Essays on Canadian CUniting NUMBER 83 FALL 2004 SUSAN GINGELL Introduction SOPHIE MCCALL “I Can Only Sing This Song to Someone Who Understands It”: Community Filmmaking and the Politics of Partial Translation in Atanarjuat, the Fast Runner SARAH BANTING “The Lowdown Rundown on the Way It Went at That Time”: Editorial Constructions of Meaning in Five Textualized Interviews of the Sound Heritage Project GLENN WILLMOTT Modernism and Aboriginal Modernity: The Appropriation of Products of West Coast Native Heritage as National Goods “We Who Have Traded Our NICHOLAS BRADLEY Voices for Words”: Performance, Poetry, and the Printed Word in Robert Bringhurst’s Translations from Haida MARIA CARIDAD CASAS Whose Rhythm? Textualized Riddim in Lillian Allen’s Women Do This Every Day SUSAN GINGELL “One Small Medicine”: An Interview with Maria Campbell MARGERY FEE AND 206 From Discomfort to SNEJA GUNEW Enlightenment: An Interview with Lee Maracle GERALDINE BALZER 2 2. 2 “Bring|[ing] Them Back from the Inside Out”: Coming Home through Story in Richard Wagamese’s Keeper ’n Me Contributors to This Issue