneumonia And The Boogie Woogie Flu 61 minutes recording. Money Theme From A Summer Place I'll Go Crazy Instrumental Turn On Your Love Light The Feeling Is Gone You Are My Sunshine - Instrumental - Band Intro Twist And Shout 70 minutes recording. STARTS MONDAY rl,~'.f-- 1 WEEK ONLY! JIJn'I' ~:= *fflAA'F~5* LEVON HELM AND THE HAWKS .c-G•IA T tAJIOS--, ., r•••Nll"' ...... 7:JO_ ... l ...., •••, *LEVON~~: HAWKS* • ! '1MAL OAT : * lack i THE MERCEY l *T Hl LIVILY 0!41$ N4 Tiil IOlHTICALS j ••••. BROTHERS _..! *TH GI ACUL UrSAI-TC :TS IM,uOI, Hs - 0Po.Npualnadr COMING $00HI THE FEMALE BEATLES * •• LES BEATLITTESt JAM SESSION [HfJ SI•c ,tvt,hdeo y f")o butloo. s 6 p.m. TSHTI. UGTlItNlAGT ISTTO MrAOCOICOAWG I PUMI' ROOM IVU ralSIHTIO AT TOHT MAAT'S ! * ~~~Lf~!~~:::~.'J THI flHOl~lH UVON "4 THI HAWKS 1t CONWAY TWITTY The London Free Press, January 2, 1965 ._.. .. ,.ii,,", -..A(- l'HUIISOAY.-.- 23, ,..._. I '"IUDU'"II DIILT NEWS THE PHILADELPHIA INQUIRER. Saturday is Swingin' Night .I rTN-UM ISSDOIOTM, JEU RL TS 11P, O11I1N1 T-3-,' I ·F~R*ID*A*Y* M*O*R'*N*IN*G*, *J*UL*Y* *SO*. *11*16*5 T'"AU1uUOoIuY,, HA1U1C DUAIUL Y12 l, [lWloSS For All Ages at the Riviera II II GCAIMGEMSI CKS II Ot11tl111111 lhtwa l Nlt11 A WHk 11'1 1 awincln1 S...turJay ni~t llv ... 1'h• b,11 nr rh) Ihm •nrl I DISCOTHEQUES I TONY MARTS al th,. Nnrval IU\•1rra, \111th 1hn('· blun nnw l\lh thr octai:ona1 ,JJI ,'TfHEEi~ nuM OrS,TMR EfSEA.HAIrUt(DOR-UAS TUfA CSuKvA tG t, II SOMIRS POINT, N. J, ~i11n\1d f~nI" rh aoam:lrl. a1l11l1 11:~fl'n'IW;.. ~"rrtt~nlo~tnr: r .·.ln a/fl,n \m':d,tldnvllh,o 1-: atNhr'n•~ PdNnlI ·IunIU1d',,\ •ittrnrru ae.t h. r" "h\lultr hy'ul(h1w,fo .' ;a,w ds,i:mn~, l I fr+qutntly. r•c11~·~rt'·1~0~':,/·~;~: CONWAY TWITTY ,*el iu/ou1 ,',// Li~• E11terlei11me1*1I !~rW .h~ll•: :fltfbHlr~vr:y;sd : S::m~ith~ ~a·n:d: /hi;•; . robatlta, \l'a cn•t fun to 111 I CONWAY TWITTY 3 G•ra, &ANOS end Wll('h, AHO HIS ... MAH OlltlAHOM.AI IVUf I 1111 6·MH Okl•he1H aevue L• ECAVNADOA'NS G lfATUf . tU•.rlD,l\aualrt lu\nlulr rrnltl1.l nlhttMonmlMl ut'wJllonun,kr, toalh ltnw tnrenke.- , npaf'Scf>rllnmt)t't fn' flu llSH lutUup r, Jw1lyho tu ld1n·1b1~V,c lhrtlr",ua .1 10n1a1ur>e·· * FEMALE BEATLES* AND d•M'frt NmN1ian1 wrobah f'U lo mali:f' '"""""tllon1-lhr)' * * HAWKS ud eYf'~ th Ot'('lll~n.al anlm:1 don't llh turnln1t folk, IWI)". LEVON I the HAWKS THE a.tr i thla, bY•. d oSvturll. lvAanl l tthheo ,wn hrl tlo)f'· yoSunucn d•)In' nhltth8lr l Ita'•n dt unf ufot.r lIhI,'.• * * * --PLUS-- f•r+d, and In fad aomt of lht rhythm ind bluu 111 lht "''>'· I Curt1tt1 1111 C-rlstlH 01.-ecr ,,..,. l•ef••~ wUI heve 1pp,,1rf'd wilh the 'flth dtUYlptlvf' n1mt1 llh 1er1Ct1•1. .. P1tt*er se1C ONcTI,NrtUstOtmUS The FUN-ATICS l..ll a'tu'.fr"•na1t r 1hl.Sou.nkn1 l lhf taora el.l'de' r udthn11t •n'ttl,·hrh· 'tJ"hnTd h eJ tlhaS•w hba11d,l"1u ) 'b.o. Ro)'fo1 ,h" bnlt u"ILrJ,e"nv re,e"" J.a annnldl' !. NOGl111111lckl INTHfAINMINT lallt'Dlf'nl:IUl-.d tnt.rml&&Jm, but "Romri,ln R4nnlr llawkln1;·,1 I toward th• enil of lhr ,v,.~lnc. 1lon,ph1' out the but. Dlu•IIIN111• I, DANCING th• but chancu whrn anolhtr Both coupltt and alnalu ire· M.M Lutaovrr. wtlcoru~, Sund1)' nJ.ahl. In 111·1 tau!~' !r• h;;!~!;: • 1:;:~~~~~ td:ll:i!o~n Tto.d l"h• ;d~an~tltn~t. :at.h te: tco:k,n::. .i •l"N lhf' hind 11 llvt, rt111)' lun111 N>VfrN! uadl1 Ill lablf'I.J UH UH UH / LEAVE ME ALONE Canadian Squires Ware 6002 (US) Apex 76964 (Canada) May 1965 US promo, retail copies are either extremely rare or nonexistent. Canada ••• The The Lakehead: Johnny c.....u.m Sqalra, the name on the Murphy PD at CKPR new Apex release. "Uh Ub Uh," sends news that should picked up from Ware Records in make the Canadian the States, is an aliu for "J.ey• Mike Reed at Apex in Toronto is n busy boy these days. He has high hopes Squires very happy. The Helm, former drummer with Roat- for a good new sound by the Canadian Squires, "Uh-Uh-Uh." It's a pick to dick station flipped over their pmtaak' inRgo agnoloed lwhwithld lhlilJ owwhno 'sg ronu1o,w1, i~Stt,q u1_sTir herese pLoisar tkLeedehlveyea dn' hs HapeCplmKens~m,R ge, x wboihgfe Rreao tn snSpieai nrnnHeiara' sw kDiCtneHsk'O KWsr.r iolsuRoone.e dti hsse a vyHesra ywt hkhesi .g lhe adoenr iot,f atnhde "MLUeuhvr pohnU, h "UHIthe'"slm ,a na d, fgosarmasy.e"sr LeYOII and the ,Ham. The disk II Cash Box-June 5, 1965---lnternational Section drummer with Ronnie fmding a ready market of fans Hawkins heads up this here .. Montreal group. IIU90AID, June 5, 1965 R.P.M. June 14, 1965 MlU'I \IU~ I t.U UN' .. Dove Charle• CJBQ Ballavllle &oQlGT'"~rf>h1C a<Ie'r 'hCf rya'1;O- 0fO s.1OP1' n1 1g,o.e ,0a&n h,1.l ta1>.Fs e,,od ,.1r1~ !/>J/McIc,O.C u • S~O•I!h, UHaallL,tn,eJDl•u 1 •,.,1•" a 1,,1,i.p,dse. .•- ,~s•C oK-r•UdL i •ClCrrf •ahollto•o•,K'nttpt l1• "1e1o9 1Ci1n1'a1Otebo/t1•ta•ne l1 y< r' , R1r11SWh,taIefoIhl,b/wO'baI.(r t,'Ub.a1s s iUtehltl,•> Lho atta.L1"b,vlr ta dea/-d . ,I ,IVI.H H.o.o,s, $, ,cbp aha1,o oG•h1pu1ao,r1tn !•/.,d ad 1 Rlp~>b,ol0a•b1c1y·1b!lehtJ.,r eabo 0R"•i1"o11dt' 1b I tp" bwhdriaio"eu s • 'hl",o dH'L tjito is1ho1no5cu"etf. CTMTHAA,"YN At1h9eD6 5As-o l-iTd hceom Pmaesrtc ia12l r"MoUckHoe nr tUhbHys MUCla··•r• ihake~ ,. e o.U a hodJ lad5ioUy1• c•h-1:0 po •1Sc•.kf1qt! 1f 1t"1ii: s•,t•S•a Os, tt1b1eifdaldf 1 .M ,cbO o,,,ltv0l yCe1 /o ,tCatn olKoul•fclrO4 U tJC o1,r1.·n5 e,~ ·• H· " aSO"aJfqdlll c,lu l ii/hi,oI1r.otbdn•'nse- I • W0N""Y.1DthLiu1eu0o,,rAr,/cerdt. < " "> ,C L,•,OSo•. vbt.Ue eueL '" n"D"H -"",a" ",, f,l. o•G.b foeint,:e."1" .'/ ,",Id, ,o / ',bC.f .wK.1, l1RlR,'5dC, ou ,b~.1bW•, iIike·nI bncriLppyooer' .eg.n" t etd"· GooSdq utoir ess,e e" UcCohna Usshihd e UrBahob"xl.-e IatJ uclstvitoa nrt e2od4n . att1h QatAht Se- g·cr-eaant-a dr1lnaotnc•rk nLe"ra, k;"be"yh" eI atdh e anCcda . n.C, a.:Kd--iP aRn . cThhaer t CasniCgaadnsisah n inBS oqxsu-eAivreeursa glo unsa trA epae1sx4. , sh19o6w5s ,tr'cUbKpehJl ebSrtUi•qthi11 O1 10MUir1fhfs1!Se'. rIiw1/s1 • iablltel htl e1•) 'Oei"t•>tt tu:·1d sC1 p.VOoIItUfJtJofyL ,i Dsr y.("ao' a 111cb. lciaIo 1."t bitll,iln1l1i>l1 1 UtF''hhrIoe n UCflcaih rl scfU.t-Oh te Ii 5•ro"en7 I Ib ewaar5d ictr,1 u1,Cy,.o , naioChtd HoaloH"rnSt • trbHSoiqo5u•ll l fro n,o.r .e • Chuclc B-.,ton CKYL Peoc:e Rive, y•0o1111t.• dU J a1•1.Vdll tcb1• /oe,.cI,t ioTub i!J bget0a1t/tl. bCaO!JU al~ D~." d The One Fo,Me Chormoln•• R.P.M. July 12, 1965 .. . .. . . . z, ... . . ~TsW LW ~ada ~rt ~n ~Uzx-z~: u.wX.,a.;t:z%, zi .vv~Jc~o~ 2o1U1:..!•:a«g i : lvUI&I..~.&~l: >~U~z! ~aU~:.:Jawi : "J~U':•:!uaaz i: UO~UJ.:.z0Ji : IJ~VDo,~•C) : O.VxJZ.•~0.• : ~~~u.-:.~.! >~U!ZJ uw~ a«~U:~.c; ~,~Vc·zwi• J~U.~.aw>•.. uJ~U~U>:> ~Uz~ : >>.e » ;-UI.~ o WMlT'MOAY L SKNGSIONUIN TY •WS - AITTDVHUIIA NAN NMNI-Y!N : JGA.tO.-NM . G. lDGSEOU LNE -S LSIA-G "WHC•H ToOP•'O •-Ov TQ CU-U A.. C TOOML A - fl!AL 2132• .,.o•.. 1142 •• •• 2,0o 17 12 ao " 2•1• 42 21 2108 10 1,o•7 SSRMLEOAMOLLPE YM TBO-E WRLN I TTHTGLEtI :R FLC AAC(tP:ES' /Asl f-l i -- A"LSALTALA NC CSAl9TTOlSfl l-a C- AfPl!A L .••. 3.•0.• 4.0. 32 04 04 27 37 41.0.2 x HE BELONGS TO YESTERDAY - PAT NC.. VC'f - JtAL 17 NEW SUMMER LOVE IP'/9) - J,a./,oLAY90YS - "CA ,1..o1.. 1 N1.E.•2W IA ST RMIEADN YT OA S TTEHLELS EH &-: R CA- TJHUCflf!lYllN -l MLOCNK INNON - Alll:C 10 3340 1..2 GOIN TO THE RIVER - "0NNIIE HAWKINS - CAP ME AND YOU - "lGUHS - QUA 215 21 20 l'M A MAN - fl!OCtlATONl:S - LON 30 30 •.•. NNEEWW MIFY I HTIDOEOLUDT MY - BAG.BCYN l -& PSATUIIAPNUGISltl l-l :S1 -1 1:APL' lfll ea 31 30 1•7• NNEEWW SUAHN DUYH UCPH'/ S)- C- D"NoS aQa1U1::l flllL:SA N-t : C- OCMA P 32 NEW THE ONE FOR ME - CNAfllMAINl:S- "AL 47 20 NEW THE WAV YOU FELL - CHtSSMCN - LON 30 R.P.M. June 14, 1965 ~,~ ~s~dTaOS SIN AND TURNIN - Gue•• WHOS - QUA U~zx~--..< uU~.JK~o~ v~:...r..•,.Z" .e0•."z% " " Uu.....I •::, U~O>~oJ<. U.~.~oi. u;: ' u~0« u~~~ u~J> U•>19ZJ. ! 2 ~«Uu8i! ' 0U~~• U~:.w1::· o ui~uUl I ::at uuwx uJ>~• .wU•:.w>• ~auw~.i lI· ~ V3i4w~ z ~u~!:,.~ I 20 31 ,o 23 • • 37 20 23 22 •• 32.4.7 •.•. 12 40 124 , . ,o .. " ~a .. LOVE_HAP_fllNESS A.ND SWEET VOU - J,9.PLAY90YS - fl!CA ..-. .. - IS Nt.W COME ON DOWN - WCS DA.KUS - CAP 17 - l'M A MAN - IIOCKATO;NotS: ,~-: :L4.O~N: ·;c_ - - ;..,..__ ·- __ o f--7;c-~-cc:!:-----c-,·cc~-ca~A,~cc1::7~~~;~.; R ~::INNON- AflC -E ~~ 19 19 SHE'S MINE - IA,.TNOLOMCW TNlll:CC - QUA ~20 I BELIEVE IN MIRACLES - PICIUl!C LALOND': - COM 20 +--+---t--+--+--1---+--t- R.P.M. July 12, 1965 IIAf1l!0A1Ht !:AllIuHtIU II.Y IY rCDDY AJID 111$ PATCIIU im:;r~:r~S!A~I~IJDf!H::I~All~DA~QADll'0I, :!1~ll1Ti1II'T.!HJEf1~1t.yro2U~0u11~UP,TLO~SgUpZYLQ~.H: l'ICI~Uttnm 110 Tiii ~IK~l'~SltgllfO:LA!W~l~lltt:. OT~IY~S tO~l:«:lp'I~IIIIO~lll!.fDl l~~Jr J'\~·~~~lli~ ~IC~:~ 1:o!.is O'n!U. nurr. 1 ltllO'~ nlAT nl~I U _, STurr Oii THAT I.AHL, JCO::....:.OrI1II~YTH:IO[UIlT;L:l'uH.CtI I A!Mlll, TW.S IAJfO Oii A IIATlOIIAL I.AUL, DlO TIIAT . L~IICI~\MAT~IUI~IOUr.'l,'IY~006 :rM i- i~! ~l~:rr::: ~~.y~~Lgtt~~~Ollr\Mlllfoi~ SfR.IITCAl l'I' TKI O'nlD SlOI ~uf=TK1~U~ 1: :SI.Y~ ~~~~~r::1i"~!fL:~~ ~t_sgi;o,~~;''w.w Off Oii PU.111 ?Kl PUl'IIUS ~~mD~~J:"~~~:t:ID~ym::'~~IJ~~~'l'Mffl=.::~s,;~-=~:~SlD 1.1.P, AJIOOUTTAM'l'LlfllYMIII ~w.:o~;'"(KIJIIC .....C Kllll)AOSS nlU L.A. O,.OUP I.OYID TOM.Ellkltt I OUUIIPTICT A IMI' I'' l'OAU YLIltM'RI' ClTOOIiIi Yi: bO.WSPfJ l.t'LIlt'. l,D1,1 .AlUVDAUlf A.LPLUOS(.PLC\1Yl1A ,ACPAl u nlC\YA% II6T K)U OIlIlLlS'I ' O11l\YIKl JU.Y. OU lVU.YTHUIO ••I , ' Unoffical 1980 US compilation. IIAHO Clatoltal.ODLIC\DTO WAT liIAtQ UU6I6AS U.,A JIO11 .1T:CHo.IDI CllO:LYlUA.SI IDn tl1 .AtIDU.I,G UI OSUOAiiTa , YDIJfDII OWIIA S PlDI.UL'I' AoTS'InIMDIUIIt Y KIoIIJIIP.,Y IIICn?ILKTuLl TWsO PO.JLlI .lIIIP'Cl 'OTIJSIK.Dl)DI, OIOUAPIJ(ItJ)KX ICnMlll tTllIOlSOIJIlACS LCIIJOJI.lIlCt lQlCaDOC YKIAJll.lDl'QC ASDIAl f PAl t.rStQn UAlln(DlllJftOflSt lOCfIlItTU .' ~L.nS~ DOr W~.OII~O I~Y ?~Kl ~IOUQ~ALllll H:~,i:t~TK~:~~tr::Jri.:~· 1 TltDAO.IUIICAYHIIIOUI.Olft. ' UCJIOt'l'OUlltll'PUIO~ll'l'TKllt.UOUIIDI A~ IODD~ COI D.= Of: IYD'RCCl'l'I PAYO,,ITI hllffll.U ILUIS It COUll'TJI.Y CLAHIC= ltiQiU~llU ::,11~1~. ~~~~t~OIIQ Wint tM.IAllHHTNIOIOCD&.lTIMOOSI TKlft.lPllDIDr"CIIOCOU.TIIICIOIITNIIC•(AYAl1.ULIOIIIOUIZID.lfl) IC&IGUAt~IDTDIYll .ATKSIP SYCKIDILIQIA' JIAU l,.IAYI .. A.I.OIII C,\11,\DIAII OIIILlffUITOnllt lAJI.LY1Jl'TDCPOIOCllD, AlfD 'l'OUWILLAGll.l:ITIIAT ~Jl(IAIIIO)M:illlt1IQIWAIUCYOC.YIO,CVIIIIPltWAlll1'A.LLOYDTNI ~:S•,T. •-G.• .'UIMt Ot: "GMJ..I.A.A J .l9".l0,:..0U'..".f:&,. U,1_MC.,. n..0,n:0.1.0.=10M,0 1DUUT10et0&1Uu..1 .1LrA1.l1DflalflN.llol! uur-~~: ::s,:.~~"'":,;:'u." CTlflHNltl'ltAfll llfoJ AI.,lI,OLPUCHltlll.Al®&JaIU.l Hll&>CfO 'QI<OINIIIIiIAiI I lOUn,.tl,-lG!o<UOt*i CIATlI.ffL.J' I'ISI.IIM InAlUulO. tJQ CNAI GPPf,CCAliUP D Can. Indies Merge; Bow 'Co-Op' Label INTRODUCING ... By KIT MORGAN TORONTO - Three inde- pendent record producers here have retired their own labels and introduced a new one, Red Leaf. Oo the oew label, each producer will release his own product, stand his own losses or bank his owo profits, and share in the benefits of co-operative admioiscratioo, pro- A GREAT NEW IMAGE motion and advenisina. Involved arc An Snider and associate Dave Pears; Sl1ft Klees; aod Duff and Danny Roman. for the Canadian Music Industry featuring . Talent OD Red Leaf will in- clude Pat Hervey and the Allan THE ALLAN SISTERS SHIRLEY MATTHEWS Sisters, formerly on ACT; THE COUNTDOWNS DAVE MICKIE Shirley Manhews, who is on Amy in the U. S.; Juon King, LITTLE CAESAR & THE CONSULS THE PAUPERS Dave Mickie, Jay Smith and the THE FABULOUS COUNTS HUGHIE SCOTT Majesties, formerly on Tamarac PAT HERVEY CANDY SCOTT and BiaJand; and the David Clayton Thomas Quintet. the JAYSON KING JAY SMITH & THE MAJ EST I CS London Towne Criers and LONDON TOWNE CRIERS DAVID CLAYTON THOMAS Levon and the Hawb, all in the LEVON AND THE HAWKS RONNIE WHITE Roman stable. IIUIOAID, January 30, 1965 Atlantic Inks Canadian record artists are in che Levon & The Hawks news this week. We have The Keatniks NEW YORK - Atlantic Records has with "That's My Girl" on Melbourne ... signed n new Canadian group, Levon and the Hawks, to an exclusive re- Ren Grevau, Info Chief for The Rich- also The S Sounds on Epic with "Loadin' clamnonnarntndio ciun ongfcv e.pmtch.o eeJnn ett rrRnriycc mth,m Wadaoeecnx cdloe larrd sotiran gngwad ne eiAtzkoal tuibBo yrnj eo. cAiknt.-t- The Ottawa Journal amlanondnd dcT OherRg eaJcnlaoiwrzdaksts i onhw aivsthee n dbrsee leennae wssesi g ntedhdoa tt esbL ye vaAontn·d· SCporailn"g timaen d Hina l AWillalissk a" w.i.t.h A cl"aWncihce n h!ea'ss sooTnh,e wcreerwe 'sc ufti rsut nsdiedre st, hteo sbuep ererlveaissieodn Sa..tu.r.d..y , .O.c.t.o.&..r_ '9. , 1965 ' ri d es to be announced. lndie producer signed Canada's Levon and The Hawks ... h~N1~f ~.r~~CH0,Yi~d~iu~~.1c~:hi;h1 1; ... a.... IN Tiie Hana, Etodudcihee s Hteol letrh e sadedsesdio n. thLe evopnr ofaensds ioTnahle Phil Colbert is ouc with "Who's Goe The pthaer tg roor upth'se mTaRtOer iaclo. mbine publishes old b&n4. Hawks gained top attention in Upper Cene- Action" and Moe Koffman with "Bulldog at Tthhee gFr'rotaurps bCelcuabm ein vTiroturoanl tore, giunl arres- bave araduated to the big-time data Tahned Fwriearres ainlm odsotw nctoownsni dTeroerdo ntroe. guMlaor\.s- Walk" ... The newest LP by The Mitchell cseunccte sms owntahss ,s caolrtehdo udugrhin gt heai rt enb-iwggeeekst, in the U.S. They were picked ing south of the border at Tony Marc's in Trio contains a song called "Song For summer-long stand at Tony Mart's in up by 9- Dylu and used as Somers Point, N.J. Weekend crowds ran as Canada" ... Spthloaemyiree dras p ptePoa oriawnnect,ee k Nean.tJd . McaArr otw'sh diwgs hhleoirgfe h tto hveoeyrf lai mbea.c k N-o wu p Abtloaunntidc foRr escoomrdes ahnigdh saisg ne5d0 00t.h eBmo ba sD yblaanck -cuapu gghrto uthpe. ir Thacist R.P.M November 1, 1965 5sh,0o0w0,e dw ausp thuen afnnncto.u nthceadt . Bolibk edD yltahne i.ve signed the group a n d rook them to Forest Hills Tennis Stadium gofr oauppp aenadra nscigens edw itthhe mhi mf.o r n number dlrir fir« dlac wl:t be cut alinvde lyT hsee tH oflolry wao oCda rBnoegwile. lPlalalln s apapree arreanntcae- IOOII • , . • •. Cash Box-October 2, 1965 and a trip to the UK. R.P.M October 11, 1965 Atlantlt l'nks Group TRO On Pop Drive RICHMOND IN Levon and the Hawke, new l\"E\\' YORK-The Richmond Orgnni- ROCK DRIVE Canadian rock group, have been zn tion has made a major move into the rock-pop singles field with new signed by Atlantic Records, ac- songs cut bv such British acts as the NEW YORK - The Rich- cording to a joint announcement Who, the :\loody Blues, l\larianne mond Organization, which bas by Atlantic's Jerry Wexler and Faith!ul and Levon and the Hawks, a built its publishing catalog on a Al Brackman of the Richmond new Cunadinn group. All this activity folk and legitimate show basis, Organization. comes on the "heefs of "Turn Turn is now making a major effort in Turn" (#5 on this week's chart) by The group's first sides, to be the Byrds, also published by the com- the pop-rock field. Within the released soon, were cut under pany. The song was penned by Pete last two weeks, the firm has re- the supervision of indie producer Seeger. leased four rock tunes, which Eddie Heller on behalf of TRO. theT hhee arveileesats e peonfe ttrhaetsioe n soynegts inm atrhkiss ghraovue ps beaes n ther ecWorhdoe,d theb yM osoudchy Hollis Music, a part of the TRO area by the pubbcry, formerly better Blues and Ma.rianoe Faithful) combine. pubHshes ·the group's known for its folk-based catalogue as and Levon and the Hawks. The material. wBerolla duws aiyts lmegoitr e mruesceicn tf ieelndt. ries in the songs are all British io oriaio. lECOlD WOlLD-Octob<, 23, 1965 Cash Box-November 27, 1965 Decombff 4, 1965, IIUIOAllO THE STONES I THROW / HE DON’T LOVE YOU (AND HE’LL BREAK YOUR HEART) Levon and the Hawks THE STONES I THROW; w & m Jaime Robbie Robertson. © Hollis Music, Inc.; Atco 6383 (US) 180ct65; EU906253. Atco 6383 (Canada) Atlantic AT.4054 (UK) HE OON 'T LOVE NU ( ANO HE' LL BREAK YOUR Atlantic 6383 (Jamaica) HEART); w & m Julme Robbie Robertson. C> Ho111., Mu~1c, Tnc.; 180ct65; October 1965 Ell906250. US US promo Canada UK UK promo UK test pressing Jamaica LEVON AND THE HAWKS omers (Alco G383) e THE STONES THROW EXTRA IT'S MY LIFE Animoh Oua (2 :05) [Hollis, 8~11-Robert- EXTRA A YOUHG GIRL Moel Harrison Lan son] Throbbing jerk beat on this rock- EXTRA SOMEDAY SOMEDAY Shindog• Cam spiritual. Levon and the Hawks could EXTRA YESTERDAY MAH Chri • .4ndr•w• Lon --· thhaivs e ap obteign t onet oeo-nt apthpeeirr. haInndfse ctwioituhs EXTRA THE STONES I THROW Levon/Hawks Lan --- chorus and exciting arrangement. Eye R.P.M. November 8, 1965 carefully. .... (B+) HE DON'T LOVE YOU .,_"- (2:35) (Hollis, BMI-Robert- son] Funky r & b'r. RECORD MIRROR, Week ending November 20, 1965 ,r-'r.:nn::"rl11'1llll ' • ..,.,~ 11'"' ,,,,., ... Allantl-Paul KeJly•s "Chills And Other November 26 releases In- Fever" and Levon and the Hawk•' Cash Box-October 23, 1965 clude: Columbla·Adrlana•s "My "The Stones I Throw." Brunswick UVOII AlfD THI NAWIC.S Uncle," Alma Cogan•s "Elldlt Day• -Bart Ives• "HoUy Jouy .Christmas" A Week," Pele Stanley and WI» and the Kingston Trio's "Parchman Jones' "Ballad Of Hollis Brown." Farm.'' Fnntana-R•v ~•ll•c "J'II RECORD MIRROR, Week ending December 4, 1965 .. Martha A.ad The VandtUu make their Sllursllti van1 ppeSahraonwc e oonn Sthuen dayE,d The Rof liug Stones rolled into )Ionlrt>al and knocked the big town right on its DIDIieVsctlreNimctt b.er.. .H5 o tr.t :•e1 .1 I MtAnas lsvoeBcrlt aatAtkl>tasnd c~ n~r.f.! rrei.1p,o~rdt~s :.L~ott n~dpon~'s~ dr~.a~~~·e: )Gl~alnin\.~ .~T~het ~n~ew({ cScto;tn;ess i:L1~Pc, C"1D~~ejc~etm:~;b·~esr':s~ ~tCi'rh~i·:ld~recn0 ,!"0 ~!hfa~sd PATTY La 9IL.LI & Tffl SLUI SIUlS 'Nort.bera Songs' company In with ten plus, inches of snow all over \1onhenl, reports thnt the Ventures' new lrheeclorr drianf1fl e fo..r• PhWU DDSY~l lntcocr~ Lilk>rt~~~t of Christmns sonzs will be about the hottest of the seasonal pack- AIOrN ..... Only three BrlUSII rt(:Of'dl ni:t>s. r ne J?r..,up is curreutlv scorinp well over the Lakehead's CKPR with ln America's top tweaty .•• "Sleig h Ride" on a Liberty sinule. If that's any indicnticn of the sounds in the Y_,.,... .... T•Loo Levon An1l 11te Hn•k..~ who n lbum. they will indeed have a smash. Gaye notes that CHUM-Toronto is giving •hiS saosv.ub ee d. D..a 'hJ1lbletahera oe'1 uS ,ottohnbn nt"stASt nUh,aI1a n:m tTlceh 1r o1Awaronr"eud p cTah habrn1ocgwe s.p" uoTsnhh et thogis r othdueep b uniste wnso inwAj !tlcol'on otonoueut rin ligwt t lietlb iv b BiLLo ebv AoDcnty iolanan-u,a d- pwltehhniect hy Hwawoinnk 'st ,M hou"nrTttr heeat hl.e Sitrot hncaehnsa krst I - ... ----·--·-· ... - Scocmanpdlaelt elyIn bTahnen edP amfrUoym" IJ11I Cash Box-December 4, 1965---lnternalionol Section air plui In the States. UK release sheet. 'Varieb'' maaadne ean print a cattlul dncrtpOon or the new tdltk>n o( :·~e Rolll.n~ S~s Sonx_ Album" I, THE STONES ! I THROW HE DON'T MERSEY- LOVE YOU SSIPPI TIE LOSERS French test pressing LEVON AND THE HAWKS: THE STONES I THROW HE DON’T LOVE YOU (AND HE’LL BREAK YOUR HEART) THE LOSERS: LOVE ME LIKE THE RAIN MERSEY-SSIPPI Atco 106 (France) 1965 French test pressing FOR YOU fHl MIOH lllTS O~ U • _ • • • A • • • A> !! ....... lll IUIU&III •••T TIM• Al'lll SltvlNS !!._.! N A t • • A M "S"UUPSEARSEPXETCRIAAMLFAOXRIPYAORUT"Y " ~!.!!a ••v•.· fONY ,, ,.AC• f Uftl C ,. I !:!.,.i no•• I TM~ l LDUMEn gS•EtRo.nI. SE• RhAe n1(W lu•i t-TMHlEb tHwIiGlkH) KEYS t AM I. 0 ~N_!. ~ 0 0 .: 2. HAPPY fEET TIME •$0,.N..N 'f&CMwRc .w :•:4..!!!- "!•,•!•T T•• •u.• 3. .NF,D_re ..,Kr lA.J,.•I I • TS#HARMEI L M OSNTCELVAEINRSS 4. SPRING fEVER BWf"J • ~h • TONY PASS tHl llKIS ~ .... T 5. THE STONES I THROW ToH, I S•NHIAGHDfO WS O- N Y • • 6. RRKobA1PrS1O1OonY • LEVONA ND THE HAWKS lHtCA,.llOll =LI.RK ~ • M0tei.y • Holme• - TAMIKO ~··•Y·•••'"':.! 1. YOUBffiEIIRUN fHI LOIIIS •oc• C....ell..-. - Brioa,ti • THE YOUNGR ASCALS mII_AU1M SI 1GSA__1IVlTlNIwHN n __a&s !-W. N!-"Y-" "'O-I T O 1N1T'O•T0 •• _•I• •Y,0U .N.•0.· : • SUPER EXTRA MAXI PARTY USA SPI. EJSCiOm I FGIANrEi !ML>l t F• SOONRNY &Y COHEUR .. LP ROCK PARTY 1966 Atco 3004 P (France) 1966 LP Side A, track 5: LEVON AND THE HAWKS: THE STONES I THROW Atco 3004 P (France) 1966 Side A, track 5: LEVON AND THE HAWKS: THE STONES I THROW Cover versions: THE STONES I THROW Normie Rowe and the Playboys (1966) J.J. Jackson (1967) Trials And Tribulations (1970) Ocean (1971) Amy Helm (2018) HE DON’T LOVE YOU (AND HE’LL BREAK YOUR HEART) The Romans (1966) .. AK.KANSAS ~.Ut:rn:. :,1111~ July 31, 1966. .... 45 ·- .. ·. THE':·-~ ROMANS. .. : i~leas~; : t'11'fr THE ·. 'fiist record with a'son·g called-" l'H, STONES- I THROW \ 'Find_ a Way;~· abou( six weeks ago.' , TM l'A-sfde", (the featured side that, : the recorder: hope'. to push and that- : they ask dls'c,fockeys to plug) was· a' 'sorir: called .. :·rn~ Find a . Wa( ·,··. It . . jumped 'on the charts that guage local. , popularity and ·r~ached Number. 18' on ones the at radio station KAAY.' Orie'. or, the boys .. said his mother; was unable· to buy'. .. extra -'copies:.: of "the' -record, because the downtown music' . store that'featured the disc sold out.» ,: ;-•: Now: t!t'~ .boys liave -a . disc co.tj,ing·_: out in about-a week ,f.eaturlrig :"I. Just,' · Had to Fal!"<rn: Lovewlth.Ycu) " and- "He· Den 't Love' You,-'.'.' ~e latter wa{ recorded '.originally·: in » Canada · by,• the . Ronnie Hawkins .and Hawks. buf, was ,.never· released: in this· country. ·The 'Romans :;r,~arranged it, 'for · their'' ~L :; .'. ·r.eco~{~:.~~-'t~ ·{~!~~:/~: :-. ::. ·.j.-~ ~~- \ . V~~·- J~-o-~-/·--=1--1=1 - - l-l t ,1-1..1-' !1:-,1:-~.1-·-:1: 0: -~1. 1 t f .--:_-:.-."1 -=-•-.• .: ._-.·: -·=-:-·=---·:-..--.:- _ :. -.,.. .-,._:=-_:- -:. ·.==.. -=_._:=-. :----:-.=_-.-:. ... .. =--_--·'---·-"_-"- ..=- ~- -.=.. ·-:· .-.-.;- --:-;--:-ic=-·-----! ,"M-·!-. .-.~ --~ ..-...- . :._. : .-..:-.::-.:-..·:."-":-..-.,~ :.·-·:·-:-:.--.= -::-:..-------=~- .-=...- = ..- --=- ... --.=.. --- .-. --.:=..:... ·:.~.: ::= ..= -=. .·- -~.-·:-.·-.-:-·. 7-...-....: .: .: ::~_::-~;:~~ f~:.:::1-[~-?--=- -_._--_-- .--·_._: . _.. ·- ,.,.... --- --. . - - ·-~ ,,....._ ·~-- ::::"::':7.:::~::-:-::: =:~-.::..:_::;:- !•~!,:::,=-- ~= ~--···f-~ -1---~-- -.. - - -·-- ----~~~~-~-= ..... ,::~:., =.-·-·-- :.:. ._.:= ..- _~_-= .-.- --=-=·_-= :~-- ~:.~~~=-:.: ·::...-=--:...... -·---·---- !"-'-!C",4;;.,;;.:,,:, The album al hand is supc:rlatm: in conc:q,c aod pcrfonn- John Hammond ance. It really swings. And in performing lbcle great, class.ic, urban btucs set down by sud! great rbythna and blues mu- t.ers as Bo Diddfey, Big Joe Williams. Muddy Waters, and -SD MANY ROADS" ocbets, Hammond bas been provided some real "dowo-bomc" - ll«Offf/#Ulyi,II ltillud/ on th_e guita r, with mosical support from a remarkably gihed group cl musi- C. 0. MUSSELWHITE MICHAEL. -.B..L.O. O•tFIEI.0 cians. With Hammond playing guitar as ~'CU as expounding JAIIIEL~-. ..... JIMMY LEWIS the vocal message. there is G. D. Musselwhite on harmonica.. Michael Bloomfield on piano (counesy of Columbia Rec- _,, .. ~ LE¥ON llEUI ERIC HUDSON ords), Jaime R. Robenson on guitar. Jimmy Lewis on bass. Mark Helm on drum and Eric Hudson on the Hammond organ. he legend that surroundsJ ohn Hammond's to join him for this recording. Arriving in town, 1965 celebrated long player "So Many Musselwhite and Bloomfield called up Hammond Roads" is that its creation was the occasion and soon found themselves a part of the activity. where Bob Dylan discovered the musicians with Bob Dylan showed up to check out the action, whom he forged his greatest collaborations. having just formally embraced the rock format a Guitarist Robbie Robertson, drummer Levon Helm few weeks earlier, working on his next album, and organist Garth Hudson were all former "Bringing It All Back Home", sessions in which members of Canadian rocker Ronnie Hawkins' Hammond himself is reported to have participated. band and veterans of several singles of their own, Long time associates on the folk circuit, the two as Levon & the Hawks and the Canadian Squires. singers shared an affinity for country blues of the Joining Hammond and the Hawks at the one day- kind that Hammond had made his name with since long session that produced the record, held at becoming a fixture in the nation's coffeehouses. Vanguard's New York studios in spring 1965, were One can't help but imagine that Dylan was two other notables, fresh off a Greyhound bus impressed by the rude vibe generated by this from Chicago - a young harp player named Charlie ensemble on a raw, gutsy programme of what was Musselwhite, yet to make his name outside the decidedly urban electric blues. In short order. Windy City, and his pal Mike Bloomfield, already in Bloomfield, and then the Hawks - soon to be the ascendant as the acclaimed axe-slinger with known as The Band - became his sidemen for the the embryonic Paul Butterfield Blues Band; here he most influential and acclaimed was happy to merely contribute piano. period of his career, utilizing -....\ G U A in many ways the Bloomfield had auditioned as a solo act ~ ~\-, riJi() basic sonic approach for Hammond's father. the legendary • ..=-•.-!-! :.'!Ir-...:.._ heardon"So. CHaomlummboinad R Serc, obrudts h' Ae &anRd m an John -u .. :·: -=..:. .- ·::~--. =.-. .~.-..i . = =- Many Roads . Musselwhite knew the younger ·=:!.~ ..... Hammond as one of their own: a .,,_ .'& fraternity of young. socially :~-).~. . disenfranchised white musicians finasstcriunmateendt wali tihnt tehnes eitmy ooft itohnea bl aluneds . ~~... --11111... John Hammond had run into the Hawks mE~'DAYOREGOt<i1A.-i. in 1964 on their own turf, the bohemian AUGUS'T22.l tlS Yorkville district of Toronto, Canada and, John Hammond·So Many noting their powerful brand of R&B, invited them Ro•ds (V. . gvud)-Young aH amremaol ndc ohmaesr .p roTvheed tJom ebre tl()(e$ label Hammond an ur- benatn Hbalumesm soinndp .eir.s. Jafs ma&pnp aorr- It, IMt" Mt,, Nrn·Pma, convic1ion. So from the l11•1r, NM .. Nr T; IHI Man. is his delivery lhat one would susp«:t he has VANGUARD - I! you like :wli. ~v.a tsdr :o:nw:e~it h:o jf: tihtphe>e m:o!p,. ~pr~He,as:mse.md ,t oonodr: blues, John Hammond has an explosive package for you In Mus..'f.Clwhue.h a r m o nica: his album, "So Many Roads." Jaime R. Robertson, ~u1tar: Hammond g~ clear Inside a MMaicrkh aeLle vBolno omHeflimel.d . dpruiamnso: : song and slugs his way out. Jimmy Lewis. bass. and His own hard driving guitar Is NEW ALBUM RELEASES fEnr'i"co i,;H1u'~ds on,7 rH:~afmti~m.o:n:dl "fo~r;- supported by harmonica, anoth- er guitar, drums, piano, bass tbhlueerse. isP earh alepsss omn ftohre mblauneys and electric organ. Some of his VANCUAID o~ us to Jeam lOday. "Down lilies: "You Can't Judge a nn the Bouom," .. Lonfs Dist- Book by the Cover," "Gambling MIUIAUD: PACUI IN fflllS-Utlh S~ Lanecvee C aMll."c' ,"" I w"Saon t YMoua ntoy Blues," 14Big Boss Man," -"So phony Orth. (Abnnnel>, VU 11~. VSO Ro.ads. So Many T:-ains:· Many Roads, So Many Trains." 71134 C"Ran1·m, b.lluind&J• B• luBe"s'*."- by" Ythoeu JO9H1N7 8,N AvsMoM C7M9U1>7-8S o M1ny Rotds; YRS Ca"nloldav be·rv. ..".a iP," Gltaa1csmesbs lDinMo1t~n ;B'ft' luGeaosr,:e"· BILLBOARD, June 26, 1965 among :he 12 ~~~