ebook img

Etext of A Childs Primer of Natural Historyby Oliver Herford PDF

13 Pages·2021·0.09 MB·English
by  
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Etext of A Childs Primer of Natural Historyby Oliver Herford

Project Gutenberg's A Child's Primer Of Natural History, by Oliver Herford This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Child's Primer Of Natural History Author: Oliver Herford Release Date: August 16, 2008 [EBook #26331] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK CHILD'S PRIMER OF NATURAL HISTORY *** Produced by Jessica Rupp A Child's Primer Of Natural History By Oliver Herford with Pictures by the Author Charles Scribner's Sons, New York, 1899 Copyright 1899, by Oliver Herford CONTENTS A Seal The Giraffe The Yak A Whale The Leopard The Sloth The Elephant The Pig-Pen Some Geese The Ant An Arctic Hare The Wolf An Ostrich The Hippopotamus The Fly The Mongoos The Platypus The Chimpanzee A Mole The Rhinoceros A Penguin The Cat The Dog A Chameleon A Seal. SEE, chil-dren, the Fur-bear-ing Seal; Ob-serve his mis-di-rect-ed zeal: He dines with most ab-ste-mi-ous care On Fish, Ice Water and Fresh Air A-void-ing cond-i-ments or spice, For fear his fur should not be nice And fine and smooth and soft and meet For Broad-way or for Re-gent Street And yet some-how I of-ten feel (Though for the kind Fur-bear-ing Seal I har-bor a Re-spect Pro-found) The Giraffe. SEE the Gi-raffe; he is so tall There is not room to get him all U-pon the page. His head is high-er— The pic-ture proves it—than the Spire. That's why the na-tives, when they race To catch him, call it stee-ple-chase. His chief de-light it is to set A good example: shine or wet He rises ere the break of day, And starts his break-fast right away. His food has such a way to go,— His throat's so very long,—and so An early break-fast he must munch To get it down ere time for lunch. The Yak. THIS is the Yak, so neg-li-gée: His coif-fure's like a stack of hay; He lives so far from Any-where, I fear the Yak neg-lects his hair, And thinks, since there is none to see, What mat-ter how un-kempt he be. How would he feel if he but knew That in this Pic-ture-book I drew His Phys-i-og-no-my un-shorn, For chil-dren to de-ride and scorn? A Whale. THE con-sci-en-tious art-ist tries On-ly to draw what meets his eyes. This is the Whale; he seems to be A spout of wa-ter in the sea. Now, Hux-ley from one bone could make An un-known beast; so if I take This spout of wa-ter, and from thence Con-struct a Whale by in-fer-ence, A Whale, I ven-ture to as-sert, Must be an an-i-mat-ed squirt! Thus, chil-dren, we the truth may sift By use of Log-ic's Price-less Gift. The Leopard. THIS is the Le-o-pard, my child; His tem-per's any-thing but mild. The Le-o-pard can't change his spots, And that—so say the Hot-ten-tots— Is why he is so wild. Year in, year out, he may not change, No mat-ter how the wea-ther range, From cold to hot. No won-der, child, We hear the Le-o-pard is wild. The Sloth. THE Sloth en-joys a life of Ease; He hangs in-vert-ed from the trees, And views life up-side down. If you, my child, are noth-ing loath To live in In-dol-ence and Sloth, Un-heed-ing the World's frown, You, too, un-vexed by Toil and Strife, May take a hu-mor-ous view of life. The Elephant. THIS is the El-e-phant, who lives With but one aim—to please. His i-vo-ry tusk he free-ly gives To make pi-a-no keys. One grief he has—how-e'er he tries, He nev-er can for-get That one of his e-nor-mous size Can't be a house-hold pet. Then does he to his grief give way, Or sink 'neath sor-row's ban? Oh, no; in-stead he spends each day Con-tri-ving some un-sel-fish way To be of use to Man. The Pig-Pen. OH, turn not from the hum-ble Pig, My child, or think him in-fra dig. We oft hear lit-er-a-ry men Boast of the in-flu-ence of the Pen; Yet when we read in His-to-ry's Page Of Hu-man Pigs in ev-er-y age, From Cr[oe]sus to the pres-ent day, Is it, my child, so hard to say (De-spite the Scribes' vain-glo-ri-ous boast) What Pen has in-flu-enced Man the most? Some Geese. EV-ER-Y child who has the use Of his sen-ses knows a goose. See them un-der-neath the tree Gath-er round the goose-girl's knee, While she reads them by the hour From the works of Scho-pen-hau-er. How pa-tient-ly the geese at-tend! But do they re-al-ly com-pre-hend What Scho-pen-hau-er's driv-ing at? Oh, not at all; but what of that? Nei-ther do I; nei-ther does she; And, for that mat-ter, nor does he. The Ant. MY child, ob-serve the use-ful Ant, How hard she works each day. She works as hard as ad-a-mant (That's very hard, they say). She has no time to gal-li-vant; She has no time to play. Let Fido chase his tail all day; Let Kitty play at tag: She has no time to throw a-way, She has no tail to wag. She scurries round from morn till night; She ne-ver, ne-ver sleeps; She seiz-es ev-ery-thing in sight, And drags it home with all her might, And all she takes she keeps. An Arctic Hare. AN Arc-tic Hare we now be-hold. The hair, you will ob-serve, is white; But if you think the Hare is old, You will be ver-y far from right. The Hare is young, and yet the hair Grew white in but a sin-gle night. Why, then it must have been a scare That turned this Hare. No; 't was not fright (Al-though such cases are well known); I fear that once a-gain you're wrong. Know then, that in the Arc-tic Zone A sin-gle night is six months long. The Wolf. OH, yes, the Wolf is bad, it's true; But how with-out him could we do? If there were not a wolf, what good Would be the tale of RID-ING-HOOD? The Lit-tle Child from sin will fly When told the wick-ed Wolf is nigh; And when, ar-rived at Man's es-tate, He hears the Wolf out-side his gate, He knows it's time to put a-way I-dle fri-vol-i-ty and play. That's how (but do not men-tion it) This prim-er hap-pened to be writ. An Ostrich. THIS is an Os-trich. See him stand: His head is bur-ied in the sand. It is not that he seeks for food, Nor is he shy, nor is he rude; But he is sen-si-tive, and shrinks And hides his head when-e'er he thinks How, on the Gains-bor-ough hat some day Of some fine la-dy at the play, His fea-thers may ob-struct the view Of all the stage from me or you. The Hippopotamus. "OH, say, what is this fearful, wild In-cor-ri-gible cuss?" "This _crea-ture_ (don't say 'cuss,' my child; 'T is slang)—this crea-ture fierce is styled The Hip-po-pot- am-us. His curious name de-rives its source From two Greek words: _hippos_—a horse, _Potamos_—river. See? The river's plain e-nough, of course; But why they called that thing a horse, That's what is Greek to me." The Fly. OB-SERVE, my child, the House-hold Fly, With his ex-traor-di-na-ry eye: What-ev-er thing he may be-hold Is mul-ti-plied a thou-sand-fold. _We_ do not need a com-plex eye When we ob-serve the Household Fly: He is so vol-a-tile that he In _ev-ery_ place at once can be; He is the buzz-ing in-car-na-tion Of an-i-mate mul-ti-pli-ca-tion. Ah! chil-dren, who can tell the Why And Where-fore of the House-hold Fly? The Mongoos. THIS, Chil-dren, is the famed Mon-goos. He has an ap-pe-tite ab-struse; Strange to re-late, this crea-ture takes A cu-ri-ous joy in eat-ing snakes— All kinds, though, it must be con-fessed, He likes the poi-son-ous ones the best. From him we learn how ve-ry small A thing can bring a-bout a Fall. Oh, Mon-goos, where were you that day When Mis-tress Eve was led a-stray? If you'd but seen the ser-pent first, Our Parents would not have been cursed, And so there would be no ex-cuse For MIL-TON, but for you—Mon-goos! The Platypus. MY child, the Duck-billed Plat-y-pus A sad ex-am-ple sets for us: From him we learn how In-de-ci-sion Of char-ac-ter pro-vokes De-ri-sion. This vac-il-lat-ing Thing, you see, Could not de-cide which he would be, Fish, Flesh, or Fowl, and chose all three. The sci-en-tists were sore-ly vexed To clas-si-fy him; so per-plexed Their brains that they, with Rage at bay, Called him a hor-rid name one day,— A name that baf-fles, frights, and shocks us,— Or-ni-tho-rhyn-chus Par-a-dox-us. The Chimpanzee. CHIL-DREN, be-hold the Chim-pan-zee: He sits on the an-ces-tral tree From which we sprang in ag-es gone. I'm glad we sprang: had we held on, We might, for aught that I can say, Be hor-rid Chim-pan-zees to-day. A Mole. SEE, chil-dren, the mis-guid-ed Mole. He lives down in a deep, dark hole; Sweet-ness, and Light, and good Fresh Air Are things for which he does not care. He has not e-ven that make-shift Of fee-ble minds—the _so-cial gift_. But say not that he has no soul, Lest hap-ly we misjudge the Mole; Nay, if we mea-sure him by Men, No doubt he sits in his dark den In-struct-ing oth-ers blind as he Ex-act-ly how the world _should_ be. The Rhinoceros. SO this is the Rhi-no-ce-ros! I won-der why he looks so cross. Per-haps he is an-noyed a bit Be-cause his cloth-ing does not fit. (They say he got it read-y made!) It is not that, I am a-fraid. He looks so cross be-cause I drew Him with one horn in-stead of two. Well, since he cares so much for style, Let's give him two and see him smile. A Penguin. THE Pen-guin sits up-on the shore And loves the lit-tle fish to bore; He has one en-er-vat-ing joke That would a very Saint pro-voke: "The Pen-guin's might-i-er than the Sword-fish"; He tells this dai-ly to the bored fish, Un-til they are so weak, they float With-out re-sis-tance down his throat. The Cat. OB-SERVE the Cat up-on this page. Phil-os-o-phers in ev-er-y age, The ver-y _wis-est_ of the wise, Have tried her mind to an-a-lyze In vain, for noth-ing can they learn. She baf-fles them at ev-er-y turn Like Mis-ter Ham-let in the play. She leads their rea-son-ing a-stray; She feigns an in-ter-est in string Or yarn or any roll-ing thing. Un-like the Dog, she does not care With com-mon Man her thoughts to share. She teach-es us that in life's walk 'T is bet-ter to let oth-ers talk, And lis-ten while _they_ say in-stead The fool-ish things we might have said. The Dog. HERE is the Dog. Since time be-gan, The Dog has been the friend of MAN, The Dog loves MAN be-cause he shears His coat and clips his tail and ears. MAN loves the Dog be-cause he'll stay And lis-ten to his talk all day, And wag his tail and show de-light At all his jokes, how-ev-er trite. His bark is far worse than his bite, So peo-ple say. They may be right; Yet if to make a choice I had, I'd choose his bark, how-ev-er bad. A Chameleon. A USE-FUL les-son you may con, My Child, from the Cha-me-le-on: He has the gift, ex-treme-ly rare In an-i-mals, of sav-oir-faire. And if the se-cret you would guess Of the Cha-me-le-on's suc-cess, [Transcriber's Note: In this file, the ligatured oe character is represented by "[oe]".] End of the Project Gutenberg EBook of A Child's Primer Of Natural History, by Oliver Herford *** END OF THIS PROJECT GUTENBERG EBOOK CHILD'S PRIMER OF NATURAL HISTORY *** ***** This file should be named 26331-h.htm or 26331-h.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/2/6/3/3/26331/ Produced by Jessica Rupp Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.