Recently Published Spring 2013 Contents General Interest 1 Special Interest 37 Paperbacks 89 The Open Door Bewilderment One Hundred Poems, One Hundred New Poems and Translations Distributed Books 113 Years of Poetry Magazine David Ferry Edited by Don Share and ISBN-13: 978-0-226-24488-4 Christian Wiman Paper $18.00/£11.50 Author Index 188 ISBN-13: 978-0-226-75070-5 E-book ISBN-13: 978-0-226-24490-7 Cloth $20.00/£13.00 E-book ISBN-13: 978-0-226-75073-6 Title Index 190 Subject Index 192 Ordering Information 193 The Last Walk A World in One Reflections on Our Pets at the Cubic Foot End of Their Lives Portraits of Biodiversity Jessica Pierce David Liittschwager ISBN-13: 978-0-226-66846-8 With a Foreword by E. O. Wilson Cloth $26.00/£17.00 ISBN-13: 978-0-226-48123-4 E-book ISBN-13: 978-0-226-92204-1 Cloth $45.00/£29.00 The Secrets of Alchemy Book Was There Lawrence M. Principe Reading in Electronic Times ISBN-13: 978-0-226-68295-2 Andrew Piper Cover image: Swordfish art created by Richard Ellis Cloth $25.00/£16.00 ISBN-13: 978-0-226-66978-6 E-book ISBN-13: 978-0-226-92378-9 E-book ISBN-13: 978-0-226-92289-8 Cover design by Alice Reimann Catalog design by Alice Reimann and Mary Shanahan Keith KoenemAn First Son The Biography of Richard M. Daley “Mayor Richard M. Daley dropped the bomb at a routine news conference at City Hall on Tuesday. With no prelude or fanfare, Mr. Daley announced that he would not seek re-election when his term expires next year. ‘Simply put, it’s time,’ he said.”—New York Times, September 7, 2010 W ith those four words, an era ended. After twenty-two years, the longest-serving and most powerful mayor in the his- tory of Chicago—and, arguably, America—stepped down, leaving behind a city that was utterly transformed, and a complicated legacy we are only beginning to evaluate. “Keith Koeneman captures the arc of Dal- ey’s reign perfectly—its early successes In First Son, Keith Koeneman chronicles the sometimes Shake- and later failures, its mix of volatility and spearean, sometimes Machiavellian life of an American political insecurity, and the evolution of an insular legend. Making deft use of unprecedented access to key players in the Democratic-machine prince from Bridge- Daley administration, as well as Chicago’s business and cultural lead- port into a powerful leader who learned to ers, Koeneman draws on more than one hundred interviews to tell an coexist with intellectuals, culture buffs, up-close, insider story of political triumph and personal evolution. and titans of business to build a world- With Koeneman as our guide, we follow young Daley from his class city. . . . A must-read if you care beginnings as an average Bridgeport kid thought to lack his father’s about Chicago.” talent and charisma to his unlikely transformation into an iron-fisted —Andy Shaw, leader. Daley not only escaped the giant shadow of his father but also retired political reporter and executive director of the Better transformed Chicago from a gritty, postindustrial Midwestern capital Government Association into a beautiful, sophisticated global city. But in spite of his many accomplishments, Richard M. Daley’s APRIl 400 p., 24 halftones, 2 tables 6 x 9 record is far from flawless. First Son sets the dramatic improvement of ISBN-13: 978-0-226-44947-0 Cloth $30.00/£19.50 certain parts of the city against the persistent realities of crime, finan- E-book ISBN-13: 978-0-226-44949-4 cial stress, failing public housing, and dysfunctional schools. And it BIOGRAPHY AMERICAN HISTORY reveals that in many ways Daley was unable to fully escape the machine politics of his father. A nuanced portrait of a complex man, First Son shows Daley to be sensitive yet tough, impatient yet persistent, a street-smart fighter and detail-driven policy expert who not only ran Chicago, but was Chicago. Keith Koeneman is a third-generation Chicagoan. He holds advanced degrees from Harvard University, the University of Chicago, and Northwestern Univer- sity and writes on Chicago politics, history, and culture for the Huffington Post. general interest 1 thAne RoSenBAum Payback The Case for Revenge W e call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and re- place with the order and codes of courtroom justice. What, if anything, distinguishes punishment at the hands of the government from a vic- tim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosen- “Because it is often regarded as ‘un-Chris- baum in Payback—revenge is, in fact, indistinguishable from justice. tian,’ revenge has acquired a bad name. in this incisive analysis, thane Rosenbaum Revenge, Rosenbaum argues, is not the problem. It is, in fact, a argues that revenge is a hunger in most perfectly healthy emotion. Instead, the problem is the inadequacy of injured hearts and the very fundament of lawful outlets through which to express it. He mounts a case for legal our idea of justice. this is a compelling systems to punish the guilty commensurate with their crimes as part and provocative book, immensely valu- of a societal moral duty to satisfy the needs of victims to feel avenged. able both for its close reasoning and its Indeed, the legal system would better serve the public if it gave victims honesty.” the sense that vengeance was being done on their behalf. Drawing on —Scott turow a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to APRIl 320 p. 6 x 9 revenge practices from around the world, to the way in which revenge ISBN-13: 978-0-226-72661-8 Cloth $26.00/£17.00 tales have permeated popular culture—including Hamlet, The Godfa- E-book ISBN-13: 978-0-226-04369-2 ther, and Braveheart—Rosenbaum demonstrates that vengeance needs lAW CURRENT EVENTS to be more openly and honestly discussed and lawfully practiced. Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shake- speare to The Sopranos. Rosenbaum liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury. thane Rosenbaum is the author of The Myth of Moral Justice: Why Our Legal System Fails to Do What’s Right, as well as four novels. His articles, reviews, and essays appear frequently in the New York Times, Los Angeles Times, Wall Street Journal, Washington Post, and Huffington Post, among others. He is the John Whelan Distinguished Lecturer in Law at Fordham Law School, and he directs the Forum on Law, Culture, and Society. 2 general interest The Complete Greek Tragedies, Third Edition edited by DAviD GRene and RiChmonD LAttimoRe Third Edition edited by Mark Griffith and Glenn W. Most S ixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teach- ers, students, and readers. They succeeded. Under the expert management of emi- nent classicists David Grene and Richmond Lattimore, those translations combined accu- racy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek trag- edies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’s Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing tex- tual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life. David Grene (1913–2002) taught classics for many years at the University of Chicago. Richmond Lattimore (1906–1984) was a poet and translator best known for his translations of the Greek classics, especially his versions of the Iliad and the Odyssey. mark Griffith is professor of classics and of theater, dance, and performance studies at the University of California, Berkeley. Glenn W. most is professor of ancient Greek at the Scuola Normale Superiore at Pisa and a visiting member of the Committee on Social Thought at the University of Chicago. general interest 3 T H E CoM Pl ET E GR E Ek T R AGE DI E S, T H I R D E DI T Ion Aeschylus I Euripides II The Persians, Seven Against Andromache, Hecuba, Thebes, The Suppliant Maidens, The Suppliant Women, Electra Prometheus Bound MAY 280 p. 51/2 x 81/2 MAY 256 p. 51/2 x 81/2 ISBN-13: 978-0-226-30877-7 ISBN-13: 978-0-226-31143-2 Cloth $35.00x/£22.50 Cloth $35.00x/£22.50 ISBN-13: 978-0-226-30878-4 ISBN-13: 978-0-226-31144-9 Paper $13.00s/£8.50 Paper $13.00s/£8.50 E-book ISBN-13: 978-0-226-30935-4 E-book ISBN-13: 978-0-226-31145-6 lITERATURE ClASSICS lITERATURE ClASSICS Euripides III Aeschylus II Heracles, The Trojan Women, The Oresteia Iphigenia among the Taurians, Ion MAY 192 p. 51/2 x 81/2 MAY 320 p. 51/2 x 81/2 ISBN-13: 978-0-226-31146-3 ISBN-13: 978-0-226-30881-4 Cloth $35.00x/£22.50 Cloth $35.00x/£22.50 ISBN-13: 978-0-226-31147-0 ISBN-13: 978-0-226-30882-1 Paper $12.00s/£8.00 Paper $13.00s/£8.50 E-book ISBN-13: 978-0-226-31148-7 E-book ISBN-13: 978-0-226-30936-1 lITERATURE ClASSICS lITERATURE ClASSICS Euripides I Euripides IV Alcestis, Medea, The Children Helen, The Phoenician of Heracles, Hippolytus Women, Orestes MAY 280 p. 51/2 x 81/2 MAY 304 p. 51/2 x 81/2 ISBN-13: 978-0-226-30879-1 ISBN-13: 978-0-226-30895-1 Cloth $35.00x/£22.50 Cloth $35.00x/£22.50 ISBN-13: 978-0-226-30880-7 ISBN-13: 978-0-226-30896-8 Paper $12.00s/£8.00 Paper $13.00s/£8.50 E-book ISBN-13: 978-0-226-30934-7 E-book ISBN-13: 978-0-226-30937-8 lITERATURE ClASSICS lITERATURE ClASSICS 4 general interest T H E CoM Pl ET E T H E CoM Pl ET E GR E Ek T R AGE DI E S, GR E Ek T R AGE DI E S, T H I R D E DI T Ion T H I R D E DI T Ion Euripides V Greek Tragedies 1 Bacchae, Iphigenia in Aulis, Aeschylus: Agamemnon, The Cyclops, Rhesus Prometheus Bound; Sophocles: Oedipus the King, Antigone; MAY 296 p. 51/2 x 81/2 Euripides: Hippolytus ISBN-13: 978-0-226-30897-5 Cloth $35.00x/£22.50 ISBN-13: 978-0-226-30898-2 MAY 336 p. 51/2 x 81/2 ISBN-13: 978-0-226-03514-7 Paper $13.00s/£8.50 Cloth $35.00x/£22.50 E-book ISBN-13: 978-0-226-30933-0 ISBN-13: 978-0-226-03528-4 lITERATURE ClASSICS Paper $12.00s/£8.00 E-book ISBN-13: 978-0-226-03531-4 lITERATURE ClASSICS Sophocles I Antigone, Oedipus the King, Greek Tragedies 2 Oedipus at Colonus Aeschylus: The Libation Bearers; MAY 256 p. 51/2 x 81/2 Sophocles: Electra; Euripides: ISBN-13: 978-0-226-31150-0 Cloth $35.00x/£22.50 Iphigenia among the Taurians, ISBN-13: 978-0-226-31151-7 Electra, The Trojan Women Paper $12.00s/£8.00 E-book ISBN-13: 978-0-226-31153-1 MAY 320 p. 51/2 x 81/2 lITERATURE ClASSICS ISBN-13: 978-0-226-03545-1 Cloth $35.00x/£22.50 ISBN-13: 978-0-226-03559-8 Sophocles II Paper $12.00s/£8.00 E-book ISBN-13: 978-0-226-03562-8 Ajax, The Women of Trachis, lITERATURE ClASSICS Electra, Philoctetes, The Trackers MAY 336 p. 51/2 x 81/2 Greek Tragedies 3 ISBN-13: 978-0-226-31154-8 Cloth $35.00x/£22.50 Aeschylus: The Eumenides; ISBN-13: 978-0-226-31155-5 Sophocles: Philoctetes, Oedipus at Paper $13.00s/£8.50 Colonus; Euripides: The Bacchae, E-book ISBN-13: 978-0-226-31156-2 lITERATURE ClASSICS Alcestis MAY 336 p. 51/2 x 81/2 ISBN-13: 978-0-226-03576-5 Cloth $35.00x/£22.50 ISBN-13: 978-0-226-03593-2 Paper $12.00s/£8.00 E-book ISBN-13: 978-0-226-03609-0 lITERATURE ClASSICS general interest 5 KAte L. tuRABiAn A Manual for Writers of Research Papers, Theses, and Dissertations Chicago Style for Students and Researchers Eighth Edition Revised by Wayne C. Booth, Gregory G. Colomb, Joseph M. Williams, and the University of Chicago Press Praise for the previous edition Editorial Staff “the authors have achieved something remarkable: a how-to book that really A meets the inspirational, mechanical, and little more than seventy-five years ago, Kate L. Turabian practical needs of diverse audiences. drafted a set of guidelines to help students understand how there’s nothing like it.” to write, cite, and formally submit research writing. Seven —Richard m. valelly, editions and more than nine million copies later, the name Turabian Swarthmore College has become synonymous with best practices in research writing and style. Her Manual for Writers continues to be the gold standard for Chicago Guides to Writing, Editing, and Publishing generations of college and graduate students in virtually all academic disciplines. Now in its eighth edition, A Manual for Writers of Research APRIl 464 p., 1 halftone, 42 line drawings, Papers, Theses, and Dissertations has been fully revised to meet the needs 12 tables 6 x 9 ISBN-13: 978-0-226-81637-1 of today’s writers and researchers. Cloth $42.50x/£27.50 ISBN-13: 978-0-226-81638-8 The Manual retains its familiar three-part structure, beginning Paper $18.00/£11.50 E-book ISBN-13: 978-0-226-81639-5 with an overview of the steps in the research and writing process, REFERENCE including formulating questions, reading critically, building argu- ments, and revising drafts. Part II provides an overview of citation practices with detailed information on the two main scholarly citation styles (notes-bibliography and author-date), an array of source types with contemporary examples, and detailed guidance on citing online resources. 6 general interest More than 9 million copies sold ♦ Authoritative guidance on all matters of style, updated to reflect The Chicago Manual of Style, sixteenth edition ♦ Thorough coverage of scholarly citation: standard practices, an expanded array of digital sources, and hundreds of new examples ♦ Comprehensive guidelines—vetted by dissertation officials nation- wide—for formatting research papers, theses, and dissertations and preparing them for submission Also available The final section treats all matters of editorial style, with advice on punctuation, capitalization, spelling, abbreviations, table formatting, and the use of quotations. Style and citation recommendations have been revised throughout to reflect the sixteenth edition of The Chicago Manual of Style. With an appendix on paper format and submission that has been vetted by dissertation officials from across the country and a bibliography with the most up-to-date listing of critical resources avail- able, A Manual for Writers remains the essential resource for students Student’s Guide to and their teachers. Writing College Papers Fourth Edition Kate L. turabian (1893–1987) was the graduate school dissertation secretary kate l. Turabian at the University of Chicago from 1930 to 1958. She is also the author of The Student’s Guide to Writing College Papers. Wayne C. Booth (1921–2005) was the Revised by Gregory G. Colomb, Joseph M. George M. Pullman Distinguished Service Professor Emeritus in English Williams, and the University of Chicago Language and Literature at the University of Chicago. His many books Press Editorial Staff include The Rhetoric of Fiction and For the Love of It: Amateuring and Its Rivals. The popular, concise guide to Gregory G. Colomb (1951–2011) was professor of English at the University of writing college research papers, Virginia and the author of Designs on Truth: The Poetics of the Augustan Mock- revised for a new generation of Epic. He is coauthor, with Wayne C. Booth and Joseph M. Williams, of the students. best-selling guide The Craft of Research. Joseph m. Williams (1933–2008) was professor in the Department of English Language and Literature at the Uni- AVAIlABlE 304 p., 21 line drawings, versity of Chicago and the author of Style: Toward Clarity and Grace. 6 tables 65/8 x 93/8 ISBN-13: 978-0-226-81631-9 Paper $15.00/£9.50 E-book ISBN-13: 978-0-226-81633-3 REFERENCE general interest 7 Seth LeReR Prospero’s Son Life, Books, Love, and Theater T his book is the record of a struggle between two tempera- ments, two consciousnesses and almost two epochs.” That’s how Edmund Gosse opened Father and Son, the classic 1907 book about his relationship with his father. Seth Lerer’s Prospero’s Son is, as fits our latter days, altogether more complicated, layered, and multivalent, but at its heart is that same problem: the fraught relation- ship between fathers and sons. At the same time, Lerer’s memoir is about the power of books and theater, the excitement of stories in a young man’s life, and the trans- formative magic of words and performance. A flamboyantly performa- “i couldn’t put this book down. ‘memoir’ tive father, a teacher and lifelong actor, comes to terms with his life doesn’t begin to do it justice. Prospero’s as a gay man. A bookish boy becomes a professor of literature and an Son is a beautifully observed and often acclaimed expert on the very children’s books that set him on his path haunting reflection about how we get in the first place. And when that boy grows up, he learns how hard it here and what we leave behind.” —James Shapiro, is to be a father and how much books can, and cannot, instruct him. author of A Year in the Throughout these intertwined accounts of changing selves, Lerer re- Life of William Shakespeare turns again and again to stories—the ways they teach us about discov- ery, deliverance, forgetting, and remembering. APRIl 168 p. 51/2 x 81/2 ISBN-13: 978-0-226-01441-8 “A child is a man in small letter,” wrote Bishop John Earle in the Cloth $20.00/£13.00 E-book ISBN-13: 978-0-226-01455-5 seventeenth century. “His father hath writ him as his own little story.” lITERATURE With Prospero’s Son, Seth Lerer acknowledges the author of his story while simultaneously reminding us that we all confront the blank page of life on our own, as authors of our lives. Seth Lerer is dean of arts and humanities at the University of California, San Diego. He is the author of many books, including the National Book Critics Circle Award–winning Children’s Literature: A Reader’s History, from Aesop to Harry Potter. 8 general interest